driven by a vicious and visceral soul, the buttshakers are known for their fierce and fiery music. yet after nearly a decade of touring and recording, it was with a different musical vision that they approached sweet rewards, their first collaboration with underdog records. accustomed to the raw, primitive sounds of 60s garage rock and the crude sexuality of premotown soul music, a sound they could have continued to dig into again and again. instead, they decided to take another route: a creative shift, a return to a style of soul music that no longer has to rely on pure energy alone. exceeding the limitations imposed by their tight yet powerful six person lineup, they opened up this studio session to fully accommodate their ideas and concretize their musical ambitions: a larger horn section creates a richer, scintillating sonority, a touch of slide-guitar opens their creative universe to the open spaces of the far west, the organ vacillates between psychedelic drapery and heartfelt gospel tones, all of this supported by the wicked groove of a percussionist driving the beat on. their sultry and soulful frontwoman, ciara thompson, is here for the first time supported by backing vocalist. an occasion for her to indulge in a few call and- response chorales, a reverence to a gospel background instilled in her from her native st louis (missouri), a still vibrant heritage from the city that cradled jazz, blues, country and folk music. ideal for a sound that never lets down yet remains intuitive to the gradual rise of emotion each song demands. with each new listening, sweet rewards reveals something new to the listener: another dimension, a hidden layer.

excise is thrilled to host san francisco underground xture max gardner on the label’s 3rd vinyl release. max runs the legendary californian party crew direct to earth and he’s equally a hypnotic dj selector and highly skilled synthesist. as you’ll see on this release max’s tracks are not only excellent dj tools but also deeply interesting for close-listening: truly unique electronic music dif culty to pigeonhole into a genre. “mona loops” is an immersive experience on club speakers as an eerie high-pitched synth line twists in unexpected ways over powerful waves of bass. next max remixes label co-owner muon’s track “kmc” redefining its raw elements into a blitzing four and half minute romp held together by a jagged low-mid frequency lead line. “broken pinkies” is hard to de ne. all we can say is it embodies the feeling of the san francisco all night underground world more than any single song in recent memory. it begs for repeat listening. yan cook joins the excise family for a banging remix of “broken pinkies”almost shocking in its spin off the original. we’re huge fans of yan over here and this track embodies what we love most about his productions - groovy but with serious bite.

das selbstbetitelte album der avant-pop-musikerin sophia kennedy vom april vergangenen jahres auf dj kozes pampa label begeisterte fans und kritiker gleichermaßen. sophia kennedy gilt völlig zu recht als ausnahmekünstlerin in der zeitgenössischen musik aus deutschland. die symbiotische verbindung setzt sich nun mit der veröffentlichung einer neuen 10inch fort, inklusive zwei unveröffentlichten songs, auf der sich sophia weiterhin der handwerkskunst eines songwritings diesseits des mainstreams widmet. im zentrum von -being special- steht ein trio aus perkussivem piano-riff, streichern und handclaps, dass das herz mit der anmut eines großen cinematografischen gefühls wärmt. in kennedys version von -afraid- - einst von der all-time-underground-legende nico geschrieben - scheint eine spröde do-it-yourself-angelegenheit, doch der song entwickelt sich ausgeklügelt in kleinen schritten: sophias unverwechselbare stimme gewinnt an fülle und wird zeile für zeile dynamischer, wie sie durch wiegenlied-artige strophen schweift. -apple in the basket- schließlich ist das verschrobene schlussbild, verkörperung eines wirbelnden zirkuskarussells, das sich im verzerrenden glas eines spiegelkabinetts reflektiert und wo der ort, der eigentlich für den refrain reserviert war, der sich steigernden wiederkehr nun grotesk verzerrter orgeltöne überlassen wurde.

