we finished 2015 with a six-track jumbo ep from borrowed identity and thought we d repeat the same trick for 2016, though this time with originals from okayama-based producer keita sano. eye begins with keep an eye out, pt.2, a propulsive song that sounds like a lost contender for the knight rider theme. own signal keeps things dark, but with a spartan bleakness. the side finishes with smoker, another manic cut that ll give you chills. the flip finds keita exploring brighter sounds without losing that industrial, jagged edge. trmk is essentially a beat track that ll ignite any dance floor and fix is a herky-jerky ditty that ll get you stomping around the club like a possessed reveler. the 12inches cherry on top is think twice, a funky ass-shaker that centers around a crackly sample of crowd noise, a chopped-up disco vocal, and bouncy bass. a fiery finale for this hedonistic party.

2019 repressing. adding a percussive and experimental edge to the current class of post-dubstep pioneers, mount kimbie, the duo of dominic maker and kai campos - are set to release their highly anticipated debut album crooks & lovers on scubas hotflush label in july. mount kimbies first two eps - maybes and sketch on glass - seemed like explorations of spaces so private that all within earshot were instantly turned into voyeurs.

phiction maker ep brings 3 top notch classic house bangers delievered by swiss producer thomas wood. quality music for your dancefloor.

crystal is cudmores debut 12inch single. raw, rough and ready to rumble, crystal marries snaking acid lines and bouncy grooves to a sample from cult underground film classic the queen.on the flip is detroit-bred and bunker resident dj mike servitos 730 reshape, that gives the wiggly worm vibe harkening back to the early days of transmat, warp and the minimalism of dan bell s dbx project. l.i.e.s. mainstay gunnar haslam provides his dekalb avenue remix made while living in new york, a modular synth cruise with the top down. all tracks have been mastered and eqed for vinyl by george horn at fantasy studios in berkeley and labels are as pink as crystals lipstick.

during their european tour earlier this year, canadian duo jokers of the scene stopped over for a couple of days at club bizarre studio in northern france. the two pair of producers locked up and came up with betaville and breakwater, two killer lo-fi and spaced out tracks. betaville is a fuzzy dream that will make you dance in slow motion with your head in the clouds. boasting a strong melodic and nostalgic feel, it unfolds its warm analog synth pads, old school sequences and drum machine to psychedelic effect. imagine boards of canada wanting to make you dance. even slower is breakwater, a dirtier, chunkier track that ditches the softness of betaville in favour of a more in your face bass line and all together rougher attitude. it chugs along to old fashioned beat box claps and percussion and quirky synth melodies. lastly betaville gets the timothy j fairplay treatment of being violently pulled apart and chucked in all corners. reminiscent of early chemical brothers music, a heavy beat slaps over agressive drugged up analog sound effects while a repetitive, haunting melody screams on top and reverberated vocals whisper in your ears. scary.

bart skils fifth drumcode offering comes in the shape of black vans. a high energy, full force, three track ep of powerful techno, he showcases his skills to produce three tight and solid tracks. layering the ep with samples, synths and hard hitting drums, the three tracks create an emotive journey that proves bart skils is still on top of his game.

two of composts all time classics. these are rewind (!) tuuuuunes ..... by two of composts moulded, long time, levelled out artists: beanfield and felix laband with the stunning and heavy influential remixes by carl craig and todd terje.
both tracks were played and sometimes still in the box of nearly all top djs like sven väth, dixon, danny krivit, moodymann, maceo plex, michel cleis, dj deep, ricardo villalobos, amé, laurent garnier, solomun, jamie jones, nina kravitz, kerri chandler, jazzanova, gilles peterson, move d and hundreds more.....

james k is a stranger to obviousness. over the past few years the new york native has quietly honed her sound and peculiar aesthetic. equally organic and electronic, her sound is a combination of odd dreams, industrial beats and vocals, both incomprehensible and appealing, with a thick layer of glitter on top of it. james k is a concentrated dose of emotion mixed with sorrowful iciness, which in turn ties together ripped, broken, morphed and enchanted samples. james k stands for a fusion of visual and sonic elements, deeply rooted in conscious art practice and downright freak-out. james k creates a mythology of her own. pet, her first lp due out in early 2016, will be a co-release with dial and her own label, she rocks!

