originally released in 2002, here reissued as a remastered version tony allen talks about the album: after black voices and psyco on da bus albums, i came back with homecooking which was an album filled with guests. i brought in ty, who had remixed some of my work previously, to rap on the record, and damon albarn, who had already sung about me on music is my radar. since the early days ive been trying to find things that everybody will want to listen to. ive always been pushing afrobeat in different directions. heres another one again, another style, almost clean but still rough, raggedy and radical.

u know me records in collaboration with polish juke proudly presents the very first polish footwork vinyl record rhythm baboons the lizard king ep. rb: the lizard king is an outcome of my fascination with chicago footwork/juke. most of the tracks were created during a couple of spontaneous home studio sessions earlier this year. it was a raw play with the sounds and sampling with no particular plan that made the material more fun and dance-friendly than any of my previous records. the record features five original tracks and one remix by the legendary dj fulltono (japan). mastered by miko&#322,,aj bugajak, album artwork created by stach szumski.

jack murphy s debut 12inch on new label knowing something. having previously released records on frozen border sublabel reference and dont be afraid s special editions series, murphy now ventures out on his own with this first knowing something record. the record across its four tracks takes cues from a variety of places including mid-90s breaky techno, late 90s electro, and early 2000s ifach records.

having repeatedly proven himself to be one of the uk s most innovative rising producers, impey returns with his debut ep, midnight in little havana , on the critically acclaimed astral black imprint. the release follows his bangclap single which comes off the back of two prolific years that have seen the 20 year old producer crafting soundscapes for viral campaigns for converse, securing a residency on nts, tearing up radio sets alongside the likes of faze miyake, and having the likes of skepta, trim, capo lee and rocks foe bless his instrumentals on sets from slimzee, dj maximum, kahn & neek, murlo and plastician. midnight in little havana sees impey serving up a diverse five track collection that showcase his versatile production skills drawing influence from grime, jersey club and vangelis-esque synthscapes. the ep is as much for the dance floor as it is the after hours bus home. at its centre is long time crowd favourite bleepz which finally sees its official release, having been a go-to track exclusively for djs such as boofy & hi5ghost and kromestar. the track is framed by 130bpm dance floor melters pep talk and pong song as well as showing impey s more intricate side through its title track and inner , both of which resemble astral black releases by the likes of drae da skimask and jaisu moreso than its club-focussed vinyl releases. midnight in little havana is presented visually with another stellar effort from astral black in-house designer oscar whale, the 12- being housed in a full colour sleeve depicting an illustration of miami s little havana strip, as detailed & nuanced as impey s productions. midnight in little havana is set for release on october 14th on 12- vinyl & digital via astral black.

newborn munich based label slam city jams comes around the corner with its first release from young gun gonima straight outta montreal, canada. his grids ep? an exciting mixture of swinging distorted drums, catchy melodies and hazy atmospheres. you can definitely spot gonima s passion for dx7 adventures, analog drums and tape hiss right here. opener -grids- starts off with lush synth blips, 707 drums and a bassline bootsy collins would give high-fives for. -subdivided- is one of these tracks that shows you that it doesn�t need more than a few elements to get you going: a rough kick drum, cowbells and a smooth pad that gets slapped by just one bass note. the last original on b2 is the ambient-like -organ tutorials-, which shifts your mind directly to outer space. and as if all this wasn t enough, someone really special did a great remix job � khotin from 1080p fame, who gave the a2 cut a treat with his unique trademark sound. four house and ambient tracks both for the floor and the couch. or as gonima puts it: -an ep that has the sound of visiting home in the winter and rediscovering environments frequented in the past, birthing previously obscured memories. the sounds within are a ritual dance to stay warm through the procession of the seasons-

original remastert und auf 180 gramm vinyl gepresst.

the 1973 billy joel classic back on 180 gram vinyl.

exium returns home, nheoma, with their third album �reduction required�, based on the construction of tracks with very few elements without losing their intensity and characteristic sound.

