umami who just collaborated with aka aka now join nicone with this late summer dancefloor smasher on side a: i come to you (incl. nicone remix)! umami who claim to make songs not tracks prove this on side b where they not only remixed nicones hanaetano but gave it an additional catchy vocal line. >im down on my knees<! limited to 500 picture sleeves!!

there was no doubt that label boss fred everything wanted to get his hands on the remix, taking a similar approach to his recent juno-chart-topping disco remixes of hot toddys down to love for oms sub-label smoke & mirrors. fred ups the tempo a little but instead of going the 4/4 route,he uses a laidback,almost freestyle beat over a crisp production. this is house-not-house at its best!also included is the bonus track from blacklodge called >broken promises< which shapes up as another late night monster.early support from danny krivit, mark farina, tortured soul, nacho marco, franck roger, lovebirds..

oh! there is one more 12 inch release in the vibes series! the fifth and last ep features 3 tracks by new recording artists from detroit. first up is mark king who gives us an emotive, deep vocal work-out that lasts close to nine minutes… just how we like it, pure soul! on the b-side there is detroiter dj raybone, who teams up with tj as well as rick wilhite for two more deep detroit late night house tracks. what a nice way to finish of this series. deep detroit deep! the b-side tracks are exclusive to this 12inch and wont be on the cd release

what a strident effort at night in cologne-hattan. chris baumanns profession is that of a sound-fiddling flame thrower. his tracks in this case as a limited, grey-marbled vinyl are pleasant deep house/house blueprints made for memorable late night club sessions with escapist floor excesses in the open rhythm scope of house, tech house and dub techno.

bergerac is the new record label set up by uk producer and dj red rack’em (aka danny berman) to showcase the more dancefloor end of his music productions. danny is well known for his wonky disco outings as hot coins on tirk and also his deep as hell beatdown house on untracked. his style of production and djing have recently taken a slightly more banging angle due to the influence of larger scale festival gigs such as glastonbury, snowbombing and the big chill. so it seemed like the perfect time to start a label focussing on house and techno for the more discerning dancefloor. the label artwork will feature bespoke illustrations from german artist silke eiselt of all the houses danny has lived in chronologically. how much more fucking house can you get than that? how i program is a raw, heads down, whacked out banger, which straddles the wafer thin divide between house and techno with aplomb. with a massive loud donking bass noise, seedy late night atmosphere and danny shouting about how he programs his shit - this is some freaky deaky peak time business. next up is bonn, a warm crackly rhodes driven halcyon house moment, which evokes the slightly majestic and nostalgic vibe of people dancing alone together in a hot room at the end of the night. cheering sourced directly from bonn in 1982 mixes with naive keywork and distant female chants the first bergerac ep closes with it happens to us all, which could be an ode to prematurely greying men, the onset of senility or occasional farting in public places. its definitely a prime slice of wrong house with some seriously french hi hats and dubbed out bassline action though. yes, its more syncopated than an exploding castanet factory but thats how we like that kind of funk

carte blanche (mehdi and riton) crank out a top-shelf banger, already getting big plays by tiga and brodinski. aeroplane slows down the tempo and glides the waterbed out onto the dancefloor. h.i.t.

>that placid track< has been in the hands of some lucky individuals for some time now, making its way across dancefloors from berlin to new york, bristol to tokyo.
dark disco references are heavy throughout with a great use of strings licks, a slo-motion vocal sample and a classic cowbell keeping everything nicely in check. as with most of octobers productions though he still has one foot firmly inside berghainrendering this essentially disco track into something with more of a late night, broody edge.

first on decks.de!! die bondage games part 1 kommt mit vier tracks auf der techno / techhouse spielwiese, und dazu noch sehr abwechslungsreich !!

special release alert! gene hooked us up with three tracks he producedd as a teenager, together with ron hardy. rons untimely death in 1991 prevented the tracks from be released at the time. these tracks were made during various sessions at genes studio, when ron had time in between his gigs. raw, original chicago house music from the late 80s! comes with special artwork featuring an original late 80s flyer

this sampler, first of two, holds three tracks from the classic >spelunking< ep, which was originally released on planet e and with which he solidified his name in the scene. track a2, land of the lost dance, is an unreleased track from that era. another fine example which shows that recloose is the don of mixing funk and techno. with this compilation we celebrate reclooses early works from the late 90s, early 00s. this material is often regarded as his best. the compilation includes his best music from that period, both released and unreleased.

