autarkic makes up part of an unspoken alliance from telaviv, which is currently altering the state of contemporary house and techno music. heavy dreamer, the artists first, four track outing on life and death, showcases much of what this bold movement is about, all while pushing it forward into progress. ever present tones of kraut and punk rock flow throughout the ep, beginning with some things to keep, a pumping, warehouse floor filler. autarkic steps up to the mic, often re-amping and distorting his vocal delivery, placing it alongside finely programmed keyboard riffs, tough drums and further psychedelia. realistic guru, the trippiest of the lot, is tailor made for an early morning dj tennis afterparty excursion. slowing down the pace on powerhouse, autarkic hints at moments of bauhaus and tones on tails doom and dance pop, while offering up a digital only, stripped down, bonus version. the title track stands as a testament to this new wave of artists, coming from the shores of israels mediterranean coastline. bass, drums and guitar are recorded through bespoke boxes and presented through the lens of modernist club culture.

sorcery, witchcraft, wizardry, necromancy, enchantment, the supernatural, occultism, black magic,voodoo, hoodoo, mojo, shamanism, these are just a few words that can describe the power of our home duo simple symmetry’s new ep, titled “beginners guide to magic”. sit back relax and let sasha & sergey to take you on a captivating trip to the temple of doom!

vinyl only.

with solidarity forever vol.2 comeme continues this new chapter of its own history, introducing new artwork, a new logotype and three various artists eps. solidarity forever is a motivator for our everyday actions, and a reminder of why we are doing what we do, solidarity forever is comemes commitment to the reconstruction of underground culture. these 12inches are introducing artists new to the label, new collaborations and new approaches from co&#769,,meme members already familiar to you. volume two features tracks by rizu x (laredo, tx/nuevo laredo, mx), ana helder (rosario, argentina), vaskular (santiago de chile) and gladkazuka (medellin, colombia). you will be able to hear deep borderline doom house, modern leftfield workout techno, a hispano-oriental acid track, and an uptempo instrumental hip hop adventure heres more utopian music against dystopian times.

sorcery, witchcraft, wizardry,necromancy, enchantment, the supernatural, occultism, black magic,voodoo, hoodoo, mojo, shamanism, these are just a few words that can describe the power of our home duo simple symmetrys, new ep , titled beginners guide to magic. sit back relax and let sasha & sergey to take you on a captivating trip to the

star wax, the famous french magazine, invites diggers factory for its 3rd compilation on vinyl. and what a compilation! we are proud to offer you exclusive tracks and quality music with this funk / hip-hop / oriental compilation, with tracks from 1976 to 2016 by artists such as geraldo pino, chayeb chbab, janko nilovic, 47soul, quiet dawn, sa’bat machine & tam ly, ahmed malek, last bongo in paris, or doc strange.

rhyw is alex tsiridis aka one half of cassegrain. on this, his solo debut for arcing seas, his smoul-dering alien techno sound manifesto continues to thrive over three unique tracks. the morphing, deconstructed acid of unpunishable - a molten statement of lusty intent - strikes first in a heady, hazy pummelling of doom-funk. ‘vertisol pushes crisp and dry snaking percussion through an anechoic chamber, the bass end neatly warming at first then burning hard through your mid section. an icy cold shot of ‘aqua velva is the final offering - a pushing sub-level trip through rhyws private domain - where tingling rushes of bass and static charges wash over us leaving a sinful residue. arcing seas is an anagram of cassegrain. it started out as a secret alias, releasing a couple eps on our circula sound. the secret was less well kept after the duo appeared at berghain under this name. a year later, after deciding to start a label, it finally made sense to bring the two together

sie haben den fans fünf alben in kürzester zeit versprochen und so ist gumboot soup das letzte album aus dieser reihe. es handelt sich bei den 11 neuen songs jedoch keinesfalls um ausschuss, sondern um abermals gelungene, individuell herausragende songs, mit denen die australier düsteren prog-rock genauso bedienen wie psych- und doom-pop. ltd. lp, farbiges vinyl (orange) + dl

