following a double headed debut on our recent nasty rips comp. – a crisp remix of hackmans ‘ always’ and a fizzing solo outing -‘not afraid’, montreal producer reagan grey makes her full shifting peaks debut with a high grade 3 track ep, alongside 3 useful remixes. opener ‘owl’ featuring sandy duperval on vocals, takes a neat song of love and life and rolls it over a punchy ukg/house groove, adding classic sounding organ stabs and swingy rhythms, with a tight arrangement keeping things moving along. ‘feel the pressure’ features christie nelson on vocals, with an equally strong , r n’ b inflected song woven in and out of a looser, spacier arrangement, rgs snappy drums again underpin proceedings. not afraid reappears, having made friends along the way via it s nasty rips inclusion thanks to driving detroit-influenced synths, a pulsing bassline and sweet builds and drops. on the remix front, lukas ( future boogie ) keeps things simple on owl, with a fat, kick-lead groove and sparing use of the vox before drifting into a crowd-pleasing breakdown halfway through. benway (aka fast rising muscovite nphonix) takes swathes of the feel the pressure vocal for a ride over broken beats and a bass heavy backing, with hints of techno torque setting his pressurize mix apart from the similar de pressurize version.

fast tanzbar: 1992er-album der beiden elektronik-avantgardisten. das album wird nun mit linernotes von asmus tietchens auf lp (180-gramm-vinyl) wieder veröffentlicht.

an epic acid attack with a cheeky vocal from back in the day by……???

limited 2014 repress !!
moments in rhythm vol 3. was inspired by an in-depth conversation that questioned the level of importance that todays society does or does not value its critical art forms, most specifically music … the universal language, as a means of free expression. from this passionate discussion spawned the composition of an opened ended letter, written in 4/4 format that captures and shares the passion of this conversation, and ultimately asks some questions such as … is it in you?

psychemagik are back with a super fresh new edits label ‘hot midnight with a couple of monster bangers! side a kicks off with a dubbed out disco boogie jam from one of the rarest grail 45s and is a sure shot summer dance floor killer. the flip ‘rendezvous is a slow 100bpm synth chugger with sweet ass female vox, such a hypnotic and irresistible groove, perfect late night/early morning sleaze!!

after an astounding year for apollonia storming all corners of the earth, the three welcomed further success with a momentous fiesta at bpm to commence 2014. working the label in tandem, the list of pioneers featured thus far – point g, callisto and kerri chandler – is mighty impressive. jovonn is a name that sits naturally alongside them, the difference being that the forthcoming ep on apollonia is not a repress but juicy new productions. a highly respected international dj and producer hailing from brooklyn, jovonn made his mark within the underground house scene with classics such as >i cant make up my mind<, >garage shelter<, and the standout collaboration with dj deep >back in the dark<. an intrinsic inspiration to the apollonia trio, a personal relationship first formed at wmc miami last year. enjoying a production comeback following music on dogmatik and la vie en rose in 2013, talk of working with apollonia has fruitfully resulted in - the ep - . proving he can still produce a house bomb with ease, trippin is a jovonn future classic dripping in sexy hushed vocals, with a dub alternative that sticks to the tracks fundamentals. the march journeys forward into the deepness of dreamy synths, while the contagious beats lure you into a swinging metronome effect. in the words of jovonn, >its spiritual<.catch jovonn playing alongside apollonia at treehouse on 24th march, as part of this years wmc miami festivities

re issue from derrick carter’s blue cucaracha label. containing 4 tracks from 1994 - 2 from last session (aka chez damier & ron trent) plus two from the innocent (derrick carter). re mastered from original dat’s from dc’s private stash. expect more blue cucaracha’s down the line.

