more upfront bass excursions from this cool helsinki label... by bristols praised kowton, the shocking young finnish talent that is las, as well as illustrious and productive label heads desto & twwth.

with most djs barely getting their teeth in to 2014 yet, rotterdam based composer and producer eelke kleijn is already back teasing more huge tracks. lovely sweet divine is a slice of space disco heaven.support from jacques renault, kidnap kid, tensnake, bottin, the aston shuffle, damian lazarus, coyote, mixmag and more.

following their acclaimed debut album, migration, on prins thomas internasjonal label in 2012, jamie paton and nigel hoyle (aka nigel of bermondsey) have seemed relatively quiet save for the odd remix here and there. tucked away deep in their south east london base though, a series of remixes and solo projects have been steadily forming. with new c&a material planned for 2014, plus more to come from jamies new solo efforts, as well as nigel making a long overdue reappearance in maurice & charles, now seems the right time to draw a line under their collective work to date. here then are a collection of unreleased interpretatons, including the sought after vocal remix of psychedlic darlings, in goats anthemic run to your mama. this is followed by a late night dub of 80s pop duo blancmange that mixes strings, guitar and some dub bass with a dose of space echo before bringing neil arthur s classicly recognisable refrain shining through. to finish is a remix of goats label mates teeth of the sea. fx-soundtrack vocal, bubbling 303 and 808 combine on a proper 3am dub that builds beyond some mere drug-chug.

brand new hong kong violence from tripped & khaoz engine!

limited to 300 copies.quickly making his mark on the techno scene, romanias plusculaar has one of the most unique styles in the game - his intriguingly complex and intricate rhythms stand out on any dancefloor, and hes produced an ep of prime cuts for us here at metroline.

so it seems that 2013 was the year skudge team decided to camp by the pressing plant! the skudge imprint is indeed growing along its artists as were now ready to embrace longer formats, a testimony to the future and most than anything a continuous effort to grasp the presents relevancy.

dan le sac vs. scroobius pip, das britische hip hop- / elektro-duo, kehren knapp vier jahre nach der veroeffentlichung ihres vorgaenger-albums the logic of chance mit ihrem dritten studio-album repent replenish repeat zurueck. repent repenish repeat featured auf dem track gold teeth den britischen dubstep produzenten und dj flux pavilion.
pressung auf schwerem 180 gramm vinyl, inklusive liner-notes und downloadcode.

das debüt-album von neuseelands indie-pop sensation ella maria lani yelich-oconnor aka lorde als vinyl-lp im klappcover, inklusive 12x12 inch booklet.

support by juan atkins, brothers vibe, valnetino kanzyani, ray okpara, guy j, andre galuzzi, phil kieran, chris lattner, rampa, nekes, federico molinari, fimo, patrick bateman, mathias schaffhaeuser and many more! enough! music is back with its newest ep package made from three berlin based artists who bring their own unique sound and styles, a stong statement that these three rising talents are certainly ones to watch closely over this coming year. first we must speak about the two originals provided by george p., aptly named <start> and <stop>, each track carries the signature drive and syncopation typical in any george p. track. <start> is a hypnotic and smooth tech driver, pushing forward with intense percussion rhythms, haunting synth lines and intense pads in support, this has all the hallmarks of any classic detroit cut only with more panache. <stop> continues in the same vain with a raw and jacking tech mix, the intensity growing as the track evolves, a driving stab and tom bass establish a funkiness that becomes infectious and certainly a big dance floor number. the first remix comes from label boss danilo schneider who is <pause remix> of start brings on a solid deep groove perfect for the early hours, yet doesn t loose any of the intensity of the original, this is danilo at his very best and most definitely one killer deep ass shaker here!last but not least is the second remix is by edgar jack who is version of <stop> (aptly named <you know i don t want to>) manages to capture all the rawness and colour of the original as a funky, jacking mix with deep dubby basses and a nasty swing groove that will knock your hip out…yes, you ve been warned.enough! music delivers once again with a very strong and promising ep that will certainly please the dance floor and rumble those speakers from side to side, these three gents from berlin have delivered four powerful and unique cuts that you know you can just simply sink your teeth into.