futile demise ep is an emotional and disconcerting journey through the mind of finnish artist juha puupera. drawing on influences from norwegian black metal, uk sound system culture and italian horror cinema of the 1970s, gruth mixes dark and aggressive tones in his sonic palette. his production methods are often experimental and the style rarely fits into one box as it spans forward-thinking techno, black ambient and doom industrial. with his ep, gruth shapes montevideo-based tormenta electrica label’s first release. of the four tracks featured, two are collaborations with the finnish techno and ambient artist ikola, known for his etherwerks label, while the mysterious helsinki-based violinist and sound designer kujo contributes to the other two.

with el tunel / proceso , marc pinol and hugo capablanca aced their blend of industrial, acid, techno and new beat in an ep that remains one of the most celebrated moments in the hivern catalogue. now, the evasive duo return to set the bar even higher. four years might seem quite a lot of time, but for c.p.i. it was the necessary period to get rid of expectations and let space for something new to emerge. studio sessions in places like berlin, barcelona, and belgrade brought together an amalgam of voices, spontaneous liasons, mutations and surprising movements that finally crystallised in the four cuts that conform meine hand . masa y poder and sendero luminoso are two sides of the same coin. under all the layers, both ride exactly the same rhythm. two completely different paths that share a common starting point. one builds tension on the dancefloor. the other one tries to fool the threat in the mist. with it s unrelenting acid bassline and lethargic vocals, meine hand feels like some kind of love from above, yet another unexplainable conclusion. ninos de belgrado are, in fact, the children of belgrade. high on drugs. an impending sense of doom. longing for wasted years or perhaps an external threat lurking, who knows. vinyl comes in a standard black cover with insert by designer arnau pi.

with el tunel / proceso, marc pinol and hugo capablanca aced their blend of industrial, acid, techno and new beat in an ep that remains one of the most celebrated moments in the hivern catalogue. now, the evasive duo return to set the bar even higher. four years might seem quite a lot of time, but for c.p.i. it was the necessary period to get rid of expectations and let space for something new to emerge. studio sessions in places like berlin, barcelona, and belgrade brought together an amalgam of voices, spontaneous liasons, mutations and surprising movements that finally crystallised in the four cuts that conform meine hand. masa y poder and sendero luminoso are two sides of the same coin. under all the layers, both ride exactly the same rhythm. two completely different paths that share a common starting point. one builds tension on the dancefloor. the other one tries to fool the threat in the mist. with its unrelenting acid bassline and lethargic vocals, meine hand feels like some kind of love from above, yet another unexplainable conclusion. ninos de belgrado are, in fact, the children of belgrade. high on drugs. an impending sense of doom. longing for wasted years or perhaps an external threat lurking, who knows. silkscrened cover letterpressed at lanacronica. design by arnau pi.

was haben dr. doom, rhythm x, dr. octagon, big willie, mr. gerbik oder black elvis gemeinsam? alles pseudonyme des hiphop-urgesteins kool keith. da kann man schon mal den Überblick verlieren, zumal der ultramagnetic mc s-mc sich auch noch in zahllosen kollaborationen verstrickt. einen künstlerischen höhepunkt erreichte er aber zweifellos als dr. octagon. und nun erscheint endlich moosebumps an exploration into modern day horripilation – das follow up album zum 1996 erschienen dr. octagonecologyst. zum ersten mal seit mehr als 20 jahren ist das dreamteam dan »the automator« nakamura, mc kool keith (keith thornton) und dj qbert (richard quitevis) wieder vereint.

12 years after his stellar two/three release, dabrye aka tadd mullinix follows up strong with the final and third volume!