12 track album from lennie hibbert released by dub store records.

nice price deal !!! piemont starts the new year with another amazing release on their own label plumbum! >excuse me ep< is a great two tracker without any remixes as these tracks are special and strong enough to stand on their own. on the a side you find >excuse me< which gets you to a unknown place in a typical piemont style. a style, which can also be safely named experimental. playful drumming combined with trippy vocals refines the whole musical journey. on the b side >foot massage< gets your feet moving from the very beginning no matter whether you are on the streets of new york with headphones or in the club. definitely somewhere where hip hop feels at home. somehow the beat and the vocals remind of >music< by the mighty run dmc... you can only love the old school vocals and the spacy break � thank you, guys! another genious release!

who are the various artists, what are the various tracks, you ask? the record contains four tracks that are useful in your daily life. tired of every day cares and worries? focus on the eternal truths and your life purpose with paul moore s virgo tribute, close your eyes, tune in and relax. need some positive, warm vibrations? missing the summer already? flabaire s track is for you. great with cold chardonnay! looking for a soundtrack for a workout, cleaning or home improvements? flip a record, turn johannes track on and play it loud! hungover? stomach upset, head or toothache? put the needle to the second track on the b side for the cure from the real doctor label s head sames.

after releasing two albums independently (little armenia, saturday night at the magic lamp) as well as scoring music for the recent vice films release a girl walks home alone at night (produced by elijah wood), the next release from los angeles-based producer bei ru is l.a. zooo, his first instrumental beat concept record which incorporates everything from bugged-out middle eastern melodies from the 1970s to obscure electronic, funk, jazz & soul sounds. hypnotizing keyboards, pulsating bass lines, and infectious drums guide you through the l.a. zooo - a playful, yet ominous place where humans and animals coexist and weapons and armor are required for simple walks down the street.
pressing on transparent pink vinyl.

marbod shows up with an adventure into wonderful sounddesigned housemusic. these four pieces of deeply grooving structures might are be influenced of early works by himself. he is coming home to his own imprint prooves once more how modern house music should sound like: deep, groovy and always surprising

special remarks deluxe spot varnishing on sleeve sleeve designed by dj fettburger.in times where a compilation of 12inch bangers passes as an album, telephones vibe telemetry opts for a different approach. without being a departure from his 12inches for sex tags ufo, full pupp and yours truly or his brilliant remix work for josé padilla and vangelis katsoulis, the norwegian producer from bergen who calls berlin his home, hones sound, skills and aesthetics on his debut long-player. vibe telemetry is inspired by the pure feeling of listening to house, disco and techno, prior to knowing what it actually was: ambiguous, euphoric, mystical and melancholic. sonic and physical experiences, which names and origins were yet to be discovered.

having already issued a few cassettes via his own harsh riddims label as well as cgi�s sister label dka records, ryan parks brings his fit of body project to cgi for his debut 12inch, release. here we are treated with two previously unreleased original cuts as well as galcher lustwerk and twins reworks of a pair of older tunes. fit of body�s sound is unique among the current crop of bedroom dance producers in that it can ignite a dancefloor while still feeling deeply personal. this mood is enhanced by the way parks colours his tracks with his own voice. his approach to adding live instrumentation to the arrangements lends a handmade delicacy otherwise lacking in so much hyper-quantized machine music. these are tracks that will feel at home in the dj booth, your living room and your bedroom.

the compilation features artists that all have been releasing on echocord and echocord colour before, from veterans mikkel metal, deadbeat, fluxion to newer signed artist arovane.

limited edition exclusive release, featuring 17 of elvis presley�s most festive favourites on randomly inserted holiday red or holiday green vinyl.

gatefold 2x180gr heavy weight vinyl.

berlin-based duo snacks drop an infectious four tracker on house of disco this october. forming snacks in 2014, new zealand s rene corbett and germany s aljoscha babel have been joining the dots between funk-fuelled disco and sultry house with releases landing on pusic records, boogie angst, hafendisko and mule musiq. as djs they ve been transforming dancefloors into all out bedlam with their upbeat and eclectic performances, whilst their party-focused productions have found a home in the record crates of ben ufo, dam swindle, prosumer and beats in space s tim sweeney.