part 3 in the voyeurhythm series! retro futuristic house tracks by ben sun and monte carlo interchange. ben delivers a great track that builds around a sweet frankie knuckles kind of bassline and sexy ny proto house percussion, topped with lush piano and vocal samples 1992 rippin old disco records style. heavy hitter! flip side is a spaced out slomo cosmic house jam with a big bass line which goes between a classic 90s carl craig and a late 80s chicago house bassline ... sweeet! another cool release from these kind australian folks!

can we do more? we are very happy to welcome back one of the guys that started it all with us in the late 90s and after some time away working on other forms of music lance desardi is back with us in full force! releasing with seasons recordings in the late 90s working under the artist name lance nuance with projects >leaving the city< & >pieces unfold<. also working along side his long time friend jt donaldson as they worked under undercover agency and released an lp titled >paper love< on the seasons recordings imprint. ld is back and get ready for this single to break dance floors in half!
enjoy the music and remember to play it loud!

engine music is delighted to present this next release from german wunder-trio, triad. comprised of henree with releases on soul:r and c.i.a under his belt, bastikal, headhoncho of the much respected phunkfiction label and l flow a classically trained musician and avid analogue synth collector. as triad they belong to the new breed of producers, reexamining the conventions and reinvigorating the experimentation in the dnb genre which has been lacking unitl late. two slices of mature, open minded dnb with spellbound on the a side. a subdued, bass heavy stepper with a naughty bassline switch up. fortune on the flip is a little half tempo number with dubbed out samples and a sultry bassline. or as we like to call it: a slow grinder. fans of the current autonomic sound should not sleep on this! dj support from goldie, teebee, calyx, lenzman and flight amongst others.

the b.t.s are a detroit deep house live act crew. this is there first release in the world. the ex-member of underground resistance, derwin hall bang the dam walls down with this groove. this remake track with the late ron banks vox sample >treat me like man< is a detroit killer! derwin had some extra production on the drums by delano smith. this track is so hot, me (eddie fowlkes) and my momma had to get this for the cityboy music. what a great track for their first release.the black exterrestrials come back with >the journey< on the flip side. this deep minimal soul house groove has that element of a underground banger with euro flavor - with lead vocal by angie sexy ass!

swiss dj / producer david durango with his 2nd ep for nrk - superb deep house grooves for late nights and early mornings.

jakob korn, break sl, thomas froehlich, cuthead on the first release of this ambitious new label from dresden. with its foundations firmly rooted in house and open to all styles such as techno, disco and dubstep. its a small community of friends and producers, djs that meet each other the old fashioned way, the local record store fat fenders. the first release is a true house-affair. thomas froehlichs >get us< is a mysterious and breathtaking opener with beautifully plucked strings and a summerish feel. jacob korn with the surprise track on this record that combines intricate soundscapes built on an uplifting groove. this guy is on a roll! on the b-side breaks-prankster cuthead unleashes an unusual deep house study entitled >unacceptable moustache styles< before the record concludes gracefully with break sls late night jam >low light<. we ve said it before... the next generation has arrived!

eglo records reaches its tenth release, with another acid dripping banger courtesy of west londons funkineven aka stevie j. taking things a little harder than on his previous two records, heart pound jacks its way across the dancefloor, in a collision of chi-town and ldn beat based funk. another space comes even harder, drawing on a touch of early rave and hardcore, its twenty tenà it just went on a journey before it got here. funkineven has been busy of late, remixing for hyperdub recording artist ikonika, darling farah and practicing as part of the fatima live band, who made their debut appearance for deviation at fabric on wednesday, supporting bilal

new kanada is honored to have the awesome murr (aka nicholas murray) take the reins on the next release. dusty drums, worn-out pads and a deep respect for the early beatsmiths, nick always creates an atmosphere in his tracks that is definitely not the flavor of the month - but rather the taste of the year. on the a-side, >noise in< is a tough dusty jacker, that builds from a tight dub intoa shimmering melodic bomb. feels like early transmat, late gherkin, or an americanized lfo. shuffle, simmer, and slam. the second cut on the a-side, >broken glass<, is a slamming ode to the sp1200. beats swung hard, percussion rattling the kilter way off, and a suffocating groove. watch out - the shards are sharp. on the b-side, marshall reshapes the original >noise in< into a brutal example of a tough mixing tool. heavy, pulsing basslines and an incessant jack groove. this one should move the floor. red, yellow and orange. rockit!