2018 repress - the follow up to one/three. tip! james t cotton / tadd mullinx teams up with a wide range of mc s (wildchild, mf doom, kadence, vast aire, ag, beans, invincible. ta raach, big tone, phat kat..) and producers (waajeed, jay dee) to support his hi-tech productions. the result in this killer album with a wide variety of productions, from deep headnoddin cuts to crazy offbeat work and deep kraftwerk inspired instrumentals. where hiphop meets techno.

super talent ancient methods lays down an incredible remix collection of the excellent luster & beta evers track “eternal”, which was originally released on 7” through label zerohour doom & glamour back in 2011.

this is the third ep by dutch post-techno project monocorpse... his style is evident by now: minimal and dark... a sort of doom techno for the freaked-out dance floor... but this new ep also feels like a soundtrack... rather moody and haunting music which would fit perfect in thrillers and psychological dramas... despite all of this there are some real dance floor tracks on this ep... stuff monocorpse never delivered before in this way...

dalmata daniel continue with their inspired pairing of sonics and personalities on their seventh release (1st part of their split series) to date courtesy of dutch producer betonkust and budapest-based hardware techno fiend Új bála. as much as both differ in their geographical roots – holland and hungary, respectively, at first glance (or listen), their sound also ventures into different sonic territories. 1080p and pinkman-affiliate betonkust delivers vintage-tinged electronics – most prominently on his -ferenc s escape- – while Új bála digs deeper into the basement and unravels his analogue acid and badass beats. his -the piggy-bank deal- even touches upon oriental flavours. on the other hand, the music on this ep is buoyant and joyful, a welcome antidote to the gloom and doom that s not only been prevalent in the world around us, but also in too much music of the last few years.

setting out to make some happy music, sophie lloyd produced calling out in a dreary january as an antidote to the pervading doom and gloom of the news, summoning the power of the most joy-filled sound of all, gospel. this no-holds-barred anthem radiates all the live atmosphere of gospel worship in mid flow, with full instrumentation, keyboard breaks and understated kick drum pulling it all together. bringing in the uplifting voices of soul trio dames brown to re-record some old gospel samples was the icing on the cake, adding the last element of authenticity. a new member of the classic family, sophie lloyds impeccable knowledge of disco, soul and house shines through in this sparkling record, available on 7inch for the very first time.

silent season tap up antenes for a rare 12inch, building on the sizable impact her last and only release on l.i.e.s. had back in 2015. here we get three trips into dark, evocative techno territory as you would expect to find on silent season, leading in with the doom-laden march of dream uncreates the land. take me to the birds (for a) ditches the drums and heads straight into the most delicate and stirring of ambient pieces, while metra train chicago 1000x- makes use of field recordings and processed static to make for an even more immersive listening experience. this is a daring release that eschews the need for functionality to take the listener somewhere else entirely.

sean price sadly passed away on august 8th, 2015. sean was 1/2 of heltah skeltah, 1/8 of boot camp clik and developed a cult-like following with his trio of solo album releases starting in 2011. the sean price legacy continues with the highly anticipated posthumous release of his 4th studio album, imperius rex. key selling points: the album features doom, prodigy, styles p, smif n wessun, rock, method man, raekwon, inspectah deck, junior reid, buckshot, ruste juxx, bernadette price & more. production from alchemist, harry fraud, nottz, amongst others.

skeleton recordings are proud to announce the release of the skeleton xxv project to celebrate the 25th anniversary of the label which originally launched in 1992. this is a five part collectors edition to celebrate 25 years of skeleton recordings. volumes 01 to 04 sleeve artwork when put together will form a big piece of artwork of the revamped original skeleton recordings logo that will look good on any wall. volume 05 will be a picture disc. the full digital album will only become available once all five volumes have been released. the project has taken just over 12 months to put together and is definitely something for the collectors. it has been generating quite a buzz within the underground circuit the closer it gets to release date and has been getting some really good support from the likes of bailey, storm and ray keith to name a few.