2 pac album from 1993 feat ice cube, ice-t and deadly threat

needle paw is the first solo album by nai palm, the lead singer and composer of r&b future soul outfit hiatus kaiyote. needle paw is the rawest glimpse into nai palm’s musical world. it is dreamlike, honest, and beautifully transparent, revealing her musical ruminations to listeners with a courageous vulnerability and artistic generosity. pressing on 180 gram audiophile double vinyl, housed in a gatefold sleeve.

returning with another debut release, second circles eighth record to date comes this time from young viennese musician giuseppe leonardi. performed on an array of synthesizers and experimenting with spoken word and vocals from various local singers giuseppes tbc ep take us on a dance through the catacombs and out through the jungle floor with ritualistic rhythm and haunting song. whilst at other moments giuseppes horizontal ambient pieces leave us gazing out on the shores of a distant half-remembered planet.

the people at antinote are always excited to introduce new names to its roster and sign libra, its latest addition, makes no exception to the rule. released under the moniker sign libra, closer to the equator is the work of latvian artist and composer agata melnikova. composed for a contemporary ballet at latvian national opera in riga, the music on this record strongly relies on melnikovas appreciation of bbc-produced nature documentaries. projecting the life of each creature that inhabits the british tv-program into her very personal and highly synthetized world, sign libra lends these microscopic beings her own voice. each song works like a musical tableau in which the main protagonists plants and animals come on stage to play their part in a ballet carefully choreographed by the latvian artist.

limited edition of 200 numbered copies, vinyl only release.
rare brazilian song from legendary azymuth inspired gigi during his journey in sao paulo in 2013 circa getting deeper with live shaker and drums. marsupials kicked out an eagle with more groove from their fold to spread her wings and fly, inspired by the original song like an eagle of dennis parker.

previously spotted on labels such as john dimas elephant moon and nil, christian ab delivers his second full solo ep and sounds like a far more mature producer. warm, hardware deep house is the order of the day, and -luna de leo- makes a fine case in point with its moog-esque basslines and plush pads. -flysergic- is a playful jam with techy undertones in its sci-fi synth work, and -anxwhyitme- takes an edgier route into bugging electronic pulses and eerie harmonics. -sunshine song- completes the set with a sweet natured trip into beat-laden deep house for the good times crowd.

“kissing to be clever” is the debut album by culture club. originally released in 1982, it immediately put the band on the musical map. turning the flamboyant boy george into a star, the soulful pop outing incorporated elements of pop, rock, new wave, dance and caribbean rhythms and sprouted several international hit songs.
“do you really want to hurt me” hit the #1 spot in several countries and turned out to be a song that resonates to this day with its universal feel of heart ache. all in all, this set is a highlight of 80s pop music, that set the stage for one of the decade’s most loved and oft-remembered bands.
pressing on 180 gram audiophile vinyl.

punk 103 is a song from the album ring n roll, released in 2011, may the 2nd. this track was written and composed by catherine ringer, set to music by herself, mark kerr, and rza stone meccas musicians. the b-side of this vinyl is an exclusive acoustic live version recorded during a jean-paul gaultiers private show.

special hors série ep made by the young talented producer oldtoy. ambiant/downtempo/electronic release for music lovers. all instruments & voices made by oldtoy.

»stella« ist das vierte album der schweizer elektronikband yello aus dem jahr 1985. mit diesem album feierte die band ihren internationalen durchbruch, der zu einem großen teil auf den song »oh yeah« zurückzuführen war, der im jugendfilmklassiker »ferris macht blau« und zwei jahre später in »das geheimnis meines erfolges« zum einsatz kam. während der aufnahme bewegten sich boris blank und dieter meier ein stück von den experimentellen sounds weg in richtung des kommerziellen synth pops und zum cinematischen soundtrack.

