murat tepeli and ava. celebrate the long awaited single debut of murat tepeli on ava. with ?fee fi foe funk for me ep?. at the same time it s the return of a very well-known duo: murat tepeli & prosumer. after damiano von erckerts & tito wuns very successful ava.lp001 ?mr. pink, what have you been smokin??, this release makes another clear statement, how much freshness and undiscovered space there is in house music. a space, which murat tepeli and the remix-artists damiano von erckert und prosumer are surely filling with their exceptional tracks.

first in is a beat heavy analogue chug rework of the rare and weird italo 7 inch *i am your master* by the mysterious italo connoisseur savino dj and dj peet need based in holland. the arpeggiating bass line digs a circular trench that gets deeper as the track marches on until you end up stuck on an island with a strange creepy midget man. music that blurs the line between disco dreams and nightmares starion is back for more on ep2. how will he make a heavier track than ep1s *another dimension*? by making *darkstar*. analogue manctalo chug at its finest. big bass line, big synth chords, big vocoder action. you couldnt get more dark disco electronic if you went clubbing with daleks and the cybermen were djing.

we are the ones with the courage to stand up and express our ideas. so many heroes have sold out, moved on, and turned their back on the detroit underground. if the true believers are waiting on the calvary then i guess cryovac will have to do. this is our fight whether we like it or not. we are a few like minds, not the alphas, never the favorites. we are the other guys, the ones nobody bets on, the least likely to survive a business. we know what the score will bring us, but there is an appointment and we mean to keep it. heroes must define themselves and then redefine themselves. each day that moves forward brings opportunities to tweak creations into what the now means. kieth kemp endures the elements and ailments of an ever changing electronic world. he is an original hero with a smooth technique that reflects an instinctual nderstanding of sound and soul. kieth represents a talent and spirit that does not falter no matter how strange a circumstance can get. he follows his own path to relavence. i am proud to welcome kieth to the cryovac machine.

celebration! dpk #10. again, we start with a limited edition on coloured vinyl. this time we got inspired by a common phrase in the morning, how do you like your eggs? sunny side up!

forget me not is a trio from bristol with a rich musical history and close association to the city from which they hail. as solo artists they have put out countless d&b 12 inches and now combine their forces into an even more powerful production outfit. and that is all we are telling you ahead of the release of their four track ep, stronger, on losing suki.

dj agency, management company and webzine the underground add another string to their bow with the launch of their record label and first release underground fables vol.1. the inaugural outing on the underground audio imprint is an eight track taste of what the underground is all about, showcasing several of the artists they work with alongside a selection of the brightest new talents in deep and tech house, pressed on bright orange vinyl.

last year kyodai dropped breaking, which to date is the biggest selling release on local talk. now the brothers are back with in our opinion a future house anthem. the scene is a classic piano house cut that’s impossible to resist and together with one the coolest vocal samples we’ve ever heard we think this has the potential to go really big. when the breakdown drops we’re pretty sure everybody in the club will chant. but as if this was not enough we also got another big tune on the b-side. moving is the continuation of “breaking” and goes along the same lines with its crossover jazz styled house. once again kyodai delivers a supa solid house production with large jazz breakdowns and old school vocals that’s right up their with ”breaking”. this is also why we called it…breaking pt.2. kyodai is currently working on their debut album for local talk which is due later this year. they’re also travelling around the world with their amazing live dj set that we highly recommend. trust us when we say that these two brothers really now how to turn up the heat in a club…serious biz!

mikals *spiritual* is inspired by the sounds of classic metalheadz. a relaxed atmosphere soon gives way to a thunderous kick drum and warped bass. it is easy to hear how this vinyl cut has been hammering clubs across the world.on the flip continues utopias desire to push for consistent quality. rido performs his remix duties of *the chant* most admirably. dream-inducing atmospherics introduce this one, lulling us as the break builds up from the back of the mix into a climatic drop of beat and bass weight combined with the most meaty bass stab for the turnaround soldiers. dj support from andy c, friction, goldie, break and many distinguished others.

lawrence is always in a rush. running dial records, smallville and laid with his friends, being part in an awesome arts gallery, jamming some outerspace music with his mates rvds and christian naujoks, dj-travelling around the globe: how can he ever find the time for producing high quality house music!