alter is the new album from belgium-based double bass player and electronic producer otto lindholm. divided into four colour-inspired, long-form movements, alter takes off from lindholms previous work a self-titled album released in 2015 on icarus records, and pushes the already abundant palette of sounds even further. this new work is more brooding and hypnotic. a deep, resonating bass is present - hinting at the likes of greek, chamber-doom merchants mohammad but perhaps with more attention placed upon textures and melody. the record moves at a funereal pace and opener fauve hits abyssal depths from the outset. a bowed melody is coaxed through the throbbing bass with dissonant harmonics drawing you in and holding you close. the ghostly beginnings of alyscamps create an overwhelmingly tense atmosphere where acoustic and electronic elements collide and evolve into a heaving, ceremonious drone. shafts of light emerge through the fog but the tone remains a haunted one. closer, heliotrope, strikes a more hopeful note. a lighter, more open feel emerges - bringing to mind early work of the rachels or perhaps deaf center.

panoram, the elusive mediterranean producer famous for his “everyone is a door” on firecracker and “a doom with a view” on origin peoples, now returns with a long awaited ep for his own wandering eye imprint.
the palette here on “the question” is an illustrative sound collage that leaves its listener adrift through unexplored musical territories. nocturnal atmospheres dimly lit by minimal, detuned melodies are complimented by sensual, synthetic whispers from a parallel dimension. this collection of songs serves as a manifesto to panoram’s mysteriously hypnotic, oftentimes doom-ridden allure.

dasha is back on sonic groove for her first outing on the label in six years. in this time elapsed dasha has released just two dance singles both some years ago. her last musical outing in 2015, is the stunning masterpiece experimental listening album entitled -sleepstep- on raster noton. now finally after a quite long hiatus from releasing dance music. dasha returns with -ain t no god nor king-, a four song extended play release . this deep minded, beat driven journey starts off with -katusha- a hard minimalistic, mesmerizing affair with strong delay effects on the kick drum forging a subconscious state of time and space as it echoes it way through mountainous canyons far away from civilization. next up is -dystopian drive-, a percussive song which brings an atmosphere of doom and gloom full on, with a gritty & stringent ebm bassline and tripped out layered acidic effects riding the thick bass waves. -black swan- takes it a few steps further into even darker dismal territories, a nearly nine minute journey which is a fitting sound track for surveilling a haunting post nuclear apocalypse scene from up above. -acid melancholy- is a 303 tweaked ambient sound sculpture with a metronomic pendulum rhythmic perc swinging back and forth which signals that time has run its course and the end is near.

charlie ahearn s 1983 film wild style holds a place in both music and cinematic history as one of the first examples of a hip-hop film. since its original release it has been widely praised for its hybrid approach as both a narrative musical and a documentary, and as a time capsule of sorts into the culture of hip-hop during its infancy in the 1980s. besides its classic depictions of mcing, turntablism, graffiti, and breakdancing, the film also featured now legendary figures of the genres in acting roles, such as grandmaster flash, fab five freddy, busy bee starski, and many more. wild style went on to garner an immense cult following, portions of the film itself would be sampled in records by artists like nas, beastie boys, mf doom, and more, and would even be exhibited by museums in chicago and boston as part of programs on the art of the 1980s.

sean price sadly passed away on august 8th, 2015. sean was 1/2 of heltah skeltah, 1/8 of boot camp clik and developed a cult-like following with his trio of solo album releases starting in 2011. the sean price legacy continues with the highly anticipated posthumous release of his 4th studio album, imperius rex. the album features doom, prodigy, styles p, smif n wessun, rock, method man, raekwon, inspectah deck, junior reid, buckshot, ruste juxx, bernadette price & more. production from alchemist, harry fraud, nottz, amongst others.

sydney’s post pluto are back with the debut no doors ep from riggles, a four track blend of crunchy beats and dusty house grooves. doomsday takes us back to 99 with a sun drenched edit of the classic mf doom beat. shine follows with a bass heavy groove and stretched out vocals. on the flip, perfect day gets moody with textured drums and back alley sax solos. sydney duo, sonderr, are on remix duties with a melancholic approach to shine, bringing it to a darker club atmosphere.

