brianna price aka b.traits, launches her new record label venture, in.toto, with a self-produced two track single, still point/north shore. in.toto, to mean as a whole, altogether, unity, will focus not only on her own productions and releases, but also provide a platform for up and coming artists, and those producers already championed in her dj sets and hugely loved bbc radio 1 show, by way of new material and compilation albums. the label will be backed by bespoke events and club nights, enabling the artists and the sound of in.toto to reach far and wide. on the labels inaugural release, brianna sets the tone perfectly with still point. gnarly, rasping bass punctures the gentle piano riff and ethereal synth pads as this club ready track blossoms into life, the assured and driving drums never letting the energy drop for one second. on the flip side of the limited edition, purple 12inch vinyl release, north shore opens with warm idm pulses and tones, grandiose strings and vocal refrains create a huge sound that takes its unexpected breakbeat twist, reminiscent of british rave heroes orbital, whilst holding its own with its fresh and bright production.

british producer pris preps his sophomore ep for avian. love, labour, loss marks the berlin-based producer’s second outing on guy brewer’s avian label, and a further refinement of a production aesthetic that pitches caustic, heads down tool techno & greyscale idm against more meditative ambient & drone recordings.

british deep house veteran sir lord commix is the latest producer to hand over dats of forgotten late 90s studio sessions to the team behind for those that knoe. predictably, they ve chosen four great cuts to release. first up you ll find the elastic synths, alien melodies and fizzing motor city percussion of early tech-house style shuffler -pieces of dream-, before the p-funk-influenced uk-us garage fusion of -leroy garage- takes us in an altogether breezier direction. flip for the jovonn style synthesizer melodies and groovy garage rhythms of -new jersey-, and the electro-inspired intelligent techno dreaminess of -destiny-.

what happens when one of the most exciting electronic music projects of the last fifteen years meets the pioneer of cosmic disco? the result is stunning and with no doubt one of the most interesting things we have heard in a while. psycho radio was born in 2002 from an idea of the italian producer daniele tignino and sound engineer pat legato, with vocals from british singer leroy c anderson. they burst in the music scene with an innovative sound that took inspiration from the 80 s new wave, funk and electro grooves. tracks like in the undergroun and right stuff brought a breath of fresh air in those years, and they still sound very actual today. 2016 has seen the addition of producer da lukas to the project, with psycho radio now back with an explosive new single called bad reputation. once again with the captivating vocals by lc anderson. the legendary disco innovator daniele baldelli teams up once again with marco dionigi to bring us two stellar remixes that move from the funk infused vibe to their trademark cosmic balearic journey. an essential record for the final summer days.

randy barracuda & stiletti-ana present mlipuke! -mlipuke- is a misspelling of the swahili word for explosion -mlipuko-. explosive is also the word to describe the mixture of styles the finnish duo put together. the combination of wild afrobeat flavours and salty scandinavian funk results in a big bang of taste on the first bite. take the cosmic ride throughout three different interpretations of mlipuke and let the afro suomian energy flow! the remix of legendary british producer clatterbox adds his unique brain dance mystery to the explosive cocktail and makes it boil over!

the album is inspired by the music of eric dolphy and john coltrane, indian raga and african polyritmic structures and evolves around the story of paddy roy bates, a british major and pirate radio broadcaster, who founded the micro nation principality of sealand two months after the death of coltrane

the label owner dj shufflemaster who came back to the scene in 2014 gives his unreleased tracks which were produced from 1995 to 2002.

another split is on the way of the suburban avenue team. this is the turn of two young and talented producers coming from the new school, both nostalgic of the techno of the origins: birth of frequency and mike storm a side is entrusted to the refined hands of the french producer, a1 no wonder” is a brilliant and direct techno track inspired by british school of the nineties. a2 the fugitive” is deeper and hypnotic. the precious b side is made by the dutch producer mike storm, both tracks b1 the one we know” and b2 into formation” are minimalistic and represent some old school spaced out techno trips retro-futuristic affairs continue..

british quintet me and my friends are set to release their captivating and mesmerising second album, hide your way, on soundway records this summer. a unique and singular blend, it’s the sound of english folk colliding head-on with the golden-era music of 1970s west africa and the caribbean. towering vocal harmonies, soaring cello and clarinet lines, colossal basslines and drum patterns combine on an exquisite rollercoaster-ride of the emotions from euphoria to melancholia and back again.