the second release on the vinyl only series of apes go bananas finally drops. the label is the new imprint from steve bug and clé, who together make up the production team for the releases. as with the well-received first ep, all we have is straight-up, no-nonsense, dance floor-filling house tracks. lead cut �all we have settles right into the groove with crisp and funky percussion, chi-town chords and amazing vocal samples. its got peak time written all over it. she cargo makes its influences pretty clear via the title, and the track certainly references some of the iconic sounds of the home of house. thick, rubbery bass lines, squiggly synths and firing percussion combine to deliver a suitable a homage to the windy city. �ape parade is built from some similar materials, but the chords are a little more lush and deep - synth strings and keys add a sense of the epic, and everything is tied together with a sick kick / snare / hat pattern. three modern killers for the floor, infused with the spirit of classic house.

sweet addiction is yuksek�s great studio comeback. its 5 elegant tracks signal his return as a main player. the maxi, which prefigures a 3rd album, features the greek singer monika (make it easy) and the duo her (on the1st single, sweet addiction). yuksek�s characteristic sound, midway between post-disco, house and pop, shines through on its various tracks. even more than on his last album, living on the edge of time, yuksek shows his talent as a singer. his new melodies are sunnier than before, his beats and production more subtle. airy, but still conveying a touch of hedonism in its most club-friendly sounds, this ep is a foretaste of a sparkling new opus. bio : at the start of the 2000s, yuksek released a series of maxis and then two albums: away from the sea (2009) and living on the edge of time (2011).those records laid the foundations of a sound that uncompromisingly combined pop, disco and electro. then in 2013, he set up his own label: partyfine. it is now home to artists such as clarens, weekend affair, get a room!, jean tonique, juveniles,tepr and villa.

ears have eyes are ready to drop their 4th release, this time drawing on the fertile pool of talent available in their adopted home of south east london. we kick off with the duo fyi chris who, while not manning the counter of peckham institution rye wax, have been putting together an impressive string of releases on labels such as church, lumberjacks from hell and rhythm section.

180g 12 inch vinyl , deluxe 4c comic style artwork !
quartet series, an independent record label founded by maurits verwoerd (nachtbraker) and giuseppe d alessandro (kisk) in 2016

limited first pressing of 750 numbered copies on red ketchup & yellow mustard coloured 180 gram vinyl.
sausage party is a brand new animated movie about one sausage�s quest to discover the truth about his existence, a misplaced sausage and his savory friends embark on an existential adventure through the aisles of a massive supermarket in this raunchy animated comedy from seth rogen and evan goldberg.
includes tracks by wham! meat loaf, spandau ballet, eric carmen, jr jr, three dog night & isley brothers.
the score is produced and written by multiple award winner alan menken (pocahontas, beauty and the beast) and christopher lennertz (alvin and the chipmunks).

five point after dark is the first release of the new label called katnip owned by larry de kat. it contains five suave productions ranging from hiphop to house and back. this ep has a sincere vibe and should appeal to the real connaisseur with its diverse and unique track selection. we can guarantee you will have some good times listening to this music be it in the club, on the road or just relaxing at home. for the baddest cats only.

burnski makes a return home to his own constant sound imprint for the first time since his changes ep back in september of 2015. 007 in the release catalogue sees a monumental step for both label and producer as it brings with it his first full-length offering. dna opens out across 9 neatly reduced dance tracks that demonstrate the unremitting talents of a producer with over 11 years experience in releasing records.

berlin is home to both andrew claristidge and leonard de leonard and these 2 amazing producers have joined forces to create a new side project away from their respective main duties with acid washed and leonizer records. the collaboration between between andrew & leonard or ac & ldl as they are know for this release has created 3 outstanding tracks which already come heavily supported by the lucky few who have early copies of the release. the final track of the this 4 track release is a remix of the title track from acid washed who need no introduction. the ep named after the title track is increase the dosage and comes on a 180gram green record with unique cover art from the talented artist morgan navarro.

konzept des werkes ist es klassische erasure-songs neu als country- oder akustik-versionen einzuspielen, diese lieder damit komplett aus ihrem elektro-pop-korsett zu lösen. damit werden die songs auf ihre essenz reduziert, das songwriting rückt in das zentrum der wahrnehmung. erasure-juwelen wie boy und piano song in versionen mit akustik- oder steel-pedal-gitarre zu hören, ist jedenfalls ein großes vergnügen.