after waiting for three years, jenifa mayanja has finally unleashed her new ep on swiss imprint deepartsounds the new ep features three original songs and a trinidadian deep remix of the song human nature. all tracks are well arranged that bound along with a smooth swathe of jazzy chords and pads over a technoid bassline. the songs take you on a space journey as a variety of cool beats and melodies creating a depth that is difficult to resist. once again jenifa delivers top quality, an attribute what makes her to one of the best female deep house producer

jacktone records is pleased to announce our 13th release: a 12inch from seasoned san francisco psychedelic house producer, roche. roche showcases that he is at the top of his game, crafting absorbing sun-kissed leftfield house/techno that gets inside your head with its beautiful hazy melodies, supported by creative and layered drum programming. a deep haze of hardware/digi psychedelia glues the project together, pressing the listener to play the tracks one more time.

gari romalis and lello di franco - dreamin for the uninitiated, our man gary romalis is the unsung master of detroit’s house and techno scene. having djed across the motor city’s top venues for the last three decades, gary is somewhat of a seminal figure for many of detroit’s djs currently at the forefront. following a slew of high quality releases on various labels over the past few years, gary now unleashes that special flavour on us for skylax 142! he is not alone though. with him, he brings all round italian partymaker, and top selector in his own right, lello di franco. let me tell you, this duo’s collaboration is something to behold. throughout all 3 tracks on the record, gary and lello maintain the essence of what the detroit underground is all about, stripped back tracks with soul that never feel like they go ‘big’ for the sake of it. while dreamin (wanda mix) may be packing a big kick and power clap combo, it’s the elegantly filtered, jazzy sample that will leave you wishing that the track lasted forever. the vibe takes a dip right into the deep in detroit underground (beat dat mix). spacious pad synths alongside a mesmeric vocal carry us through. taking a step back up, afrobeat rounds off the ep, made with a solid toolkit of afro-centric samples.

custom leather construction: - dampens resonance from metal turntables - avoids static load - suitable for most turntables the mat improves performance by reducing vibration transfer to the playing surface, allowing your cartridge to deliver a more stable high-fidelity performance. the high-friction but smooth surface also allows for fluid record rotation with minimal slip. the mat is made from a single piece of high quality leather and the underside has been intentionally left with a rough and fluffy leather finish, whereas the top is a beautifully finished smooth surface. in use, the sound quality is enhanced giving a noticeably better-controlled sound overall and great imaging. due to the nature of the material, there may be instances of slight marking or deformation. as they are a feature of the material, items displaying marking, wrinkling, or deformation are not subject to exchange. diameter: 29.5 cm thickness: 2.0mm

custom leather construction: - dampens resonance from metal turntables - avoids static load - suitable for most turntables the mat improves performance by reducing vibration transfer to the playing surface, allowing your cartridge to deliver a more stable high-fidelity performance. the high-friction but smooth surface also allows for fluid record rotation with minimal slip. the mat is made from a single piece of high quality leather and the underside has been intentionally left with a rough and fluffy leather finish, whereas the top is a beautifully finished smooth surface. in use, the sound quality is enhanced giving a noticeably better-controlled sound overall and great imaging. due to the nature of the material, there may be instances of slight marking or deformation. as they are a feature of the material, items displaying marking, wrinkling, or deformation are not subject to exchange. diameter: 29.5 cm thickness: 1.8mm

the formation of londons open recordings has finally arrived with its first ep departed emotions. a thoughtful and submerged musical collection ranging from stripped back dub techno to driving minimal with the ingredients carefully combined by opens frazer campbell remixed by mosaics head crafter steve o sullivan and finest hours top selector onirik. this new imprint builds excitment with this first addition of timeless music. looking forward to the future.

get ready for another techno bomb on footwork audio by label boss jay lumen!! for this second release jay has created two seriously massive peak time tunes. fusion has that dark and trippy energy by the mixture of the characteristic moog synth and 808 elements. while old machines having more of an old school feel with a deep dub techno basis. on top of that we welcome kaiserdisco to the footwork family. the chart ruling dj/producer duo consisting of patrick buck and frederic berger, created a genius remix with a less is more approach on old machines .

full length remixed and re-mastered version of this classic lp featuring top 20 classic jazz carnival!