upon its sixth release, flyance records proudly features british producer miles sagnia. this new piece is a perfect embodiement of the labels vibe, with deep pads, dub keys, 909 beats and 303 acid on the a-side and with a resolutely deep techno track, with darker textures and hypnotic rhythms on the b-side.

nagamatzu were the british duo of andrew lagowski (seti, legion, terror against terror) on synths, guitar, and programming and stephen jarvis (pure motorised instinct, terraform) on synths and bass. formed in 1982 after messing around with old tape machines and drum boxes, making numerous contributions to international compilations and erratically releasing their own cassettes. their name comes from a character in jg ballard‘s “atrocity exhibition” and their music reflects his influence. nagamatzu self-released their debut cassette “shatter days” in 1983 after messing around with old tape machines, drum boxes and effects.

nice price deal !!! big mixes by paolo barbato & leisure groove 2010 season inauguration ep for the chameleonic producer max porcelli providing here a new house project with special remixes from the great british producer leisuregroove and paolo barbato. a project featuring the voice of english singer kyla, specially designed by the historic collaborator of 989, mr. andy littlewood. pure dopness

one of the most accomplished and celebrated bands in the field of contemporary, unclassified pop music. almamegretta are masters in combining a wide range of elements such as dub, funk, reggae, world and electronica, all filtered through their own deep southern italian roots. the band from naples is now back with a new album, mixed by the dub master adrian sherwood, who had already been involved in their mid-nineties masterpiece “sanacore”. this new work consists of ten tracks, nine originals plus a well chosen cover of an old neapolitan hit by nino d’angelo transformed into a lovers rock style song. almamegretta’s original line up of gennaro t tesone, paolo polcari and raiz is augmented by a great list of collaborators and the result is a strong and multi layered set made of afro-funk numbers, reggae ballads, and other riddims, while the british dub influence remains central within the group’s wide sound palette. the title “ennenne”, which means no name, is inspired by the acronym used for those who are born from unknown parents. the right title for such a highly dense picture based on the combination of contemporary sounds and social topics.
file next to: massive attack, on-u sound, dub syndicate, tricky

patrick topping returns to hot creations with his taking libz ep and demonstrates why his reputation carries such weight with three special tracks that act as a master-class in how to create music that will consume dance floors. first up is brayed which takes the listener on a loopy and enriching journey, whilst howk is a classic foot-to-the-floor number. concluding the ep is taking libz, the title track that sees topping firmly hold onto his crown with this unstoppable cut. i-d magazine described patricks style that is characterized by punchy,chugging baselines that have become weapons in the sets of many a dj. started his career djing at the club night motion in newcastle, he was quickly snapped up by jamie jones, for hot creations. releases on the label and a residency at paradise dc10 in ibiza soon followed and 2014 saw him release get beasty, forget and voicemail featuring green velvet and concluded with a hattrick of awards including winning the dj mag best newcomer, track of the season and best tune awards in their best of british awards.

jonas saalbach & samuel fach present their -vital signs- as the third vinyl release by auditive. this track literally drags you into a beautiful outstanding soundscape. driving on one hand and deep on the other hand, -vital signs- definitely invites to swing a leg. a so called -banger- comes from the british producer and dj third son, with a top-notch hypnotic and straight remix. to round up this wonderful ep, mira & chris schwarzwalder enchant you with their very individual interpretation of the original and put some extra magic on top.