for this 10th wph release we looked towards belgiums finest raoul lambert aka raoul belmans aka one half of swirl people to follow up on his splendid wph blue b-side track 3 seconds released late 2009. raoul quickly sent us cinnamon dreams, the result of a long valencia-session with friend and fellow producer nacho marco, during which they apparently ate the whole spanish supply of belgian speculoospasta, a specialty that cannot be translated in english, but it contains cinnamon, hence the name of the track and the ep

limited 2010 repress !!! >most of all< sees morgan aiming for the deeper end of the ital-disco scale, with jeremy greenspan s smooth vocal backed by great italo keys, a bouncing analog bassline, and tight beats. along with an instrumental take of >most of all< on the flip comes >skyblue pink<, a slightly angular, atmospheric late night cut for the leftfield headz to get to grips with, combining sprase metallic beats and textured italo keys. tracks: most of all/ most of all (instrumental)/ skyblue pink

right in time for summer oslo presents us two promising talents from romania named noidoi. they fit perfectly into the exceptional talent round of oslo and let us hope on a hot summer. aprilli 9 on the a side is a classic piece with wonderful house chords, which kept the audience by his extraordinary sound. noidoi opens up on the b side with aprilli 6, a title with no less high quality. the sound is definite more electronic pronounced than on the a side. trebor, impulsive and at the same time groovie is ideally suited for the somewhat late hour and rounds the ep off with his deepen mood.

our favorite african producer mr raoul k is back to mule musiq. this new single is a first single cut from his new (debut?) album which coming in the late this year or beg of next year. raoul k recorded all instruments like african traditinal guitar cora in africa and he added his unique psychdelic touch. the result is a playful african deep house.

a relative newcomer, having released a couple of lovely records on the conya label, and another on hertlich, larse also hosts the friday night show on germanys biggest youthradio >1live klubbing< since more than 10 years. now we proudly present the talented dortmund based producer on we love this. >i got a feeling< is a beautifully balanced, expertly produced cut that soars through the post-disco-nuhouse skies like a flaming rocket bound for the dancefloor. low-slung, totally groovy and decidedly disco edged, a thick wall of classic drums, addictive vocals and top class studio finesse make this a superb new release for larse. hamburg based solomun adds his hand to the mix, with a wonderfully deep yet pumping remix of the original. calling on some classic chicago vibes, with his trademark dry and crisp sound, they diynamic boss doesnt dissapoint in this straight up late night roller. larse finishes off the mix with >off the ground< - a heavy funk laden jam that once again drips with class and a great love of the old salsoul days. euphoric vocals shine through in this summery, anthemic slice of modern electronic soul.

kasper bjorke is the danish multi-talent whose second album >standing on top of utopia< was recently released on hfn music to much international applause. the beautiful, classic-analog meets cutting-edge-futuristic sound of the album has kick started a revolution in post-electronic stylings where songwriting and genuine musical ideas stand in the forefront of tough beats or unnerving trippyness. this remix package represents this whole-heartedly, with three outstanding moments in fresh and addictive hybrid sounds, right in time for summer! >heaven< was the touching, haunting song that mr. bjorke has perhaps become best known for of late!

support by: andy cato /groove armada, marcus worgull,jimpster,shur-i- kan, thomas schumacher, john acquaviva, luke solomon,chris duckenfield and many more… germany vs. finland on pooledmusic. ian pooley welcomes moodmusic supremo, sasse, into his studio for a tasty collaboration. skippy beats and a big, bad, boogie bassline provide the rhythm track for the main mix of -to my room-, an evolving and at times, cosmic, deep house cut, with a clipped vocal sample to drive the stabby melody and freestyle keys. the dub mix ploughs deeper and more emotive, with its tugging strings and reverberating stabs. perfect tackle for those dark and sweaty late nite session

the second and final part to mossas massive album is festine pt.2. the first part was crafted for a more big room, late night feel and for the second slab of wax were going more for the bouncier out-door, summer fun time feel. there were so many moods on this full-length that we were able to craft specific types of eps. to some this may be more of the sound they come to expect to hear from mossa but we know him best, he has flavors upon flavors, which is very obvious on this ep. hes a hard artist to stereotype, exactly why we had to have him on thema. so for this excursion we have a tango-esque dance floor prime time buner-buleria, that will make you slam tequilas like the true lushes we are. on the flip side we have pezzner of freerange and dave aju of circus company delivering some sultry, tangy, funk for the body

