after the trippy translations of the helium robot space trip called jarza, theo parrishs second and very welcomed visit to running back is all new material - almost. black mist in its extended version is just that: an extended take of the already released version on the rare-as-hens-teeth sketches pack. cut on 45, its a hard punch in the gut. techno-not-techno-house-not-house parrish power. previously unreleased and no less persuasive are pop off and wild out. while the first one centers around an endless piano and sucks you into the corny, but magic of repetition, the second one sounds like a theo parrish demo for dance mania after he came back from listening to lil louis at the bismark pavilion. mosh pit music. limited pressing in full printed sleeves.

new to the mathematics roster, deviere brings this 3 track ep that opens with lessons learned in the tears of deceit, a deep cut with a driving rhythm & sick bass sounds & synths. my kingdom for a time mach is a sick percussive joint with elements of acid & the title cut brings it back deep.

lectric sands drops another sick 12 inch this time with 3 cuts from zoovox. the title cut brings vintage drums with organic piano chords and a subtle guitar shred. splash wave is a raw track with soft synth backdrops and an areggiated line. gymnesian dawn is a dub of the main mix.

hannover based imprint yippiee return with the outstanding come with me ep this august by manuel moreno, backed with remixes from label owners filtertypen and normen hood. this release follows the success of yippiees treibgut sonder kompilation which featured cuts from deepnhouse heavy hitters chris lattner, moritz piske, patlac and gorge to name a few. now the german imprint deliver this four track single from swiss producer manuel moreno whos releases on 8bit and dj sets at space and privilege (ibiza) have earned him a highly praised status in the underground. title track, come with me, opens the release, encompassing a boomy kick drum, tight drum programming and ethereal atmospherics to create a deep and dark distinctive quality. the inclusion of a gritty sub bassline further fuels its murky progressive vibe, while the introduction of a soulful vocal hook and bright string melodies adds a lighter touch to the composition.label owners filtertypen opt for a less is more approach to their remix of come with me. stripping back the atmospherics to a more dismantled state, the duo-apply punchy drums and a warbling sub-bass,resulting in a smooth rolling groove that runs steadily for its duration. the cut comes into fruition threeminutes in when the pair bring in an amalgamation of deep strings, synth shots and delayed fx, finely placedto create an expansive dynamism. hello bernhard employs deep worldly percussion as its driving force, while guitar licks and warm chordscreate undeniably beautiful imagery. moreno demonstrates his ability to manipulate melodies with precisionhere, introducing several elements to play off one another in a call and response fashion. last up on the wax release is im sorry, a solid slice of house built around rolling toms, sawtooth bass notes and trippy vocal murmurs. manuel utilizes heavy delays and big room reverbs to create cavernous effects in the breaks that adds an incredible weight when the preceding groove is brought back in. to close the release normen hood offers up a remix of hello bernhard as a digital bonus. applying deep house tactics, hood plays on warm piano stabs and brass hooks that deviate around the tight-knit drums for several minutes creating an epic rework.

rivets twists it in suitable fashion for the skudge label...one gritty house cut backed with an epic flipside.

local talk is proud to present the first release on their sub-label 1nce again. this is where we bring back classic and forgotten house gems from back in the day with new mixes and reworks. with the second release on local talks reissue sub label, 1nce again we bring back one of our personal underground favourites from the golden age of house music (the early 90s). back in 1994 mateo & matos released an ep on black label records entitled raw elements, which included an amazing cut called >maw basics<. its one of those raw 90s house jams that got the house bump but without the pump, its rough and funky but still deep if you know what we mean? no cheese in sight! together with the original track (now fully re-mastered) we also asked gerd (4lux, ny stomp) to make a remix that would stay true to the original but still bring it to the next level. the result is absolutely amazing and we are pretty confident that this baby will deliver knock out punches every time it blasts through a massive sound system in a proper club.

tribute deliver yet another delicious rework of a stone cold classic.. rumoured to be the work of aussie based producer late nite tuff guy … urban living has never sounded so good. enhanced, extended, cut loud and available only on limited edition, single-sided heavy vinyl. strictly for demonstration purposes only.

