das cover hält zwar nicht unbedingt, was sich der lüsterne betrachter spätestens beim blick auf titel wie »drink my honey«, »the wet dream« und »dirty willy« von der musik versprechen könnte, liefert aber einen überaus tanzbaren industrial-house-mix.
mit hilfe des gesampelten gitarrenbretts von niemand geringerem als luc van acker und dem groovigen zusammenspiel zwischen drumcomputern und synthie-themen ergibt sich letztendlich eine durchaus massenkompatible mischung, die mit ruths multifunktionalitäts-gesang geradezu garniert wird. zwischendurch lockert dann auch mal ein an nina hagens »african reggae« erinnerndes »marijuana in your brain« die szenerie auf, ehe es kurz darauf wieder mit härteren sequenzern und uptempo-breakbeats weitergeht.
ein album an der schwelle zwischen gut & böse oder aufregend & langweilig, allemal jedoch mit gutem unterhaltungswert. umso mehr noch bei dieser neuauflage mit bonustracks bestehend aus den b-seiten diverser singles, die damals von diesem album ausgekoppelt wurden.

sublime sonic vibrations emanate from ‘down under’, our man subjoi cuts his teeth on heart to heart’s first departure from the great white north. expertly massaged with dusty lo fi grooves and steeped in rnb like d’angelo’s sheets, this one is filled with heat. these 4 range from catching eyes across the club to full body explorations. let it be known, subjoi is in the building.

music from memorys final compilation of 2017 sees the release of the double album 1 by 1, which brings together the works of american experimental musician geoffrey landers. during a period spanning from 1979 to 1987, this denver, colorado based multi-instrumentalist, composer, record producer and engineer, conceived several solo albums. only two of these, the ever decimal pulse and habitual features along with the single breedlove were ever released on vinyl. being heavily involved in the local industrial/punk/new wave scene and wanting to create a recording studio available to record artists regardless of their financial circumstances landers set up the packing house studio in 1981. this analog 8-track recording facility was located in a former slaughterhouse in the stockyards of denver and was a place of significant activity for the next three years with the studio releasing recordings from numerous artists most notably allen ginsberg.

after making waves a few years back via his potatohead people project (with astrological) and co-producing illa j s critically acclaimed self titled lp, vancouver based playboy & producer nick wisdom steps out from behind the boards to deliver his first solo release for bastard jazz. the -intimate strangers- ep mines deep into nick s proclivities for disco, hip-hop, and house flavours. -good times- kicks things off with a snapping four on the floor, deep rhodes chords and a rollicking bassline and vocals courtesy of mr. wisdom himself. -feelin alright- heads into outerspace disco territory with cosmic synths, walking bass, and sultry vocals courtesy of reva devito (hw&w, kaytranada). on the flipside -don t tell- brings in some 80s boogie vibes with downlow vocals from san francisco s k-maxx, while -rock the cash bar- is an instrumental party rocking hip-hop jam sounding like a modern day showbiz & ag.

textasy presents finest sounds on e-beamz records

this time is ricardo rodrigues aka industrialyzer who lands on the court of damon wild with three tracks perfectly aliened with the label s philosophy, synewave has been at the service of real techno for over 20 years. it all begins with analogue planet a 130 bpm journey which rouses the dance floor whilst stimulating the mind, giving both of them no mercy. the second track, -multiple walls-, carries the flavour of an old school small march with a hammondesque synth which revolves around the groove from beginning to end. the atmosphere becomes dark and acid in the third and final track on this release. orbit x is an emotional roller coaster which develops in different phases, everyone of which takes the listener by surprise. with this release industrialyzer reminds us that, after all, new york, detroit, chicago, berlin, amsterdam or lisbon dont really matter, quality techno is a global affair and synewave consistently confirms this with releases above all schemes, movements and trends. monumental.