michele mininnis hyper martino ep is a strange adventure in sound, the finest example of music noir and engaging story of audio science fiction. michele hails from south italy and counts everything from post-punk, krautrock to new wave, house and disco amongst his influences. hes been a dj for years but only in 2014 has released his debut tupolev love ep on glasgows optimo trax. he immediately found himself in the spotlight of discerning djs and music collectors alike. after a few months he released another highly acclaimed ep entitled endless ceremony on belgian label curle. and now, after a short hiatus he returns with his latest hyper martino ep radiating oblique and unpredictable sounds. remixes come courtesy of tel aviv’s hit-assembly-line red axes who yet again deliver a bloody good remix, and of a reckless new age traveller, industrial-yoga-trance guru and australian multi culturist dreems.le temps perdu is a new label founded by lemmy caution, a man of mistery, a fan of steal mustangs, robot poetry and otherworldly sounds, well know across the outlands and operating from alphaville. the vinyl release includes a download code.

already drawing comparisons to artists like kaytranada and pomo, french producer and multi-instrumentalist jean tonique gets set to become one of the most hyped artists in 2015 with the release of his second ep through yuksek’s partyfine label on 30th march 2015. drawing influences from 70s funk, jean tonique makes an effort to distance himself from genre-defining elements while approaching his music from an organic and raw songwriting perspective. using elements from hip hop, house, and 70s/80s funk, the multifaceted producer likes to draw people in with the malleable dynamics of his music. after remixes of lana del rey, outkast, the kooks and many more, jean tonique has broken into the online market through being a regular fixture on hype machine’s top 10 and growing recognition from media outlets. now, growing on his french electronic music notoriety, jean tonique is preparing to expand his presence with the physical release of the you ep - bringing that old school, happy vibe that made us fall in love withfunky house

martin enke aka lake people returns to permanent vacation with his first original material since his debut album “purposely uncertain field“. the three tracks on the “every place you go“ ep stay true to the unmistakable signature sound of lake people from the first beat to the last breath. it is also testament to how far martin has built and refined his own sound universe. cinematic soundscapes and hypnotic ambience meet razor sharp beats that will keep you on the right track. your soundtrack for a romantic road trip through post-apocalyptic wasteland and abandoned cities.

inspiriert vom post-minimalismus und modernen klassizismus von zeitgenössischen produzenten wie nils frahm, max richter oder steve reich, legt sasha ein neues album in der late night tales reihe vor, das seinen bewährten style aus club-electronica und trance/progressive um neue facetten erweitert und bereichert. so hören wir einen neuen, hypnotischen, süchtig machenden sound, präsentiert im longplayerformat, irgendwo zwischen einem mixset, einem studioalbum und einem soundtrack zu einem imaginären, nächtlichen spaziergang. der song bring on the night-time ist eine vocal kooperation mit ultraista, dem projekt des radiohead-produzentn nigel goodrich, der auch zusätzliche keyboards beisteuert. scene delete ist der ideale soundtrack für perfektes kopfkino, für das man vorher das licht ausschalten sollte!

limited to 320 copies vinyl edition.
over the years of their creativity, nesmeyana have developed their own distinctive “horror-trash-synth-pop” style, occasionally blending it with elements of musique concrete and post industrial noises. notable russian media and critics defined it as “red disco”, which now not only refers to nesmeyana’s musical heritage but also to a blooming homonymous community residing on the russian facebook-alike social platform vk.com, currently consisting of nearly 10k music lovers and dedicated to lost soviet “cooperative disco” artifacts.
with their debut album &#1065,,,,,&#1072,,,,,&#1089,,,,, &#1090,,,,,&#1099,,,,, &#1085,,,,,&#1077,,,,, &#1079,,,,,&#1074,,,,,&#1086,,,,,&#1085,,,,,&#1080,,,,,&#1096,,,,,&#1100,,,,, (now you don’t call) nesmeyana begin a horror journey through the dark decades of 80’s and 90’s exposing the most troubled themes of soviet union’s “post-perestroika” period — premature deaths of aids and drug addiction, afghanistan war victims brought home in coffins, devastated industrial landscapes where often rape & murder takes place, this album tells us some unpleasant but quite realistic stories which may have indeed happened in the past.

