thatmanmonkz is certainly enjoying a fine run of form ! heavy duty releases for delusions of grandeur & kolour ltd, alongside a steadily building and essential catalogue on his own shadleaf music label for their fifth outing the label has opted for a split single, with french house royalty ludovic llorca aka art of tones handling a side duties ‘so worried’ marries a spoken word vocal with an irrsesistible clipped organ led and bumpin’ house workout that sounds a lot like fellow frenchman st germain did way back when. monkz handles the flip with the kind of rough and ready sample-house jam the label has championed ‘got to get to’ strings together a handful of live instrumentation & melodies in classic collage style, while the dub strips down and houses up the ingredients for a clonked out finale.

radioactive man: -dub has always been a major influence in my music, mainly roots a la king tubby, marley, lee scratch, king jammy etc. i used to religiously tune into the manasseh show on kiss fm on saturday nights after coldcut, that introduced me to the massive amount of roots reggae and dub that was made in the 70s. i always loved the fact there was two versions, a vocal and a dub, which was always played in that order... the original remix music i guess...

erstklassiger new yorker future-retro disco house mit 80er jahre proto disco- und garage-anleihen

based in copenhagen, denmark, copenhagen underground posse (c.u.p.) is the first label on the new underground quality distribution run by dj jus-ed.c.u.p.s focus lies on the local scene in copenhagen and is dedicated to show the world what the scene up north is about. the debut vinyl liderlige rytmer del 1 af 3 is a four-track v/a featuring local heroes 2400 operator (uq), samuel andre madsen (uq/balance/concrete) and new talents kasper marott (c.u.p.), supertonic (c.u.p.), a remix from the label owners daniel savi and daniel bruhn jensen aka dee brown backed by yet another remix from jus-ed himself. the release is a horny package ranging from prime-time analog acid, hypnotic melodic house to deep, rolling beats.

minuendo presents -between earth and space- mnd28#331 new various artists, 12- limited edition, hand numbered, vinyl only & no repress. contains tracks by joey kay, artist from chicago for second time he returns after previous work at -keep the face- now he presents two tracks -i wonder- beautiful vocal deep house soulful and -in a trance- techno tool for the dance floor. spanish producer jesus gonsev owner of troubled kids presents -seppuku- a deep house groove made in spain. finally debuting on minuendo representing swiss artists, allstar motomusic feat nicole b artist from deepart sounds presents -little trinidadian girl- 100% chicago house sounds, real flute and vocal, a perfect track to play or listen.

two of the uks finest underground labels join forces and share their talent on this killer 12inch. from iib we have coyote s sin distracciounes, an upbeat sunkissed dancefloor meditation featuring the blissed out flamenco guitar of long time collaborator saro tribastone. futurboogies christophe remixes and chops up the guitar and adds some gypsymenesque organ stabs and layers of keys. futureboogies felix dickinson and jamie read drop the funky guitar heavy restless people. sublime chugging beats and a beautiful vocal refrain imploring slow it down creating a laidback house monster. iibs max essa puts his remix right in the middle of the dancefloor with straight up house vibes and extra percussion.

lp with printed inner sleeve and download code for vocal and instrumental versions.

alleviated records is proud to present the latest ep release from the it. produced by larry heard (a.k.a. mr. fingers, loosefingers, etc.) and featuring the unique vocal poetry stylings of harry dennis, whom fans will also know from his releases under the moniker of jungle wonz. we hope that djs, dancers and listeners will enjoy this set of 4 selections with music composed by larry. musically yours!!!

nice price deal !!! the sixth release on kopf artefakt, this time, comes from ricardo galindo and dj marshall.this ep delivers deep waves solidifies this alchemic sound with his outstanding vocal canon tricks and psychedelic lyrics, simply made for the clubs

back with his second ep on truesoul after his impressive kilimanjaro ep, dubspeeka has tossed out more attitude with his new noise ep. keeping in the similar dubspeeka trend, his noise ep is dark and moody with interesting twists and turns to give this serious character. from the distorted drums of noise to the melodic synth line of usk dubspeeka has delivered an outstanding piece of work that should be commended with the highest honour. the preciseness of his synths and vocal swirls separate this from other projects and shows the class and enigma that dubspeeka is capable of.

