niro returns to his pads imprint with the ‘it takes two’ ep, comprising four original compositions from the italian artist.

since the beginning of co&#769,,,,meme, until today we feel a connection to the electronic beats from south africa. co&#769,,,,meme tracks like -pata pata-, -osea... hello?-, -el sucu tucu- and many more prove this, and one main inspiration, is dj spoko, partner of dj mujava, for whom he wrote and produced the legendary -township funk-. but also in joburg, and without our knowledge, co&#769,,,,meme tunes were dropped at some of the coolest parties in town, so matias aguayo aka the don jumped of joy when he was invited to play there, where he met spoko and started to jam with him in a studio in the center of joburg! jamming and smoking till the break of dawn, they put together these tracks, that carry the spirit of this label, the vibe of joburg nights, the “bacardi” rhythms from the atteridgeville township outside pretoria, comemian latin- tech grooves, the dancesteps on the carpet of kitchener s bar in braamfontein and the hotness of a co&#769,,,,meme night in medelli&#769,,,,n, cologne or buenos aires.

there’s not a lot to tell about the project glow in the dark by a certain harry miller. only perhaps we can state that with these eight tracks at hand harry miller accomplished probably the most enchanting album of the still quite young year. just when we wanted to dismiss the short-dated genre of chillwave wistfully, “future bliss” comes along with a bewitching sound hailing from an optimistic but cranky future. already the opening track “step one” with its vocal samples and its spoken word intro is futuristic soul full of affirmation of life pillowed on a synth bedding smoothed to the max up to its edges. but also the following seven tracks spread infectious positive vibes all around. the magic of glow in the dark’s tracks is energized mostly by miller’s delicate way of treating his various samples, a wary manner one usually only shows when picking up a guitar. and unlike sample based music feeding from hiphop his tracks are completely free from any sort of nostalgia, because all of his songs are designed for the future through and through. “future bliss” is one hell of a joy ride, from the first note to the last tone. the neon funk of “1987”, the broken beat of “7 billion = 1”, the synth pop of “the last dance” and in general, all of the eight tracks could be little, but great hymns on their own. but only in its entirety they sparkle this fathomless ingeniousness hidden in glow in the dark. in the end it seems to be wiser that one has as little background information as possible to be able to lose oneself fully in this “future bliss”.

meditative einblicke in eine parallelwelt: das songwriter-debüt von mister saturday night.
die vinyl-lp erscheint inkluisive downloadcode.

>who is who< is the title of a number of reference publications or noted persons with concise information about them. schroepfer pollet aims to keep a misterious wave regarding who is who or who is not who. honestly it was, and always will be about the music, more less about the author. minimal at its best, with two powerful dancefloor tracks that would keep you busy while trying to find your mind within all those bodies moving in the club...

emerald city is the first release of verdant recordings, a new label to present carefully curated deep music across the electronic spectrum. on this ep are 3 highly respected producers from the uk leigh dickson, john shima and plant43 (emile facey) and a 4th debut track from a disciple of the halcyon days of emotive music mihail petrovski. musically this ep is all about deep techno, the exquisite sounds and characteristic style of each producer is unmistakeable. emerald city was first released as limited edition of lathe cuts but interest in the project completely overwhelmed its availability. this 2nd pressed edition should keep the deep-heads satisfied and will also include the beautiful artwork from sophie o leary presented in the 1st edition.

critics and concertgoers love his live performances and call him a living blues legend. record collectors of soul and funk 45s consider many of his early recordings on wax as a -must have-, some even as -holy grails-. no matter what roy roberts means to you, an album which collects his sought after 45rpm single tracks was long overdue.

coming off the heels of our t.o.2.c. compilation, we return to the kolour ltd mothership with the stylings of frenchman & moonrise hill resident ethyene. clubs, dubs, & rubs is a five-track affair that undoubtedly shows just how diverse the french underground house sound can be.

henry wu (aka kamaal williams of yussef kamaal) returns to eglo records following on from his joint ep with k15. deep in the mudd is a heavy weight 6 track ep which journeys through broken beat, house, hip hop and jazz. the previously released negotiate ft. simeon jones, which originally came out on eglo sister label hotep, gets a 2017 remix courtesy of the legendary kaidi tatham and uk funky og hardhouse banton joins wu on title track deep in the mudd and century. essential business, no messing about!

hello. we re very happy to announce the beginning of a new label. it has long been a hope of ours to someday establish a label to release our music, as well as an outlet for everything and anything we love and find inspiring. no compromises. introducing wulf. after years of sitting on un-released tracks some familiar and many others you will never have heard before we decided it was about time to make these available, freshly mastered. following on from ep1 and ep2 (originally released on alex nut s ho-tep records), the aptly named ep3 is the debut record on wulf. andrew harber and richard roberts aka letherette

optimo music are delighted to present the second full-length from the golden filter, still / alone. after relocating to london and playing shows around europe for a year and a half, self-imposed pariahs penelope trappes and stephen hindman delved into creating a two-sided existential opus by renting out old studio spaces around the uk and using mostly analog 80 s instruments, machines and effects. an album about being in love with pure solitude, when still // alone is separated into two distinct sides, record one, still, is a hypnotic meditation for the nightclub. wavy patterns of sound and light bounce off of penelope’s literary vocal bursts, layered over the ominous deep synths and arpeggiators, held together only by a strict 4/4 beat. the rhythm, ironically forcing the body to move, however internally focused and mindful, still. record two, alone, takes the club offline and into the fringes of raw, odd pop.