marc durif alias nova nova rencontre malcolm maclaren en 2005 pour lequel il compose le titre love will (dernier titre de l album) mais aussi un remix de-love will tear us apart-au piano (sorti l annee derniere (7inch). titres qui restent dans les tiroirs suite au deces de maclaren. mais fort heureusement ce premier titre circule (grâce à maclaren) vers quelques destinataires de choix dont le celebre peter hook (bassiste et fondateur de joy division et de new order) qui le joue au debut de tous ses dj sets, tout en ne connaissant pas le nom des producteurs. il dit le jouer car il provoque chez lui a chaque fois une forte émotion. marc durif en compagnie de nombreux artistes sest attele par la suite a la composition du quatrième album neo-classic. la suite de composition de ce disque renvoie dos a dos la pop synthétique romantique de ten cc et l’impressionnisme de debussy pour s’assembler dans une vision neo-classique.

following on many ace 12-releases, dego (4hero) & kaidi tatham release their debut album for theo parrish’s sound signature label. tip!
. 16 tracks displaying the duo s signature sound, carrying elements of jazz-funk, boogie, house and broken beat and featuring collaborations by the likes of mr. mensah, nadine charles, sarina leah, yelfris valdes, ray carless, wayne francis.

superb album by east los angeles band the village callers, recorded live in 1968 and released on eddie daviss rampart records. seasoned and popular band at all the top venues, the village callers brought many different sounds into the mix: jazz, soul, r&b and lots of latin percussion. their only lp consisted mainly of groove-filled covers such as i heard it through the grapevine, i dont need no doctor, joao donatos the frog and a medley of aretha franklin hits. hector, one of the standout cuts on the lp and its only original song, has been sampled by beastie boys, cypress hill or de la soul among other hip-hop artists.

thomas brinkmann is one of the great producers of techno music and modern dance music. he initially gained notoriety in the experimental electronic music and techno community for his full-length variations of material by wolfgang voigt under his mike ink moniker, and richie hawtin. the variations were made by playback of the original artist records on a turntable of brinkmann s design, which has two tone arms with separate outputs for left and right channels. the turntables were then pitched down from 33rpm to 27rpm and the results recorded and mixed. both voigt and hawtin were sufficiently impressed they released the results on their own labels. since then thomas brinkmann has produced some all-time classic dance tracks, many of which are collected here in what is a personal selection by thomas brinkmann himself. there are unreleased tracks, different versions, and tracks that have never been released on vinyl. a full colour 20-page book with track notes by thomas brinkmann and photos from his personal collection is included. limited edition box. highly recommended! ean4050486123461

exciting news! it took 12 releases but common edit returns with something you might actually play on a dancefloor! the spirit continues with another family affair from canada s celebrated common edit label. welcoming two new members in cooper saver and project pablo, while dane, eddie c & el molito wave hi. something for everyone on this, outside cuts for the floor and inside cuts for the sunny days and rainbows. enjoy the ride!

the 1996 debut album from faithless, back on 180 gram double vinyl with download code included.

kiu d lands back at the masterworks hq for his latest release -the journey - 12 inch sampler-. having steadily climbed the ranks of modern disco producers with consistent releases for the likes of hot digits & special editionà he returns to masterworks with his 4th outing on the label. rounding up a fierce collection of heavy beats, sampled grooves and lush melodies, kiu d remains in fine form and is apparently immune to resting on his laurels.

after showcasing his knack for emotive productions via various eps throughout his career, including chart-topping singles on hot since 82s knee deep in sound and dave seamans selador, the swiss artist several definitions now reveals his first full-length album. it should come as no surprise that the artist found familiarity in what he calls the berlin style of electronic music and notably, that of oliver koletzkis stil vor talent. reborn after the road is an intense and emotional affair, consisting of 14 tracks crafted using field and live recordings, switching between analogue and digital to mould a sonic atmosphere that emblazons the artists core ethos. although the personal experience that sparked the inspiration for the lp is far from pleasant, several definitions style is audibly resolute. reborn after the road, the albums eponymous track, creates a fitting intro for the healing process that is to follow. its airy pads and majestic strings sonically stand at the epicenter of the expressive album. several definitions continues to explore these sounds on vaporous slices like pontce?ard 32 or the more acidical last breath. the mellifluous, feminine vocals of lameduza on learn to feel and her, as well as spanish singer goldsuns crooner talents on the introspective trust, on the other hand, showcase several definitions ability to work the human voice into his musical explorations. taking introspection one step further towards darker realms, senelity then feels like a rite of passage into the deeper and more intense segment at the albums core. over you briefly signals a turning point, with its alarm-like synths and grave leads, which is then followed by the glitchy resistance on modular spaces.