the original, with a well-constructed bassline incorporates a warm up melody that begins to set the tone for the night ahead. each layer is distinct as the track begins to build itself right to its crescendo when each of those individual layers collectively come together. you can distinctly hear the 80 s like synths that are cleverly inserted into the track which are highlighted by the female vocal samples. the grittier elements add a touch of darkness and instantly transport you to a warehouse club with an intimate atmosphere. the remix, done by the widely loved tech-house duo pleasurekraft jack up the tempo a notch, and add a bouncy groove to the track. where the original brought out a darker side, the remix is more upbeat and settles in well for a peak hour set. bringing that crisp bassline to the fore, and tuning out the melodies to make them a tad subtler it showcases a more tech-house version of the original. there s an added element a slightly more haunted vibe which is coupled together with those gritty and harder elements. all i can conclude is what a tech-house bomb this is from the highly talented pleasurekraft. they always manage to bring something new and unique to every single track they ve ever remixed which truly shows their remarkability as consistently good producers.

wolf invite two old friends back for the fourth release in their white label series. ron basejam steps up first with a beautiful piece of soul sampling, low slung house. all topped off by crazy p vocalist, danielle moore. on the flip the more upbeat peaktime jam from chicago damn sounds like a 90 s new york house track with rolling beats, vocal samples and disco loops.

the slick, modern vocal house of i want you is the first single taken from huxleys debut lp blurred on aus/!k7 and it drops, along with remixes from youandewan and huxley himself, on october 6th

legendary miami duo oscar g and ralph falcons murk label has always been a sign of quality for house heads all over the world. their distinctive productions have re-shaped the sound of deep house since the very early 90s and they released some of the most sought after house 12inches throughout this period under numerous psuedonyms.

dense & pikas offshoot label kneaded pains returns with another techno focused 4 tracker from the mysterious moss a1 brings the heat with a spacious warehouse jam, kicking off with a warm pad before unloading with the tracks monstrous bass hook. a2 dives into lo:fi realms with a moody yet effective groove complete with male spoken vocal. b1 keeps things main room albeit in a more clean and serene way with razor sharp kicks and percussion providing a nice counterpoint to the rougher edge of the a side before b2s deliciously deep jam rounds off the ep.

liddell townsells debut 12inch on trax (co-produced with adonis) is a non-stop call to arms to the dancefloor set to a hype chicago backing track that presses all the right buttons! originally released in 1987, this is the first time it has been re-mastered and re-issued and it still sounds as heavy as it did back then, a sure fire dancefloor killer in true chicago fashion, party people jack your body is an essential weapon in any djs bag. let the rhythm move your feet

re issue of romanthonys * da change / hold on* on black male from 1994. all 4 tracks re mastered for 2014 from original dats and released in original artwork. re issued in conjunction with the rights holders

mellow mellow right on return with two splendid re-edits of much sought after boogie and modern soul classics. flowers for real is a midtempo killer that has filled dance floors across the globe for the past thirty years with its rich soaked strings and warm hearted lead vocal, while the flip features the in demand up-tempo killer dance your blues away by ivan neville. both re-edits are now exclusively available on pink vinyl for discerning connoisseurs.

danse club label bosses scott & austen smart aka brodanse unleash their second release on the label, the the ride featuring vocals from cari golden. the release kicks off with the original version of nobody walks, a tough and grooving slice of vocal house that employs a simple bass and piano chord groove to provide the soundbed for cari goldens distinctive vocals.

huge d e l a n o s m i t h remix
negghead and lex wolf form acid mondays and together the two have released music with 20:20 vision, circus, deep vibes and illusion recordings. illusion give acid mondays the full treatment after the duos salvia sessions 12inch from last year sold out almost instantly. smith, who appeared on the original 12inch, provides an additional unreleased remix while deepblak label head aybees reshuffles the original, burying it deep in chords and reflective vocal delays. not to miss out on the production action acid mondays provide their own east end dub to watching eastwood and invite z records producer dan goldman to play keys over the top as jd73.