nelistening back, ‘interlude’ will feel like the perfect opening to ‘skylax’. a jazzy encore crawls in, morphing into a skippy hip-hop instrumental with jason’s signature flourishes all over it. aptly named as it is, this is the breathing space between whatever came before in your day, and the eleven deep house gems that are to follow. speaking of, ‘the love’ will have you gripped from the first bar. it glides the listener in, then subtly drops that signature, tightly-tuned bassline of jason’s and continues onto soulful vocals from there. ‘old dayz’ touches on a bit of a nostalgic note. the spoken vox cuts harken back to 90s hip-hop joints, playing over a looped latin sample-led beat. from there, ‘rawkicks 2’ shows jason’s rough and ready sampling style in action. a seemingly simple track, but one which has that special something which guarantees to keep people on the floor moving for its duration. ‘cut b’ contrasts this nicely, being a much cleaner production with tight drum programming and synth work. that said, it still has the classic jg atmosphere we love. closing out the first half of the album, ‘definition’ slows the pace ever so slightly, with its eternal pad structure that builds up the track’s momentum into something very mellow and deep.bringing in the second half of ‘skylax’, ‘john blue’ takes things back a notch further. a deeper tune, yet one that shows off an uncharacteristically punchy bass hit from jason. ‘last night’ is a track more reminiscent of jason’s first lost cuts ep on wax classic, sounding as if it had been freshly taken off an old tape with its sample-led beat and background hiss. the last four tracks of the album see a return to the ‘mastercuts’ and ‘lovedits’ series which fans will recognize from the ‘lost cuts’ records, with ‘lovedits 7’ and ‘mastercut 5’ respectively. the former is a laid back female vocal edit with the entire suite of signature jg touches while the latter is a garage house hit more crafted for the club. ‘bb’ brings the album to a close, twisting a disco/funksample over a pallet of drums and effects for the near six-minute duration of the track.all in all, this is the perfect follow up to jason’s debut album ‘313.4.ever’, with tracks for both the club and home listening. if you happened to miss the first album back in 2012, don’t forget that now you have the chance to grab it in a special double pack with ‘skylax’ on cd!so, needless to say, this timeless record is a must purchase for all collectors and djs out there

cheating ep is the first record to be released by low budget family, an independent moscow-based record label run by the crew behind the legendary shop&bar denis simachev formation. cheating track is a heads down workout, a no nonsense, broad bottomed, synth riffing number with an irresistible old-school rave sensibility. on the flip cheating song strips things back, adds some space and a vox delivery and production style reminiscent of azari & iii. a bold and ballsy debut from this russian collective.

ahead of the release of their third studio album ‘you play’ - out on visionquest in may - rework drop the rise and fall ep featuring two compelling tracks from the album plus a brand new track on the b-side. rise and fall is a full blown dancefloor workout of driving intensity, hypnotic drum patterns and rhythmic vox while ask you demonstrates the bands propensity for a chugging colourful, cosmic groove and a dash of signature anglo-french modern sass. im waiting provides a glimpse into the talented trios deeper style with a moody soundbed of dubby textures and kicking grooves

nach dem erfolg von -drink the sea- und der 2011 folgenden ep -we can make the world stop- (beide auf dem eigenen label glass air veröffentlicht) katapultierte sich die band auf die oberen ränge der tourenden live-acts im bereich dance-music. dazu gehörten schlüsselspots auf major festivals, wie coachella, lollapalooza und electric daisy carnival. the glitch mob absolvierten ebenfalls schon eine eigene headline-tour durch die usa, europa (koko, brixton electric) und australien und verkauften dort prestigeträchtige venues aus. im februar 2014 kam ihr neues album -love death immortality-, was neue territorien erkunden, weniger introvertiert, aber trotzdem die glitch-mob-essenz wahrend.
limitiertes record store day bundle bestehend aus 2x12 inch + 10 inch auf mehrfarbig marmoriertem vinyl plus downloadcode.

limited edition off 300 copies with hand screen printed cardboard inlay.
after travelling through the far flung galaxy for 002 ... forgotten corner aka phil banks & nick mackrory come back to planet earth & keep everything in house for their third label release. side a is kind of a track of two halves written and produced by nick mackrory - consisting of a 2 minute samba driven vocal intro, full of live instrumentation and featuring the live vocals of harry collier, before breaking down in to a deep hypnotic slow motion arpeggiated electronic groove! side b takes things back down in to the dark basements ... amongst the smoke machines, strobes & cans of warm red stripe! where phil adds his touch ... losing the live intro and taking things on a much more deep electronic instrumental bass wobble work out! still keeping the arpeggiated moog but with tougher beats and a much dirtier feel.