portuguese troia phonograph kicks off 2013 with a stunning release. pedro goyas music is well known for his past releases on such labels as classic music company, music for freaks, brique rouge, exun, om. the approach is slight different this time (if you are familiar with pedros music). refined, full and risky, that is how we would name it. both tracks are long stories that keep you interested all the way. impressive sound signature, bouncy basslines, tight rhythm section and soul all around turn this record into something that cannot be done by accident or randomly. this is how a deep house record should sound.

with this third release we have returned to the structure of our first release together to bring you too wicked examples of his original take on house with a final track to send you on your way bathed in psychedelic sunshine vibes. how leon manages to combine ruff edges with smooth vibes is a talent in itself.

the second record from grow vinyl brings together andrey zots and laurine frost in a unique two track vinyl collaboration. andrey zots inspired by a laurine frost live session, made this the basis for a first collaboration between the artists and from a single musical foundation was born the all new shadow sessions.

there it is, keinemusik number seventeen. we know what you are thinking. you think you know how it works. you think, those keinemusik fellas will again be doing their little rotation thing, one producer getting a record out after the other, then a workparty-joint venture at some point and then it starts all over again. au contraire! this seventeenth edition is breaking the known beautiful, perfectly curled cycle. just like that, so that no one gets bored. this record here is an appetizer for a collaboration-effort between rampa, &me and nomi, the new york based singer that provided the recent movement of flamboyant disco-queerness with its sexiest and catchiest hooks, teaming up with hercules & love affair and doing her own project jessica 6. side b will take care of everyone who is expecting a safe playing house-rehash of the afore mentioned acts and tenderly let a lashing snare slap every preconception out of sceptic faces.

*it sounds like wood, metal and microchip.* – thats how italian producer lorenzo nada a.k.a. godblesscomputers describes his own music. with the follow up to his successful *swanism* ep, released in early 2012, *freedom is o.k.* is his debut release on equinox records from berlin and offers an amazing spectrum of organic electronic sounds and feelings.
code for free download of this release included.

desolat celebrate their 5th anniversary with a very special edition of their annual sampler- this edition not only sees artists from the desolat family turn in exclusive tracks, but also sees loco dice supply a first mix on desolat (desolat mix001).

limited copies! special entry 00x on the a made up sound label series and probably the most far out one yet. we honestly dont know how to describe this anymore, we do know it can cause mayhem on the floor – or freeze it entirely. go ahead.

minimal, techy with bounce, swing and a lethal hollow bass, this is how lil silva kicks off 2013. already receiving support from the scenes pace setters mickey pearce, t williams, dva, bok bok and shy fx, *the split / venture* is in the series of white labels silva is releasing himself on ls whites. limited to 500 copies on white vinyl, previous ls whites have sold out quickly. the *the split / venture* release is silvas parting shot to a year that will see him release a full ep in spring.

for our 7th release, we give you the opportunity to grab 4 fantastic trax done by one of th ebest deep house producer right now : adryiano. hes a music lover and vinyl enthusiast from cologne germany rooted somewhere inbetween the 90s house sub-genres. pretty much into vintage gear when it comes to productions using 90s hardware like the mpc 2000xl. he has already released a brillant ep on soul notes recordings. this ep is clearly made for the new jerseyish deep house heads. old scool vibe with some serious banging kicks and an incredible groove. such an ep just demonstrate how on top of their game skylax / wax classic is right now - big tip!

knox is the band brainchild of brother-sister duo nic and eliza coolidge. hailing from boston and new york, the siblings released their second ep, here, on december 3rd, and it is a big step forward for the band. formed less than two years ago, in march 2011, knox finds themselves working with the likes of john tejada and kuxxan suum on this release, and the outcome is stunning. here is five-song set full of ice and echoes. it runs as close to the third rail of impersonation, but flies away so quickly that knox sounds contextual and perfectly fresh. the influences from james blake is clear: the swooping, bomber bass and half-timey compressed dub beats, here could also easily be an inventive b-side to the latest how to dress well album. but, with the limited scale, interspersed remixes and foundling status in the scene, i would say it is likely a more impressive feat. the ep as a whole is desolate. expansive spaces filled with cold little beats and vocal washes, exploring in the course of five songs an icescape aesthetic with a sense of place usually reserved for full-length albums. the remixes blend so seamlessly that i didnt even realize they were during my first, casual listen.

