-i want them to hate me for putting this out- says jackmaster hater, referring to tracks once possessed by a mere handful of chicago house djs. these recordings, traded secretly on tape, were exclusive to the likes of ron hardy and frankie knuckles. here

eatbrain is back with a vengeance. this time around, jades quickly rising neurofunk label features the enigma known as kung. all at once infamous and elusive, kung has managed to retain a reputation as one of neurofunk drum & bass most exciting producers while maintaining a relatively low profile for the last few years. his tenacity in the studio and unique musical vision have made kungs label debut - devils finger ep - one of eatbrains most highly anticipated releases to date.

another vinyl installment from rotterdam based citrus recordings. hard hitting drum & bass just as you like it. heading up the 12inch we find ukrainian drum & bass prodigy nick bee delivering massively on iridium.the waspy bass sounds and bouncy drums make this a real floor filler and an excellent addition to your neuro sets. we continue with coincidence by an up and coming duo from lincoln, uk! soligen & type 2 have recently been conquering the scene doing split releases with the likes of state of mind and bcee. if you havet heard of them, perhaps its time you did. naughty full on techno flavored beats for the get down crew, best not to sleep on it!

its been an exciting initial 18 months for hobbes music, with djs and critics lining up to praise the fledgling edinburgh label: erol alkan, motor city drum ensemble, justin robertson, ashley beedle, maceo plex, ivan smagghe, jd twitch (optimo), jimpster, teed, citizen, sean johnston, m.a.n.d.y., philippe zdar, sinden, locksmith (rudimental), bot (crookers), alan braxe, alex metric

• nine inch nails member and hospital productions artist alessandro cortini debuts on avian !
• comes in a die-cut house jacket with title specific inner sleeve
• big support from the usual avian fans...
avian s 16th release is coming from alessandro cortini under the name skarn. best known for his work with trent reznor both in nine inch nails and how to destroy angels, the italian producer just recently made his debut on hospital productions with the hugely acclaimed * sonno* lp. his new project skarn sees cortini take a turn into more technoid driving soundscapes, which makes shifteds avian label the perfect fit for it. the ep features three tube driven noise workouts with a precise minimalism and a hypnotic drum pattern, which leads the way through the release.

limited edition of 500 handnumbered copies.

... adonis comically named -endless pokers- project is no joke, in fact, this is some serious chicago acid house! originally released in 1987 and featuring adonis trademark staccato drum machine rhythms, creeping acid lines and cowbells -the poke- is a classic (watch out for those vocal stabs too!). all 3 mixes featured on this 12- bring something new to the table, twisting and turning that acid line into a frenzied buzz. this is pure old school business, chicago style! raw, simple box jams of the highest order! a definite essential, a record like this in the right hands can produce some devastating effects and still sounds incredibly fresh today. re-mastered, re-pressed and brought to you in conjunction with dj international records.

no nonsense drum & bass classics that have been tearing down clubs for the past 20 years.

echonomist is back on rotary cocktail records this time with vocal support of the amazing black soda from south africa. petros delivers two original mixes which sound like classic inspired detroit tracks with deep basslines, melancholy synths, groovy chords and driving analogue drum machines to provide the perfect soundbed for black sodas distinctive hypnotic vocals. additionally youandme and and.id deliver just the kind of emotional interpretations that touch our souls in the right moments with their beautiful remixes.

nice price deal !!! raw waxes continues the release number four with one more original track from the noisemaker. the edition 4.2 is enriched by the remixes of korova, duo who were protagonists of our first release, and inigo kennedy, old school artist truly appreciated by raw waxes. on side c, point x15 advances as an acid robot going ahead with swollen broken baselines covering sinister and rough ambients. the rhythm gets darker and nimbler as far as the stylus moves on the decks. on the side d, korova delivers the mirror of their hypnotic and straight techno soul. drums play hard, ambients are kept happily enjoyable, while the acid synths and chords go with the flow embellishing the original version. inigo kennedy’s reinterpretation seems to come from early ’90 productions on missile records. acid elements and palpitating hi-hats, followed by the syncopated bass drum, gradually fire the minds up and accelerate the roll of weird but deep moments. pure industrial machine guns.