rediscovered 80’s british acid house gem ‘cortina kidz’ recently made a serious impact on andy butler’s mr. intl with remixes from factory floor and juan maclean & tim sweeney. hot on the heels, moscow’s lipelis’ steps in to remix with striking results. pitchfork enthused of the recent reissue being “a chilly acid-house track operating the influence of both soft cell and the specials,’ xlr8r as “drenched in dark and sleazy overtones, the track encapsulates a downtrodden time in london”, while ransom note noted “cortina kidz is more than just an old skool oddity- it s a banger that s stood the test of time”. originally recorded on london’s stoke newington road in 1987, produced by a young tim brinkhurst ahead of his imminent record deal with virgin records with his band soho, and long before his current role as manager of mercury prize winners, young fathers, ‘cortina kidz’ remained undiscovered and the eccentric spoken word overlay and weird lead vocal made it very unlike the prevailing dance music sound of the time. leonid lipelis explains that “since it’s a reissue of a relatively unknown record it gave me a certain freedom of expression (when it’s something well known and classic you re likely to produce something more serious). i came up with more of a pop song, structured with a vocoder for the main version and had fun playing with vocal samples for the dub mix, paying homage to the 80s sound in both.- lipelis’ recent release on lies records has gained him support from four tet to dimitri from paris. he also runs a side project for hardware jams called tmo and co-runs low budget family records.

pierre codarin delivers three groove focused house numbers for the second release on his selftitled imprint this june. the british producer has started the year strong, launching his own label as well as producing the third release on huxley’s no idea’s original imprint. both releases have seen incredible support from the upper echelons of house and techno, with radio slave, raresh, mr. g, laurent garnier and jackmaster all showing their support.

british producer reformed society is on a steadfast mission to dig deeper by going against the grain, standing up to the status quo and daring to do something different. a self proclaimed goal that is easily noticeable in his first release for “made of concrete”, wherein he reveals three original tracks and a remix by gathaspar, one of the label’s regulars. kicking things off with “high tension”, a high strung stripped back piece with an aerial feel, the artist builds up the entire mood of the ep from scratch. a clear-cut, steady groove whose versatility makes it relevant as an intro, outro or interlude. gathaspar’s rausch remix is a sub-bassy reinterpretation of the initial piece, filled with contorted whirs and whizzes that give the track a sub- aquatic feel. on “volgende halte”, the opening vocal sample shifts from a seemingly conventional soundbite to a recurringly haunting snippet that remains etched into the listener’s brain. rhythmical rolling pads galvanize the groove, making for an eerie yet relaxed overall vibe. movement inducing from the get go, final offering “orbiting jupiter” centers around wavering bass leads, while playing on a blend of spacious synths and timbered percussion patterns.

repress! without special edition print of the cover artwork! infrastructure regularly works with up-and-coming artists on cover artwork. respected young swiss artist julian charriere provided the iconic greyscale cover for post scriptum s debut lp (inf-020), and london based photographer guy archard s work featured on campbell irvine s reunion of two bodies maxi-ep (inf-018). now the celebrated british fine-artist robert ncnally has been invited to submit original artwork for facticity. selected by jake and dinos chapman to show work at the prestigious flowers gallery in london, and commissioned by damien hurst to provide work for his private collection, robert s incredibly detailed large scale pencil drawings are attracting serious interest in the modern art world. mcnally s cover image was selected from a series of works based on adapted antique post cards. its anti-establishment, censorship-related overtones are clear to see, as is the stark use of contrast - thick layers obscure the fading original, re-appropriating it.

the 2nd album from british singer & songwriter tom odell as 180 gram vinyl in gatefold sleeve with download code included.

british art-rock band no-man (tim bownes & stewen wilson w mick karn, richard barbieri, steve jansen, ben coleman) recorded heaven taste in the studio sessions in summer 1992. it got first released as a complete 21 mins version on painting paradise ep on one little indian (1993). the track drew attention in the rising ambient techno scene and got played by djs like mixmaster morris. the track fuses ambient techno with art rock and features a distinctive fretless bass solo by mick karn. this super sound 45rpm 12- features a steven wilson edited 11.21 mins version of the original and on b-side jimi tenor s rearrange with some solos with flute and keyboard. file under: ambient techno

the first r&b rec record is born from the encounter of two artists in the gloomy baltimore of the beginning of the millennium, after years in which their artistic roads proceeded in a very much parallel manner, without ever physically crossing paths, driven by their passion for analog instrumentation and the desire to find and create new rhythmics and sounds. it is in 2013 the two decide to join their forces to create their own personal vision of techno music and dance music in general. resulting in a hot and scratchy vinyl that combines dark, percussion sounds well known from detoit techno, with the sought after rhythmic of breakbeat and drum and base, of the british nineties. also packed with influences of acid-house, this record incorporates features of the so influential 80 s punk era, finally sinking it s roots in the psychedelic currents of the 70 s. the result is a brand new genre which is difficult, if not impossible to define. a unique way of defining dance music, in all its aspects, which is identified under the name of spaceship surgery techno.