curiosity music is very proud to release its very first ep produced by one of the best techno/minimal artists in the world, the globe-trotter alexi delano, with the collaboration of the much talented marcus henriksson aka nobody home, member of the legendary duo minilogue. and last but not least, the contribution of nima khak, one of the worthiest representatives of the new swedish scene. devotees of analogic and jam sessions, our three experienced artists give us a mature and intense ep. stay tuned, get into the loop!s * lodestar bang (original mix)* is a tense and hypnotic anthem dedicated to insanity and astonishment amateurs. * exodus (original mix)* is a harmonically destructured and tribal track for disorientated maniacs. * exodus (nobody homes way out remix)* is a tense, uncanny and worrisome remix with unsettling dark incantations. * exodus (nima khak remix)* is an authentic techno remix illustrated with primitive apparitions, definitely designed for dancefloors. * exodus (nima khaks vibe mix)* is a rhythmic and space mix, ideally suited for escape devotees. this track is exclusively available on the vinyl release.

dam swindle cap off a blazing summer as they return home to their own heist recordings and in doing so present a landmark 12inch to add to their blooming catalogue. this is their first addition to the label since the hugely successful in reverse ep and it comes as a package that fans both old and new will relish: a jubilant record melding the most groove­laden strands of disco, funk, soul and house.

we are happy to announce the first vinyl only ep on conceptual records. get acquainted: yaroslav lenzyak, underground music master from ukraine and his ep �blesk�. the ep consists of 2 original tracks and 1 remix from andrey djackonda. the combination of deep-elements, minimal-textures and energic techno-rhytms is a brilliant mix as well for the dancefloor as for home listening. stay tuned.

second circle returns with their first release of 2016, this time with an ep from australian producer tornado wallace aka lewie day. . following up on releases for the likes of beats in space, esp institute and delusions of grandeur, wallace takes a step to the left with his first record made in his new home of berlin. recorded earlier this year, the release presents a trio of oddball house excursions which are at times deeply spatial and hypnotic and at other moments heavily percussive and almost tribal.

recorded in one take after a trip to the zoo last autumn, here is the first new track from the undisputed king of home-disco. superstar. check that b-side too. home recorded vocals straight from the heart, with the brooding braindance synths. tip for the boombox crew! limited edition. as hypnotic and floor-shaking as ever, keep on rocking keeps you on your toes through twists and turns, focused on a central mantra, it is what jamie principle s fathers lullaby might have sounded if had tried to put his son to sleep with his best impression of michael jackson and leroy burgess. the b-side is a powerhouse reimagining turned to a delightful 11 from the mysterious dj im sorry.

inga mauer loves trains. -it s a fantastic chance to be nowhere-, she says. from cologne to clone is, in many ways, a celebration of this nomadic sense of existence. -i don t need a home, only a studio-, she confirms. recorded in a period when inga lived between cologne and rotterdam, home to the famed clone records shop (hence the title), the music on this ep is inspired both by the emptiness you suffer in futile non-places such as airports and the chasm you experiment in majestic scenarios as a russian forest. both by solitary travels and first encounters with machines you always wanted to touch like an 808. six tracks constructed with razor-sharp drum-machines, penetrating synth sequences and estranged vocals. raw sounds that capture the type of clairvoyance that one can only feel when in transit, far from the chains of our comfort zones. from cologne to clone is much more than a train journey. it s an introspective voyage to a beautifully warped soul. a reminder that, in fact, sometimes you only need your self-expression to feel at home.

moscoman arrived at the esp institute last year with a fistful of killer tracks and an imitable recipe for hummous, since then we�ve seen his debut with the dancefloor bomb �akachi� and a collaborative follow-up release with long-time cohorts red axes. we�re now excited to enter a new chapter with moscoman�s debut full-length album �a shot in the light�. this creative outpouring spans years of musical trials and tribulations, finally coming full circle to tell the story of an artist leaving his home in tel aviv to pursue his passions in the electronic mecca of berlin and beyond. moscoman�s unique approach evolves and devolves over the course of eight songs, enduring highs and lows yet never resting for too long in one place�thus illustrating his personal metamorphosis as well as his acute skill of giving many voices to one wild imagination. this music is deliberate, almost cheeky with a youthful sense of optimism running throughout, and even in its most aggressive moment there is always an element of hope.

