mit dem ehemaligen alexisonfire-frontmann wade macneil haben gallows einen großartigen nachfolger rekrutiert. gemeinsam veröffentlichen sie am 07.09.2012 das erste studioalbum in neuer besetzung - das insgesamt dritte full-length album. in wade macneil hat die band einen ausgezeichneten ersatz gefunden, denn seine live-performance gilt als legendär. das im september erscheinende album >gallows< belegt, dass die fünf weiterhin einzigartig in ausdruck und kraftvoller dynamik sind. vom ersten moment an waren gallows eine ungewöhnliche band für die britische rockszene. 2005 ist die hertfordshire crew aus der britischen untergrund punk-szene entstanden. ihre einflüsse kamen stets vom amerikanischen hardcore - refused, at the drive-in, jr ewing - die für den brachialen und typisch tobenden sound einer unzufriedenen jugend stehen. das album erscheint auf ihrem eigenen label venn records, aufgenommen im sommer 2012 in watford von thomas mitchener und steve sears. inklusive code für freien mp3-download des albums.

this new black strobe ep is the starter for a new album announcing in 2013. black strobe new band, new sound and new boogie! sexy & smart remixes from nu disco producers all over the world.

nice price deal !!! das new yorker truth & soul label präsentiert die zweite single des englischen talents liam bailey. beide seiten wurden von den aloe blacc- und lee fields produzenten leon michels und jeff silverman produziert. die a-seite ist ein uptempo song, der wie eine mischung aus curtis mayfield und waylon jennings anmutet, während sich auf der b-seite eine eher melancholische blues-shuffle nummer befindet

t.c. matic were a belgian rock band formed in the early 80s by arno hintjens and jean marie aerts (who would go on to produce albums by urban dance squad and absynthe minded). they played a mix of new wave, blues, funk, hard rock, avant garde and even some french chansons. their eclectic mix and experimental approach to music would have a great impact on belgian bands such as deus and zita swoon. their eponymous album t.c. matic from 1981 has their biggest hit >o la la la< on it, a song that can still rock the dance floors today.
it is a good thing music on vinyl is making this album available on audiophile 180 gram vinyl again!

dead capo is a quartet that fluctuates between the classic sounds of jazz, the attitude of rock and the trepidation of surf. all of this seasoned with the cinema sounds of rota or morricone.
it has been 10 years since their debut lp, díscolo (pueblo records, 2002), made waves with the national critics. their new album is once again surprising and the band sounds as fresh as when they started their journey at the end of the 90s. sale (lovemonk, 2012) combines an extraordinary energy with passages of meticulous precision and goes from wild to calm in a way that is both unexpected yet natural. thelonius monk, cartoons, cinematic landscapes, rocks past, africa, surf and the ballad come together in an album as great as it is as unpredictable.

though >the duke< is a tribute album, it is also very much a joe jackson album, consistent with his long-standing sense of musical adventure.
>i revere duke ellington, but i didnt want this to be a reverent album,< joe jackson says of >the duke<, his new tribute to american jazz giant ellington.

after the club tropicana sounds of bang the bomb its time to roll the sleeves up and get down to the business end of this trip. touching down on planet subturanus in search of the real underground shit light sound dark do not disappoint digging deep into its core and excavating strange alien like sonics which had previously been lying dormant.

after delivering a well-received remix for slavakis walking in the snow ep on elusives previous release, we welcome korablove with this beautiful record entitled slowmotion.

chicago house producer craig loftis aka grand high priest, began his production career engineering for frankie knuckles, as well as working as the in house producer/engineer at legendary chicago house label dj international. he came back onto the scene in 2006 with a release under his grand high priest alias, with the underground dance smash that is “mary mary”, a simple and infectious house groove featuring the sublime vocal talents of legendary chicago songstress dajae, supported by djs such as kenny dope, phil asher and karizma. we have here new remixes for 2011 courtesy of altered natives (eye4eye), bok bok (night slugs) and yannah valdevit.

chicago house legend mike dunn goes into the vaults to deliver a series of his own personal dj edits moving across jazz, funk, soul and disco. the series focusses on jamz that inspired the early chicago house scene (tracks that you would hear at the music box or warehouse) and edited to perfection by mike dunn for maximum effect on the dance-floor. already supported by terry hunter, kenny dope & jazzy jeff, to name a few. limited. hand stamped 12 inch.