infrastructure regularly works with up-and-coming artists on cover artwork. respected young swiss artist julian charriere provided the iconic greyscale cover for post scriptum s debut lp (inf-020), and london based photographer guy archard s work featured on campbell irvine s reunion of two bodies maxi-ep (inf-018). now the celebrated british fine-artist robert ncnally has been invited to submit original artwork for facticity. selected by jake and dinos chapman to show work at the prestigious flowers gallery in london, and commissioned by damien hurst to provide work for his private collection, robert s incredibly detailed large scale pencil drawings are attracting serious interest in the modern art world. mcnally s cover image was selected from a series of works based on adapted antique post cards. its anti-establishment, censorship-related overtones are clear to see, as is the stark use of contrast - thick layers obscure the fading original, re-appropriating it. setting the tone for this carefully compiled collection of new music, rich in subtexts and sub-genres, a special edition print of the cover artwork will be included in the first 500 copies of facticity.

* stunning 17 track / 4 piece clear vinyl lp - scroll down for images
* special hand made 10mm spined jacket with shrinkwrap
* 24 inch x 12 inch full colour folded double sided poster and stickers included
* founded 20 years ago, blueprint records has remained one of the true driving forces behind british techno. to celebrate this special anniversary label founder james ruskin and blueprint friends have created a compilation of brand new music to celebrate this landmark, due for release around june 2016.
these exclusive tracks are released here as the * 20 years of blueprint compilation* limited edition box-set, with a collection of four clear vinyl records as well as poster and sticker inserts

long standing british artist allen saei, also known as aubrey, steps forward in his excellent career with aqua warrior, an excellent debut ep for the italian imprint out electronic recordings, which reaches its twentieth release confirming its ever swinging musical approach within house and techno once again.

unheard nuggets all over this one... palto flats and new general catalogue are partnering to release awaawaa, a new record by woo, the longstanding project of british brothers mark and clive ives. undertones of: jon hassell, holger czukay, durutti column, popol vuh, this heat... a hearty recommendation from us! featuring never before heard recordings from woo’s archives, awaawaa sees the band at their most evocative and psychedelic - presenting a suitelike, atmospheric collection of stunning miniatures. recorded in south london during 1975-82, awaawaa lines up chronologically with other woo releases, such as ‘whichever way you are going, you are going wrong,’ and touches upon synth, ambient, electronics, dub, and even krautrock. following re-issues on drag city and emotional rescue, awaawaa presents a new chapter in woo’s celebrated discography, further distilling the brother’s unique and otherworldy vision.

for the second installment in their 12” series music from memory present two deeply forward thinking electronic tracks from british musician michal turtle made between 1983-4. the first track ‘are you psychic?’ is taken from turtle’s obscure ‘music from the living room’ album which michal recorded literally in the living room of his family’s south london house at the young age of 22.

reviously unreleased schizo post-punk/moogy folk score to 1983 british tv scouse-ploitation drama one summer (remember billy and icky?) from the vault of kate bush, serge gainsbourg and david bowie’s best-kept secret session man alan parker. inducing abject fear in protective parents and a street smart swagger amongst clued-up youths, this adaptation of a coming of age pastoral thriller by a reluctant willy russell broke new boundaries pinpointing a cultural teenage void between post punk activism and the acid house years while arguably giving thatcherite telly addicts a tiny kick up the arse. scored by legendary kpm/de wolfe library musician alan parker, this score retains a genre defying personality, pinpointing the stylistic essence of the era while successfully switching from barren rumble fish funk, pastoral moog noodlings, pentangular folk, 80’s post-punk rhythms with hints of dubby

british techno producer tom dicicco makes his debut on delsin now after many fine releases on off minor recordings, the corner and his own run out run and inner surface music. he is someone with a textural richly, forceful sound that is dark and abstract yet enriched with very real emotions and here he is on point once more with some of his most sensitive and cerebral cuts yet.