odd even is the new label project from andre kronert. created as a wide open space and blank canvas for friends and peers to release music that andre himself will include is his dj sets. odd even is a playground for both music and art, with each release receiving a full vinyl press and exclusive cover artwork.
001 is from the label boss himself and features the stripped, staccato sounds of the title track and the stealthy purring acid of isolation. the labels first remix selection sees andre look to argentina and two of the countries finest musical exports, jonas kopp and pfirter. both take terminus into tougher territory where kopp twists the piercing note of the original and pfirter assaults us with his blistering drum work.

italian producer & hot mix label boss nick anthony simoncino is back with some people , a collaboration with chicago s legendary house vocalist robert owens. simoncino s 3 original mixes sound just like tracks lifted off lost ep s straight from the mid 80 s with deep, melancholy synths, driving analogue drum machine sounds and owen s yearning vocal performance coming together beautifully while showing off simoncino s versatility as a producer. some people is perfect late night house music with a classic sensibility, for the deepest hours of the night or the morning.

simone gatto, with his second release on out-er holzwege ep, confirms his artistic maturity and his serene approach to music and life, even if on ones way the paths can get broken. due to a perfect use and combination of prophet 12, arturia minibrute, virus and x-base drum machine, the sounds transmit deep and pondering thoughts the artist has experienced, peaceful in some cases, troubling in others. each track represents a motion against the difficulties of life: happy and discouraging moments happen and alternate, our actions cause consequences, and everything have to be faced somehow. the synths are melodious, timid and gloomy at the same time, indicating that happenings arrive, interchange and pass over. the patterns are detroit inspired and the beats always soft and gentle, never impetuous, while ambient and pads go with the groovy wave created by kicks, hi hats and basses. a journey that has to be lived, any development it brings.

groovin hypnotic tech house / house
limited edition, handstamped, 300 vinyls only. entlet brings up the spirit of the ancient paraguayan tribe enxet. for the past twenty years, we have been delighted to discover shrewdly on the dancefloors his capacity to develop such a bestial jungle and magnificent rituals. he produced this trilogy with cosmic tones in the vein of the other label releases, an appeal to the collective trance and an evocation of the festive traditions that have transcended the past centuries. after countless epic adventures on the drum’n’bass scene, he has performed and produced mainly house and techno tracks. the echoes of his live appearances often reverberate long after the following day. some people say that he has the ability to pay a superhuman attention to the sound. through mystic condor, you will rise towards a joyful and powerful hypnotic state of mind. the feathered serpent will delicately bring you in an extraordinary journey. tramontina is a groovy and spatial evocation, an atmosphere deserving mr. fritz lang s movie. all the sounds progress constantly towards the highest level, like the sun. night new world is the most chill-out piece of this release, everything stretches and calms down, but never forget the whip lash.

the latest ep my normal usual far from apotek keeps the label in a firm stride. jerome sydenham forges on with another classic edit. on this occasion, sydenham minimalizes jonas kopps classic reforce leaving us with a steady pumping floor pounder. my normal usual far is the second installment of the new ibadan records artist sally. armed with an array of organic drum machines and synth jerome sydenham and sally trail blaze their way into tech-house heaven. the movement of this track is indelible. with encouragement sydenham and sally continue on the path to tech-house excellence with this stripped down ultra tool.

ltd repress !! bossmusik follows up the first release by dorisburg with another two-tracked ep by the swedish house master. the a side is a steady drum stomping dj tool with rolling snares, ecstatic noise bursts, eerie feedback drones and a huge potential for dancefloor moments. the b side takes on a more adventurous journey. with spacewalking percussion, vast floating pads and an accelerating bassline, eller fights gravity with a truly uplifting force.

rotterdam based drum & bass label citrus recordings presents its 61st vinyl installment featuring two amazing new tracks by agressor bunx. straight dancefloor bangers, reminding a bit of those classic bad company tracks!