scott ferguson with another deep 3 tracker inspired by moodymanns kdj and theo parrishs sound signature labels. side a takes dance floors on a bouncy, 120 bpm, southbound ride filled with clattering high hats, punchy drums, somber vocal samples, and deep chords. the b side is a deep & soulful ferguson/belton collaboration that spans the entire length of the record. a compelling mixture of dark chords, deep sub-bass, and ensnaring vocals, this late-night banger will keep dancers flowing and heads fascinated, right up until the very end

wow ! undoubtedly mighty, morphing, monstrous moroderesque mindmelter from the idjuts bunker. so immense in fact that theres only room for one track on this platter. you know all about droid already of course, 3 12s in and this sporadic, though eminently collectible and club friendly imprint exists as an outlet for the boys more electronic releases, something for a little later in the evening (or morning !), a selection of tracks which apply the duos patented dub ethic to the late night world of hypnotic dancefloor secret weapons.

after the massive success of the djoon experience old landmark part. 1, here comes three incredible remixes by the french top producers rocco, manoo and franck roger. just when you thought there couldn t be any better versions than the original versions, comes two remixes that are just gonna kill you... a massive deep re-interpretation from rocco, drive with a splendid piano session, that could have come from the best of def mix - from those glory days. and then, be ready to dance on it over and over with a dancefloor stomper from mr. manoo, that will keep your feet on the floor for 10 minutes and never leaves you... rough beatz, strong organ hook, and gospel vocal on fire - franck roger just did it again! pray the lord again! supported by black coffee, louie vega, marlon d, deli g, jammie thinnes, ralf gum, yass, brothera€,™,s vibes, patrick wilsona

now in its 3rd release, fortified audio give us this blazing e.p from one of garages finest newcomers: cosmic revenge. hailing from san francisco, cosmic revenge first made an indelible mark on the future garage scene with his >psychic< e.p on whistlas l2s imprint. the tracks from >cold hearted< explore the far-reaching range of cosmic revenges tastes and influences, keeping the usual crisp 2-step beats and vibes while incorporating elements of deep house and techno, the right side of rnb and broken beats that wouldnt sound out of place on a classic domu record. hurricane blues kicks the ep off with some deep, bleepy garage, mutations is his take on uk funky, lead track cold hearted a ridiculously swung roller with boards of canada influenced atmospherics, and late nights rounds it off with a sleazy talk box love-step jam. with this e.p, cosmic revenge is sure to up his status as one of the leading lights in a genre that has seen unbounded progression over recent years, not to mention soundtrack your balmy summer nights. support comes from martyn, shortstuff, mary anne hobbs, jackmaster, whistla etc

electric deluxe is proud to announce the release of comedy of menace by terence fixmer, as the first artist album on the label since its launch in late 2008. with his distinct style and personality, terence fixmer caught the attention of owner speedy j at a very early stage of the label. his first ep on electric deluxe >machine< (with speedy j remix) was released in the beginning of 2009, followed by >electric city< (with function & speedy j remixes) in 2010. as a first glimpse on the upcoming album electric deluxe will release the ep >comedy of menace part 1<. ?the vinyl of the ep includes two original album tracks >drastik< and >things are over< and a hypnotizing planetary assault systems remix of >drastik< which already disturbed the dancefloor at this years demf. as all electric deluxe releases also this ep is digitally accompanied by a >drastik< speedy j tool and a >drastik< terence fixmer tool.

wavetest are a new collective from zurich, 4 young guys in their early 20s which have their roots in disco and house. two of them have already released a single on chicagos mathematics label under their late invitation project name. they are also a great live-act with bass, keys and drum machines and their dj kejeblos is one of the most promising hopes of zurichs new generation. he is a resident at zukunft and was discovered and supporte by our buddie lexx.
we are totally into their groove as we really like their open-minded approach and we honestly believe in them. their tunes impress by a really forward thinking attitude and can be played at any time during the night. this is a perfectsummertime single and we just had so much fun playing the tracks out. because to us this is exactly what we call b-boy house.