housed in a gatefold sleeve with printed innersleeves and 4 page booklet. the second vinyl includes 8 bonus tracks and remixes.
ninety is the second full-length album and first on ztt records by british electronic music group 808 state, released in 1989 and featuring the uk top 40 single “pacific state” which reached #10 in november 1989.

the last of public releases single-digit records is the first from the british west midlands most famous dj and producer, mark e. this shouldnt come as a surprise. if anything, the fact it didnt happen earlier should, mark appeared as a remixer on jeffrey brodskys 2014 public release ep, which has earned him the status of esteemed member of the outfits inner circle and prime candidate for an extended play of his own.

a leading light at the forefront of the new wave of british house music, northern star richy ahmed returns to his home label hot creations with a monumental two-track release entitled so good.

skam records are very proud to release an album of unheard tracks from one of our very first artists and it feels good to have him back home. jega has always provided his own slant on the genre, with warm standout melodies and his always edgy solid beats driving it all. its good to hear his machines working again after all these years. jega returns with a selection of the year before his seminal first release (ska006). a collection of unreleased tracks from 1995, recorded live to cassette tape and dat, and gathered 20 years later to form 1995. this album provides a glimpse into the fledgling electronic music scene of the 90s.

matt karmil is a british musician currently residing in sweden. ++++ is his third album, following 2014 s pnn debut - - - - and idle033, released on bristol label idle hands earlier this year. his output also includes a variety of singles for labels such as new yorks beats in space recordings and stockholm s studio barnhus. on this new album, karmil can be heard exploring the concepts of impossible objects, reflection, symmetry, infinity perspective, truncated and stellated polyhedra, hyperbolic geometry, tessellations and lost love. while making the music that constitutes ++++ he interacted with mathematicians george pólya, roger penrose and harold coxeter as well as the crystallographer friedrich haag, and also conducted his own research into tessellation. the result is ++++, karmil s most clever, strange, emotional and fun work yet, a testament to his breadth and depth as a musician. did we forget to mention that he s an awesome party dj?

berlin- based label jolly jams present to you now the debut 12 inch by slaves of love. music by british electronic duo dean meredith und ben shenton (mind fair/ chicken lips). the flip side features a remix by tk disko (split secs).

technosoul .03 comes from blazej malinowski, who has previously released on swedish phorma and canadian silent season amongst others. “mika” and “open closed open” might serve as blazej s sound signature – deeply rooted, hypnotic techno with a trance edge, which works both on the dancefloor and in comfort of one s home. remix number one comes from the legendary british dj and producer steve bicknell, whose take on “mika” is raw and very dense at once – it serves as the most brutal piece of music on the release. remix number two comes from “the mad ukrainian” stanislav tolkachev, whose vision strikes as a real surprise. instead of his usual beats stampede, he has provided the record with a beautiful, ethereal offbeat techno: this won t probably work as a peak time monster, but with a proper audience, it will have a mesmerizing effect!

what happens when you take a track by a british power trio heavily influenced by blues and psychedelia, and get a master of wayward, left-of-centre balearica to remix it? that’s the premise behind claremont 56’s latest vinyl outing, which features magic feet recordings boss craig bratley delivering a pair of druggy, spaced-out interpretations of “better man”, one of the more laidback outings from fast-rising rock combo bella figura.

embracing disco, techno and house music in all its declinations, what ever not introduces now british artist reformed society, project started by house producer harsh puri as a consequence of djing and collecting records since 1998, debuting with a four track old school house ep, optimistic chaos coherently fitting with the italian imprint philosophy. ‘hope’ has that solar, yet dusty groove folding distorted rhythmics and joyful pads around an insistent lead dubby pattern and shimmering synths. ‘optimistic chaos’ is again smooth but lightly gloomy, until a pause intoxicates one’s body and mind filling them with inebriating ambients. ‘incognito’ delivers a deep driving atmosphere here, featuring dogged, crisp drums together with minimalist, yet momentary cosmic motives. for the closing cut ‘detracid’, the artist cooks up a brew of acid lines with the usual charming synths and vivid hats, building a light sense of tension fired up by the warm, heady sound scapes. each track is similar to the last, stiffening the musical timbre of the label, confirming the producer’s strong artistic identity as a consequence.