new clone basement series (lucky number 013!) with the long awaited return of a made up sound (aka 2562), following up on his archive ep/cbs02. written as a counterbalance to the more experimental releases on his own amus label series, archive ii finally unleashes whats possibly his most banging, straight-forward club material to date, while retaining the trademark a made up sound funk and swing.hang-up is all about the irresistible herbie-injected groove, cut-up and layered to great effect, whereas things get darker and bass-heavier with technotrack sweetback on the flip. keeping the tension high till a drop towards the end, seven minutes never seemed so short. a great first number 013 release and we cant wait to hear some of our favourite djs play the tracks out loud. another proper banger on the clone basement series!

stunning debut ep from jorge caiado on chez damiers balance recordings! bodiee opens the 12 inch with an ultra deep dubbed out feel & is followed by beyond the atlantic, a synth heavy cut with spaced out elements. on the flip my life & make sure continue with top notch deep house grooves.

a diverse mix of re-edits fill out this 4 track ep. the slow and funky pretty pimpin willie from chocolate milk, the discofied and dancefloor friendly spinnin from bernard wright, the anthemic soul groover from lou courtney and the disco jam faded lady by s.s.o. pic sleeve.

after firmly establishing their nu funk steez in the digital realm with countless releases, london label boogie boutique reached into the glamorous world of vinyl in fine style just before christmas with the double 12 inch drop a year on wax. they elect to continue their twelve inch shaped adventures with a label regular at the helm in the shape of funk ferret. the new zealander has featured on many a boogie boutique release, as well as other nu funk labels such as booty pirates and ghetto funk, so keen observers of the scene will know what to expect. >pushin forward< features the mic spitting skills of imagine this, whose mr lif style delivery is the perfect foil for a trademark mid tempo bass heavy bump from the ferret. boogie boutique have assembled a fine cast of remix talent too, with big beat veteran cut la roc dropping a fine sample heavy revision that allows the vox to shine. fellow bb artist and montreal dweller nick fonkyson adds some crunchy riffage to the mix, whilst the funk ferrets regrooved sound system partner dj alias concentrates on teasing out some bassline deviancy with some help from benson.

repress !! great original cuts - regis remix carries on where >in a syrian tongue< left off with increased club appeal... dominick fernow arrives on blackest ever black as vatican shadow. two tracks remastered from the the debut vs cassette on hospital productions, byzantine private cia, and a powerful regis remix of another early cut, >church of all images<. in the words of hospital: >militant religious industrial. music for assassins on the world-scale board game upon which it isnt clear who is winning or what side you are on.<

nice price deal !!! sinistarrs take on the sounds of his native detroit has landed him releases on goldies seminal metalheadz imprint and won the hearts of discerning drum & bass heads and general beat-lovers alike, combining the sonic qualities and raw aesthetics of detroit techno and electro with jungles schizo rhythms.
hit and hope present sinistarrs first non-dnb excursion in the form of the >cetra ep<. despite jumping tempos and styles, all 3 originals manage to remain coherent with sinistarrs catalog. the emotive synth chords, beefed up roland trs and human production ethic of 90s detroit are squeezed into the format of various current underground sounds in something altogether very unique.
at 135bpm, the title track cetra is drawn out progressive structure nods more to a classic rephlex cut than the majority of current club, or bass music with despite sharing a tempo and similar rhythms.
early dj suport from om unit, goldie, gerry read and dark sky

check this out - before going on holiday here it comes! for the most sophisticate clubbers, a new pearl signed wwr, the current most ambiguous label! lazy but not dead, when the duo altarboy moves its ass theres no crap to cut. the synth programmings on this 12 inch is pure analogical sound. the lows on the two tracks draw the rhythm with an able mix of roland, korg e moogs timbre. the rest comes around and sounds great. the detune on the second part of lazy ass is for real experts. go rejoin yourself with the well done house.

3 big tracks between techno & house by the pawn shop people collective. cut b1 is a vinyl only track.

tony ollivierras issued a generous number of singles and eps under the ibex moniker on rushhour, planet e, yore, and his own ibex music, and now follows up his 2010 yore release, meltdown, with absolution, though this time under his birth name. no matter: ollivierras music sounds great, whether issued under his real name or an alias, and absolution is no exception. the infectious title cut gets things moving with a bass-powered blend of claps and funky rhythms before chunky house chords and silken synth figures add to the tracks multi-layered splendour. a jazzier dimension rises to the surface of quick release when the tunes churning hi-hats are joined by royally swinging electric piano playing and luscious synth pads.phase down opts for a purer deep house sound in its focus on kick drums, claps, and futuristic synths, though the track proves that ollivierras naturally funky side cant help but emerge, here as it does elsewhere.