pablo mandelbrot claims to be from bar harbor, maine on the north-eastern coast of the u.s.a. when asked about his upbringing he mentions various occupations including sardine canner and quota negotiator as well as hinting at some dark years spent working in the aqua-culture industry. about his music he says little, summing up his productions with the cryptic declaration: >disco is a deep sea<. we are not entirely sure where or when the two tracks on this 12inch were recorded and the only information from mandelbrot himself is that he has sometimes collaborated with the late conny plankton (who also engineered these two tracks), a legendary figure of the maine/nova scotia electronic music scene. pablo also insists that both tracks are >under exclusive license from lob-starr records<, although we have never heard of this label and their representatives have yet to contact us. we hope you enjoy these two slices of hypnoboogie disco, smoked, cured and de-boned for your convenience.

in the world of factory presets, default settings and copy-paste ethics, there are few artists that actually care to make a difference. and -who told you that?-, 29th release on warsaw recognition label, is certainly a voice to be heard. the title track is another subtle narrative from label boss jacek sienkiewicz. eerie chord and a solid, damp beat from the start are underpinned by sherds of dialogue - snippets of words and laughter keep coming back in the mix, providing some sort of uneasy commentary towards todays minimal house formula. but at some point the voices disappear - and then the tracks gently goes somewhere outside the boundaries of todays club music, somewhere otherworldly. this shift, albeit amazingly subtle, is a leap towards music free of any defined context, far beyond dancefloor and definitely original. if this sneak peak into the possible futures of manmachine induced visions is too much to handle, there is still the b-side of this release. two tracks here - both clocking around mere 5 minutes - are prime exercises in compact, clever, tight and efficient club tools. uplifting -cobalt drive- is bound to to be quoted and reworked into many forms of a late-night burner. patefon, on the other hand, is a peak-time stormer with its stuttering chords and moody samples, supposedly picked from some vintage shellac discs

right in the middle of a summer of love, franck roger singles out the freaknchic dyed soundorom, who gives us his vision of bondage in the already sultry love call. in a chicago and late nights berlin-style, the piece is erotic and will leave you wondering whats next.supported by luciano, matthew dear, ivan smagghe, laurent garnier, deetron, shinedoe, sebo k, quentin harris, anja schneider, dj gregory, djulz, sascha dive, dj spinna, le loup, rocco, ryan crosson, ekkohaus, gummihz, brothers vibe, ralf gum, lee curtis…

first ep from their forthcoming album due late 2010, tonton funk kicks off with a heavy beat in an futuristic old-school dance ambiance. combining different styles to perfection, tonton funk announces the return of the famed duo. they complete their comeback with the help of les petits pilous, boys noize records very own enfants terribles, who offer an incredibly effective nu-dance dark version. franz & shape add their own acid techno ambiance to make this track a dancefloor tune. toxic avenger finishes the job with an electric remix, using heavy drums & dynamite bass!

maetrik has enjoyed some hot releases of late, with heavy work released on dumb- unit, mothership and resopal schallware. now this big talent comes again on audiomatique with a three track arsenal of audiomind games. marinda, featuring sabb, throws us right into the current maetrik sound with freaky vocal lines and solid nu-house vibes underpinning the hotndirty bassline!

>testify< is the second single taken from boohgaloo zoos stunning self-titled debut album. u-gene goes all out on the vocals while the bassline and synth stabs are clearly in the business of tearing roofs off suckers. heavy 21st century funk! the remixes make sure that those who like to shake their behinds to something more up-tempo get with the program as well - soulphiction goes to work on the track not once but twice in a full-on boogie mix and one that is more on the minimal side, while hot chips joe goddard takes it to very late night club territories.

after 4 years of putting out various hit releases via thema, the mother ship, its first sub-label or satellite has come to be. we are proud to announce spacial! it will consist of various remix projects, outtakes and b-sides from the parent and digital labels this new realm will function as a showcase for some of the more esoteric creations from our ever expanding roster of artists. so for our first slab of black magic, we have lad from switzerland which is remixed by none other then mr. quenum for a peak time killah remake. to keep it deep we have monotron, a new comer from holland dropping a sensual builder that lacks no luster to muster you on the floor. on the flip side we gave the whole side to a remix by the man from the hills, mr. ernesto ferrerya remixing beaner of bar25. this monster takes us on some ill trippy ride into his private lil world of bass and organs. we feel this grouping is a nice crop of tracks to start off a new adventure, its all part of the bigger concept of developing a sound—a movement—an idea. remember though, this is only the beginning!