it s only so long before liam geddes becomes a name you ll start hearing on the worldwide underground stage. having already churned out a number of uncompromisingly deep house tracks over the past couple of years, he comes armed with another exceptional ep on mil - the third release on the new music is love sister label - that further demonstrates his genuine dynamism as a producer. the with closed eyes ep should win this very talented producer the recognition his fresh beat work deserves into the wild gets proceedings underway, a ripping bassline paves out over rattling percussion shakes while oscillating dream like jingles play out during the course of the track. chopped vocal samples are introduced and tease against the shuffling drums which elevates the track with real drive and groove. close ya eyes for the journey packs the same layer of heat with its similarly groove-heavy bassline - a staple of geddes well-crafted sound. firmly footed, intermittent chimes seep into the track and are complemented by siren-like chords which grow truer in presence, until a hypnotic vocal snippet fulfils the deep terrains of the track. a saint is a tumultuous techno-fused roller with it s rip-roaring bassline and percussive loops which rhythmically swing out over shuddering pads, sustained chords and a cut up female vocal, brining a twist of colour to the arrangements of the track. there s a keen sense of tension and release, elevating this above your average and confirms geddes does depth and darkness with real conviction. broke will surely prove a high point for any decent dj set, and sounds like a cut you d expect from someone like delano smith. strings faintly play out over looped key chimes and a funk-like riff, while ticking hi-hats and a careful use of vocal sample gives the track extra heat, each element powered by the rumbling bassline.

alison marks returns fresh from her recent collaborative releases as wallflower with leah floyeurs and lumina, her more machine based project, with helen copnall. here she delivers a subtle yet enlivening piece in the form of mama,a slow, enchanting groove which works surprisingly well pitched up utilising piano, strings and a vocal motif reminding us why it is that we spend so many hours on the dance floor/behind the mixing desk/in the record shop.

fernandos debut for leng was the universally well received mid-tempo monster *blue impala*. now he is back with yet another hypnotic bass heavy workout. *giant desert* takes the same low slung approach with some heavy guitar work from fiorucci. this is really is chugging music at its best, with flashes of vocal, analog synths and a dirty rock guitar combining to keep that head nodding. the extended dub allows fiorucci more space to hit the groove and the guitar work becomes epic.

in 2013 bootshonk was the white label release spurred by the calls from dc10s dance floor. this time around bootshonk steps ahead of the game and pre-empts two of this summers sure-fire underground dj weapons. troubled times brings high energy tribal drumming, simple and stripped back to ultimate rhythmic effect. patiently building up with claps before sliding into a moment of surrealist vocal samples, for a woozy, trippy vibe. with stamper square the mood shifts deeper, delving into the late night mystery and a new level of dance floor entrancement.

an amazing, rare beauty of a track from deep within the trax vaults, eric bells your love originally came out in 1987 and features a stellar instrumental version courtesy of the legendary frankie knuckles. since its original release it has been a heavily sought after piece of wax often changing hands on-line for hundreds of pounds and it remains one of the most cult chicago house records and rightfully so re-mastered and re-pressed here for the first time, your love is an unmissable re-issue complete with original trax label artwork, utterly essential.

last year moscow records set up sub-label moss co and each release so far has introduced a new set of artists. for this third release it is nu zau, aka stefan gabriel zamfir and loopdeville, aka d zlatinov. nu zau debuted on fear of flying in 2012 and his 2013 was prolific with seven releases added to his name. he provides an 11-minute drum track, *cumse cuvine*, that is filled with kooky and super minimal, squeaks, tweets and vocal samples, a fine production. loopdevilles kick drum on *piance* in comparison to zaus a-side is standout, and here he provides a cold and moody track designed for those deeper moments of the night. it is the london-based producers third release after debuting in 2013 with two 12 inches, one of which, phantasmagoria, inaugurated new label delooped.

look who dug a hole through the earth… fresh in berlin from the subtropic suns of la, draveng is coming up in your schrebergarten with a cup of coffee and three exercises for allergy season.
side a: first comes *dubious smink*, a rubbery wink of a snake’s housework. then, open up and say laaa for the the vocal mix of synth rearranger, *no flex fit*.
side b: things get dramatic here. wilderness whimpers while wind whips water before moses staff parts 4 to the floor kicks from divine mathematics. j. tijn does what he does best and sears *for thin soles* into a blown out roller.

limited warehouse found - last copies left !!
the fabulous roisin murphy with her single >you know me better<. taken from her top 20 album overpowered, the track is a collaboration with groove armadas andy cato. mixes come from trevor loveys, guy williams, samim, nightmoves!! limited coloured 2x12inch vinyl release, excellent collectors item !!