with two releases already under his belt on clone, gary gritness aka slikk tim lands on hypercolour with the sugar cane chronicles vol. 1. gritness may be a relatively new name on the block, but his session work for artists like kenny bobien, louie vega and grant nelson has marked up this multi-instrumentalist as a clear talent. hailing from france, gritness had been spotted by underground resitances mad mike banks as one to watch, and on his hypercolour release, displays a deft hand of producing futuristic funk sounds. a spot on blend of raw drum programming and blissfull jazz funk riffs, preachin some tight game sets the eps tone just right with its infectious melodies and cruising groove. darker 1980s soundtrack vibes are explored on stayin strong hand with its thick analogue atmosphere, whilst the laid back and freestyle vibes of working girls demands to be played in the cadillac with the top down! ep closer, fly shit, continues with the tranquil melodies and g-funk factor.

after releasing brand new material on dum034, dum records are dipping into the label boss’s production archives for the next one: it is a reissue that features tracks from a number of classic mono junk releases. two came on trope records, one in 1995 and one in 1993, and the last pair of cuts come from 1996 when they were released on plug research. arguably some of the influential finnish producer’s finest work, all of the tracks here emphasize how long he is operating on the top of his game already.

alpha 606 on it with a visionary remix from anthony “shake” shakir. a secret dance floor anthem that works in almost any context from bmg and a beautiful spaced out take on “electronic flotation device” by erika. this was the last record mastered by mark richardson at prairie cat mastering. all tunes from the lost alpha 606 lp “afto-cuban electronics”. miami post bass from a cuban perspective. what is it to be an exile of the country you love? the largely cuban city hialeah, part of the sprawling miami metropolis, is home to not only alpha 606’s exiled family, but also to miami bass.

this first compilation from copenhagen label pattern abuse is an eclectic collection of some of denmark’s finest artists from all around the musical spectrum. quirky electronica, retro techno, future garage, post punk and more: at first glance the nine tracks on this relase seem an odd blend. but played together, a common thread of dark and dusty sound appears, showcasing pattern abuse as a label that is sure to deliver unexpected and high quality sounds.

the always innovative and underground label that is catch recordings is back with release number eight, and once again it is a compelling offering featuring four tracks from doubtingthomas.

eclectic san francisco duo have transmitted series of moody electronic compositions that draw from cerebral post-punk gigs & sweaty dance floors. barcelona based lokier adds commanding bass & spotlight on vocal, steady forward motion is hypnotic in effect.

hungary s fastest rising star, david temessi, returns on neuhain with his glorious gashouder ep remixed by the top players out there. neuhain s label chief daniel boon, germany s heavyweight champions torsten kanzler and sven wittekind, ukraine s superhero spartaque and italy s diamong marc troit created a package that will make every dancefloor look like the dancefloor of your dreams.

the second instalment from allisandnot reveals more thumping, deep productions. wc0016 & abono team up once more employing yearning synths and saturated percussion on top of a weighty low end smothered in grit.

if we do the unthinkable would it make us look crazy? probably yes, although we dont really care. tip top, heartfelt beats with soul by some unknown geezer pressed on clear transparant 12 inch vinyl with a silver sleeve. they are bound to sell like hotcakes, dont sleep on it!

after the debut release on do not sleep become a sure fire club hit, the ibiza party turned much loved house and tech label now has another weapon up its sleeve. the next release is from perel, is titled charles manson and features another standout remix from resident darius syrossian. perel is a berlin based dj, producer and vocalist who is quickly rising through the ranks. she has released both originals and remixes on o*rs before now, and has a robust house and techno infused sound that simply makes you want to dance. as a dj she is a regular at cool spots like farbfernseher and impresses here with what she serves up for do not sleep. the original is a chunky, no-nonsense house track with bouncy bass, subtle vocals and the sort of futuristic and soulful pads that help make it really stand out. it s a slick, well produced sound that is sure to make it into many top record bags in the coming weeks and months. the remix from darius is a subtle one that layers in some trance inducing vocals and extra breakdowns so as to really highlight the powerful effect of the drums each and every time they drop.

known for his contributions for lumberjacks in hell, seven limited or black key records, giovanni is a talented musician/dj from south italy, producing music for over a decade now. for his faces records debut, gio is going deep, straight back to his latin/jazz roots with la dame et le conga and what u feel like. while paying tribute to the old ny/garage sound on tell you what i do cherry on the top, detroit legend rick wade offers a new take on the title track, crafting a magnificent deep mix of la dame et le conga recommended to every deep house fans and children of the drum