super hypnotic balearic / cosmic disco trip .... enjoy

the second full-length album is a true reflection of the complexity and simplicity that have come to represent the artist. effortlessly weaving entirely new sub-genres, while daring to convey its fragility she assembles the marcy all-stars, a loose collective term that encompasses her longtime muses, friends, and co-conspirers. the term comes from the marcy hotel in williamsburg, new york - an underground nightclub-come-creative-space and wolf + lamb label studios that gave nicolas jaar his first gig, inspired a multitude of collaborations and reshaped the sound of house music as we know it. available on cd, lp with a special limited edition lenticular cover of the accompanying led sculpture designed by deniz kurtel and brought on the way we live u.s. tour. vital sales points: - second full-length artist album for turkish-born artist - mobile led installation was constructed for the tour, artwork is special multi-frame lenticular - extensive global promo + tour

welcome reisssue for monster soul-funk lp >disconnection<, one of the most obscure and sought-after releases from top 70s disco label, prelude. ridiculously expensive and hard-to-find in the original, this album is stuffed full with killer tracks spanning warm, soulful disco, high-stepping groove and boogie-heavy funk all written and produced by robert holmes. standouts include the jazzy free-style >dead on the case<, later reworked for the mysterious french skyline project, cool jazz-funk groover >bay city<, recently edited by none other than balearic maestro lexx, and the floor-friendly chunky funk workout >cash money<. however no track is a filler on this superb album which fully deserves its holy grail status with collectors. essential!

part 7 of the series presents mexican psychedelic music. comes as 12 inch lp in gatefold cover.

we have had a good run of 12 inches this year starting off with todd terjes >inspector norse< followed by bjørn torske (remixed by dj harvey and todd terje), lindstrøm (remixed by todd rundgren) and idjut boys great >one for kenny<. and now we continue with a great summer tune and one of our favorite tracks of the year, mungolian jetsets brand new >smells like gasoline<. already a todd terje favorite, the track will be featured on mungolian jetsets upcoming album >mungodelics< due 20th of august (todd terje has also edited the cd version of the album). on the b side we have 2 remixes of >we are the shining< from last years >schlungs< album by dan lissvik of studio fame as well as skatebaard.

nice price deal !!! being in the same gene pool as pat sharpes hair is enough of a stigma to steer any young djs career off course - deep in the discos of pop trash. fortunately for metaphi / metske, although still benefitting from the same glossy 90s locks as the radio-jock/distant uncle, musical inspiration came from more complex climates. wigflex006 acts as a fine electronic switchboard to metaphis archive of talents, a complicated circuit board of the experimental ranging from hip hop, idm, and garage to blues harmonicas and classical rifts, seamlessly melted into one gloop of green circuitry where each musical discipline must co-exist with another. as metske the bpms hover around 95, the framework is hip-hop, the sound often skwee but the influences thereafter are endless, slow train blues clicks its way through a steam train intro before marring the lines between electronic music and the blues with a self-composed harmonica rift worthy of howlin wolf. at the same tempo spin states delves into the cosmic with pipey neon chords and bit-crunched bass: sega mega drive boss level business. metaphis taste for big room techno is blatant and genetically wigflex over sharpflex, and in terms of nationality its mongrel, half notts, half eastern europe. with concious mentis hes keeping things minimal but charged from lower frequencies and messmode progresses with some serious dancefloor swagger.

part 4 of the series presents japanese psychedelic music. comes as 12 inch lp in gatefold cover.

g. love & special sauces self-titled album is their debut and has reached gold status. on this record you can find their signatures tune >cold beverage<, featuring lighthearted jive lyrics and funky musical accompaniment, the video to this song got heavy rotation on mtv and it put them on the map. >this aint living< is a precursor to the comforting philly soul style that would be explored more thoroughly on their next album. >town to town< adds variety to the album with its slow-as-molasses blues style. g. love & special sauces debut serves as the musical foundation on which the group would build its future sound.
180 grams audiophile vinyl pressing.