coinciding with the cinema premier of bar25 – tage ausserhalb der zeit (bar25 –days out of time), the bar25 label is releasing the official soundtrack. together with its closest musician friends, the label began work over a year ago on exclusive tracks that would be included in the final cut. the result is a remarkable compilation of works from a number of music genres – a unique collection of musical contributions by steadfast companions of the exceptional place that was bar25. this 12inch inch is a very special present to our vinyl friends.like the film, this compilation a tiny testament for eternity to the late, great bar25 something definitely worth having on the shelf for reliving the feelings experienced there when it existed from time to time.

hollands fah aka robin de bekker enters the scene with this heavy, braindance inspired five tracker. opener fine space is spooky and upbeat with false melodies fighting the tracks ground level acid bubbles.bonus orbits starts off as a fast electronic harpsichord cut for a smart dance floor before turning into a hectic swamp of challenging harmonies.sixears is a shorter track holding the middle ground between a moody elecktroids tune and hectic, vibert-like acid. the eps title track and centerpiece then, is characterized by rewinds, whistles, haunting melodies and a total lack of repetition, its a 9 minute long excursion into the most unreal part of bekkers mind. fah finally says goodbye with an eerie cut that sounds like a humming predator with no food to eat. fahs first one for 030303 comes with appropriate, occultist artwork.

imperious spanish imprint deep explorer reaches release number 26 with a split ep featuring altered moods malcolm moore alongside long time explorer bjak (real name brian cullen). bjaks two cuts - >rhythm of love< and >purple fire< - are both produced with typically immaculate poise, but its the sultry nature of the latter cut that had everyone at juno hq swooning. malcolm moore meanwhile serves up the swooping chords and rock hard bump of >love (a perilous thing)<, which features an ethereal vocal contribution from debra jones-davis, who talks about the dangers of the l-word while the lush arrangement works deep below in the mix. jenifa mayanja rounds off a consummate package with a shuffling, latin-influenced remix of >love (a perilous thing)<.

after introducing iron curtis and catz n dogz to the label on the chart topping retrofit no. 8 ep we follow up with another new introduction, martin dawson in collaboration with label boss jay shepheard.here on the retrofit no.9 ep the pair deliver a quad pack of quality electronic music ranging from the peak-time dance floor killers kinds of people and cut a hole to the laid back mid tempo house of obey your aul (featured as the opening track on shepheards recent ra podcast) and the bouncing hip hop groove of megaface 3k.this is certainly one of the most diverse releases on the label to date and if early crowd reactions are anything to go by looks like it will be one of the most popular too!

vinyl only! decks tipp !! beautiful piece of art. unique inside-out cut, golden innersleeve, amazing fullcover! with good intentions goldwill starting their new label aurum and presents with >floras rache< their faith in timeless and everlasting music. the tracks telling stories about own experiences, hopes and dreams.

remastered & re-cut 2021 reissue on 180 gram double 12 inch vinyl, housed in a gatefold cover. sound issues (a1 & c1) from the 2012 remaster are resolved on this 2021 reissue.

with the strains of re-ups freedom still ringing loud in our ears, dissonant prepare to unleash their first slice of summer goodness, a new two track selection from leix. the valencia born, barcelona resident has been exciting dancefloors of his home nation for the past fifteen years, regularly sharing the decks with the worlds leading spinners. with a preoccupation with fusing styles and sounds, a trait that is obvious in his own productions, leix ensures that his own work remains consistently fresh. the novo music boss own productions have already found the support of many of the biggest names in the industry and have seen their release on labels including fumakilla, monza, barraca music, inmotion music, melisma and more. his akane ep is leixs first excursion on dissonant and what a way to kick things off. lead cut akane is as perfect a fit as they come. a locked tight groove, devilish kick and a bubbling acid line that tricks us throughout with its undeviating trajectory. on the flip dumnezeu continues in similar fashion. an understated bassline pulses throughout, as a snare rasps and hats glisten a spoken vocal preaches. the gospel of the dancefloor.