ltd 2016 repress.. session victim can do no wrong in our eyes. not only do they run an absolutely brilliant vinyl-only label known as retreatwith the help of fellow berliner quarion. not only do they play an amazing live set which has seen recent fans at londons corsica studios get so worked up they started crowd-surfing. not only were they responsible for last years underground hit good intentions which is so good it had move d in tears as he closed a festival set with it last summer. on top of all this they are the nicest and most focused couple of chaps you ever did meet. in short, we are very proud and happy to be pres their debut lp the haunted house of house on our humble label

vor über 35 jahren entschied sich phil collins dazu, sich neben seiner rolle als genesis-sänger auch als solokünstler zu versuchen. mit großem erfolg: jedes seiner acht alben landete gleich in mehreren ländern in den top ten der charts, viele sogar auf platz eins.
mit der reihe »take a look at me now« veröffentlicht der britische sänger jetzt alle acht soloalben seiner karriere erneut, und zwar als deluxe editions - remastert und auf audiophilem 180 gramm vinal gepresst. den anfang macht – wie sollte es anders sein – collins debüt: »face value«.

nice price deal !!! based on the worldwide success of max richters groundbreaking eight-hour work sleep, his personal lullaby for a breathless world - and the one-hour extraction from sleep, a series of remixes produced by a selection of well-known musicians and young artists.
the legendary scottish post-rock band mogwai, known for its special feel when remix of works by other artists, transforms max richter dreamy path 5 in a darkly throbbing track, marked by snare drum and complemented by haunting guitar soundscapes and cool, arpeggiated synthesizer, in remix electronic artist clark (warp records) is from max richter path 5 a sequence of three different, highly insistent musical scenes that send the listener on a heady trip - in clarks words by danny elfman on popol vuh to slint, merged in a planet of music.
the 180 gram vinyl ep includes a download code.

with the band’s 2012 album having debuted at #1 on billboard’s reggae and independent charts, and at #13 on the top 200 albums chart, rebelution follow up with count me in, their fourth full-length release. the 180 gram vinyl lp is housed in a gatefold sleeve and comes with a download code.

red axes ist das projekt der beiden produzenten und djs dori sadovnik und niv arzi aus tel aviv. in den letzten 12 monaten hatten die beiden einen fulminaten aufstieg mit releases auf labels wie multi culti, crosstown rebels, hivern discs, sowie auf ihrem neu gegründeten eigenen label garzen. kein wunder, dass die beiden mittlerweile zu den gefragtesten remixern und weltweit vielgebuchten djs gehören. da beide früher in bands, unter anderem in der new wave / post punk band red cotton, gespielt hatten, ist der einsatz von richtigen live instrumenten allgegenwärtig. hinzu mischen sich orientalische einflüsse, sowie elemente des techno, um die grenzen zwischen songs und reduzierten tracks aufzubrechen. die ep sun my sweet sun ist ihre erste veröffentlichung auf permanent vacation - passend dazu haben sie ihren sound um ein paar tropische elemente erweitert, perkussive und sonnengetränkte club musik für die lange nächte im freien

piston recordings enters into its 9th year in 2016, but this year the big milestone is its 200th release, and to celebrate we have notched up 4 top quality tracks and pressed them onto glorious vinyl for your collection, your turntables will thank you for this one. the a-side features label boss rogerio matins with his tantalisingly deep and groovy all that i need alongside lurob with his wonderfully musical slice waking up to the pacific ocean. on the flip we have tracks from accatone with his deep n funky swing that and a pumping floorfiller from carlo caldareri with wrong. we know how to party over here, come and join us, you will not be disappointed.

yachting club, if the name evokes a leisurely walk on the deck of a boat, the first ep of yxc reveals the depth of an imaginary journey that does not lack elegance. released in september 2015, captain s memories invites us to a timeless journey into the intricacies of sound, which combines, post industrial clatter of a fantastic boat, unceasing sea rolls, and the harmonies of souvenir.the slow and hypnotic groove, between brokenbeat, abstract, downtempo and film music gives way to reverie but often reveals a delicate nostalgia. quick descriptions of tracks : “havre” describes the encounter between our main character and a local tribe, the broken beat leaves places to their chant both welcoming and threatening.“ancient horror”. on a disturbing 90’s hip hop beat, synths and brass sample narrates the epic fight between the captain and a mythical beast. “captain’s memories”: this beatless track, punctuated by agonizing strings invites us to journey with the captain’s nostalgia, the sea he traveled, the women he met..