the third in a series of electronic / acid / techno 12s from the mighty clan destine

jessy lanza s debut album *pull my hair back*, co-written and co-produced with jeremy greenspan from junior boys, is a 2013 flagship for what electronic pop could sound like, stripped of bloated, behaviourist impulses that treat listeners like lab rats. it is graceful and erotic without the gratuitous close ups, icey and sensual, sweet without rotting your teeth, emotional but with enough blue glow to pull your heart strings. jessys voice flutters through the synths seductively, insistent without the over-singing and grating choruses that plague so much contemporary pop. jessy lanza has a background as a singer and skilled piano scholar, and the duo share a mutual love of collecting the old hardware synths and drum machines that grace this collection of songs. transecting r&b, house, disco and 80s studio rock, the production is immaculate, reminiscent of early junior boys, treading that fine line between cold futurism and the r&b that jessy and jeremy are infatuated with.

what’s in a name? oakland, ca’s mwahaha answers that question with a smirk, but the sounds that emanate from their forthcoming debut album are no joke. psychedelic ebb & flows, electronic undercurrents, and elated pop flourishes bring into focus an attention to detail that’s staggering.

hardly a rookie these days – perhaps more of an intrinsic part of the great british renaissance and current techno climate, tom dicicco brings his new label run out run to the table with a superb 1st release. treading a more layered path than on his previous outings, tom shows his teeth here with brilliantly creeping, menacing riffs at the fore while retaining the house and dub sensibilities in the rhythm section that have already gained him much support – certainly something for everybody here on this worryingly confident own label debut!

ltd 2013 repress
prime numbers return with m7. the first side is taken by a remix of wireman’s >armour<, the original of which was included on pn04 released at the end of last year. the remix is from move d (deep space network, source records), he ups the tempo and in trademark fashion softens the surfaces of the original, warming the core of the track whilst creating a bass heavy groove with twisting beats, synths and a husky hypnotic vocal sample. the flip includes two tracks. to start we have >crushed< by actress. darren j. cunningham aka actress runs the much lauded werk records and this track is taken from his limited cd only album >hazyville< (released on werk in the autumn of last year ) >crushed< is slo-mo, extra bass heavy, low slung house with an addictive lofi synth riff and submerged strings. the track bumps along with hiss and crackle to good affect before turning into a badalamenti-esque loop to finish. to round things off be, the up & coming manchester based producer provides >when you left<. be cut his teeth with the chicago based still music and a great al hudson reedit which found extensive dj support on its release. >when you left< is a shuffling downbeat house groove with a jazz sentiment featuring deep rhodes keys and clipped drums, the track breaks up into a bluesy accapella section then builds up to a more direct 4/4 groove to the end

limited edition of 500 copies on white coloured double 12 inch vinyl.

slamming disco edits, huge dj support: dimitri from paris, late nite tuff guy, leftside wobble, ashley beedle, get down edits ...
cutting his teeth on the uk bar dj circuit with gigs six nights a week, as well as being a member of production duo casio social club, henry greenwood has nurtured an understanding of the vital ingredients required for a killer dance floor groove. from the early days of breaking both the pause buttons on his family stereo system (whilst crafting his first reworks) to spinning alongside derrick carter at londons disco-flavoured club night slide, henry is carving a razor-sharp niche in the ever-evolving re-edits movement.