“kind of blue” is probably the best-selling jazz record of all time. we precede the familiar stereo version with the legendary “kind of blue” mono mix - legendary because columbia records claimed that the tapes had been discarded long ago. the avaxhome audiophile website approved of the new perspective mono offers on a time-honoured classic, saying: “if you’re only used to hearing it in stereo, this will be a different experience. it sounds kind of “forward”, particularly the saxes. overall it has a nice timbre, especially in the midrange.”
vinyl 1: mono version (cl 1355)
vinyl 2: stereo version (cs 8163)

the title track has kenny larkin vibes, with the max d style cosmic twists we love down here. slick is sick too! features a remix from another certified hemp eater, terekke, who amazed us with awesome white label on l.i.e.s. last year ... killer package on this excellent label.

we are really happy to be able to release this new ep from protect-u on planet mu.
protect-u is the studio project of mike petillo and aaron leitko, who are associated with the new breed of dance music producers from in and around washington dc, coming from a similar background as ital, innergaze and beautiful swimmers, with a history of playing alongside mi ami, blues control, slava, steve moore & pissed jeans, among others. mike is also co-owner of the very cool record label future times, alongside andrew field-pickering a.k.a. maxmillion dunbar, who is also one half of beautiful swimmers.

played and supported by kenny larkin, laurent garnier, adam x, speedy j, norman nodge, dvs1, pig & dan, perc, max_m, jonas kopp, freddy k, kirk degiorgio and more. cannibald ? do you remember something about an lp of the 90s signed by leo anibaldi ? yes! its the label of leo anibaldi. until three years ago his releases were on vinyl. then he continued in digital format until now. now its time to release again a special vinyl!luigi acidmachine is an artist who has been behind for years very underground projects, as part of the crew also historical (see virus-rome in the 90s). here comes with three tracks, powerful, intelligent, and demonstrating the evolution of his mind and his ability

die stecker wurden gezogen, die drums in der garage gelassen – hansonis kommt heuer auf ganz leisen sohlen daher. akustikgitarre, zurückgenommener gesang und ein paar tupfer e-gitarre, klavier und keyboards – mehr benötigt der musiker nicht, um “shark week“ zu einer zwingenden angelegenheit zu machen. von folk über country und blues bis hin zur mörder - ballade – hansonis schlendert auf seiner melancholischen reise durch die songwriter-genres, veredelt seine songs aber immer wieder durch die entscheidende prise distinguierten 80er-pops. hier ein unwiderstehlicher melodiebogen, da eine prägnante phrasierung – der kölner vermählt us-amerikanische musik - traditionen mit einem britisch geprägten popverständnis und dreht am ende sein ganz eigenes ding draus.

bob dylans >love & theft< was a true return to form, his 30th studio album, with the unfortunate release date of september 11, 2001.
his voice is shot, but he sounds warmer, more relaxed, and old mr. grumpy is as good humoured as on >the basement tapes< (movlp 429). bob is in a wistful, elegiac, playful mood. he has recovered the humanity he lost on >time out of mind<, and is looking on life with loving eyes. he has thrown off the weight of life and is remembering a better self. and that makes this one of his more accessible albums, despite a lack of high-flying hit songs.
with beautiful printed inner sleeves and 180 grams audiophile vinyl, this is the first vinyl re-issue since 2001!

played and supported by kenny larkin, adam x, perc, norman nodge, drumcell, truncate, samuel l session, inigo kennedy, dadub, max_m, bcr boys, forward strategy group, d.carbone, claudio prc, electric indigo, conrad van orton, dave ellesmere and more. freddy k is an icon of the historic italian techno scene. in 90s his productions were on the historic acv records label. then over the years has always been one of the key points of the techno scene, with record music stores, radio shows (virus) and new labels like the historic elettronica romana (he was one of two minds that created this label, with sandro nasonte). his experience led him to be behind many current projects, he moved to berlin. this time it wants to make its contribution on his own label which is already out talents like conrad van orton and shapednoise (and its only the beginning). a label on vinyl only! here begins a series in 10 inch!

houserepublic vinyl sampler vol.5 with more proper house sound

heres the final 2nd part of sascha dives restless nights album remixes. after frank roger and alix alvarez appeared with their own versions of sascha dives music on the first part of this remix series in 2011, the 2nd part will be acclaimed in equal measure. on side a1 chicago house legend halo feat. blakkat transform sascha dives original summer madness into a straight club track with a groove one just can not resist. on b1 willi graff and tuccilio deliver their interpretation of underground railroad - yet another dance floor bomb! a true shaker. were loving it!fred p. again keeps it dark with his interpretation of get out of the ghetto blues.deep,deeper,the deepest. check it out. hips dont lie!