im rahmen des 25ten label-jubiläums veröffentlicht fat possum erstmals das album just do me right von asie payton als lp. asie payton stammt aus holly ridge, mississippi, lebte und arbeitete dort sein leben lang als farmer. dieses album enthält die einzigen studio aufnahmen, die während seiner lebenszeit entstanden. asie payton verstarb 1997. das werk erschien erstmals posthum im jahr 2006. asie payton ist hier als hochtalentierter blues-musiker zu hören, dessen stimme oft auch die kraft des soul mit einschließt. wenig ist über das leben von asie payton dokumentiert, jedoch ist er teil der berühmten film-dokumentation you see me laughin the last of the hill country bluesmen (2003). die vinyl-lp erscheint inklusive downloadcode.

four-tracker ep of tracks i found on an allegedly refurbished hard drive i ordered on russian ebay. hand-printed linocut outer sleeve. the dark past side is for you at home: a1 is a slow burning, melancholic acid track, a2 an atmospheric ambient excursion. the bright future side on the flip, on the contrary, is made for the club: b1 is a house banger with one of the most fun breaks in a long time, b2 brings you the summer right onto your turntable.

munich based pair jorkes are something of an enigma, having appeared on the scene recently with a fully formed sound and a desire to let their music do the speaking for them. musically the duo seem to be operating with few boundaries, looking to express their emotional states through their music with scant consideration for styles or genres. this latest release sees jorkes team up with fellow munich resident and vocalist karol schmejchel to deliver a slice of evocative, slo-mo nu-disco. the release kicks of with the original mix of thank you, marrying chugging drums and warm bass with stirring pads and the emotionally charged vocals of schmejchel. its a perfect track for dark backrooms and home lounging alike. the remix comes from manchester trio menage a trois who deliver a sonical beautiful reworking built around heartwrenching keys and heavily reverbed guitar parts. simple understated drums carrying the record along as their vocal treatment soars towards the heavens, this is sublime stuff. the vinyl release will also feature an exclusive instrumental of the menage a trois mix for those who like things a little more stripped back. in keeping with jorkes creative outlook, and following on from their previous release, there will be an exclusive music video of thank you forthcoming which is likely to set pulses racing once again! thanks for purchasing a real copy!

both sides evoke the ubiquitous tension between anxiety and gratification inherent to a curious human experience.
driving bass and organic percussion sit within a subtly evolving context, as the tone oscillates between claustrophobia and euphoria. the result is two ultimately uplifting techno tracks, equally relevant on the dance floor as in the hands of the home listener.

detroit isn t just a place. sure, it is a place, and those who physically live there know its triumphs and its tragedies far better than anyone else. but detroit is also a feeling, a sound, a philosophical home for those who connect with the futuristic, dystopian sounds of detroit techno and electro on a deep level. those tendrils of connection reach far and wide, bringing people from all over the world into orbit with the people and sounds of the city, connecting through the snap of a snare, the wiggly groove winding its way through the beat, the beauty in the sound of strings, the anger in a bubbling bassline.

praise poems vol.1: gilles peterson (worldwide / brownswood rec.): one of my fave comps of 2015. praise poems vol.2: oliver korthals (mojo / out of spectrum on byte fm): extremely well put together track listing of artists which i have never heard before. left me with my mouth open... - highly recommend! praise poems vol.3: dom servini (wah wah 45s): this is incredible.

tony scott has been producing electronic music since the early nineties under various pseudonyms, but with edit select he has found his forte, and when it comes to deep, thought-provoking yet floor ready techno, there are not many artists that can do it like edit select. at home on some headphones with your eyes closed as it is on dance floor moving bodies 11.12.16 on android muziq is a must have for fans of techno on the dance floor and beyond.