we are overjoyed to get two of our favourite house producers onboard the local talk family for an amazing release. with two jacked up house cuts that goes perfect with the local talk sound it feels like we got a winner on our hands. first we go deep, real deep! sunday morning is the ultimate end of the night house cut that brings back memories of those melodic bobby konders productions. its a beauty! on the flip we jack things up with misdirection, a thumpin deep house cut with a chicago inspired groove that aims more for the floor but without loosing character. together the two tracks deliver the perfect local talk release. deep, old school, funky but most of all ... 100% house! local talk is talking to you!

first up is tabou for the people by sofrito specials featuring l barrabas which twitch edited for his dj sets a couple of years back. the lovely people at sofrito kindly gave permission for it to be included on this release. its a relentlessly driving slab of 4/4 afro funk with horn explosions. next up is the 10th and final track in twitchs cumbia series. the first 8 were released on japans lets get lost label and the missing number 9 is being saved for a future release. colombias cumbia was born out of african influences. this track is based around a sample from colombian cumbia legend andres landero and is an attempt to fuse traditional cumbia sounds with up to date production styles. the end result is a slow motion hypnotic cumbia retaining the haunting melancholia inherent in the original sample. leading the aa side, twitch passed a wild highlife song by ghanas atakoru manu to glasgows super talented auntie flo (whose highly recommended future rhythm machine album recently saw a release) to play around with. auntie flo cut it up and added additional drums and bass to come up with this euphoric modern highlife groover

amplified cointinues their quest to find new and interesting talents out there. disco in distress pt. 3 again is an amazing collection of slow house and disco. quell comes with a slow house joint that even has some techno elements: rough beats and tough stab and synth work. s3a (sampling as an art) has had an excellent release called continuation early 2012 and serves you with another killer discofied house tune holdin’ on here. russian newcomer kirill delivers the breathtaking house cut feel the broken line. last but not least sellouts does what he does best: slow-mo-spaced-out-disco in she knows. tip!

killer release on new yorks sequencias label. powerful and hypnotic chicago acid inspired cut on the a and a cool slow building chord driven track layered over raw drum rhythms on the b-side. recommended!! label promo text: sequencias does not stop, does not conform, takes no prisoners. our third release brings you a pair of artists from two different points along interstate 94, who have a reputation for the very same. so lets get to it. the main body laid down by villan x is tight metallic percussion underpinned by solid kicks and a stream of robotic filtered bass, containing unexpected shifts within the frequency register. foreboding tones and feelings drift towards us across which the disembodied voice of kold is able to find a platform from which to shudder into our consciousness and pose questions from across the galaxies about the nature of our very being. dcantu carries on the feelings of space, with protracted white noise shots and stabby modulated organ chords, but doesnt leave it long before setting the pace with solid drums and shifting keyboard funk aimed squarely your body and the dance floor as octave changes force you up and then down again to a backdrop thick with texture. this provides for the body and the mind. act fast though, sequencias does not like to rest.

this 2nd ep built from the full length features the title cut from the album and is followed by a deep remix of darlene from chicagos very own. the fresh spaced out starts the flipside and a previously unreleased version of memory chant comes as phase ii.

yet another special moment on the tribute series, supplied this time by new yorks dr dunks. a personal favourite of dj harvey, this deep boogie cut with its dreamy, soul style vocal is a diamond of a track which will touch the soul of any dancer. cut loud on single-sided heavy vinyl, you can enjoy it on the beach, in the basement, or on any kind of dance floor

nice price deal !!! chilli mint music continue to provide us with their limited 180 vinyl series,this time giving us a 4 tracks ep from two of their excellent artists. the groovy a side sounds of garnicas cage and a new day both being great nu disco infused house mixes simply makes any dancefloor move and groove. and the aa side sounds of luca elles classy and intelligent deep house cut do i and do i remix both being smooth baseline driven cuts of modern deep house.

after a busy 2011, nicholas slowed down the pace of production in 2012. here the italian producer returns with a new single for 4lux and what a banger it is! title track life goes on is a great club tune with uplifting bass, beats, rhodes and cut up vocal bits. ny stomp comes with a killer remix in the vein of the famous ny house trak: hard hitting old school beats and tough groove. on the flip two deeper but equally good nuggets in all i can give and messed up generation. some of nicholas best work to date!

this release should have an all natural ingedients sticker on it. all sounds you hear are from traditional instruments - recorded on various occasions in ivory coast. it took mr raoul k quite some time to get his hand on all the raw materia he needed. he then cut it in bits and pieces and rearranged the sonic puzzle to a slowly evolving track. join his journey that starts in the cold of a desert at night. the temperature rises with the sun. when things heat up too much, you have to take a rest in the shadows beneath a tree. meet some fiends, talk and relax - but dont get lost. keep you groove alive and head toward your destination. choose vinyl, please!!!