mark henning returns to soma with yet more jacked up machine funk in titan. mark has firmly established him self within the soma mainstays and continues to further his sound on the label. this latest ep sees him take to the street with two energetic drum workouts laden with his unique flavour.

still riding high on the support for his recent circus collab with ki creighton, new uk talent kydus immediately returns to the label with a brace of new tracks that have already become proven weapons in the sets of label yousef and the mighty carl cox. his latest double-header sees him turn out more fierce grooves and raw funk with a large helping of sun-fuelled piano for good measure. free spirit is captivating from the first drum to the last. a rolling groove, almost house, almost techno. a poignant story told that surrounds the listener with uncompromising positive energy, a huge summer moment if there ever was one. yousef has been nurturing the demo for almost six months, building it from a secret weapon to circus anthem.

butch returns to desolat this october for a long time now, butch has been regarded as one of the most versatile producers in electronic music and his releases across a range of different labels including sei es drum, cocoon, rekids and visionquest reflect this.

it is said that the gods of the dead demand you ritualistically commit to each intensely hot beat of the ceremonial drum. now, here, is the music for their celebration of death, music to dance together with, to oblivion, a music both spectacular and ecstatic where, like never before, the spirits of santería and vaudou mix with raw electricity into burning diabolical polyrhythms. we here present cut hands and festival of the dead.
the double vinyl lp comes in gatefold sleeve and includes mp3/flac download code.

for the 13th release, icarus audio proudly showcases the debut release of a brand new drum and bass collaborative project from basis. coming out swinging, icarus brings them into the fold with their multi-flavored, graveyard ep. from the album artwork to the grooves of the plates, this one is sure to fire heavy on all cylinders!

to mark the labels 20th release, the cassette library invites various members of the gang to remix each others work. bobby champs, west norwood cassette library, kevin mcphee, j tijn, j tijn, knowing looks, kamikaze space programme, west norwood cassette library.

a true surprise best seller in our 2014 release schedule, vermonts eponymous full-length debut also introduced the public to an astonishingly different musical side of the projects founders marcus worgull and danilo plessow (of motor city drum ensemble fame). an album worth of adventurous jam sessions and sleek synth soundscapes, it rather drew from sonic curiosity and the spirit of informal collaboration than the laser like focus of the club tunes both producers have become known for

june presents the human target ep. all tracks were recorded and sequenced live using arpeggiators and multiple step sequencers, driven by drum machines. industrial, nervous, house tracks on the a side and analogue ebm on the b side.

gl are melbournes cosmic-funk revivalists and the soundtrack to eternal leisure. cruising on glowing synths, gritty drum-machines, and stratospheric vocals, gls music is a cosmic dream-sequence not unlike a lost reel from the mid-80s.

after nearly a year has passed by - and kitted out with heavy hitting drum timbres, hook laden nuances and a textured palette of unique effects - south african born esa makes a welcome return to the burek family fold with another ep that skirts the boundaries of the dance-floor and soaks up the sights and sounds of those on the peripheral edges. a family thats consisted of many strays and deviants being welcomed in, esas ep is another mellifluous fit for the croatian based house label that prides itself on beats that drip with greasy flavour and a fine follow on from his killer ‘serenity in a forbidden place ep for the label in july of 2013.

after storming the gates with his warmly received tambacounda ep, clap! clap! returns to deliver his debut longplayer. tayi bebba is a conceptual work that manages to balance a highly cerebral concept with making some good old-fashioned bangers. tayi bebba is an album tour of an imagined island, each song representing a location, event or ritual. sonically, it is a fast moving charge across the soundscape, fusing field recordings and found sound with incredibly surgical drum programming. flavours of house, footwork and hip hop punctuate your migration with a very specific sound palate, giving this amazing work a cohesive feel.