hypercolour proudly announce the latest long player from uk stalwart, ed dmx aka dmx krew, the visionary british electronic producer who has been responsible for a slew of excellent releases for labels like rephlex, spectral sound, permanent vacation and his own breakin records and fresh up records since the mid 1990s. you exist is dmx krews debut appearance on hypercolour, and as expected the record features nine tracks of beautifully crafted, melodic electronic sounds.

la vie en rose commences its 2016 campaign with a tight little package from the delirious ibiza dwelling duo, acid mondays. the british lads are well known for their ability to concoct deadly dance floor weaponary for labels such as rumors, illusion, one records and 2020vision among others and now they are back on the french label with two hot new tracks plus a remix from greek grafter john dimas.

legendary french producer mr. oizo aka quentin dupieux returns with hand in the fire, a four-track ep featuring brash, heavy-hitting productions and a charli xcx guest appearance - out today via ed banger / because music / big beat records. the new ep largely follows in the steps of mr. oizos acclaimed 2014 lp the church. the title track shows off mr. oizos pop production chops, mixing a compelling vocal performance from british pop-smash songwriter charli xcx, complete with an incredibly catchy hook, with a punk-inspired composition that transitions more towards trap by the end of the song.

south london ordnance returns to aery metals with a quartet of rolling club cuts. the british artist ties up italo and industrial references with trademark steely percussion and warping atmospherics. exercises in razor edged tool techno trade blows with more submerged, rhythmic recordings and finnish outsiders femme en fourrure return to the label for a new collaboration.

detroits monty luke fronts up the 21st fina records release, fresh off the back of the label s dj mag best of british awards nomination. monty luke explores the slightly more techy edges of the detroit house sound that wont disappoint.

• a pummelling techno 4-tracker from label boss jerome hill !
• limited copies as always with this fine british label
jerome hill returns to don’t with a mixed 4-tracker of pummelling techno tracks. artwork by vicky steane.

cromby is an exciting addition to the london house music scene: originally hailing from belfast he has made camp in the british capital and brought his mpc 2000 xl with him. the young man who has grown up listening to chez damier and moodymann makes use of the japanese sampler from akai in a highly fresh and creative way combining raw drums with sweet and melancholic pads and chords. on his * planets and parks ep* cromby displays a very nice balance between a traditional deep house understanding and a forward thinking attitude and is thus just perfect for tenderparks’s idea of musicality. as far as the artwork of the record is concerned the beautiful black and white image is the last part of tenderparks current series concieved by art director till sperrle and photographer magdalena bichler. and as you ve come to expect from tenderpark all tracks have been mastered and cut by helmut erler at dubplates & mastering once more.

masters of weirded out rave and brvtalist experimentalism drop 4 untitled, extreme pieces of music on nyh. the spanish/british duo roc jim

british born and now based in berlin, dead fader aka john cohen, most known for his work on robot elephant records and the brilliant collaboration with sensational on the ‘work it, no’ ep, now joins the touchin’ bass roster with the ‘dosage’ ep, a heavy duty, unrepentant body of work that exposes john’s diversity. easing you in gently is ‘booze lair’, a slow building, infernal, smacked out foray that is both biting and compelling, followed by ‘tired’, a fiercely adrenaline-charged, dynamic workout that moves and mutates, heavily laced with abrasive textures. the title track ‘dosage’ is a straight up slice, filled with cranks and grinds which jars and grates, punctuated with weighty subversive beats and a low res undertone, followed by the calm after the storm, ‘easy sun’. an epic piece, pushing distortion to the max. no nonsense, this is one heavy slab of vinyl. solid!

mareggiata a san vito is an ep from vesalio a.k.a. livio improta. a mature and balanced two track ep, explicit homage to the sea and to the roots of the purest italian electronic music culture. the ep opens with *vient*, an hypnotic and dark piece that perfectly mix the british influences of downtempo and break core with dark ambient and italian acid house influences. *terr_one* closes the ep, a never ending magnetic tribal loop piece of twelve minutes. this ep is dedicated to those who lived through the dance floor.

the british dj/producer and aus alumnus launches the new imprint in december 2015 with what you want, a collaborative two tracker with us artist j.phlip that features a remix from clones vin sol.