bristol is a tight knit place and there has always been a healthy culture of collaboration in the city, lmye (lend me your ears) are the latet in that tradition. two friends who met, and for a period recorded above the idle hands shop on stokes croft. they made their debut on funkineven�s apron label earlier in 2016 with the �cali 76�. here they keep things closer to home with a release on idle hands.
�manhattan� is as indebted to �70s us funk as it is to �90s uk garage. a house tune that has turned heads on the various mixes it has found itself on over the last year.
over on the flip shanti celeste turns in a brilliant remix, one of her best we think.

californiabased producer damon bell could not find a more suitable home for his new 12inch than croatian label burek. its his first one since blues for the libyan lp released in 2015. for deepblak, and it sounds as if the time off was well spent. two words that perfectly describe this record are rich and colourful, and the description is equally applicable to all three cuts. stand by me is a synthheavy piece built around the interplay between tracks rougher sounds and big lush pads. on the flipside, life is slightly faster and more direct, with a wonderful guitar part that circles around the main theme throughout the most of the track. similarly mannered, but slightly more intense transatlantic journey? we been here! is the last piece and features an infectious groove with lead synth piercing through layers of delicate arpeggios playing in the background. all in all, it feels good to have damon in the team. we hope youll enjoy this record

cannataci records - a new record label run by ripperton & agnès cannataci records is a joint venture hosted by ripperton and agnès. the label is aimed at releasing rather unclassified music, pieces our friends compose or simply ourselves. the aim is at releasing music we believe make things go beyond the usual paths. the label name is a reference to our hopes in the newly appointed un special rapporteur on privacy, namely, joseph cannataci. frankly, we do not want to taint our music with politics, although we are simply firm endorsers of our own privacy and think everybody else should.

the formula was simple: marry bubblegum and soul to the absolute sincerity of an enthusiastic child, cross your fingers and pray for airplay. but while the youthful sums of that formula may have grown up and walked away from their illusions of stardom, their permanent records remain. by 1973, michael, tito, jermaine, marlon and jackie were as hip as kids could get�household names, with lunchboxes, coloring books, a saturday morning cartoon, and an alpha-bits cereal commercial pushing the j5 brand onto any kid with television reception. their impressive run of four consecutive #1 singles playing on both pop and r&b stations cemented their appeal to both whites and blacks, prompting mgm to launch the osmonds as the safer (read: white) alternative. and parents? well michael had that wrapped up with his impossible-not-to-love mini-james brown thing. even their song selection straddled both sides, with �zip a dee do dah� and �abc� for kids, and contemporary standards �standing in the shadows of love� and �my cherie amour� for the older crowd. this extreme marketing and merchandising juggernaut created the kid soul explosion. a decade removed from our acclaimed home schooled compilation comes a fresh batch of talent show titans. with enterprising parents, neighbors, and teachers turning play dates into recording dates, groups like magical connection, little man and the inquires, and five ounces of soul emulated the jacksons, who�d made grade-school stardom appear easy as abc. afterschool special: the 123s of kid soul contains 19 tiny tunes ranging from bilingual d.a.r.e. anthem, to james brown bio, to young love and life beyond the playground.

electri city was created in 1980 in bundt�s own studio. using a ppg synthesizer and a teac four-track tape recorder, he anticipated the home recording trend. he worked on the mixes with a revox tape machine, cutting and splicing by hand. whereas he had enlisted guest musicians on the predecessor neon, this time around he did everything himself, except for two tracks which featured keyboarder steve robison (reiner geyer) who had played with bundt in the krautrock band nine days� wonder.

coloured vinyl + cd) hydrogen seas debut album in dreams is the next chapter in this young bands intriguing story. on their first full length, they reconcile the electronic with the acoustic in eleven stunning pop songs.

spanish duo reykjavik 606 have another story to tell � this time one they�re sharing on the brand new music terrae label. in a three-headed, musical tale, their �stop looking for happiness in the same place you lost it� ep brings out all of their talent. blending cinematic house, mesmerizing melodies and groovy downtempo bits with their taste of eclectic, reykjavik 606 show exactly why one of their previous albums was nominated for �album of the year� by dj mag and clubbingspain. on music terrae, their talent is showcased with the sounds of �nowhere in particular�, �no name for a place� and �lonely boy�, three unparalleled productions to spark your senses and capture the imagination. these guys are right at home on music terrae.