last year moscow records set up sub-label moss co and each release so far has introduced a new set of artists. for this third release it is nu zau, aka stefan gabriel zamfir and loopdeville, aka d zlatinov. nu zau debuted on fear of flying in 2012 and his 2013 was prolific with seven releases added to his name. he provides an 11-minute drum track, *cumse cuvine*, that is filled with kooky and super minimal, squeaks, tweets and vocal samples, a fine production. loopdevilles kick drum on *piance* in comparison to zaus a-side is standout, and here he provides a cold and moody track designed for those deeper moments of the night. it is the london-based producers third release after debuting in 2013 with two 12 inches, one of which, phantasmagoria, inaugurated new label delooped.

fear of flying kick off the new year with the next instalment in their vinyl only series, enlisting the talents of matthew burton & kate rathod. ‘cyberg’ has an atmosphere so thick you can cut it with a knife, a vocoded vocal and haunting pads imbuing the track with a distinct 4am feel. ‘mr magpie’ ups the ante slightly with swung percussion and fx. the lofty kick drum and twinkling synths of ‘8 minute abs’ and the subtle deep houser ’hammer top logo feature on the b side. part 1 of 2.

l 33... get acquainted as we think it is a name you will be hearing a lot more of in the future. hailing from the creative d&b hotbed that is bulgaria, l 33 has been creeping up the ranks with covert diligence and a sonic attitude that is going to take him right to the top. already enjoying big love and support from scene titans drum&bassarena, here we find him making his program debut with two scorching underground future-focused work-outs. recognise... it is time, once again, to get with the program!

publicist is longtime producer/performer/musician sebastian thomson. his tracks approach house music from a darker angle, adding processed vocals and noise to a raw foundation that also takes cues from new beat, acid house, and detroit techno. when performing live publicist sequences the synths and not the drums, preferring to play an electronically treated drum kit in the middle of the dance floor. this adds an element of sweat, excitement and virtuosity not found in most electronic producer s live performances. sebastian thomson is also known as a founding member of post rock pioneers trans am and as the drummer of heavy metal innovators baroness. living in brooklyn by way of buenos aires, washington dc and london, publicist has spent the last four years touring europe extensively.

marking the start of an exciting new collaborative project, wolf + lamb proudly share the debut release of the waves & us. formed out of a creative meeting of minds between maayan nidam, markus nikolaus and louis mcguire, theirs is a sound that strengthens the storied approach of a live band with the experimental thrust of analogue electronics. pop and rock fundamentals lend an earthly hook to the tracks, but these are anything but straight-forward songs. maayan has already forged a formidable career in electronic music, both under her own name and as part of mara trax, scoring releases on such celebrated labels as perlon. markus performs his own solo project cunt cunt chanel, while louis is part of ballet school, a band releasing on noted indie label bella union. the whirlwind of creativity that has whipped up around the trio has yielded an album which will follow this single, made up of one-take recordings that capture the energy and adventure that powers the waves & us. maayan s electronics provide the atmospheric backdrop to the songs, running modular synthesisers and drum machines through detailed chains of processing and effects with an emphasis on a warm, charmingly rough finish. markus guitar undergoes a similar fuzzy treatment while his voice calls out introspective, abstract lyrics to set the mind racing. louis bass underpins the music with a dubby sensibility, bringing a necessary balance to the frequency range. making the most of their in-the-room recording approach, the singles will feature alternative takes of the songs that will appear on the album, providing a little insight into the flutters and fluctuations that shape the development of this project. with their eyes fixed on live performances and an arresting sound already formed, this is a vital time for all three artists and the people that listen to them.

friebe, der klügste und schönste deutsche pop-hedonist geht zurück zu seinen wurzeln, punk, wave und chansons - und zieht aus ihnen blühende wundergewächse, wie das episch- euphorische titelstück mit scott-walker-würdigen streichersätzen. auch live wird in friebischer manier wieder ein feuerwerk aus wortwitz und schlechter laune geboten, musikalisch untermalt von chris imler die coole sau, der der show als drum- und sampler-wizzard, sowie vorzeige-dandy glanz und fahrt verleiht. kommt, staunt und jault.
die vinyl-lp erscheint inklusive cd-version des albums.