sam cooke, inventor and true king of soul, recorded >mr. soul< in the same year as >night beat< (movlp163), and seems to be its more adult counterpart, with soulful ballads taking up most of the album.
and now, for the first time in over thirty years, music on vinyl is re-issuing >mr. soul< on 180 grams audiophile vinyl with remastered audio.

limited reissue of two disco-funk classics by 70s super-group - war, renowned for their masterful blending of soul, latin, jazz, blues, reggae and rock influences. on the a side you will find the 7.30 minute promo-only disco version of cosmic groover >galaxy<, a wonderful technicolour star-spangled space-hop of smooth horns and hooks, blasted into the outer-funkosphere by a deeply delicious phat bassline, devastatingly groovy piano riffs and great dubbed-out vocals. on the flip, we have the mighty 13-minute loft classic >city country city<, a subtle blues-influenced obscurity taken from 1972 album >the world is a ghetto<. riding high on a blissful sax solo and laced with hauntingly mellow strains of a harmonica, this epic tune takes you on a soulful smoky journey through a dreamy land of slo-mo jazz and disco. top quality!

who is the great architect of the universe?! who is the supreme being?! both the square and compasses are architects tools and g used it to create our world. stefano is back on toffler vinyl with this new release, 3 original mixes pure dubstep experience, modern techno. this fantastic ep includes remix form toffler music headmaster quantec. fantastic deep and dubby floating techno. this is the release number 666 and it has been recorded at blues lab, a beatiful recording studio based in the core of salento. mastering/cut @ the exchange studios, london.

belgiums most wanted dirk swartenbroekx first time on resense brings the blues of stuff smith right into your swing-set, while the jacksons are doin the bossa-boogie on the flip. absolutely dancefloor-tested and approved.

first single cut from upcoming mule musiq compilation >im starting to feel ok vol.5<. a side, our one of the most favorite producer >juju&jordash< gave us the brand new song. its very unique psychedelic techno stuff and off course essential!! move d on a2 and dj sprinkles on b side are first available on vinyl. its just for vinyl lover. second single cut which coming in may have the track from vakula, kuniyuki and lowtec.

20 original recordings from jazz and blues legend nina simone on coloured 180 gram double vinyl, housed in a gatefold sleeve.

many prominent figures throughout history have proclaimed that you can get by with a little help from your friends now whilst this is a lovely romantic notion and does, we suppose have some (albeit very small) grounding in reality you need a bit more if you want to progress through life as opposed to simply jog in. zoo look are a good example of this, whilst sam, alex and craig have been friends for quite some time, forging their completely plutonic relationship through djing together, their latest release, number 11 on join the dots is forged from more than simply the burning fires of friendship, its born out of a love of all things deep as well as house music based. they may be mates but you can also get along very well if you have bags of talent too.

the lyrics are again deeply personal and in many cases the songs speak of struggle, redemption and again, struggle. luke explains in his own words, the first record i made has a very homeless or wild-west feel to it and this new one is filled with addresses and luxuries.

this record – never before released on vinyl - contains a 6 panel insert and a secret bonus track. pressing on 180 grams audiophile vinyl, comes in gatefold sleeve.

jonny white & nitins no.19 music turns up the heat with an incredible four t track sampler that is certain to set things alight at this years winter music conference in miami… no.19 music needs little introduction at this stage, having risen from obscurity in a few short years to become one of the most talked about labels on the globe, with some of the hottest producers in dance music. to coincide with this years conference the no.19 team has put together a stunning sampler featuring four tracks from the labels artists and friends. the sampler kicks off with the superb slo-mo house of la cueva, jonny white & nitins first musical collaboration la cueva. next up is the irreseresible clockwork. they deliver an outstanding slice of deep and ominous house heaven in the heady thing you have. on the flip and jonny partner in art department and all around good egg, kenny glasgow delivers a cool and deadly retro house feast that will leave them dead in their tracks…outstanding! finally, soul clap, tanner ross and sergio santos in the guise of sect are remixed courtesy of london house don jozif, with a shuffling super-jam perfect of the burgeoning spring madness… enjoy!!