progressive electronic duo, formed in 2016 by seasoned beatsmith tsuruda (darker than wax, team supreme, division) and experimental artist huxley anne (dome of doom/alphapup), paint incorporates all aspects of both member’s creativity. the duo was inspired as the two were coming up in the la beat scene, often adding visual elements to their live performances while writing genre-defying songs in the studio. their style draws largely on abstract hip-hop, jazz, bass, and grime influences, but unites these elements into seamlessly painted soundscapes that stand out in the modern sea of electronic music. their powerful rhythms, colored nuances, and expressive lead synth tones ignite in the paint live show, where you can often find the duo mashing custom visuals together while spinning tracks back to bac

french imprint rave or die inaugurates its first compilation release since its inception back in. featuring four uncompromising anthems from heavyweight producers the mover, the hacker, minimum syndicat and the label owner umwelt, in this collectible 2x10inch breaks the boundaries between 90 s rave and doom styles sets and offers an explosive limited edition. bangers and dj tools for connoisseurs only!

‘white punks on e’ is the taste of bike chains rubbing against black leather. heavy cast iron forged across studs and hot-wired organs. the howls from blazed skull hordes jacked up to distortion engines broadcasting into neglected cellar units. it s shrill echoes from the parking lot carried along the financial district, overturning lobotomised business lunches, attache cases and $50 slick-backs. nasty club rock fed through biohazard cassettes, doom arcades, sabres and scorpion tattoos - new blood to rock the neighbourhood and a pleasure to welcome stratton into the fold.

stillgestanden, der kaiser ist zurück! mit dem österreichischen trio tritt der neue rock-adel an, veraltete traditionen mit seinem royalen kick-ass-sound gründlich von der platte zu fegen und auf moderne, frische art zu präsentieren.
die stilistische abstammung von kaiser franz josef lässt sich in direkter blutlinie auf große formationen aus fünf jahrzehnten musikgeschichte zurückverfolgen: rock ›n‹ roll, heavy rock, doom, ein wenig stoner rock und natürlich grunge – namentlich bands wie black sabbath, queens of the stone age, the hellacopters oder soundgarden, deren einflüsse die Österreicher auf »make rock great again« zu ihrem kaiserlichen high-energy-mix verbinden. »wir geben den älteren fans, was sie von rockmusik erwarten und der jungen generation, was sie noch nicht kennt«, erklärt frontman sham.
kaiser franz josef lassen die amps glühen und haben auf »make rock great again« die rohe liveenergie ihrer schweißtreibenden shows eingefangen. handgemacht, schnörkellos und ohne umschweife mitten ins gesicht.

with the big smoke hitting near 40°c heat and the office stock melting away, lobster theremin go in for a scorched-earth techno summer with another drum-roasted, rave-heavy ep this time from hard-hitting vancouver duo minimal violence aka lida p and ashlee luk.
having built a reputation for drum-heavy, blown-out & acidic hardware live sets - and with insanely strong eps for 1080p, jungle gym and first second label already in the bag - their entry point to the lobster label family is a bumper one with five tracks that span doom-laden acid, staggered uk rave and emotive club jungle. this record in particular captures their intense and irrepressible live energy, whilst riffing heavily on more classic club tropes than their previous output.

musically and emotionally, superpitcher’s third full-length studio album, the golden ravedays is a one sound autobiography that exhibits the skill, feeling and style that the artist has honed over a period of twenty years, musically, and forty-plus-years, emotionally.

and full-length it is:

the golden ravedays is an epic album of 24 tracks that was released in january 2017 and is stretching over 12 respective chapter albums during a one-year period. the sixth piece of the golden ravedays puzzle will be released on hippie dance in june 2017.