eine deutsch-britische top-kollaboration und ein ibiza-hit der letztjährigen saison erfährt endlich auch den vinyl-release: elderbrook vs. andhim mit ihrem perkussiven deep house-vocal-smasher -how many times- inkl. kant remix. reaktionen: too sick - mr soft skank, love anthem, love this - shadow child, great tune! love the vocal - proper villains, huge! - jem haynes, love it - rui da silva

from the label: in blood is the stunning 4th album from uk based multi instrumentalist, sunset graves. following up 2015 s acclaimed opus love pours into death this brand new album goes deeper and darker with sonics for casual beat heads and intertwining textures to reward the deepest of repeat listens. this is sunset graves in widescreen, journeying through genres and landscapes, incorporating ambient, drum n bass, glitchy rhythms, bass music, field recordings, sound design, tech house, chamber orchestra and even post rock. 3rd & debut records releases eclectic electronic music by sunset graves, the sample based lo grounds (as featured on joris voorns fabric 83) and the more experimental soundscapes of tpique. in blood is our first full length vinyl release, presented on deep black virgin wax, black inner sleeve and a full colour insert. supported by earmilk, textura and the formant.

all good things come to an end, and the very polish cut-outs is no different. the fifth sampler will be the last in the much loved & long running series. for the farewell record, label boss zambon has selected five unique reworks from top producers from poland and beyond.

optimos prolific dj/producer/label boss jd twitch aka keith mcivor has curated a compilation of early 80s synth, industrial and cold wave classics and undiscovered gems in collaboration with the vinyl factory, following the cease & desist diy! (cult classics from the post-punk era 1978-82) compilation on his own optimo music label, and youth stand up!, a collaborative recording project featuring young musicians from glasgow, ghana and belize on his autonomous africa imprint.

the italian serves up 4 tracks of analogue proto-techno. the style can be defined as techno of an esoteric nature with elements from 90’s warehouse material mixed with vhs horror movie aesthetics. moans, groans, whips and desire can be felt throughout the record with a lustful theme running throughout. violet poison s trademark post-punk aesthetic and industrialism are in fine form for 007 with shades of rhythmic noise, experimental dark ambient and power electronics. full printed sleeves.

* remixes by prins thomas, idjut boys and johnson somerset
* bespoke rigid card outer sleeve
* printed inner sleeve
* 180-gram heavyweight vinyl
* limited edition of 500 copies
* enlisting an all-star cast from todd terje to nile rodgers, bryan ferry returned in 2014 with avonmore, his eleventh post-roxy music album

lady blacktronika shows two totally different sides to her character with her return to bass culture via a potent ep full of deliciously dark, bass-heavy productions placed side by side with more soulful explorations of the house sound. following the ‘all in vain’ ep, which landed earlier this year, lady blacktronika comes correct once again with a collection of four of the finest quality cuts. our introduction to the ep is a thorough dip in the deep end of tech house, with the marauding ‘it rains’. full of darkness, the venomous track stomps along with a powerful, darkside bassline and razor-sharp percussion. high-pitched keys add to the malevolent flavour of this raw cut. after that, we get a more measured, yet mysterious and unsettling slice of minimal funk. ‘no good’ is a hypnotic trip inside lady blacktronika’s murky world with snarling synth lines, clever percussion, eerie fx and a naughty little b-line. on the flip we have retro-inspired ‘call my name’, with a very old school feel as the 808 gets a proper workout in tandem with a familiar female spoken-word vocal layered over the top. this is bound to send the dance floor into uproar with its killer vocal sample. finally ‘set out your luv’ gives the ep a heady ending, light airy pads are placed alongside a grooving bassline, soulful vocals, diamond-cut beats and squelchy effects to create a lush, dreamy soundscape which will get those hips moving….

for this new “edits” issue, we are introducing rutes from london, a great digger and dj we met in 2014 at camp cosmic (sweden). he proposed us a bunch of really great cuts, and we’ve chosen those five to make a very special record. from exotic esoteric dance, to sleazy new wave, on to brutal minimal synth weapon, dubby horny post punk, climaxing on the most lovely musical nugget. we love this record so much, hope you will enjoy it as much as we do.

crash course in science are a post punk band that formed in 1979 in philadelphia. the band members, dale feliciello, mallory yago and michael zodorozny, met while attending art school, where they began to experiment with crude electronics and off-beat lyrics. ccis avoided conventional instrumentation by using toy instruments and kitchen appliances to augment the distorted guitar, drums and synthesized beats.