das britische dj/produzenten-chamŠleon midland aka harry agius, der seit 2010 die clubwelt mit surrealen tracks bis modernem pop begeistert und u.a. darkstar, mano le tough und flume remixte, legt mit -fabric live 94- einen faszinierenden mixflow vor, der keinen anfang und kein ende kennt, stŠndig zwischen verwirrung und †berwŠltigung, zwischen momenten totaler klarheit und begeisterung hin und herwechselt und als fixpunkte die tracks von roman flŸgel, lfo und daphni setzt, die dem hšrer/tŠnzer immer wieder orientierung geben.

101 of the biggest floorfillers across 5 discs featuring diana ross, the gap band, barry white, james brown, gloria gaynor, marvin gaye and more

black ivory was the pride of harlem and new yorks answer to the philly-fine delfonics but with infinitely more teen sex appeal. this silky-smooth 70s harmony trio featured the fabulous falsetto lead of leroy burgess (nephew of philly soul legend, thom bell) and charted four top-40 r&b singles and two top-30 lps under the guiding hand of their manager and today records driving force, patrick adams. songs like, you and i, time is love and dont turn around (which they performed live on soul train) are acknowledged sweet soul classics. and as the decade progressed and tastes changed, they successfully conquered the disco dancefloors with fave-raves like, mainline and walking downtown (saturday night) for buddah records which were liberally sampled by the hip-hop generation a true testament to the staying power of their incessantly soulful sound.

the sub label of sonic groove, -sonic groove experiments-, returns after a 4 year hiatus with a stellar re-release of the electrowave classic -eruption- by beta evers. originally released as a limited edition 12- back in 2005 on beta s own kommando 6 label. now in 2017 the original pressing goes for quite a fortune on the record collecting market. often exceeding €60 for a mint copy. for the first time in a dozen years this release is available on vinyl in its original running order but with very sleak new artwork for the normal asking price of a new store bought 12-.

u-roy was a true reggae pioneer, dubbed the originator for good reason. bursting onto the jamaican scene in the earliest 1970s, he pioneered the vocal approach called ôtoasting,ö which in addition to branching out jamaican music into a new era, was also heavily influential on an american genre in its infancy: rapping. on dread in a babylon, his third full-length, he stretches out over traditional roots grooves provided by the soul syndicate and skin, flesh & bones bands, riffing on topics including love (ôrunaway girl,ö a 1975 single released in the uk on virgin records), the bible (ôthe great psalmsö), walking the straight and narrow (ôlisten to the teacherö), and even his take on governmental policy goals (ôchalice in the palaceö). the album finishes with an instrumental version of bob marley & the wailersÆ ôtrench town rock,ö for good measure. u-royÆs style and charisma are always on display, and û as with all of his classic records û the groove rules all. presented on black vinyl with a poster of the glorious, ganja-drenched cover art, itÆs the perfect chance to revisit one of the more underrated voices in jamaican musical history.

leonard cohen is indubitably one of the most legendary and successful singer-songwriters from the 60s. however, his label at first refused to release “various positions”, his seventh studio album, saying “look, leonard, we know you are great, but we dont know if you are any good.”
the success of the album proved them wrong, giving us one of his most beloved and arguably his most covered song “hallelujah”, along other gems such as “heart with no companion” and the gainsbourg-esque “dance me to the end of love”.
this is a nice addition to the rest of cohens releases on music on vinyl. pressing on 180 grams audiophile vinyl.