number 6 of the series introduces two further tracks of the sound adventure that superpitcher is taking us on this year. side a features protest song. if music is a way of transporting us to other places, protest song takes us to a desolate, scary and loveless environment, a burnt-down, burnt-out place where the flesh of its former inhabitants is smouldering, void of goodwill and kindness in a cloud of toxic and greedy smoke. it’s all kafka and orwell and suffering - the most twisted and eerie track so far in the golden ravedays saga. what is undeniably clear is an acute sense of regret and loss - a warning that it could have been avoided, had we only listened to our hearts and protested. in the same vein on side b we hear powerful resistance. produced after the paris attacks of 2015 superpitcher outdid himself with this strong message of resistance. where protest song paints a picture of under-worldly doom, resistance’s techno beat and insistent refrain sweeps us to the surface of the muck of hatred and intolerance we’ve politically been dumped in. a voice that seems like a trapped animal is calling out to us. what is it trying to say? is it crying out for help? is that animal all of us? resistance represents hope and encouragement and could be the perfect marching track to any demonstration against negative forces. much needed in this age of bigotry where it seems like time has leaped backwards to a darker side of history. as for the dancefloor – resistance is irresistible!

from the wilds of new zealand our favorite kiwi drum and bass duo returns with a sinister vengeance. with a hot list of tunes as part of their de-evolution series, the boys are finally ready to unleash their arsenal of productions to the public eye. featuring collaborations with ivy lab, orifice vulgatron (foreign beggars) and mara tk from electric wire hustle. released on noisia s vision recordings imprint.
pressed on 3 x 12 vinyl. this album contains pt.i, pt.ii and pt.iii of the upbeats - de-evolution series. comes with a download card for the full 320 kbps mp3s.

after the lost tapes, the found tapes and the hidden tapes, electronic emergencies releases the closet tapes - a compilation of queer electronic music on pink vinyl. spacemaker and leather e have rounded up an unorthodox and fierce combination of queer legends, contemporary queer heroes and future queer stars. these include andy butler from hercules & love affair, eddy de clercq, bezier from the honey soundsystem and hard ton together with our own popsimonova. we are proud to be queer and this is what we love.

limited edition 6x7 inch vinyl box with art cards and download code included. the last vinyl is a single-sided pressing with etching on the flip.

knapp 40 jahre sind seit ihrem debüt vergangen. ganze zehn alben brachten die legendäre new-wave/power-pop-combo um debbie harry seitdem heraus.
müdigkeit oder gar ein ende der kultband scheint aber noch lange nicht in sicht. stattdessen haben sich blondie ein paar hochkarätige autoren und gäste mit ins boot geholt und stellen 2017 ihn neues album vor. hier ist »pollinator«.
schweres 180 gramm vinyl.

back by public demand !! the album transcends the genre of brazilian music, and infact all genres. highlighted in part by the number of artists that have sampled from it, mf doom, ludacris & common, little brother, jneiro jarel aka dr who dat?, dibiase and action bronson amongst others.

this half-speed, deluxe edition released for rsd 2017 features unseen photography from the recording session in a 16 page full-size booklet. the audio source is the continental tapes, mastered at half-speed by the legendary miles showell at abbey road in london – the most stunning reproduction ever made, accentuating the details and nuances that appear throughout this masterpiece.
in our opinion this record is a true and complete masterpiece in every sense of the word, considered by many people to be one of the greatest ever made, regardless of genre. the original continental versions of the album now fetch around $2000.
the album transcends the genre of brazilian music, and infact all genres. highlighted in part by the number of artists that have sampled from it, mf doom, ludacris & common, little brother, jneiro jarel aka dr who dat?, dibiase and action bronson amongst others.