skylax welcomes f.t.g., known to house music scholars as freddy the groove, and his many friends for our next release in 2014. last year, f.t.g. and his italian partner in crime, marco riff (who also appears on this very record), pressed a very limited run of a single-sided, special throwback tribute to late 80s chicago house music. the track was aptly named ‘tribute ’89’, and it put a more dancefloor oriented twist on a track by a certain originator with the initials r.h. needless to say, it became highly sought-after incredibly quickly and fuel was further added to the fire by the repeated club play by none other than the dj idol ricardo villalobos. luckily for our followers, that original mix appears on this ep with another unreleased mix of the track and 2 originals featuring belfie and alex tea alongside f.t.g.with enough said about ‘tribute ‘89’ itself, the unreleased mix maintains the warehouse vibe with a heavy kick and bouncing bass pattern but takes it to another level with the introduction of rolling vocal cuts and a rather ravey synth line. flipping over the to b-side, we are treated with two tracks by f.t.g. and alex tea, named ‘public enemy’ and ‘bango’, with the former also seeing belfie lend a helping hand in the production. both of these originals round out the record nicely and cement it as another skylax release that is definitely not to be missed

(steve bug traffic signs remix) for the new single love song, deetron calls on the vocal talents of oddball techno superstar seth troxler. steve bug brings his traffic signs alias back to life for the remix, and adds an instrumental version too.

fear of flying kick off the new year with the next instalment in their vinyl only series, enlisting the talents of matthew burton & kate rathod. ‘cyberg’ has an atmosphere so thick you can cut it with a knife, a vocoded vocal and haunting pads imbuing the track with a distinct 4am feel. ‘mr magpie’ ups the ante slightly with swung percussion and fx. the lofty kick drum and twinkling synths of ‘8 minute abs’ and the subtle deep houser ’hammer top logo feature on the b side. part 1 of 2.

second release from uber records is jesus luvs u baby. los porcos drop a tripped out dreamy piece of indie balearic soft rock. reverbed guitars and chugging bassline and a blissed out vocal. on the remix claremont 56 boss paul mudd murphy delivers a stripped back atmospheric dub groove whilst the second remix from is it balearic..? boys coyote step on the delay pedal and and hit the percussion. the lazy hammock dub is exactly that ... uno dos tres quatro.

proud yorkshire label hudd traxx have been putting out a reliable stream of quality deep house since 2005, with artists like dj sneak, rick wade, iron curtis, jay bliss and agnes just some of the many names to appear on the label. this 46th release features three debutants, while the fourth name, j.t. donaldson, spearheads the release with a wishy-washy, bassline driven deep house vocal cut -got myself together-. hudd traxx provides dusseldorf producer maximiljan with his first physical release with the track -son of a- which merges the linear 909 house style of norm talley with smooth chords and cheeky vocals similar to the now defunct swiss house duo azuni. but most interesting for the label on this release, it s the two new names in professional gigolo and tuneon that prove hudd traxx still know where to look when it comes to unearthing new and vibrant talent.

dynamic uk duo him_self_her are back on the essential crosstown rebels with another bumping deep house burner ‘love you like i used to once again featuring the distinctive vocal chops of kieran fowkes who also appeared on previous crosstown hit gone too long. featuring a tough and distorted remix from hot property francesca lombardo and the driving cosmic force of uk disco darlings psychemagik on the flip, this is a house track for the peak season of al fresco hands-in-the-air dancefloors.

second of three samplers celebrating mood ii swing s seminal original tracks and dubs from nyc s finest king street sounds. contains their seminal cut closer (vocal + dub), lip stick bitch & heart attack track.

london/venezuela production duo juan laya & jorge montiel aka los charlys orchestra take influences from salsoul, fania, donna summer, cerrone, herbie hancock and even jamiroquay and blend them with their very unique style of production in order to deliver their latest anthem of neo latin disco. after a few months of experimentation across different sounds los charlys are back into their main arena with an outstanding new single entitle everlasting love. los charlys orchestra were first known by their initial disco/funk period and more recently by their infectious latin/funk sound, which has been buzzing all around the place for the past couple of years. this new single expresses a cross road in between the two periods of lco bringing up a new perspective for the future of this outfit.