following his well received fabric mix comp in december 2013, ben sims returns to his own theory imprint with yet another ring release in the form of *reflection*, which features two original new tracks, a remix from rod and a vinyl exclusive. the eponymous opener is a strident, 909 + 707 driven affair that fuses overlapping, stereoscopic tones to a gently distorted and brutalist groove that sits somewhere between dance mania and detroit. *break glass* is the second original on offer and has been a heavily requested track for the past few months. the perfect partner to *reflection*, *break glass* is similarly overdriven but heavy on the sort of mechanical funk that sims does so well. rods version of *reflection* is a linear assault which ebbs and ows with purpose throughout a linear and intense arrangement while sims remix of *break glass* zeros in on bone rattling percussive aesthetics and vox samples, in much demand after featuring on his fabric mix cd.

after 4 various artist release, blind jacks journey delivers this beautiful 4-tracker from jimini. limited edition of 444 copies on translucent, orange colored vinyl with numbered inlay.

marc depulse makes his single debut on noir music with the long awaited no need to worry. the fantastic vocals are written and performed by nm favourites hollis p monroe and overnite.

an audio love letter. four eclectic dance floor flavors, each burrowing to the heart of the groove from different angles. alternately crazy, playful, sputtering, tribal, chunky, & broken . featuring clara stjarna on vox.

ex audio bully tom dinsdale aka mine o has been buried away in the studio for the past couple of years working on music for his new solo project. with his latest release turn out the lights flying high on hot creations, mineo arrives on crosstown rebels and turns in a totally fresh take on black noir schwarz, revelling in a p­funk style groove and filtered vox

trackwork ep.no.2 is headed up by a super swingy acid tinged wigout multiculture - simple but deadly on the floor. next we have the stone-age-cave-rave of a billion years ago - a clash of de-tuned vox and live dub delay edits and to round side a off - feel it warps and mangles a classic paradise garage disco sample into some dark heads-down tracky gear.

more mixes of terrence parkers *finally*!

classic house , back in stock

disco bloodbaths latest sees the man behind the tusk wax empire swap his a&r hat for a pair of producer pants and team up with the highly talented causa for a four track ep

romanthony - let me show you love (2013 remixes) following on from the much hyped (plays on tong/mosca/todda t shows) and big selling re-works of bring u up, glasgow underground dust off let me show you love, arguably romanthonys biggest club hit (outside of one more time, and hand it over to gerd, oliver $, gavin herlihy & laura jones, mia dora and label owner kevin mckay for some 2013 touches. this 12inch features gerd, kevin mckay and oliver $.

baby ford and zip need little introduction and debut on trelik as > bfz< featuring co-conspiritor thomas melchior. the trio originally appeared on the 1999 >perlondon< 12 inch for perlon with ford and zip re-uniting for the >glidin along the riverbed< release then 2010s >clean hands< on pal sl. thomas melchior recently appearing on his own aspect music kicks off the 12 inch with a floor friendly up-beat 9 minute >melchior productions ltd< edit remix of >uff<. an >uffapella< closes the a-side featuring abstract sound design and textured vocals. side-bs >so they say< creates a feeling of space and unhurried rhythmatics whilst the title track >uff< combines deep instrumentals, chord and haunting vox with subtle bass and modulating kick. recorded in london and berlin. mastered at d & m

people get ready, theres a train comin you dont need no baggage you just get on board.

the truth (feat marshall jefferson), one of the standout tracks from matt tolfreys debut lp, word of mouth, sees a full single release with additional remixes from gerds geeeman project and john charnis.

chicago house legend frankie knuckles with a house anthem with pop appeal , and tony humphries rmx on board

bristolian dream team, waifs & strays vs. lukas meets chicago legend, dj sneak sums up the next jackathon jams package from queen of the scene, heidi. loaded with bleeps, bumps and bass, aside >gimme love< is driven by its disco chugging bassline and low slung groove, while the >stokes croft dub< version gives the track a warped, stoned haze. second original dance me (dance you) combines heavy low end with more 90s female vox swagger and dj sneak delivers his unmistakable funked up chicago style in a rendition of gimme luv with strains of boogie.