side a. artesia feat. action bronson / side aa. getaway car feat. alchemist / having cut his teeth in ciphers in and around the san francisco bay area, alexander spit relocated to los angeles 2 years ago to hone his craft, and over the course of the subsequent 2 mix-tapes and aninstrumental masterpiece (this summer’s mansions), he’s now offering a distillation of his craft in his debut commercial album for decon,completely self-produced and awash in head-spinning, hallucinatory subject matter and aural stimulants. with a carefully groomed track listfeaturing only a few choice mcs and members of his immediate clique, the lp is a focused effort, a fully realized, vibrant vision that immersesthe listener in the alternately sun soaked and nocturnal lifestyle of a casual drug user and a very serious musician. this 7” packs two of the biggest tracks on the album into a limited edition package

fold cut his production teeth as one-half of the much lauded london deep house outfit homepark. his first solo release to date, this ep reflects folds extensive knowledge of house and feeling for the dancefloor. a-side slime perfectly fuses driving staccato percussion with classic deep house warmth. moving patterns is a more laidback affair combining soaring vocals with an irresistible bassline that harks back to the early days of jungle. the ep is a given a special twist by an unforgettable technofied remix of slime from fellow londoner ethyl.

baths resident prodigy troy gunner, having previously cut his teeth with a trilogy of eps charting leftfield ukg, post-dubstep, and funked-out seemingly-moog-driven bass jams, joins the infinite machine fam with a singular take on dub techno.

produced by 7even thirty, 5-d, erik l & m.slago, featuring headcrack, gensu dean, dj phingaprint, kamikaze, sleepy will, dj phyia, etc.
7eventhirty is bugged out, eccentric, crazy. after spending years cutting his teeth and finding his sound, the jackson, mississippi native is ready to shake up the earth, literally, with his mello music group debut, heavens computer. not content with simply displaying his proficiency with the pen, 7eventhirty is looking to broaden your concept of what a hip-hop lp can be.

dj nature aka milo steps uponce again to the indispensable golf channel label, with his eagerly awaited debut artist album comprising all original material. a founding member of legendary bristol sound-system collective the wild bunch (which spawned massive attack, tricky and much more), nature made nyc his home in the early 90s & went on to collaborate with the major force crew in japan, before hooking up with gc boss phil south, who thankfully persuaded him to don his production cap once again. there followed a series of acclaimed 12 inch releases through gc which developed a trademark sound, a sound he’s fully realised on >return of the savage<. natures unique take on modern black music is somewhere between the bass heavy sound system cuts on which he cut his teeth and the more nuanced vibe of peers like theo parrish. irresistible, low slung and beautifully structured yet raw club pieces make up this outstanding selection - a superbly packaged gatefold double lp, complete with download codes for individual tracks as well as the mixed version.

grinding teeth is a unhealthy habit, but sometimes you cant help it. back on track on their mission to provide the worlds most hypnotic yet kicking techno beats, its all about the saegezahn and crunchy grinding on neufeld 02 sawtooth grinder. an amazingly diverse release, with three different takes on the original, each work stands on its own yet shares a common goal - to inspire people to hit a dark dance floor and shake their bodies as hard as they can and lose their minds in acid lushness.

after the trippy translations of the helium robot space trip called jarza, theo parrishs second and very welcomed visit to running back is all new material - almost. black mist in its extended version is just that: an extended take of the already released version on the rare-as-hens-teeth sketches pack. cut on 45, its a hard punch in the gut. techno-not-techno-house-not-house parrish power. previously unreleased and no less persuasive are pop off and wild out. while the first one centers around an endless piano and sucks you into the corny, but magic of repetition, the second one sounds like a theo parrish demo for dance mania after he came back from listening to lil louis at the bismark pavilion. mosh pit music. limited pressing in full printed sleeves.

the blinding truth, a foresight into the future. promo presents: true tones! set on a mission to take on hardcore in all its glory and darkness, promo delivers with style.
limited at 250 pieces, this is the 3 x 12 inch heavyweight vinyl edition of true tones, featuring album tracks and a brand new addition to the promo playlist as well as a personal message from the producer: no regrets (thank you)!