there are two tracks on nottingham producer spares >slacking ep< that immerse you really well in his taught world of bass pressure. kankle is firing tribal house, though its hard to get the measure of how the thud of the kick drum could ever fit under the bass work, and the weekend is a clipped garage pound with serenely oppressive low end

it has been a memorable year for the luv shack. release after release, props after props, watching the guys build on a solid foundations and take it up a notch each time. if you listen to their first release (again), and then this new release, you will see just how far they have travelled in such a small time frame. and yes, it started with a couple of mini compilations and eps to see what the reaction would be. the reaction was good, actually no, the reaction was great, the right jocks took to the guys and the early eps and hence since, the luv shack posse have been locked up in a studio ever since. they have been productive, and more to the point, excelling in that production. it is going to be a brilliant 2013.

ozs inkswel sends an irresistible four track package zig zagging across the globe to the door of fort unthank on the banks of loch firecracker, somewhere in the mists of scotland, via his very own powerful boogie powered super collider. opener do it is how its done, atomic funk which has been split, stretched and closely inspected, then reassembled to create a dancefloor chain reaction. the funk particles then pass through the americas and pick up the one and only chico mann. a man known for his like minded awareness of, and abilities with, the worldwide ways of the electric boogaloo, he adds his abstract afro cuban theories to tu machito. next, its a sharp turn eastwards to the old countries, whilst riding the waves of lfo bounce. uks funkineven, another kindred spirit in the search for man made machine soul, provides further refinement to the initial wave hypothesis, resulting in a glimpse of the elusive dark matter that is often talked about, but rarely seen or heard

40th anniversary! original history concert newly remastered now on 2 lps! sources from the original master tapes! audiophile 180 g vinyl

the fourth release by los pastores label - oblack - knows how to make the best national and international clubbing sheepfold gather and dance with its imaginary electronic sound

remastered reissue on heavyweight 180 gram vinyl plus cd with bonus tracks and remix by mira calix.

there are a number of theories as to how, in the mid-20th century, african music made its way to colombias vibrant port city of barranquilla, todays mecca of caribbean tropical music flled with the chaos of loud music, frenetic taxis, delicious sancocho soup aromas and a charminglycolourful aura. some maintain that a man named boquebaba remains responsible. others claim that seafaring traders and merchants imported the frst sizeable amount of african vinyl.

after all efforts were put into jacob korns debut album during summer 2012 uncanny valley strikes back with namesake jacob stoy and his very first solo ep after his s51 for the uv010-compilation. everything starts with redensart, a sunny piece of music with a sneaky bassline and easy synth pads that come across like a warm rain shower: its house in the end but feels like so much more. hauswart is an impressive example of how one can create a whole atmosphere of sound within two minutes. its short but feels so comfortable that you really like it to go on and on forever. start is maybe the most conventional deep house track on the ep and seduces with catchy synth chords and thrilling drums. finally gegenwart brings things to a jazzy end with tipsy synths and tripping percussions. the artwork comes from none other than jacobs father olaf stoy, who is a painter, lyricist and porcelain designer still working in jacobs hometown rabenau near dresden.

mogwai melden sich mit dem grandiosen neuen remix-album >a wrenched virile lore< zurück!

limitierte neuauflage im originalcover von 1980! aufgenommen im channel one studio mit den roots radics und von scientist bei king tubbys abgemischt. weitere credits sind produzent: henry junjo lawes, bass: errol flabba holt, drums: carlton santa davis, guitar: earl chinna smith, eric bingy bunny lamont, keyboards: ansel collins, gladstone gladdy anderson, percussion: christopher sky juice blake, saxophone: headley bennett, trombone: val bennett, trumpet: bobby ellis

the same people behind emotional rescue launch as fine sister imprint in the shape of emotional rescue, with a near perfect insight into how the label will operate thanks to nzambi - a quite stunning full length album from jason letkiewicz under his alan hurst moniker. if you consider yourself an avid purchaser of vinyl, you will no doubt have added some letkiewicz heat to your collection in recent times, with excellent releases as steve summers and innergaze in recent times. the alan hurst project sees the brooklyn producer in more laid back form, indulging his passion for library sounds and experimental electronics with just as much aplomb. allegedly commissioned to soundtrack a film on modern haitian voodoo, nzambi is a woozily intoxicating thirteen track set that opens your senses to a true darkness in this producers palette of sounds that has not really been explored before.