it is jam citys turn to deliver a batch of sweaty, streamlined dancefloor weapons on the 6th installment of the club constructions series. the minimalism and intensity of jersey club music remains a huge influence on the whole night slugs camp, and while jerseys impact can be felt across the cc series, jam city channels those devastating ghostly kick drums like none other. continuing on from where he left off with club favourites *the courts* the *how we relate to the body*, jam drops 5 lean and intense drum workouts build from scrap metal and primed for warehouse use. they move between thudding midrange persistence and just-sub-and-air minimalism, framed by jammed drum machine rhythms and splashes of re-sampled colour. jam decorates these sturdy and well-deployed undercarriages with silvery detail, percussion fragments, broken talkboxes, whispered vox and simple, beautiful chords.

two absolute masters going over to the dark side with serious results. trademark elements from both artists combining into gorgeous vox laced dubbed out electronics, recorded in berlin. the force is strong in these two... on the flip ricardo villalobos and max loderbauers vilod collaboration takes the whole other side, twisting out the original parts and arriving on a planet all of his own. metroplex returns! tip!

real house master phil weeks makes his debut on guy gerbers supplement facts imprint with a trio of dancefloor bombs packed with his signature bump, funk and bass. title track sharks looking for fishes is a fuzzy, warm affair with warping pads and shimmering cow-bells building with dusty samples combined with a jacking bassline. on the b-side bees assault is pure heads down techy business, unhinged and driving its the peak time banger of the release and an assault on the senses. lastly, hold onto the memories brings back the french deep touch with another solid jacking groove and faded vox.

soulful housemusic from sy sez and taliwa, remixed by charles caliber, at one and ziggy funk.

dj support so far: tensnake, deetron, huxley, joris voorn, ben westbeech, george fitzgerald...
having produced some stellar jams for labels like somethink sounds, and giles petersons brownswood, eliphino aka tom wrankmore, debuts for hypercolour this autumn, opening up the labels new term with this solid two track release. i dont care opens the account, all chopped up rnb vox and rolling beats, wrapped up in a super smooth melody. already road tested by the hypercolour firm over the last few months, this deep garage vibe hits the sweet spot for sure. on the flip, understand further plunders eliphinos love of rugged garage beats and an ear for a catchy hook. a feverish interplay of vocal chops, keys and organ stabs keeps up the ante, with some decidedly trancey synth parts ramping up the 90s house influences here, and once again a cut that most definitely brings the heat to the dancefloor.

if you like disco house this is the real deal!!

eerie returns... presumably with quite a few more ears attuned after the assured success of the vox attitude remix package. but its back to the script on this one, with three original brand new tracks of marco shuttles work. a very hypnotic, deep, athmospheric record as you would expect from the shuttle at his best.

higly limited to 111 coloured copies equipped with a silkscreen printed / numbered insert - vinyl only! adalberto is finally releasing his stunning deep chicagoish >love-theme< on acidicteds black labeled dj-tool series. the extented version of >let love come home< comes along with another unreleased dub-version plus bonus vox for your dj-pleasure!

vinyl only! adalberto is finally releasing his stunning deep chicagoish >love-theme< on acidicteds black labeled dj-tool series. the extented version of >let love come home< comes along with another unreleased dub-version plus bonus vox for your dj-pleasure!

seattle based artist (force inc, swayzack). title cut slo mo w/stylish synths over deep house. mineral scan puts acid into smooth soundscape. black mondial pushes tempo up with dreamy bouncy vibe. ltj xperience remix brings vox, guitars & all around funk.

what do you do when a live project exceeds its own ambitions? just keep doing the wonderful concerts and eventually head to the studio. sounds simple and conclusive. in the case of karocel, that was exactly how they went about it and surprisingly, all six band members made it happen. though the four marbert rocels, mathias kaden and michael-mitchi-nagler have known each other from their hometown along the gera-jena-erfurt corridor, and the karocel live shows have been well received: an album is an entirely different beast.