the 3rd release on proletarijat is about to continue the story about sev dah’s vision of todays values of techno. mental and driving but simple and yet emotional is the concept of proletarijat003, and sev dah did the job on the a side with -pledge- - the synth is hypnotising but yet forward going, a true techno banger that’s order is to transform your reality.
-the universal mother- on a2 is an emotional experimental/ambient vision of unity and brotherhood.
b side’s -sloga- is the more simple side of 003 but also the most powerful story that sev is telling here.

this disco funk banger was discovered reasonably late in the game on the deepfunk scene. vivian lee s big powerful vocal over the pushy backing is what its all about, straight to the point short and sweet dance floor killer. this sounds better than the o.g which was pretty rough.

limited first pressing of 500 numbered copies on flaming coloured 180 gram vinyl, housed in a gatefold sleeve.
a monster calls is a fantasy drama film about a boy seeking the help of a tree monster to cope with his single mom’s terminal illness. ancient, wild, and relentless, the monster guides conor on a journey of courage, faith, and truth.

7og is all about a killer dancefloor combined by two tools. limited press.

the word classic get s bandied around a lot when talking about certain records, artists, labels etc but rarely is it truly justified. in the case of the monumental slab of nyc deepness that is i ll be your friend we feel the tag is genuinely justified. originally released in 1991 on the rca label the track has been one of house music s most enduring anthems. literally one of the deepest tracks out there, it s combination of owen s vocals paired with the stellar production techniques of def mix s david morales (and those drums) is such a heady combination that the record crossed over so many scenes and to this day remains an evergreen staple in dj s of all persuasions bags. featured here we have all the original mixes (with the exception of the shorter radio edit) in their original forms. the record sounds as fresh as it ever did, the sort of track that never dates and will always fit into a set, the very definition of a classic. legitimately re-released with the full involvement of rca records for 2017 and remastered from the original sources specially for mint condition by london s very own curvepusher. 100% legit, licensed and released. dug, remastered, repackaged and brought to you by the caring folks at your new favourite reissue label - mint condition

180gr bone white vinyl in gatefold sleeve + download code.
slow lingering compositions that require patience and submission, subsequently followed by a deep catharsis. little is known about briqueville, it’s one of the best kept secrets in the belgian metal scene. shrouded in mystery and anonymity, their dark and pure aesthetics creates evenness and prevents a cult of personality.

first vinyl release for this fresh label monday morning with a super various by italian s artists dhaze, proudly people, tone-on and label s boss manuel de lorenzi. 4 original tracks, deep, minimal, house but all about the groove…vinyl only!

over the years jim coles has turned his hand to a fair few different styles and made them his own. these days, most know his om unit alias as a significant force in fresh developments within d&b (recently found larking about with alix perez, binga and more in the richie brains project on exit records), but it s not always been that way.

respected producer and dj red rack em is due to release his new album self portrait this february via his own label bergerac. formed over the course of four years during a transitional period after moving to berlin, self portrait, as the title suggests, is a true reflection of danny berman and his influences.

limited repress due to high demand on requests. freak out groovin minimalism made in romania. long-awaited ep signed by guy from downstairs, delivering >that other romanian sound< through his eccentric, trademark style. all about heavy, underground beats in the first out of his very own gfd vinyl-only series. early support from tini and livio & roby.

super music for super people. lucky you! the universe must love you dearly because you are about to experience the various artists series from the fantastic ursl records. this record is jam packed with only the best tracks from all-time - past, present and future! original hits from original stars! play this record at any party anytime and you will be the undisputed hero of the night, a true master of ceremony. simply place the needle to the record and watch as the boys and girls instantly transform into crazy party monsters, smiling from ear to ear, exploding with love and and funk on your dance floor. each one of these body-rocking ursl superhits have been played by super famous superstars on dance floors across the galaxy and throughout the entire dimension of time to devastating effect. so grab this red hot compilation of solid-gold chart-topping ursl superhits today. it’s guaranteed fresh to infinity and beyond, yeah!

following two staggering contributions from the analogue roland orchestra and 2030 that illustrated to boundless sonic possibilities for the label, deep’a & biri return to their tel aviv-based black crow label with a pair of powerful, emotive techno cuts in the style for which the duo long since become admired. for a long time one of those admirers has been detroit techno founding father derrick may, who has been on a mission to push the new 12inches a-side, basic cycle, into instant classic territory through his unwavering commitment to making the track a highlight of his sets. may has been far from alone, with the track being one that d&b have been asked about, if not outright begged for, over the past year or so. it finally becomes available to techno fans worldwide in january 2017, backed by the pummelling rhythms of overdrum, which itself has the potential to turn heads and drop jaws all by itself.