>slaves and masters< is the thirteenth studio album by deep purple, and was released in 1990. the album sounds like a cross between a rainbow and a deep purple album.
now available again on audiophile 180 gram vinyl with an insert.

raw & heavy hitting 1990s rave house revival cuts, 2015 repress.

the third split 10 inch from deeplabs and revival records. the deeplabs side is a raw detroit techno cut transition by martin muller (aka youandme). the revival side is ms612 by dario zenker (harry klein records), a deep and forceful techno groover with a moody bassline.

feedbacks and supports by luciano, exercise one, dj t, mark knight, show b, roberto rodriguez, alex maier...sister label of mood music, from sasse & sandrino!
... and the beat goes on. after the first two deep cuts on wrm we offer you this little peaktime gem. frankey from d-nox & beckers fame got together with sandrino to build this dancefloor house cut. for remixes we are really happy and proud to have the one and only phonique.
he turns the original into a bigger festivalsummerdancefloorrave anthem without loosing the original feeling. the second remix by daniel rajkovic goes more into depth with a monster hypnotic bassline. and as we already said, words are all in vain, so have a listen and satisfy yourself … cheers from the rabbit hole ,)

full pupp helps another new outfit into the saddle. even though esteemed norwegian dj ole martin vilberg aka omar v and robin craaford, one half of dance disorder with baby g (bpitch, eskimo) are hardly young guns, they gang up together for the first time on complete: a blinding cut that harks back to the time with good ol jack was still the young buck and closely associated with uncle electro funk: tough beats, hyperactive claps, a jittering bass and a catchy, squeaking melody are still rattling bones if masterfully pieced together as it is done here. the guy most closely related to the italo sound out of the whole norwegian disco bunch chucks the more intricate original rhythm but goes hypertechnicolor and widescreen on the synth parts boosting up the originals melody, throwing in a nod to happy station and a hi-energy bassline.

just in time for summer, pampa issued aimlessness, the long-awaited new album from dntel aka los angeles producer jimmy tamborello. his latest electronic suite brought forth stronger leanings toward house grooves, building upon the pop and idm approaches he explored earlier in his career as half of the postal service and a member of figurine - with a healthy dose of pampa otherworldliness on top. now, robag wruhme steps in and recontextualizes two aimlessness cuts for a remix ep. wruhme is already a beloved member of dj koze’s extended family, having released the full-length thora vukk about one year ago, which was deemed another success for both him and pampa” in resident advisors four-star review. first up is robags kloff mottüré mix of bright night, a starry-eyed transformation of dntels work that twinkles like fireflies in the clear midnight sky.with symphonic splashes, playful pitter-patters and a tranquil breakdown, it sounds a bit like teenage toads skinny-dipping amongst the lilypads. next up, robag finds inspiration in dntels jitters,not once but twice: the marf labo mix takes the title quite literally,offering a jittery breakbeat interpretation with a metallic angel chorus swirling over the haphazard beats. finally, on the flip side,the emmens worsch mix brings things more closely aligned with the grooving, heartfelt house thump that pampa has engendered. its the eps most dj-friendly cut, while at the same time showing off robags gentle production touches and letting tamborellos sweet, subdued voice shine through.

coming up on claap we welcome a new name on the label.bodj is an upcoming producer from athens (gr).a fresh face in the scene, bodj has already had a couple of releases under his belt and caused some serious heat with his blisters ep back in 2010!every day is an easy and very classy house cut. quite emotive with flowing rhythm patterns,it is an ode to every day lovin!on the remix duties,these days afficionado and man of the moment argy takes the track into a sweatier territory with his nyc dub mix.while, the love mix explores a more romantic side of the original track.label head gummihz rounds up the package with a bubbly night fever mix.a filtered disco house take,reminiscent of french house in the late 90s.top tip!