filth collins is australias fastest rising dubstep talent. his original productions have gained dj support from some of the top dubstep djs in the world, including plastician, 16bit, doctor p, dz, borgore, brown and gammon, and bbc1xtras own mistajam. his dynamic dj sets have seen him play his way across australia and new zealand doing headline shows, as well as supporting some of the worlds best talents including crissy criss, trolley snatcha, skism, foreign beggars, cooly g, antiserum, roska, and countless others. with forthcoming releases on rod azlans imprint >azlan entertainment< as well as footsy & dj tubbys imprint braindead entertainment, filth collins is one of the dubstep artists to look out for in.

pressed on 180gr vinyl... phonica records inaugurate a new series of releases that will fall under the special editions banner. a series that will feature collaborations, one-off releases and anything that doesnt fit into the main labels outlook. the first release comes from sinkane, a hotly tipped new artist from ny. sinkane is the project of sudanese-born musician ahmed gallab. gallab cut his own teeth as a youngster in the punk diy landscape of middle america, and then found himself touring far and wide as a member of yeasayer, caribou, eleanor friedberger, born ruffians, and of montreal. he has emerged from it all as sinkane, a project that identifies a renaissance within the space and spirit of the outposts of contemporary music. with an aesthetic range seamlessly shifting from soul to rock, and from jazz to pop, sinkanes vibe is timeless and the sound is now. runnin is a song taken from a collection of songs simply titled mars. on this limited edition 12 from londons phonica records, the album version of runnin is re-imagined as an increasingly dense longburn club jam by daphni (dan snaith of caribou fame) and as a more angular headjam by chandeliers of chicago

having announced the expansion of the vibes & pepper brand into record label ownership in consummate style with a timely reissue of the seminal claude young & terrence parker ep the 4 play, the parisian operation now is proud to present the new school of bumping house talent in the shape of tomska. the belgian producer has been steadily cutting his production teeth over recent times, with a few select remixes and releases that showcase his love for the sounds of chicago and detroit, something that is explored with aplomb on the four track mental raw ep. from the opening bars of >lets get it on< tomska shows undeniable ease for combining emotive melodies with a crisp and contemporary treatment of rhythms, with the snapping >everynight< a particular highlight.

it has been half a year since we released the last max cooper ep on traum, so his new finished ep comes in handy for all of his fans and people interested in the grey zone of techno vs. electronica. max coopers new release the >egomodal ep< comes as a 4 tracks ep and adds up to a great piece of music. once again it focuses on dynamics and tangents, along with the concept of complexity and simplicity. the >egomodal ep< stays true to max coopers approach to link a mathematical structure with a simple one. we are happy to say he has succeeded to fuse complexity with variations by still finding time to focus on details and keeping up that nice randomness which makes his music so appealing also for clubbers and djs.
this release is extremely diverse in styles and offers in its vinyl version everything from the dark detroit electro styled techno piece >epitaphy< that evokes old detroit days… to the melodically trembling >autumn haze< that is a huge track because its flow is superbly programmed ... to rippertons mighty house hymn of a remix, ending in the basseline monster >raw< which looses its teeth towards the end.

grinch presents a collection of deep productions with dark, spaced-out tone, for his first solo ep. the title track sets the mood with a minimal, devilish bouncing shimmer, that grows into a subby monster in no time. the vibe changes with pulling teeth dropping us into a spacious ambience, with ghost tones of varying frequencies. on the flip, genjutsu, a heart pumping rhythm with knife edge minimal percussion. the final tune, 1:45am is reminiscent of a dark sci-fi nightmare scene and followed by waking up in a terrifying, cold sweat. together the tracks teeter along the lines of techno with dubstep influences.