keine ahnung was a quartet from w÷rth am rhein, germany formed in 1980. the original line up was rolf schmuck, franz h. rodenkirchen, elke fuchs and olaf schumacher. hermann kopp from stuttgart, a friend of the band, contributed a composition on their first lp and became a full member in 1985. taking cues from conrad schnitzler, tuxedomoon and dome, the band members shared a common interest in industrial, pop, avant garde literature and cinema. their controversial name translates to dont know or havent got a clue in german. the quartet would record three lps in 6 years, two of which remain unreleased.

music from memory return with their penultimate ep of 2017, this time with four tracks drawn from virgil vincent work jnrs little-known cassette only debut from 1987, fast forward. following on from a previous compilation of works taken from one of virgils collaborative projects as the duo workdub, this album under simply vincent, reflects a more stripped back and raw musical approach from the st. louis musician.

featuring a wide range of artists (das ding, plus instruments, de fabriek for a start!) from the amsterdam fetisj scene and cities such as rotterdam, utrecht, the hague, and zwolle. it gives a glimpse into the artistic diy music movement that was growing extensively outside of mainstream circles.the beautifully printed record sleeve was designed by steele bonus. it includes liner notes (in english and dutch) that paint a great picture of the context where these bands and artists lived and breathed. it is compiled by mark van de maat and mastered by rude 66.

caldera made his cassette library debut on this summers various artist release – we are family vol.3 – with the excellent and well received techon 2l. he’s back with a full eps worth of trax that are better than your average. in fact, theyre 134% ok. ok? any questions just ask! thank you. unearthed sounds.

aufgenommen wurde universal high im sommer 2016 in den maze studios in atlanta, wobei niemand geringerer als der legendõre ben h allen (gnarls barkley, animal collective, deerhunter) in die produzentenrolle schl³pfte und mit bandleader ben romans-hopscraft eine kreative allianz formte. man k÷nnte -universal high- durchaus als eine wiedergeburt sehen: es setzt sich fast bis zur unkenntlichkeit vom dub-geladenen psychedelic-indie ihres deb³ts ab. der neue sound ist dagegen viel mehr geprõgt von den stra?en des s³dens, auf denen er entstand, vermischt mit dem 70 s soul von the isley brothers, curtis mayfield und shuggie otis.

we are pleased to announce the release of volume 4 of the highly acclaimed motown 7s series. this box set includes a selection of singles which have never before been released on 7” vinyl, including brenda holloway’s ‘can t hold the feelin back’ which sees its first ever issue as a physical release.
limited & numbered box with 7 x 7 inch vinyl plus download code.

dj boring back on e-beamz after his hits on snf and lph, the fire follow up to winona is here......

coeo are toy tonics lead artists and they dont joke! technically perfect on a level that most producers start to get jealous. musically filled up with so much knowledge about the history of disco and house that its no wonder that big names like kenny dope, borrowed identity and tensnake are huge fans. and their styleà? its a pure hedonistic discoish attitude that combines the funk driven eclecticism of today, the curiosity of young music cats who always want to be ahead and a sense of quality in music that we miss in so many of todays house music productions. in fact its 2017 and a lot is changing in the house scene. the old melancholic deep house now is quite dead - while most deep house charts are filled up with sample based funk house. coeo are regularly on the top of the several deep house charts, and there is a reason: their tracks have that kind of new, nasty, sexualised vibe that gets more inspired from the late 1990ies french touch house or early masters at work production. from jazz djs and dj sets of wildstyle djs like harvey or the idjut boys. its not any more about the old schematic ketamine deep house that always sounds the same (and makes your feet fall asleep.) listen to flesh world! its black music basically. its booty sound. disco for sure. this track gets you riding on a trip. play it one time and youll play it every time. and: check the percussion jam remix by toy tonics head kapote.

while still popping up on the likes of delusions of grandeur and mister saturday night, nebraska has been lately channeling much of his energy into his emergent friends & relations label as a vessel for his own productions. this third installment on the label kicks off with the warm, honey-coated chords of rien ne vas plus, which rides on an easy groove and lets the keys sing out in a hazy summer reverie. the version follows suit with a similar disposition, while both takes on dont you know on the b side deal in a common goal to gently coax all kinds of woozy soul sounds through a laid back house framework.