kalipo is jakob häglsperger from berlin who devotes himself to experimental electronica. his debut album yaruto follows a series of remixes and contributions to compilations released by antime and stiff little spinners. on it, häglsperger tries to create a both unique and timeless sound that takes cues from dance music, downbeat and gamelan traditions alike. making use of his wide array of analogue synthesizers, a rhodes piano, a metallophone and guitars, häglsperger is creating the abstract narrative of an impersonal biography by creating moods that correspond with certain stages of life as well as chopped up vocal samples. the double vinyl lp includes a download code.

the sexiest dj duo on wheels steers their way back into the hearts of house music fans everywhere with -what you believe,- a 2-track vinyl-only ep. this sixth installment shows a different side of the duo... here, in contrast to their past vocal collaborations with corbu, gry and bob moses, they opt for a pair of lush dancefloor instrumentals, delivering their most dj-friendly package to date.

clone royal oak series with its 24th release! and this time its canadian gingy with vocals by singer starving yet full. rapt is an amazing vocal tune that doesnt follow the color by numbers dogmas. 2nd track is the equally exiting instrumental cut named vscus with abrasive lead synth twisting and turning over haunting strings and shimmering hihats in the best detroit tradition. serge & tyrell team up for a remix version of rapt. they deliver a straight forward, no nonsense powerful dub mix!

new years deal - the glamorous duo hard ton teamed up with the legendary disco icon paul parker! a huge disco-house cult explosion as result! this record will take you back to all eras of electronic dance music. a perfect balanced vocal marriage powered with energetic productions which makes you want to move your feet from second one. on top some extra italian cookery with top notch remixes of the title track by discodromo and uabos. work that body

carbon chic, a native of minneapolis, delivers a high-impact redux on a soulful kick for the a-side. while for the b-side, a deep and cozy after-hours excursion effortlessly begins. two tracks at home both on the dancefloor and in your space. beyond the speaker invites carbon chic for the label s sophomore release after legowelt and willie burns shared the successful label debut, angels against dust. with a broken man, beyond the speaker expands its horizons by committing new talent to wax, furthering the label s vinyl expedition. carefully mastered by alek stark, a broken man in redux form does not compromise, upping the tension between burrowing bass, satisfying beat and vocal machinations. on the flipside, deep affection offers a more comforting assortment of synthetic melody and late night warmth while maintaining a firm dancefloor footing with gently rolling hihats topping everything off.

if you re going to beat em down, you need the right tools. on the label s second release, grimy trax has given you a couple hammers. the a-side, dejay cease s the fixer is straight chicago. we re talking banging 909 funk that might be found buried on a particularly unhinged ron hardy mix. a simple bass line and two notes of acid are all it takes to make the floor go wild. this is functional heat with enough atmosphere to engage the mind, body and soul. on the b-side, rising chicago son boogienite proves he s earned the hype. boy, ok is an instant classic thanks to some recognizable disco strings and a funky escalator of a bassline. the producer uses a trippy, rubberband synth which eventually turns into rhythmic, teasing vocal. the mixdown is ridiculous, especially as the lengthy track passes the halfway mark. boogie brings the bassline in and out in between beautiful ambient rhodes and a call and response male and female vocal. those strings hit again and you feel no pain.

following a double headed debut on our recent nasty rips comp. – a crisp remix of hackmans ‘ always’ and a fizzing solo outing -‘not afraid’, montreal producer reagan grey makes her full shifting peaks debut with a high grade 3 track ep, alongside 3 useful remixes. opener ‘owl’ featuring sandy duperval on vocals, takes a neat song of love and life and rolls it over a punchy ukg/house groove, adding classic sounding organ stabs and swingy rhythms, with a tight arrangement keeping things moving along. ‘feel the pressure’ features christie nelson on vocals, with an equally strong , r n’ b inflected song woven in and out of a looser, spacier arrangement, rgs snappy drums again underpin proceedings. not afraid reappears, having made friends along the way via it s nasty rips inclusion thanks to driving detroit-influenced synths, a pulsing bassline and sweet builds and drops. on the remix front, lukas ( future boogie ) keeps things simple on owl, with a fat, kick-lead groove and sparing use of the vox before drifting into a crowd-pleasing breakdown halfway through. benway (aka fast rising muscovite nphonix) takes swathes of the feel the pressure vocal for a ride over broken beats and a bass heavy backing, with hints of techno torque setting his pressurize mix apart from the similar de pressurize version.