breaking onto the scene via a series of anonymous 12inch, it was after garnering reverence as a big name producer in disguise that cottam was unveiled to be the humble newcomer paul cottam. rising through the early rave scene in his hometown of preston, he first cut his teeth as a dj warming up for the likes of surgeon, dave clarke and regis. despite his techno upbringing, it was the slo-mo tempos of mark e and the revenge that inspired cottam to produce his own brand of dusty soul and hip hop-grounded house. however, in april cottam returned to his roots with >sunrise sunset< on use of weapons, sinking a rave core down to his signature slung bpm. it is a journey into sub-aquatic acid house that began with a series of remixes for luv jam, pattern select and morning factory, and one that he continues to explore on his aus music debut. aptly titled >deep deep down< sculpts the feeling of acid techno into warm slo-mo house. ukrainian producer vakula takes the track off on another tangent entirely, stripping away its propulsive chugging heartbeat and replacing it with an off-kilter, spaced-out pulse reminiscent of theo parrish when he s in that kind groove. on the flip, >twang< is a return to cottam s brand of languid, soulful house, steeped with groove destined to incite the dancefloor shuffle.

cutlass is the 12 inch that precedes >sword< xhins forthcoming full-length album on stroboscopic artefacts. four tracks from the album have been selected and spliced into completely new forms by four producers with very separate agendas. the minds, computers and analogue tools of surgeon, dadub, pfirter and perc have extracted new visions from xhins >sword< with nothing short of scientific pre - cision.

heavyweight 180g vinyl album, including code for free digital download of this release.

two sexual monsters from marcus mixx available for the first time on vinyl. about as twisted as chicago gets!

julia porter, best known as miss jools, is the native londoner who cut her teeth and carved her niche in the uk capital, before making mobilee her musical home. her previous collaborative production outfit with audiofly sleeper thief brought her to wider attention in 2006 and then in 2008 she struck out on her own, undertaking solo work and discovering a penchant for slinky, late-night dancefloor sounds with releases such as >la luna< and >que me levante<, proving herself a diverse talent both in the dj booth and in the studio. after a short break, her new release on mobilee >walk away< brings her special musical flavour back to the floor. title track >walk away< it as much minimal and trippy, as it is dreamy and melodic. the same can be said for >whats going on< but this time a powerful vocal is layered over the freaky back drop. meanwhile on the b side >feel you< will keep you spinning. youll definitely find yourself dancing to one of these tracks in the early hours of the morning soon, if you are not playing them yourself…..enjoy!

s.a.s return with an absolute killer ep for foot & mouth. four rib rattling, bone shaking, teeth chartering, brain-mashing monster edits. the a side features their colossal take on >house nation< and the superb re-edit of >satisfied<. then theres the flip, featuring >wanting you< and >you gotta think<!! already being smashed from people as diverse as radio slave, seth troxler and jamie jones, this release is the biggest yet

with the toughness of detroit house and the weirdness of chicago acid, scotch absolutely destroys all the dancefloors! richie hawtin newcomer allì borèm jumps headfirst into digital-age hedonism, with these two reduced, swinging cuts that have all the abandon and humour of a late night lock-in. this gentleman hails from rome, where he cut his teeth in recording studios across the city and as a dj has been responsible for plenty of discoteca mischief. expect these two playful, bleepy, bouncing tracks to give you much joy on the dancefloor.

geno records first release comes to you from belgium based dan d. dan comes from a traditional of both classical and jazz traditions. dan also developed a love of latin dance in his youth. once moving to berlin in 2001, dan was further influenced by the house sounds of the original panorama bar. dan himself has continued on to dj some of berlins best parties/venues including beatstreet, watergate, arena, maria, and the new panorama bar. club der visionäre has also been very important to dans musical growth. dan has had the opportunity to cut his teeth playing 10 hour marathon sets during his regular appearances since 2004. furthermore, he appeared in clubs like rote sonne (munich) and decadance (gent, belgium). friends like tobi neumann and dinky got him into production in 2003. dans first vinyl release on district of corruption lead to praise from some of the best djs in the business. the african market is quite an evolved sophomoric release for dan. the title track, african market, is a pulsating but stripped down organic percussive journey. afro-cuban rhythms lovingly exchange energy with warm analog synths and crisp techno electronic beats. the flip side, el baile, is a slow burning house jam. el baile features eerily reverberated studio recorded vuvuzela, crisply saturated jazz keys, and the same pumping afro-cuban rhythms that sets dans sound apart from others.