steffen & stefan aka hanne & lore met 10 years ago at an event in their hometown herford and started to spend studio time together. soon after, the song “an der waterkant”, released by super flu’s label monaberry, became their breakthrough as a producing duo. it was the kickoff to a journey of countless memorable parties, festivals and after hours that created music released on many different labels along the way. for the 10 year anniversary, they asked 10 amazing friends and colleagues to reinterpret one of the tracks which developed into a wonderful collection of finest dance music by the likes of andhim, tube & berger, schories, glitz, zds, aka aka, lexer, david jach, ole biege and dompe. the tape release includes a download code.

first reissue of this essential lp by italian pioneer and ennio morricone cohort, alessandro alessandroni. originaly released on munich based experimental, progressive library label coloursound. alessandroni at his best: very refined italian cinematic sound, tense 12 strings guitar themes, synth sequences, beautiful sound of chamber classical music mixed with psych choir. you can feel alessandronis magical touch for melodies and arrangements on nearly each song and at the same time, some françois de roubaix reminiscence on themes like dramatic and sad farewell. no doubt each track of this underrated masterpiece could have been a classic soundtrack theme.

experimental cinema sonics, electroacoustic research practice and shadowy wind instruments come together to form this unique interpretation of the mythical city of gold. utilising rare, half forgotten soviet era synthesisers vladimir karpov creates immersive soundscapes under the name xyr. the formanta mini keytar and the alisa 1377 lend karpovs music strange, seldom heard atmospheres which the st. petersburg native then combines with field recordings, toy percussion and wood flute to further build upon his utopian narratives. part concept album, part nod to popol vuh, his attempt to channel the thematics of the ancient tale of the muisca people through his modest home studio left a lasting impression on us here at 12th isle and were proud to present a selection of the tracks on vinyl for the very first time. originally confined to just 25 cassette tapes, for this edition we have assembled some of the most inspiring tracks from the sessions as well as the bonus closing piece aguirre song. immediately engaging, sincerely heartfelt and strikingly original, these are recordings we have returned to time and time again. limited edition lp comes housed in screenprinted sleeve. el dorado recorded april-august 2014, originally released via illuminated paths (march 2015).

special backstock - the legendary compilation on a 12inch vinyl edition!! feat all the big hits!!

great heavyweight 2lp-set featuring the best tracks from the 1972 to 1975 period including the group s signature track -gamma ray-. birth control is among the longest running german bands and were formed wayback in 1968 in berlin. the group had several line-up changes over the years and fused krautrock with progressive rock and the blues rock genre, with percussive keyboards & synthesizer effects an unique sound was created.

the energy that johnny cash and the tennessee three captured on the legendary “johnny cash at folsom prison” movlp274 record can probably never be duplicated. that being said, “hello, i’m johnny cash” comes very close.
this forgotten album is arguably one of the five best albums in the cash discography. it is fueled by superb original cash songs and well executed covers. it contains “see ruby fall” (co-written with roy orbison) and one of his best 70s hits, “blistered”. the lean, minimalist instrumentation of the tennessee three ensures the album with great rhythm, leaving johnny cash’s voice as affective as ever. the album itself reached no. 1 on the country charts and no. 6 on the pop charts.
pressing on 180 gram audiophile vinyl.

the dark jazz masterpiece by piero piccioni written for the film directed by paolo heusch in 1962, played by franco citti and taken from the novel under the same title written by pier paolo pasolini. produced and made by cam on a rare and sophisticated lp, the music of piero piccioni for this film embraces the jazz big band’s frantic pulsations, directed by the master - who sits on the piano - with symphonism and the best popular italian melodic tradition brass, dart, bows and rhythm. available for the first time since it’s original release, this limited edition vinyl reissue is limited to 500 hand-numbered copies on red coloured & black splattered 180 gram vinyl, housed in a gatefold sleeve.