the remixed tracks from ascetic’s second album ‘everything is becoming’ are a collision between industrial techno, ebm influenced bass lines, doom and dark ambient. four berlin based artists: ancient methods, phase fatale, unhuman & luna violenta offer their take on the two opening tracks ‘utterings’ and ‘exegesis’ from the album. roared vocals, guitar both jagged, creepy and ambient, live drums and samples are all melted down and reformed into at times recognizable and at times wholly alien compositions, ancient methods, phase fatale and unhuman offer different approaches to techno punishment while luna’s interpretation is a cacophonous build that explodes into sonic abstraction. this ep is a perfect example of what berlin does so well, where genres that share aesthetic values feedback, overlap and inspire.

nachdem rob zombie pünktlich zu halloween letztes jahr die zuschauer geschockt und begeistert hat, folgt jetzt der soundtrack zum film auf vinyl im klappcover.
der 28 titel umfassende soundtrack wurde von rob zombie produziert und enthält 8 exklusive tracks, die von zombie selbst mitgeschrieben und zum teil auch aufgenommen wurden mit der zusammenarbeit von john five, bob marlette und chris “zeuss” harris. auch andere bekannte songs von künstlern wie z.b. james gang, lynyrd skynyrd und the mamas and the papas sind auf der platte enthalten.
durch den soundtrack hindurch ziehen sich außerdem immer wieder fesselnde sprachpassagen aus dem film, um den hörern auch zu hause eine gruslige atmosphäre bieten zu können.

3xlp in deluxe triple gatefold jacket with 32 page booklet

hot off collaborations with nottz (titans in the flesh ep) and madlib (bad neighbor lp), socal ambassador blu has teamed up with the paris-based production team union analogtronics (oj & gold) to unleash a new full length album: cheetah in the city. featuring dam-funk, phat kat, frank n dank, and more, the album signifies a stylistic sea change for blu, best known for his dusty, soul sampling collaborations with exile (below the heavens) and his own introspective opuses (her favorite colour, good to be home, york!). rippling with 808s and cinematic strings, cheetah in the city is an organic evolution from the synth-soaked, futuristic sound of analogtronics, union’s 2012 fat beats records debut album featuring talib kweli, mf doom, elzhi, guilty simpson, and more.

uncle howie records is proud to announce the 2lp reissue of non phixion’s critically acclaimed debut album the future is now. with production from legendary producers dj premier, pete rock & large professor as well as guest appearances from the beatnuts, mf doom and necro, the future is now reissue returns to the shelves

collins debut 12- on giallo disco is dark as night and sharp as a knife. twisted electro-nightdrive stormers for revenge fantasies and futurist cyberpunk sex dungeons, dreamlike replicant discotheques or if the boccaccio club existed in liquid sky. remix duties come from giallo disco favourite protector 101 who takes signature ligature into heavy synth territory peaking into blown out electronic doom.

the stone is not hit by the sun, nor carved with a knife their first release for gizeh records. the canadian/berlin-based ambient doom duo of aidan baker and leah buckareff continue their ultra-prolific output with a monolithic record which explores the depths of heavy noisescape-related music. encompassing distorted riffs and hypnotic rhythms the album sonically attempts to continue on from the more structured elements

vinyl only. the 4th release from nicolas lutz s my own jupiter. the mind bending album by digregorius from uruguay. again, one and only!!

jake one’s discography reads like a who’s who list of some of the greatest and most successful artists in the history of hip hop. that’s what makes him truly unique. blurring the lines between the underground and overground. providing sonic backdrops for such incredible emcees as de la soul, scarface, freeway, mf doom, evidence, casual, elzhi, brother ali, and rakim among others, but polishing that same formula and providing records for the likes of drake, rick ross, t.i., 50 cent, snoop dogg, j cole, wale, dom kennedy, and royce 5’9”, jake one is one of the exceptions that has worked equally with both of these sides of the industry. exceptionally. “prayer hands”, a collection of instrumentals created from gospel sources, includes some of those recordings amongst others that all remind you that jake one has pretty much become the go-to producer for any major artist that wants some real hip hop shit on their album. and understandably so.