to kick off 2011 vakant presents romanian rising stars livio and roby, the first new artists to join the label since 2008. after cutting their teeth on some of the biggest labels and world stages, livio & roby impart their excellent deep funk laden grooves on their first record for the perfectionist house of vakant.

apple pips is proud to present another original new talent from the bristol bass underground - orphan101. having cut his teeth on bristol pirate radio with headhunter aka addison groove, orphan101 surfaced earlier this year with some promising releases on saigon and his own decarhythm label, one of several new labels in bristol (along with if symptoms persist, idle hands, & subdepth) to be pushing a varied and seemingly boundary less take on bass music.

soys debut release comes in the form of >red<, a no nonsense straight up house track with stabby chords and relentless groove evident on the s2k rendition. on remix duty cinematic pulls in the now berlin based parisian alexkid whos career spans over a decade in techno and electronics, originally cutting his teeth alongside laurent garnier at f-comm. alex pulls out all the stabs on his remix with a stomping kick that further extentuiates that groove and forms that hybrid of house and techno with soul. completing the ep >computer moods< already burning floors is the hidden gem on this package seeing some great reactions from watergate, berlin to secretsundaze, london. a dirty bass heavy drum track that tears through any funktion one sound system!! one not to sleep on!

>kitsune maison compilation 10: the fireworks issue< delivers 20 (!) tracks from the ever-growing kitsune-cosmos on double 12 inch in gatefold cover.

wall of death. the third single of make the girl dance is set up. set up as the inevitable episode iii of the most anticipated electro trilogy ever rocking its own small planet for the last two years. the same tiny world first devastated by an unparalleled earthquake, the massive hit single “baby baby baby” and its amazing 15 million internet video viewing – frances most seen video in 2009. the home straight before the album release due for the beginning of 2011: make the girl dance is once again showing its teeth, ready to bite and to tear to shreds the dance floors with this new single already remixed by the cyberpunkers, stereoheroes and the killers rabbits

theres movement in the formatik dog pen. the two format : b alpha dogs recently introduced their latest techno puppies with combined, and now theyre showing their teeth again. when dogs meet they dont just lick each others ears but also put on a silver dog tag. seeing as the three legged four leggers jakob and franziskus arent that happy being alone and are often seen dancing over the dog grounds wagging their tales they have decided to share their bowl with sebastien leger, the french production bulldog who always has a couple of remix scooby-snacks lying around somewhere. that is why they have given him one of their dog tags and have mutually decided that legers own dog club mistakes music will be going walkies with formatik on a regular basis. only the lady and the tramp is more romantic than that.

one of the major players in oslos disco scene joachim dyrdahl aka diskjokke returns to full pupp with his new original track takt raver, a shiny example for his melodic, epic yet jacking style where almost fragile melodic fragments, stomping grooves, simmering acidlines and air-horns magically gel together. label boss and discoverer prins thomas takes us on a space walk with his marvelous psychedelic remix of 1987 which will appear in its original version on diskjokkes forthcoming second album on smalltown supersound. on the flip excentric duo and food geeks ost & kjex ( diynamic ) serve up a whole menu with several courses and a huge variety of flavours: their remix of interpolations makes itÆs entree as a jerky, crunchy afro-beat style funker followed by aromatic, earthy house chords before a well-rounded finish of tangy acid lines and hints of bitter-sweet melodies. sink your teeth (and ears) into this!!!