unsubscribe_ ist das projekt von techno-legende dave clarke und dem niederländischen dj/produzenten mr. jones. nach ersten remixes für octave one, boys noize und erol alkan erscheint nun ihre debütmaxi auf dem fabric-sublabel houndstooth sogleich auf 180g heavyweight vinyl. das fantastische * spek hondje* basiert auf einem darken, strengen groove mit leichten chicago-anleihen und featuret den us-vokalisten bear who?, szenisch bekannt dank dj sneaks - fix my sink

*** vinyl only release***
we present a brand new artist with the debut ep from rydim, an alias from a well known producer who wishes to let the music of his new project do the talking.nash has been exclusively road tested by label boss kevin griffiths over recent months & is a big track for the dancefloor with hooky vox, percs and killer bassline. another tsuba ltd essential.

following on from the success of delsins new house series, the dutch label are branching out again with a new sideline in electronica. the first release comes from venetian producer seawash and comprises 6 tracks of dense and fuggy, otherworldly sounds.

the 2013 album from kraftwerk member karl bartos back on vinyl.

axel boman and petter nordkvist of swedens studio barnhus momentarily shine a mirror ball onto their usual punch-drunk house for their debut release as man tear. a collaboration with vocalist j. jonason, outside amore is a trilling slab of spacious disco, the loping drums and chiming synthesizer accents pirouetting in tandem with jonasons tremulous delivery. the yearning vox of the original are kinetic on their own, but the dub further accosts jonason with all manner of interplanetary commotion and shards of tambourine.

jen teams up w/german producer marco nega (uq, batti batti). 2 mixes of jen’s “you will say” + 2 tracks by marco w/vox & addl production by jen.

actually, a split release between paul hill and nikki o. two sides of warm, intimate vocal house music. tip!paul hills side is a midtempo cut with sweet playing between main vocal and background vox. the nikki-o side is more uptempo and has an affectuous bassline supporting the track.

romanthony - let me show you love 2013 remixes !!

disko404 is a long-established promotional crew based in graz, austria, whose renowned monthly events are all about celebrating the bass in dubstep, funky, house, juke, grime, hip hop, electro, and experimental sounds. in 2012 they branched out as a record label, launching with a well-received split ep from sun people & franjazzco, followed up by simon/offs *take it back* ep. the labels third release comes from legendary broken beat and drum & bass producer colin lindo, aka nubian mindz, aka alpha omega. the man needs no further introduction as he is known for his brilliant releases on labels like reinforced, 2000black, archive, delsin and many more. *hacker wacker* is hypnotizing with sharp beats and a dubby, bleepy, broken techno vibe ready to take you on a sweaty late night trip. *vox & cymbal* is true listening bliss, a timeless tune centered around warm detroit chords, downpitched vocals and spiralling synthlines, sending you on a dream-like journey. vinyl pressing strictly limited to 250 copies only. early support from scuba, untold, and 2562.

eclectic avenue welcomes the inimitable lil mark, one of the true stalwarts of the uk house scene & regular contributor to some of the finest imprints worldwide. here mark expertly shows his unique knack for genre-straddling. kicking off with pulling strings more familiar lil mark territory, with his trademark tight-as-hell percussion & firing bass sat below a freaked-out twisting riff. seriously, this bad-boy takes no prisoners....other than the ones on the dancefloor.... on the flipside we are treated to memoirs, a beautifully sumptous lo-slung roller, utilising a vox refrain over the top of a glorious rolling bass groove. like being comforted by a welcoming acid-bass-hug, this is truly something special. nestled inbetween marks original cuts is e.a.r. main-man j.cub, who offers up an alternate interpretation of memoirsl. taking the vox refrain & weaving it throughout the track like an instrument, j.cub nudges the tempo up slightly & adds a solid percussive backdrop & a reworked bass groove, creating a cut which is deep enough to warm the crowd but packs a solid punch at the same time