5 beat tracks & 1 deep house tune that are classic in the sense that beat tracks have formed the glue between styles in many djs bags. the arrangements & familiar drum kits will sure to bring the nostalgia back to many.

rotterdam based drum & bass label citrus recordings presents its 60th vinyl installment. on the bill we find long time veterans state of mind and exciting newcomers soligen & type-2 delivering two hard hitting pieces of dark, neuro flavoured drum & bass.

number 3 on ruff draft comes from louis guilliaume. having met louis back in 2009 and followed his music since way before then, it was an exciting day when we received these tracks from him. known more for his harder edge techno productions on labels such as soundtravels, bio rhythm holland, teng, sd holland and a remix on skudge, here he edges slightly away from that harder sound. the tracks vary from deep, groovy and meandering house to a beatless soundscape reminiscent of early larkin and pullen to a powerful kick drum driven sermon.

filastine, außernationaler multimedia-artist und musikproduzent, reißt auch mit seiner ep aphasia grenzen ein und nimmt risiken in kauf. feingearbeitete, akustische details ergießen sich in soundflächen. ueppige vocals fließen ueber boxenruettelnde baesse. requiem 432 eroeffnet das album mit harmonischen gesangsebenen, die in perkussiven crescendi übergehen

stunningly beautiful double-pack from och for autoreply music s 20th release. following on from output on renowned labels like pal sl, trelik, bass culture he returns to autoreply with seven tracks of playable perfection. by focusing on stripped-back percussive grooves, sparse 909 drum-programming and ultra fine-tuned dynamics he certainly proves with tracks -samarkand sulci- and -snarecrow- that the original jackin house/techno sound will always have plenty of life and soul. -don t fight it- is an 8.5 minute acid builder featuring haunting vocals and crisp synths whilst the bass driven dub of -enceladus- wouldn t be complete without live delays and distorted pianos. check out -morning glory- for a surprise contender for this years balearic soundtrack or -c ring- for ultimate warmth. tracks for every situation and not to be missed!

following the success of the digital release of sleazy mcqueens *you know how ep*, upstart label, cvmr were compelled to press the remixes to vinyl. the proceedings open in superb style thanks to the revenges live dub. a bass heavy tool with equal parts classic house and disco, with a touch of arthur baker-style drums. on a2, sleazy mcqueens space coast take things to the basement with the help of romano arcaini (latenight society), warm rhodes, live bass and an absolute drum-break-freakout add a decidedly different dub flavor to the package. b/w compost blacks main man kasper bjorke offers his acid tinged interpretation, driven by a gritty saw-wave bass hook, rolling snare hits, wanderings arps and crunchy drums, a simply stunning piece of music as expected from the undeniably talented copenhagen born producer. closing out the remix ep, cvmr in-house producer, century strips back the vibe to a dropped tempo, emotive workout fuelled be heavily reverberated piano chords, echoing vocal lines and a general chuggy, low-slung vibe throughout.

we are excited to bring to you a new friend to the finale sessions family and he is part of the rising cast of producers from the new york underground . this record is just letting you know that it is still the hub for top notch talent in the united states. jordan is a special producer bringing a vibe like no other with his mix of house and techno attributes .1) night mask is a nasty raw down to the ground dance track with sub like kicks and percussions and its flawless arching synth give this track its basis to move like no other.2) division point - this track is the basis for the ep and we understand we jordan is going with this one for sure . division point is part deep and raw and it gives the ep its depth that it needs to transpire on different dance floors everywhere with its floating pads and it deep drums . flawless work i must say.3) return is the track i dig the most on this jordan release! it has that peek time feel to it with its techno undertones and its great drum programming which really sets this track apart from all other and we can t forget the super sub underneath all the other attributes

manchester artist belly is back with his second ep of 2014 released through his new inprint belly dance and this time he is joined by east end soul vocalist shona carmen & one half of asphodells tiimothy j fairplay on the remix. the second ep see s belly up the pace slightly from his inagural release moving slightly away of the slow beat of tracks like dark autumn and farewell and embark on a sligtly more up tempo , swing style bordering on the style of machine drum. the first track control is a hazy club track with strong vocals from both belly & shona backed up by drum and bass beats which is followed by vocal heavy space beats in the form of zu . on the flip side we see the real inpact of shona carmen with a clubtrack loaded with summer vibes called painting . the vocals are soulfull and beautiful with a swing tempo and drum patterns that lift throughout. this is followed by timothy j fairplay bringing in his own take on 90 s chicago garage music with a banging clubtrack remix of dark autumn off of belly dance 001.