to accompany the release of especial s compilation mix cd, -eleccio- - offering of a snapshot of the first 9 eps on the label - a limited edition sampler ep is being released featuring 4 unreleased remixes from the label s roster to date. ever since the first white labels appeared at the end of summer 2013, emotional especial has had a busy release schedule, putting out music that are a slightly warped take on club music. mixing the influences of dub, electro, disco, proto-house, house and techno, a feeling, a sound, a vibe has appeared without any preordained plan. with the release of ees10cd - a dj meets studio compilation mix created by label mainstay and handyman, jamie paton - to mark the end of first series of the label, it was decided to included a couple of specal unreleased remixes to add a bit of new with the old in the mix. to that end this limited edition vinyl sampler was created to include the two remixes, plus the inclusion of another two gems that simply needed to see the light of day. first is the alternative -member- remix of inhalt by black merlin - a strings meets leather bar club-dub-out that takes things deeper and darker than before. this is followed by jamie delivering his own take of khidja s massive mustafa, with a warped, swamped out dub. next is another mix from cage & aviary of their pals, blancemange. brooding low-slung rerub dub anyone? finally there is a very special remix by khidja of the ganges orchestra. reissued on emotional rescue in 2013, this special remix takes the vocal mantra of the original and creates a balearic-raga tale that perfectly rounds off especial to date.

last copies left !!
a bold move to cover a daft punk record? perhaps but off msg and vocalist hadi create a respectful update of the oft overlooked romanthony penned finale to daft punks second album. too long is one side of vinyl and 6 minutes of classic infectious house music as uncomplicated as it is effective. sounding not unlike an early marshall jefferson / jungle wonz record. hadis vocal leads the way, underpinned by loose house beats, live tambourine, a when house was discos little brother bass line and analogue disco stabs that punctuate the space. strictly limited to 500 hand stickered, stamped and numbered with no repress. these will not hang around mastered by original two lone swordsman mr keith tenniswood.

4 tracks of classic 1993 nervous nyc house from the mighty todd edwards as the messenger. edwards is already revered as one of the producers of his era & guide my soul is testament to this. full of soulful groove, jazz licks, tough skippy drums & edwards trademark vocal samples this release does not disappoint. remastered from dat & repressed in conjunction with nervous with love for all the house heads & garage freaks.

following the success of the digital release of sleazy mcqueens *you know how ep*, upstart label, cvmr were compelled to press the remixes to vinyl. the proceedings open in superb style thanks to the revenges live dub. a bass heavy tool with equal parts classic house and disco, with a touch of arthur baker-style drums. on a2, sleazy mcqueens space coast take things to the basement with the help of romano arcaini (latenight society), warm rhodes, live bass and an absolute drum-break-freakout add a decidedly different dub flavor to the package. b/w compost blacks main man kasper bjorke offers his acid tinged interpretation, driven by a gritty saw-wave bass hook, rolling snare hits, wanderings arps and crunchy drums, a simply stunning piece of music as expected from the undeniably talented copenhagen born producer. closing out the remix ep, cvmr in-house producer, century strips back the vibe to a dropped tempo, emotive workout fuelled be heavily reverberated piano chords, echoing vocal lines and a general chuggy, low-slung vibe throughout.

manchester artist belly is back with his second ep of 2014 released through his new inprint belly dance and this time he is joined by east end soul vocalist shona carmen & one half of asphodells tiimothy j fairplay on the remix. the second ep see s belly up the pace slightly from his inagural release moving slightly away of the slow beat of tracks like dark autumn and farewell and embark on a sligtly more up tempo , swing style bordering on the style of machine drum. the first track control is a hazy club track with strong vocals from both belly & shona backed up by drum and bass beats which is followed by vocal heavy space beats in the form of zu . on the flip side we see the real inpact of shona carmen with a clubtrack loaded with summer vibes called painting . the vocals are soulfull and beautiful with a swing tempo and drum patterns that lift throughout. this is followed by timothy j fairplay bringing in his own take on 90 s chicago garage music with a banging clubtrack remix of dark autumn off of belly dance 001.