in the woods there is a bird, his song stops you and makes you blush. (à) and finally, whenever you are hungry and thirsty, theres someone who chases you away (arthur rimbaud) in the woods there is a birdà is both an ongoing sound and publication project by olaf nicolai, published as a contribution to documenta 14 and the documenta 14 radio program. it is based on archival sound material extracted from radio reports, employing radio as a source (rather than a medium of transmission): background sounds of demonstrations, riots, rallies, originally recorded for radio stations all over the world, are used as source material for this soundtrack composed of these various ambiences. the real sounds are defined by a lack of reference that is usually added by the auditive or written indices that surround and date them. the affiliated artist book in the woods there is a birdà reflects not only the process of detaching, mixing, referencing and re-referencing in a visual essay. it also offers for this new composition an index and frames the recorded sounds by presenting a list of the places and dates the events. the artist book in the woods there is a birdàis published by koenig books.

originally released in early 2017, this is a hits compilation featuring the biggest and best songs from craig’s pre 2014 catalogue. an 18 song double black lp set with download code insert.

eagerly anticipated new album from global u.s. superstar. his 4th studio album - a 16 song set featuring current single -filthy-.
double vinyl in gatefold sleeve with download code included.

deluxe double-gatefold lp with detailed liner notes, label scans & unseen photographs, full album download code included. all but one song appear on vinyl-lp for the very first-time.

for the first various artists of the french house label. popcorn records is really proud to present popcorn diary vol 1. and what an honnor to have 4 amazing artists on board 2 parisian legends with point g and d’julz, the great uk legend aubey and the only one amir alexander from chicago.

plantation lullabies is the debut studio album by american singer-songwriter, rapper, bassist, and vocalist me’shell ndegéocello (also meshell ndegeocello). the album was originally released in 1993 to widespread critical acclaim and has since been viewed as a landmark neo soul record.
meshell’s music incorporates a wide variety of influences, including funk, soul, jazz, hip hop, reggae and rock. she has received significant critical acclaim throughout her career and has had ten career grammy award nominations.
plantation lullabies received a nomination for a 1995 grammy award in the category of best r&b album, -if that’s your boyfriend- was nominated for best female r&b vocal performance and best r&b song.
pressing on audiophile 180 gram double vinyl.

this has always been a rare 12inch originally only released in the uk in 1979, phoenix was considered to be too disco at the time and the release pretty much sank without trace - one reason why finding those original uk 12inches is near on impossible these days. just 2 copies on discogs and a mint one will be circa £50 if you re ever lucky enough to find one. however, since 1979 phoenix has grown in stature and what was once considered to be a twee disco tune has now become a huge collector s item and a staple in the right clubs. no surprise really as this is norman connors at the top of his game and the production is red-hot. how phoenix never made it to 12inch vinyl in the u.s. is one of the great mysteries of life but here it is on beautiful fresh 12inch vinyl some 38 years later. as with all our 12inch re-issues we ve replicated the original label. luckily there are no bootlegs to contend with on this release, so this is the first re-issue of this song since the original release date, so order with confidence

the conceptual sibling to lorenzo sennis blinding quantum jelly side for editions mego in 2012, superimpositions finds the milan-based multi-disciplinary artist and owner of the brilliant presto!? records accelerating and evolving his idea of -pointillistic trance- - an ascetic, extreme approach to the aesthetics of 90s-style trance/hard-trance - in a broader range of song structures, hyper-lucid moiré patterns, and tantric dancefloor arrangements. again, he -plays- a computer-controlled jp8000 roland digital-analog modelled s-source synthesiser to juice the most potent, searing saw wave arpeggios and spiralling melodies, finding the biting point between real-time, hands-on, emotive human input, and the sleek tension of synthesis.
from the serotonin-flooding rush of opener happic to the beautiful come down of pointillistic , the album plays out a sisyphean struggle for deferred gratification, challenging limbic systems and our sense of equilibrioception thru the spine-tingling aerobic coefficients of elegant, and never tiring and the scything, strobing rhythmelody of the title track, to peak with the palpitating surge of forever headline at its white hot core. it s all more effective than a triple-barelled mitsi in the jacksy, and hasn t been off our turntable all summer...

the debut album from khalid as double vinyl in gatefold sleeve.

the original motion picture soundtrack for marvels blockbuster *guardians of the galaxy* on picture vinyl.