the ninth release from the mainrecords shop, on its eponymously titled label comes in the form of three tracks of slick late night electro from matt star, plus a remix from perseus traxx. with well over three dozen releases under his belt in one guise or another matt star aka mattias schildger is no stranger at all to production of high quality electronic music, as this latest ep clearly displays. happily blurring boundaries between house and electro, with its tight, crisp beats the release exudes a form of stripped back and honest late night cool with basses that bubble in a way sometimes reminiscent of ed dmx, while others lend more of a chicago feel accompanied by rolling toms. synth lines and arpeggiations cut in and out of subtle modulations giving the feel of anticipation one gets while tearing along the motorways of a city, late at night, the lights of the city and other vehicles brightly darting by, streaking and reflecting across the cars windscreen. perseus traxx delivers a subtle remix that remains true to the elements of the original and while adding a booming kick and some of his own production techniques, influences and grit to the mix, shows he isnt stuck in one genre or sound.

semtek leaves the comfort of his excellent dont be afraid imprint to supply the third 12 inch on andy blake s in plain sight label, following stellar turns from youngtee and maarten van der vleuten. its not the first time blake has called on the london-based producers services - world unknown devotees will remember the monolithic >tacos for dinner< cut in association with chardonnay that appeared on that labels most recent 12 inch. >couer de lyon< is a chunky house jam of the highest order, shuffling hats, a stripped back bassline and a vocal many of you will recognise from one of mks most legendary remixes combine for a cut that overflows with sultry late night passion. flip over for some soundtracky house in the shape of >beaufort<, an analogue jam in the mould of legowelt that retains a club-ready potency and thus offers a more heads-down alternative to the a-side.

berlins alex niggemann is one of an exciting new run of artists to arrive on steve bugs established poker flat recordings, bringing fresh, high quality house music to the worlds dancefloors.

karat welcomes a new band for the release n°47. we are happy to host some canadians again on the label. the mole, guillaume & the coutu-dumont, egg and eddie c have already represented this country for karat ! these guys from vancouver know how to make it right ! 3 massive tracks, « boomer » in a rough and fat pumpin style, with nice breakdowns and atmospheric landscapes, perfect for the club, nice for home, « full moon cycle », the depest piece of the record, doesnt need much precise words. its simply beautiful moody and elegant music, « house of business » is a nice groovin track with deliciously arranged with typical jazz elements, brass & keyboards, in a pure canadian cut-up house vein

first on only via decks.de
supported by:jeff k,lee buridge, lee foss, lee curtiss, dubfire, jozif, aki bergen, slam, luciano. beef records latest 12inch brings a flavour of the underground sound of sydney. jaded & james petrou are two guys behind the citys infamous party kinky disco and have now locked themselves down in the studio to produce two hypnotic underground cuts.tonis pain is a moody, chugging deep house cut using a sample of toni braxton that twists her up in all sorts of new ways, while rollin stone gives similar treatment to the temptations/the undisputed truths classic vocal.the title track comes backed by two of the most in demand artists right now – inxec and no artificial colours.

a medley of immortally, electrifying, sonic gems assembled to manipulate time and secure a permanent space in your record box. drivetrains this toxic tempest starts the clock with a classic detroit-tronic wave of pads and beats accompanied by the unconscious spoken word of poet/vocalist goddess stephanie. cloudmasterweeds love showcases impassioned vocal samples atop a thunderous bass with keyboard melodies sprinkled throughout in abysmal syncopation. j garcias fireside warm-up is finely tuned deepness with no compromise to the dance floor. an apprentice to the masters of authentic detroit electronic soul, garcia has come of age. with their debut release, the dual jay ramsey and jennifer xerri comprise in2itive motion. subliminal is a smooth expedition through the deep channels of audio seduction. time stands still as rumbling subs cut through rich chords.

2012 - we are milleniumized neo, more than ever before. 1993, when techno was all over the place, german experts tommi eckart (at that time not 2raumwohnung yet) and ralf hertwig (at that time not palais schaumburg anymore) released a track, which found its way out there as a legendary underground-club classic in germany,england, benelux and france: the beat just goes straight on and on. its been sold out for years, but djs still play it in the clubs and it never lost its beat. now in 2012, almost 20 years later, the vinyl reissue being released, including the original cut and a remix by matthew styles & tobi neumann. it just goes on and on, enjoy!

strictly limited to 300 copies , milans hottest new production duo flashmob have been garnering some well deserved attention of late. after their first cut brick house landed them on berlin tech house institution get physical, the duo have been laying down sets across some of ibizas hottest nights, with their hard work and dedication to their music paying off. with support growing from the likes of pete tong and maya jane coles, their latest release need in me more than lives up to the surrounding hype...