support by: christian smith, konrad black, joris voorn, timo maas, brothers vibe, josh wink, michael cleis, dominik eulberg, richie hawtin, rodriguez jr., wally lopez and many more, first up and delivering his take on the wonderful >chordy< is a young producer, cut from the same mold as babicz himself. a student on sonics, valencian, maetrik. staying true to the original, he adds a little grit and gives some teeth to already weighty bassline. spooky and expansive, but brilliant. taking the same track on groovy deep house ride is none other than 8bit head honcho and systematic regular, gorge. the mannheim producer, whos 2009 remix of chelonis r. jones >pompadour< is still a huge favourite, gives chordy a killer strut. matching the growling bassline and smooth as silk synths to fantastic effect. remixing >come closer< we are delighted to welcome the always in form, kollektiv turmstrasse, who turn in a remix that may surprise some. whilst keeping things deep as ever, kt take a more twisted, down tempo path

summer is on the horizon, peeps. its time to pump up those sounds. so open your box as sexonwax returns to the source. staying true to our name, our essence. presenting special vinyl ep for your aural excitement only. first up is the massive toon of four-track goodness, paralexia. feel our groove. really, what could be sexier? despite the name there can be no misapprehension of whats going on here. the patterns of omids paralexia see fractal flurries of melody sprinkled with insane piano tinkles. these ivories are driven upwards by solid synth gold and old skool drum builds. with a whirling breakdown that feels like a waterfall crashing over your head. it all adds up to a proper prolonged derangement of the senses. so much so that the party people of miami went ballistic when it was promod by sos during their set at dj mags pool party. check the link. show us yer shimmy! cos bites without teeth is more of a builder, folks. and if the beats dont grab n shake you in their grimy grip, then the wonky bass will. claps like a funker. phases like a wrong ‘un. builds like a bastardo. its food for thought… a bonus here from sexonwaxs popular april release in the form of lilly and poppy. except this time mr o brings a vinyl dub to the table: a reliable beauty with a dramatic and yet delicate bouquet >du jour<. in fact, its almost as epic as >the epic<! so there you go, guys. paralexia is a real package. boasting more beef than argentina, more heat than technotonics and more eruptions than iceland. all of em sure-fire floor shakers with an ultra-modern/vintage sound, best served with sunshine and a smile. feeeel the difference.

inally, this club smasher from londons underground blog merchants venom and damage is due for release! having cut their teeth in londons gutter house bass movement with tracks like >love in the club<, >paradise slugs< and their >maximum carnage< mixtapes, venom and damage drop a new take on the uks house sound, in the form of >deeper<. its hard edged production, syncopated rhythms and anthem-like synths are recognisable from a mile off and are no doubt what has been causing such a stir in the clubs. if youve seen modeselektor any time in the past 12 months, chances are youve gone nuts to this track – so big, the guys included it as a focal point of their recent global live sets, and featured it on their resident advisor podcast. it has also and gained support from djs such as adam freeland, marcus nasty, martyn, brodinski, jackmaster, xxxy, julio bashmore and more. deeper becomes the first release on the ten thousand yen imprint, co-run by the uks rising star doc daneeka and its the man himself who delivers on remix duties, keeping the strong melodic feel, but giving it that more oppressive basement vibe.

dubline audios next release is graced by the talents of canadas mark instinct. 15 karat is a dangerous ep, the tracks are armed to the teeth and ready to create havok amongst dancefloors world wide. each track is an dimensional example of dubsteps exploration into the technology of future bass music. worth its weight in gold, and as intended each of the four tracks are deployed as weapons of the djs arsonal amongst their crates. 4 tracks that are sure fire hits. the predetermined target aimed to the dance with the sight set to annilate the crowd. thick basslines, dope beats, and smashing drums set the pace in this artistic approach of a surreal instinctual bass killer. prepare to nod the head as gangster beats dominate the ether airwaves of all those that set ears to mark instincts - 15 karat ep - dubline audio 05. you have been warned. this message will self destruct.

usa based label steps in time are back with a 3 track release from digisonic, a relative newcomer to the scene but is about to make major moves if these tracks are anything to go by. deep, gritty and hard dubstep akin to the sounds of datsik or excision, dont sleep on this one.