2017 reissue - aufgewachsen zwischen london, coventry und nigeria mit uk-grime, fela kuti, radiohead, badly drawn boy und squarepusher, liefert ghostpoet sein debutalbum auf gilles petersons brownswood-label ab. mit seiner minimalistisch-trippig-intimen mischung aus hip hop, blues, dub, trip hop und electronica macht sich der junge poet daran, in die fussstapfen von tricky zu treten.

pianos have featured in house music since day one. there s just something about the combination of looping piano chords and a skipping house groove which works so well. in contemporary dance music the piano still remains intrinsically linked to house, though it was in the late 80s and 90s that the true piano house classics were created. we took it to our hearts. the emotionally charged piano riff became a defining motif of uk dance music. producers knew they only had to alight upon a suitably uplifting three-chord piano hook in order to unleash a tide of misty nostalgia for rave s halcyon days. ministry of sound are proud to present piano house classics.

nyc s finest dj spinna makes his long overdue debut on gamm with a supa soulful two track ep where he selected two of his personal 80 s jams to refreak for club use. vesta williams classic 80 s r&b cut gets that classic spinna =house touch and manhattan transfer s slo-jam gets a full deep house transformation. nyc house for the soul heads!

coloured vinyl !

im sommer 2016 landete ben frost in chicago, um mit steve albini zu arbeiten. Über zwei wochen hinweg wurden in einem höhlenartigen studio mehr als zwei stunden musik aufgenommen. -threshold of faith- ist die erste veröffentlichung mit musik aus dieser session. inkl. dl-code als schwarzes vinyl. das cover hat einen glossy-print sowie einen großen pantone-druck.

in 1999, the duo of dj t-rock & squashy nice formed in atlanta. squashy nice is an accomplished beats producer, and dj t-rock is a scratch-master responsible for battle records on the likes of bomb hip-hop records, stereo-type, and replicant music trading corp. together they released three party-ready instrumental hip hop albums for new zealand’s why records label. now based from coast-to-coast (squashy nice in new york and dj t-rock in los angeles), the duo has joined the cold busted family for their fourth album, the satisfying seventeen track back to the essence. showcasing the variety and breadth that squashy nices beats and samples and dj t-rocks scratches can provide, the tracks on back to the essence swerve from party rockers to soulful, thoughtful numbers featuring vocals from new zealand vocalist miss glue. among the standouts are the opening hit the breaks, combining harmonica, 60s style fuzz guitar, heavy beats, and some crucial vocal scratches, let them be, with miss glues lovely vocals providing a counterpoint to acoustic guitar cut-ups, and watch the clouds, featuring gentle piano, a loungey string section breakdown, and wistful vocals from squashy nice. back to the essence should be ingested whole, as its plentiful tracks radiate fun, funk, and good vibes. its like a virtual block party dropping down wherever its cuts are playing.

double sided crossover magic (i have been slacking on crossover records). douglas and lonero had a few releases, an lp a couple of 45s on columbia but there stand out (and rarest) 45 is this fantastic crossover 45 this time . what makes this interesting is that most copies of the original are demo copies which only have the track don t let yourself get carried away on it and cost around £50. the rare issue copy which is pretty impossible goes for £500+. not only does our new pressing include both tracks but we have gone back to the original master tapes and done a spanking 24bit transfer and a cut that sounds considerably better than the original 45, so now you can upgrade your o.g.

nice price deal !!! this is a new release from bip records with 5 tracks, so dont forget to check this...