2017 remixes of volcov s this time under his classic isoul8 moniker song on my heart, featuring the great paul randolph on vocals. the ndatl boss delivers three versions that combine jazziness and dancefloor attitude. also included here the in-demand jam speak your word that features osunlade on keys and spoken word by rasiyah.

nandu returns for his 2nd release on connected with another unique pair of tracks, the first an african influenced song with the mesmerising vocals of oluhle, the second a 909 style acid dark dancefloor workout. 1. nandu & oluhle - umfazi omuhle (original mix)- a gentle almost cautious arrangement building slowly and ethereally with a beautiful selection of sounds and an african influenced nandu rythm with shakers and claves providing an original feel and leaving space for oluhle’s moving vocals. 2. nandu – another jam (another acid dub)- a more aggressive, upfront side from nandu. for the intense spot of the night with twisted groove of claps and percussion, heavier in the lows with a proper 909 kickdrum with the acid line coming in half way through..... hot.

known by genre aficionados as one of the greatest singers and most riveting stage presences in soul music, jackie shane has remained largely unknown outside toronto, where her career briefly flowered in the 1960s. beyond her unmistakable gift of the gab, shane is a pioneer of transgender rights, born in a male body but unabashedly living her entire life as a woman at a time when to do so seemed unthinkable. any other way is the first artist-approved collection of ms. shanes work, ollecting all six of her 45s and every highlight from the legendary 1967 live sessions at the sapphire tavern, including three mind blowing, previously- unreleased tracks. rob bowman’s 20.000 word essay is jackies first communication with the public in nearly half a century, telling for the first time ever jackie shanes story in her own words. this deluxe two album set is copiously illustrated with never-before seen pictures from a career and a life unlike any other.

before his debut studio full-length, dubbyman racked up a remarkable discography of dance singles and remixes. he has been away for a little while, but his new 10-tracker album is the perfect tool for him to make his anticipated return. -deep is dead- is a fascinating mix of organic and synthetic, past and present, smoothness and eclectic, darkness and brightness. the spanish producer has veered away from those dub-heavy and dark atmospheric deep stylings, and instead has ventured into much classic house and musically territory. almost all songs are soaked in warm chords, dreamy leads and gripping melodies. dubbyman also offers an immense and stunning roster of credits and guest musicians such as kuniyuki takahashi, leo gunn and george btp aka allstarr motomusic, just to mention a few.

fresh off the back of his glitterbox remix of camelphat & elderbrooks hit cola, mousse t. drops his first original release on the glitterbox label, showing off the depth of his production skills in this sparkling genre-binding track rock the mic. mousse t. enlists the help of artist taz, the man who became the first uk rapper to sign to hip hop mecca def jam, also earning a prestigious ivor novello award nomination for his writing skills. rock the mic reunites mousse with american song writer inaya day, best known for her unforgettable vocals on the german producer’s biggest record, horny. the catchy hook and toe-tapping groove of intertwine perfectly over smooth strings to make this an irresistible record. the killer collaboration combines hip hop with disco, giving us the best of both worlds. rock the mic lives up to the hype, delivering six minutes of bliss alongside a percussive remix courtesy of kon. kons accapella and instrumental versions round off this full rocking package

180 gram double vinyl plus download code.