rawthenticity is proud to present this new ep from fulbert - where distorted raw drums meet soulful deep house. powerful cuts.. slamming detroit influenced pernicious planet, gritty deep ghetto-reminiscent ideals, raw drum madness meditation in a forest of shimmering mirrors and the ethereal clouds of as a closing track for this ep.

marking a difference with the previous releases, the sixth chapter of the birdsmakingmachine saga comes as a two-tracker, announcing a special double pack that will be divided between bmm005 and bmm006. the a-side of bmm 005, >icaros<, is an elegant dancefloor warmer that encompasses all the signature ingredients of the birds, dreamy pads, jazzy hi-hats, metallic percussive elements and quirky fx touches. on the flip side we find >inland sickness<, a slightly darker affair fusing together eerie pads, whooshing sound effects, forming an intricate net of sound layers with a refined industrial touch but still bringing the pressure to the floor with a solid drum pattern. bmm 005 is yet another example of the birds’ ability to craft miniature grooves with an attitude.

vasista, the first track of leskin’s ep is a pure analog techno weapon. it’s a vigorous rhythm makes of this track a proper dancefloor killer. its major asset is probably the break’s trick that offer leskin and which leaves no one indifferent at first listen. with monkey track ii , leskin if taking us on a dreamlike deep journey. half fanciful, half raw, the result of this combination is a captivating track! on the b side, the last track of the ep is a remix by “ el pingon “ (no one but greg beato himself). el pingon has captivated the essence of the original track and brings a hint of jungle and sprinkle drum&bass. the signature mysterious broken beats and blurry sound effects close this track with sublime class

killer dubbed out ambient drum & bass/electronica ep. pressing on translucent green, dark smokey marbled vinyl.

killer dubbed out ambient drum & bass/electronica ep. pressing on translucent yellow, dark smokey marbled vinyl.

people must jam just keep on bringing the heat! one of new zealands best exports, apart from lamb - a dj and producer of considerable talents, whose musical output has graced a slew of respected outlets, from the uber cool unthank to rush hour, burek, dopeness galore & boogie bash, as well as his own fantastic hot shots imprint for his pmj debut, we have a five track set of rough and ready workouts, the echoes of thirty odd years of black us dance music held up with raw drum machine scaffolding. from smoked-out b boy jams to lo-fi sample joints - loose and alive on the floor on the flip lay far stirs up some sonic trouble with a bottom heavy rewire of the title track, while ugly drums bring some serious shine to linoleum magnets, with a mix that is heavy on immersive mood and vibe. limited to 300 copies.

hot city orchestra is a reformation of a band, which was originally formed in 1998. at the age of 17, arno völker (einzelkind) and simon birkenfeld became friends and started making drum and bass music together. they toured all over germany with their record label and had residencies at robert johnson in offenbach and tanzhaus west in frankfurt. after gaining years of experience within the breakbeat scene, arno went on to become einzelkind with releases on playhouse, cocoon, white and his own imprints la peña, jax and pressure traxx as well as worldwide dj gigs. simon was still focusing on his breakbeat career for another year, making an album with a uk drum and bass legend, but it was never released. he stopped making music and started focusing on his career in pr and marketing, where he mostly worked on music and art projects. during this time, the long-time friends arno and simon came up with the idea to launch the blog-network-project www.disco-very. net now, 16 years later, after making first beats together, the boys are back! a tiny bit older, much wiser, more handsome and around 50 bpm slower.