more deep and moody grooves from mike grants label. greg stadford is behind the monkier black art who’s previous production credits have included mixes of blake baxters seminal deep n da groove ep. nice and jazzy the favourite cut is just groovin a wicked blend of st germain keys and funky organ riffs, over some skippy detroit drums. dig this is a mellow late night journey of psychedelic horns and guitar licks with dreamy pianos floating over the top. ‘sweet’ is more on a broken jazz tip with live drums and a cute vocal snip that dubs itself over the rhodes bed. the production quality of this ep is stunning. very strong stuff from m & g!

simone tavazzi is doing great releases lately on a bunch of famous italien labels like analytic trail, agile, loose, perc trax and renovatio. again he shows he is a musical mastermind and comes with his answer on todays dancemusic. perfect blend for those late hours at the clubs.

bristling with a thousand tiny moments of precision pop, crystal clear production and a host of euphoric heartfelt melodies, visitor release debut single >los feeling< on june 14st.
>los feeling< - an ode to growing up and growing apart - is a dashing display of zeitgeist melodrama that is as danceable as it is moving. b-side >love< is a more minimal slice of late night dancefloor pop, chugging beneath your feet and tugging at your heartstrings.

20th release with music from old and new friends. bjak (eargasmic records) and julio bishop (realdeep recordings) are opening the fire with their >fashion (bc deeper luv mix)<, a late night percussive track to wake up the floor if it gets sleepy. the a2 is for ernie (minuendo recordings) and its called the alcoholics where mixes indian prayers and spiritual chords ... but make no mistakes, its just the effect of the alcohol. in the b side kez ym continues his race to be one of the best producers coming from japan lately. his track pebbles is cool a follow up to his previous releases on yore records. ordell (minuendo recordings) goes black and soulful on the blackholics.

>vibrational studies (in echospace)< is an alternate version of album opener >in echospace< and revolves around a relentless cycle of washed-out analogue loops layered around submerged field recordings and electric currents that somehow propel the track while at the same time immersing it in one of the headiest mixes hitchell and modell have ever recorded. >symbolism in transition< finds modell deploying a deep and padded configuration with a sort of late night shuffle so beloved of move d, all squashed house vibes, sparkling melodic currents and bursts of barely- there white noise û its a gentle, beautiful thing.

here a private pressing of 200 copies with some exciting works of mr bottin who is for sure one of the most active producers in the new disco umwelt this year! one super sweet and sexy track called sage oil. disco just dont get much hotter then this. flip side had a track called hot lizard which is a rawer and more masculine piece as many of us might know from the typical italian police series and horror movie scores from the late 70s and early 80s. recommended!

we love the way of leeks experimenting with sounds, some are quite edgy others are electronic sounding and not necessarily pleasing sounds as we get them in nearly every production these days. >qwerty< for example does not subdue to the daily routine of >todays techno< but moves upright and proudly. ever listened to jeff mills? you will then understand a bit about whats going on here.&#8232,,,,,

phat detroit - techno classic 2lp

yore returns with the 3rd release on the yore limited series. 300 limited copies in green transparent vinyl. a beauty musically and for the eye. orlando b. favours the kind of funky and raw-sounding techno that flourished during the late-’90s and early-’00s and so naturally invests his maiden voyage on the yore imprint with the same kind of classic soul that renders that earlier era’s sound so appealing. ” beneath the surface ep ” largely focuses on warm house grooves. “a feeling” dishes out eight minutes of classic deep house that’s also as funky as hell. a subtle latin percussion vibe sneaks in at the beginning but quickly enough the tune rolls out a warm house strut that dominates thereafter, piano sprinkles, lush strings, and a crisp, hi-hat-spun groove give the tune added style and flair, as does the insistence of the titular vocal sample. “esoteric” digs into a steamy, bass-driven house beat that’s both raw and funky, then slathers it with a synth solo that squeals with delight, while “new york tale” smoothens its techno core with warm chords and delicious house swing. “mj12&#8243,,,, is the coolest and most techy cut on this diverse four cut ep. orlando b. sprinkling billowing dub chords and a spoken voice sample over a rock-solid tech-house base that will go straight under your skin, when it hits you on the dancefloor. 300 copies left still. go grab yours before it’s too late