the night is what makes a big city come to life. right after sundown, the hectic buzzing of downtown makes way for adventure playgrounds, bathed in neon light, revealing their countless chances and opportunities. its when youll find the subway spitting out its purpose seeking passengers by the minute. a coming and going of restless people passing through. all it takes is a few hours, before the sunrise makes it all disappear. mental bend captures the magic of that very moment in their dreamy soundtracks. if you close your eyes, you can see blurry pictures passing in slow motion, accompanied by their atmospheric songs. grainy black and white snapshots, fragments of memories lighting up somewhere in the farthest corner of the cortex. one step is the berlin-based indietronica duos visually vivid debut album, released on enfant fenou. mental bend are all about letting go. sissip (voc/synth/bass) and hendrik havekost (beats/production) know how to trust their instincts, crafting their hypnotic signature sound, somewhere in between electronica, ambient and dream pop. before founding the band in 2013, the two were already shaping their skills in all kinds of different formations and styles of music. as soon as they got together, they had a viral mini hit with their song take my hand, praised on various tastemaker blogs and generating over 100.000 likes on soundcloud in no time. the bands first long play record one step is all about important experiences and decisions, small as well as big steps, all a part of making progress, which in the end can even be life changing. it was a step, that recently got mental bend their record deal on mos ferrys sub label enfant fenou.

der in aus chicago stammende rapper & produzent saba hat schon eine reihe von mixtapes veröffentlicht und arbeitete mit chance the rapper zusammen. zuletzt sang er die hook auf seinem song angels. bucket list projet ist sein viel beachtetes album aus dem herbst 2016 mit gastauftritten von twiste, noname, jean deaux, matthew santos und anderen. nun erscheint es als streng limitierte vinylauflage als farbige 180g pressung.

must have 12inch lee perry 12inch repressed. black vinyl press - as opposed to the 2017 bf red press. starting 2018, get on down brings you a beautiful package of roots reggae weirdness from the almighty upsetter: lee scratch perry. this 12inch single features the song disco devil, recorded by the legendary jamaican mad genius with the group the full experience, as a version of max romeos chase the devil. but dont jump to conclusions based on the song title musically this is as far as you can get from saturday night fever. thick, reverb-drenched dub/roots reggae laced with perrys dusted vocals and brilliant work behind the boards are on the menu throughout. this cut is undeniably underrated in perrys catalog and fans will eat this up, since it has always been hard to find on 7inch and 12inch for many years now

goodnight vienna is the fourth studio album by ringo starr. it was recorded in the summer of 1974 in los angeles, and released later that year. goodnight vienna followed the commercially successful predecessor ringo, and starr used many of the same players, including billy preston, klaus voormann, robbie robertson, harry nilsson, and producer richard perry. the title is a liverpool slang phrase meaning -it s all over-.

viele der songs seines selbstbetitelten albums »ringo« (1973) wurden von george harrison produziert, zb der song »it don t come easy«, der song »photograph« entstand aus einer gemeinsamen feder, und die bis dato unveröffentlichen harrison kompositionen »sunshine life for me« und »you and me (babe)« wurden mit aufgenommen. john lennon steuerte die komposition »i m the greatest« bei, für den er auch den hintergrundgesang übernahm und am klavier saß.

a teacher by trade, dr mary sullivan bain recorded her musical works to be used as an educational and motivational tool in the miami-dade public school system she taught in. the single was recorded at miami sound recordings, south florida and released in small numbers as a self-published 12 pressing for educational purposes. copies of ‘do you know black history did not circulate much further than floridas public school libraries and the vaults of some local radio stations when it was released in 1985. produced with no label constraints, mary worked alongside her friend and vocalist herman attaway. she would give him the words and the melody and together they translated her ideas into song. if one wanted to categorise it theyd have to put a copy in a few different boxes … 808s, bass synths, deep chords, live percussion and effects dubbed into the mix. the production leans towards the electronic diy framework that informed the local sound on the south side. whilst the categories are blurred whats clear is that the musicians who made this thought outside of the box.

red laser ceo il bosco selects four manctalo nukes that rock the label s manchester party on a regular basis. the manchester dj and producer carefully edits these rare or ignored tracks with the help of the another well-known local who only wishes to be known as the bat. play that song is like the smiths decided to have a go at boogie and creates an amazing mix of indie electro funk that shouldn t work but does. a little happiness has had the big italo collectors around europe searching frantically for the original of this lost gem since the track was aired on red laser s soundcloud. who will find it first? pac manc is an amazing dreamy slice of electro boogie ripe for the dancefloor and finishing the ep in style is the heavy drum led afro funk of shotgun rules again, with a synth bassline so big you could see it from mars. this one will live in dj bags for some time. limited to 150. hand stamped in textured grey card sleeves.