nice price deal !!! prism studied drums under vance gordan specialising in afro cuban rhythms and the moeller technique prior to venturing into music production. after becoming more intrigued by the intricate likeness of all societies, cultures and religions, prism was created with a deeper purpose. not only to showcase these influences but to convey an awareness that all things no matter how different they may appear in physical form, are all the same. having an ear for deep jazzy tunes and being hugely influenced by the early metalheadz era, prism continues this sound in his selection of music playing vinyl and unreleased dubs from all around the world. always in tune with the roots of what started both dubstep and drum and bass, prisms selection rarely strays away from raw, emotional bass music but contains something for everyone which will insure a good time for all who catches one of his sets

nice price deal !!! aÑa / henning baer / norman nodge / musk.... no one knows exactly how, or why it happened. we can only postulate. perhaps it was rogue hydrogen atoms causing havoc again, or a particularly voracious wave of em radiation hell bent on finding a good time. the point is, (in those days) such lude behavior was simply unacceptable: aÑa had become excited, too much so for the solar stiffs that swirled about her. and that system of hers—always buzzing around, refusing to share anything—it had to go. so both were exiled from that collision patch they called home, leaving aÑa and her system to wander the cosmos. some years passed. aÑa grew a little, but mostly she practiced her basswalk—not this girly swooshy thing with your hips, but a real bolshy bovver boot stomp. after a while she got pretty good at it, she wanted to show her friends. maybe theyd like to basswalk too. well, they couldnt get enough of it—but no one did it quite like aÑa. henning baers had a bit more groove to it and this whole new tweaky hat element. norman nodge kept his pretty punchy, but all that time spent in berghain had turned his basswalk into a bit of a skulk. as for musk, the boys inverted the whole thing of course—turned a disco trick, shifting the march down into more of a slinky house glide. aÑa liked them all so much—and it was time isolated system stopped being such a separatist—she decided to gather them all together to make basswalker part i. now you can basswalk too

it is a cold dark winter – snow is lying everywhere. simon12345 and the lazer twins are heading up north into a little wooden house in the northern parts of denmark. they will live there for the next weeks and build up a temporary studio in this secluded cottage. simon has got a handful of sketches with him. musical states of mind and conceptual games he developed over the last years. basically the idea is to develop something truly unique and powerful – although none of them knows how that will sound exactly or what will happen in particular during this time. it is not even clear who plays which instrument, who will do what…nothing is set. the only thing clear is that they have things to say, things that have been burning in them for so long now. tell me. how can (mostly) instrumental music suggest a way of life? how can you criticize without pointing at something particular? how can music transport you into place of quietness and self reflection?

chairlift present takes on several cuts from acclaimed second album >something< by some of their favorite producers, showcasing how their songs can easily be adapted for the club. appropriately titled the 6.15amix, spanish equipo fantástico john talabot and pional turn >i belong in your arms< into a balearica-infused club-closer. a nifty piano line and seductive rhythm take the song on a late night (or rather early morning) trip to the beach, while carolines voice is being warped into something from outer space. photek takes the same track to a whole different place with his powerful jungle interpretation. martyn respects both the pace and rhythm of sidewalk safari, yet exchanges the clean production for a rather more cosmic beat, incorporating many of his signature touches to compliment the sinister >i m gonna hunt you down< lyric. dan careys dub mix of >sidewalk safari< shows a more playful side, while arguably the most intriguing remix of the package is the fields take on >met before<, recalling his early work it is so warped and layered you may struggle to imagine the original minus the smallest of hints.

how do you define the music of mantronix? is it hip hop? electro? funk? house? maybe the answer is all of the above (or is it none of the above?). it is true that mantronix will be remembered for their multi-faceted sound as well as their ability to bend and blend genres flawlessly into a cohesive musical tapestry, but they will also most importantly they will be remembered as musical innovators and sub-genre pioneers.
now available for the first time ever, traffic entertainment group in conjunction with sleeping bag records and warlock entertainment present, mantronix: king of the beats, the anthology 1985-1988. this carefully curated double lp compilation combines the best of mantronixs work from the early, and arguably, best era of their career into one amazing listening experience. whether you are an avid mantronix fan or are looking for a place to start - this is the collection to wrap your ears around.

sixth instalment from the shack and another generous exult in aural pleasing for the intelligent of house heads out there. two original tracks, two in-house remixes, you know the score with these guys…this is how they work. key to the label and artists success is being reliable and consistent with the flow, something obviously being picked up as the label once again is topping the right charts and getting the props from the right people. expect no different with 006.