cassio ware digging back into the past for this new cut on on dope wax. as usual, kenny dope is the man in the mix, with the classic vocal from chip-es >like this< pitted against the bassline from esgs classic, >moody<, and some quality synth lines on an old school gem of a track for the house crowds to drool over. on the flip, that superb bassline is left to be star attraction along side those great synths on a bumping house instrumental.

this debut album, originally released in 1992, is named after blues-rock band the red devils favourite hollywood spot, which also happens to be the place where they cut this live album

>blueprint< (movlp 455) from 1973 presents a well-rounded picture of gallaghers eclectic influences. muddy waters, big bill broonzy, roy head are all shown their due. includes the brooding >seventh son of the seventh son<, which locks the band in a swampy groove for over eight mintues!
remastered audio on 180 grams audiophile vinyl.

the irish blues-rock multi-instrumentalist rory gallagher recorded quite some solo albums throughout the 1970s and 1980s. music on vinyl already released the lost album >notes from san francisco<(movlp349) in september 2011.
now its time for gallaghers first two albums to get fully remastered and pressed on audiophile 180-grams vinyl. rory gallagher released his eponymous solo debut album in 1971. this album marked the departure from taste, the first band which gallagher founded, and the start of his solo career. gallagher wrote all the songs himself and recorded the album with two befriended belfast musicians.
>deuce< is gallaghers second solo album and was originally released in 1971 as well. in contrast with his previous well-produced album, >deuce< was an effort by to capture the energy of a live performance. in order to do so gallagher would often record immediately before or after live performances while keeping production at a minimum.
remastered audi on 180 grams audiophile vinyl with printed innersleeve.

the irish blues-rock multi-instrumentalist rory gallagher recorded quite some solo albums throughout the 1970s and 1980s. music on vinyl already released the lost album >notes from san francisco<(movlp349) in september 2011. now its time for gallaghers first two albums to get fully remastered and pressed on audiophile 180-grams vinyl.
rory gallagher released his eponymous solo debut album in 1971. this album marked the departure from taste, the first band which gallagher founded, and the start of his solo career. gallagher wrote all the songs himself and recorded the album with two befriended belfast musicians.
remastered audio on 180 grams audiophile vinyl, including printed innersleeve.

nice price deal !!! melodies and words are in faccinis bones and his finely crafted songs resonate with traces of his ancestry. if his songs were maps they would stretch from the english moors to the saharan dunes via the parched plains of the mediterrannean before spanning the atlantic ocean all the way to the mississippi delta. for piers, recording albums means surrounding himself with old friends, people he can talk music with, true accomplices, fellow souls who share a common vision. a soulful and expressive singer/songwriter whose music fuses folk, acoustic blues, and west african textures, piers faccini was born in england to anglo-italian parents, and moved with his family to france when he was five years old.
includes cd-version of the full album.

romare is a young london to paris transient crate digger, collecting dusty snippets of undead voices and antiquated rhythms. once in his underground lab, these pieces of yesterday are chopped, spliced and reattached to create the sound of tomorrow. this ep explores the connection between the history of african and african-american culture in the form of collage to create musical conversations between the past, present and future.
samples of songs, speeches, interviews, field recordings and films were carefully chosen and rearranged: rhythms from africa are integrated with voices from harlem, conversations about race and identity between writers and ethnomusicologists are constructed, speeches from activists are conjoined with the voices of prisoners. this process of combining pre-existing material has inspired three >meditations on afrocentrism<.
in keeping with black acres genre dodging output, romares merging of traditional rhythms of africa with the contemporary tempos of footwork and house is a bridge between the tradition sound palette of africa and future dance rhythm.
support: untold, moxie, fantastic mr fox, jamie xx

re-release! melodies and words are in faccinis bones and his finely crafted songs resonate with traces of his ancestry. if his songs were maps they would stretch from the english moors to the saharan dunes via the parched plains of the mediterrannean before spanning the atlantic ocean all the way to the mississippi delta. for piers, recording albums means surrounding himself with old friends, people he can talk music with, true accomplices, fellow souls who share a common vision. a soulful and expressive singer/songwriter whose music fuses folk, acoustic blues, and west african textures.
double 12 inch vinyl plus cd-copy of the full album.