am 22. november 1967 nahm otis redding seinen größten hit “(sittin’ on) the dock of the bay” auf. er wurde der einzige hit, den redding sowohl in den r&b- als auch in den pop-charts auf position 1 platzieren konnte. doch das schicksal wollte es, dass otis redding dies nicht mehr erleben durfte: er kam vier wochen vor der veröffentlichung bei einem flugzeugunglück ums leben.
heute gehört der song mit der charakteristischen, gepfiffenen melodie am ende zu den bekanntesten und beliebtesten songs der musikgeschichte und zur säule des bahnbrechenden recording-katalogs von otis reddings. noch immer fasziniert er ganze generationen und gehört zu einer handvoll von songs aus den 1960ern, die über 100 millionen streams auf spotify verzeichnen!
50 jahre nach der erstveröffentlichung am 8 januar 1968, bringt rhino “(sittin’ on) the dock of the bay” als 7”-single auf goldfarbenem vinyl in einer detailgenauen reproduktion der original-monosingle heraus. als b-seite enthält es “sweet lorene” in der optischen wiedergabe als volt-veröffentlichung, verpackt in einer gestanzten hülle wie jene, die atlantic records seinerzeit benutzten, als sie die stax / volt-schallplatten vertrieben.

ombra international can save you with the fury and lust. bordeaux cold-wave band, bagarre perdue kick things off with cowboy and the psychedelic spaniard, sutja gutierrez closes with a tripped out vocal track. the b-side goes more for the dance floor with french-londonite, mondowski and a post-punk slow wave song ties it all together from st. petersburg russias, seven knives.

in this winter transit records kyoto announces the 7th title (tr-006) ryoma sasaki-the phase at midnight ep including the finest deep house remix by reynold (trenton records) to vinyl music lovers and djs. the kyoto-based label transit records kyoto has been releasing high quality tech house, deep tech & house works since 2011. in this winter, we announce the 7th title (tr-006) ryoma sasaki-the phase at midnight ep including reynold (trenton records) remix to vinyl music lovers and djs. a1: the phase at midnight has the strong house groove with heavy bass line and striking synth-phrase, will fit the midnight dance-floors as its song title. a2: momentary existence (reynold remix) is fabricated by reynold s great imaginations and musical abilities. he produces the finest and beautiful deep house remix by composing the original parts and his parts with refinement in the tracks structure. b1: momentary existence (original) is a dramatic tech house track with impressive melodic synth line and beautiful female voices, which evokes something like lyrical landscapes. definitely all tracks will cover a full night up in the club.

danny elfman’s original score for tim burton’s movie “charlie and the chocolate factory” on minty marbled double vinyl, housed in a gatefold sleeve.

lottus got this deep and old school flavour touch, driving and sweat at the same time, this one is for franck the highlight of his new ep,so no big words on this one. it s a lottus love affair here. air is a cosmic journey into franck s synthetic drum sounds, passing thru his famous space echo 201 made back in the days by roland..the machine got some natural errors and goes with the tape delay feelings.. it s all about movements and space rythms here.christal is using the famous 909 drum machine and 808 toms.. this one goes very deep into our mind with strange vocals wich franck got the secret to play with, it s a sentimental and emotionnal song, cute for some people but very relaxing after all to complete this ep.my name is was originaly out on franck s realtone records imprint. it came out with two different versions.the track received some good feedbacks and plays so far and our dear friend berlin based alexkid came back to us with his own edit and we definitly loved it but we were very busy with the releases.. this edit has been lost in our hard drives and now franck is more than happy to give it a new life.

punkrock !!! yeah