2012 sees detroit label, kms records, celebrating its 25th anniversary.

>the truth about love< by p!nk on black double 12 inch vinyl.

housewax is proud to welcome neville watson & nick woolfson aka red 7 to the family!

already support by michel cleis, m.a.n.d.y, tini, negru, jorge savoretti, grego g, gui mutuel, psykoloco, roman noriega... french kitchen is a label of electronic music and intelligent sounds recipes based in paris. it was born in 2012 by the chiefs hands of the music duo sucré salé and their cocobeach friends. how to cook. a fashionable sweet and salty techno recipe: take a good soft kick and simmer in a light reverb effect. add hight hat, crashes and percussions. sprinkle a good pinch of balkanique groove. melt a good motivating base and add it to the mixture. add the nappees, a few vocals freshly recorded and two returns. cover in breadcrumbs and let it cook as long as a rakia. french kitchen family offers us her first release with a various artists cooked by chiefs hands. in it you ll find a combination of groovy house, soft musical techno and intelligent music recipes signed by international chiefs like alejandro mosso, anthéa, michael melchner, vid and some others... enjoy

kastil takes the a-side with the title track >paraside<, a classic deep house chicago jam that exudes style, while >17th street< has the same deep us flavour but with more drive and purpose. on the flip, mr. cinelli creates a trippy and subtle reinterpretation of >17th street< but still retains the bouncy flavor in a way he only knows how to do it. watch out for those snares.

needwant are very happy to welcome kim ann foxman back for her second outing on the label after her great remix of max essas how do you feel last year. the vinyl release features two interesting original tracks from kim ann along with remixes from steffi and populette.

the human experience ep from jamal moss is the 8th 12 inch from this highly coveted and limited imprint. how wet is your box starts with a great distorted & chaotic synth line & is followed by siddhartha (part 1). flip it for long live the flesh & the title track. hand stamped & limited to 300 copies.

8bit welcomes markus homm! already known from his releases on brise, higrade and bondage music, markus homm is known for his deep groovy housesound. finally he comes out with this wondeful 4 tracker showing once again how to move the crowd.
support by: magda, loco dice, barem, steve lawler, karotte, 2000 and one,pete tong, nekes, gregor tresher, gorge, nick curly, dub foundation, steffen deux, affkt ...

permanently being busy performing, the so funky duo masomenos nevertheless take their time to produce. such as the artwork basically already is announcing it, things go in cycles in masomenosville (s/s). so, this ep is the start of a new series, and a delicious example on how to effectively create different moods.. st jacut (with lemos, feat. jaw (dop) is the charming vocal opener... go on my son (with lemos) is the classic housey lift-up, tomorrow (feat jaw (dop) got that reflective vibe. finally tofidi (with lemos) is an ohhh so effective masterpiece...yeppa.!!

the movie star junkies are pagan shamans gathering their tribe in a post-post-modern urban wasteland diseased with greed, cold mathematics and assimilation - a world utterly lacking wild beauty and vision.
after their two acclaimed lps released by swiss voodoo rhythm records, a dozen of 7 inch singles and eps and several european tours, the quintet from torino, italy, presents their new album >son of the dust<.

from raw chicago acid jack to strictly rhythmic disco smack - mr. adalberto is unmasking his schizophrenic house addiction by providing 2 different moods. pressing on grey marbled vinyl with handmade silkscreen artwork by the labelhead himself.

in the world of electronic music, 15 years is a bloody near eternity. and its exactly how long eli verveine and oscar schubaq have been exploring their vinyl passion and the art of intricate deejaying.

we are proud to present of electronique.it records second release. >the expression of emotions in man and animals ep< is the second part of a trilogy on vinyl dedicated to harles darwin studies. in this chapter we want to represent the relation between listening to various genres of electronic music and the emotional expressions arising from that. darwin theorized how body language, and in particular facial expressions, change and evolve in correspondence to perceived emotions. we believe that this theory can be transposed into music.
limited to 300 handnumbered copies.