das 2013er mixtape des west coast-rappers nispey hustle erscheint erstmalig als limitiertes 180g doppelvinyl in farbe. das album erlangte 2013 nicht zuletzt große aufmerksamkeit durch nispey hustles entscheidung 1.000 limitierte cds für je 100 usd zu verkaufen, wovon jay z durch roc nation direkt 100 stück kaufen ließ. als gäste sind rick ross, slim thug, dom kennedy, james fauntleroy und viele andere vertreten.

nice price deal !!!

motor city drum ensembles dj kicks mix is the latest installation into the outstanding discography of danilo plessow, and is not to be missed. the addition of a selection of mcde exclusive tracks, and the majority of tracks being rare pieces of music from danilos personal collection make this a mix of not only exceptional mixing capability.

nice price deal !!! the kooky scientologist should need no introduction - unless you dont get fred giannellis sense of humor. hes played everywhere, for everyone, and killed it every single time. smartypants, aka mike uzzi, has released on traum, sentrall, and of course zero g. he is a staple of the north east underground party scene. rounding out the compilation is zero g label boss eddie o., known for his releases as triton on both zero g and skor. the first minicompilation on zero g sounds features the best of the old school and new school. representing the old school is the legendary fred giannelli, aka the kooky scientist. this time around as the kooky scientologist, fred gives us a dose of what it really sounds like inside the head of tom cruise. demonetics rides a fat bass line, up-front stabs, and layered percussion. just when you think youve figured it all out, it takes a left turn as we are treated to freds signature quirky melodic noises

nice price deal !!! hits und fast vergessenes aus den frühen 70ern vom gründungsvater des dancehall.

nice price deal !!! one of singapore s finests zouk club resident djb returns, this time on soulfuric trax with an electrifying new release called ive got to know.the zouk main mix is a driving slice of main room house with a wicked breakdown whilst the welovehouse@zouk mix keeps things on a slightly deeper but equally energetic tip. for the floors that need a touch of tech, djb delivers the after midnight dub and his instrumental mix is a highly effective, rawer interpretation. djb throws in the dj drum tools as an added bonus. dont sleep on this one

nice price deal !!!

badbadnotgood bedienen sich der einflüsse und inspirationen aus ihrer umfangreichen schallplattensammlung, verknüpfen soul/jazz unterschiedlicher generationen (von esther phillips bis thundercat) mit afrikanischen künstlern (kiki gyan, francis bebey, admas anchi) und exotischem pop aus estland (velly joonas) und frankreich (les prospection), vergessen dabei ihre kanadischen landsleute (river tiber, charlotte day wilson), heutige indiehelden (boards of canada, stereolab) und auch die klassiker (the beach boys) nicht. als besonderes bonbon enthalten ihre late night tales ein exklusives bbng cover des kanadischen singer/songwriters andy shauf sowie eine exklusive spoken-word-erzählung der ultimativen queen of siam, lydia lunch.

very dark green with black marbling effect vinyl.
new from stonedwave (founded by chip tronic), who has lately been active for both the kugkmusique and the oyabun labels comes a collection of powerful dark wonky techno tracks who have been created for freaking out on the dancefloor while still creating pictures in the listeners mind. the tunes have been selected and tested by dj wotta mess. the latter has been doing the warm up for dont radio show which is a regular internet event before jerome hill s london based events.

das indie-trio girl ray, bestehend aus den 3 londonerinnen poppy hankin, iris mcconnel & sophie moss, ver¸ffentlicht sein deb?talbum earl grey auf moshi moshi. die band gr?ndete sich vor zwei jahren im alter von 16 jahren. mit viel witz und einer spur wehmut dokumentiert sie in ihren songs die dramen der pubert§t auf eine art, die ihrem alter weit voraus ist. aufgenommen mit dem gitarristen mike o malley in den big jelly studios, ist earl grey ein album voller erfindungen und ehrgeiz geworden, dessen zarte und sonnige melodien noch lange wild in den k¸pfen der h¸rerinnen tanzen werden.