after gracing holger with one of his signature remixes about two years ago (holger 6: the moonland remixes), barnt now returns with two of his own works, the first ones since his widely acclaimed debut lp of 2014. side a features an etheral composition in five parts - accurately titled a-seite 1-5 - while side b displays barnts idosyn- cratic version of techno at its best: if she says she is a healer, she is a healer. unmistakably the man from magazine, yet in surprising new garments and another perfect match for holger.

in the outskirts of zagreb they already know what’s up, but now that young szch has stepped up to deliver the virgin infinite pleasure release, the whole world is about to get down to his vibe. combining the smoothness of some of the most epic boogie tracks the 80’s had to offer with the gritty punch of his machines, he conjured up four high energy dancefloor napalm club tracks ready to rock all dancefloors in the universe.

daydream 01 is the debut release of the daydream imprint – a brand new label based in france and focused on forceful groovy house exclusively on wax. the imprint seeks to offer an intelligent and efficient vision of house music in order to provide perfect dj cuts. this first ep delivers 4 original tracks produced by talents from france and germany. mjog launches the various with “be forgotten”, a beautiful journey balanced between deep synths and solid drums. then, with “eleven”, porter presents a raw and dynamic cut where harsh sounds and hypnotic pads play together on a sustain rhythm. on the flip, “future” from walker is all about dubby sounds, loud kick and deep bass, a very immersive homemade tune. finally, mjog closes this first chapter with “peace is at hand”, a classy and strong house cut designed for dance.

fourth ep on firescope records the new sub label of the legendary b12 records. this release is by b12, uk techno at its finest. established early 90’s with a multitude of releases appearing on warp records uk, b12 records, soma records, delsin records, firescope records, art , buzz, de:tuned the ep entitled mindbender is about mental torment / torture / unrest and control. the tracks are heavy and describe an environment of captivity and pain. external or internal - it is all the same.
12 inch marbled vinyk , full sleeve

this record collects many intimate things and singular ideas about voiski, it is also an excellent synthesis of his musical style, and how it is evolving towards a more and more unknown territory, where his -post-trance- idea collides classic detroit influences, 90 s techno (with that underworld cover obviously) and a very unique sonic identity he has developed playing his synths with a bright and powerful sound design, and rich arpeggios.

vinyl only !! r e p r e s s
as always theres no name on the label but you know why. its all about the music and this time we ve got the >power< ! cabin fever are back with one of the most asked for tracks of 2012. already a massive record for radio slave these tracks have been the talk of the town since he picked them up from a young frenchman based in berlin at the end of last year. so, dont miss out on this super hot vinyl only limited release. hailing from berlin this young french man might well be this years brightest star of electronic music. as always theres no artist on the label but you know why. it s all about the music ! super fresh and vinyl only. and this one certainly has the >power< !

doubled with a social network and technology addiction, life tends to be each day more and more mechanical. bionic life in a static system reflect mattias feeling about this matter of fact. human will soon tend to be machined: automatically, resuming their feeling to a simple emoticon. mattia is giving us his vision of this near future with these 4 tracks, proposing us some atmospheric and melodic pads and robotic electro rhythms added to the finest futuristic acid lines.

ten thousand yen is very proud to announce a new signing - rimbaudian, with this stunner of an ep. we first met him at our party in nitsa, barcelona last summer. we loved his meda fury debut and asked if he’d send some tunes our way. by the time we got home, there was a new folder waiting with about 40 tracks from rimbaudian and a certain dj seinfeld. just about every single one was great, a feat we can assure you never happens. this is easily some of our favourite music right now, and we’re stoked to share it with you!

a year after his last outing on the label, metamethod is back with a second ep for nightime drama. the man born simon haynes is a veteran of the scene who has worked under many different aliases and is now back at the techno frontline, creating the same sort of powerful grooves that made him so essential back in the 90s. ‘exoshift’ opens things up with a lurching, low sung beat that rocks back and forth as frazzled synths and rusty frequencies skate about up top. it’s body music that really makes a mark while ‘autofac’ then slips into more of a forward moving groove with prickly percussion and woodpecker hits all driving along a bleak techno landscape. last of all, ‘superlifter’ marries bulky, broken sounding drums with celestial pads that glow white amongst the murk and greyness of the rest for he track. it is atmospheric, grainy techno for serious heads only.

this release - a collaboration between ali x (alphonse from azari & iii) and mexicos theus mago - turns the heat up all the way to on and just leaves it there. the lyrical content of the title track would lead many to use descriptors like sexy, sleazy, and steamy like you wouldnt even believe, and while the music also bears that out its important to remember not to stigmatize something that almost everyone does at least a couple of times a week. vision, meanwhile, offers the perfect b-side accompaniment, a sci-fi techno workout where you dont even have to think about sex if you dont want to. the ep features dub versions of both tracks for more stripped-down club sets aimed at people who understandably have problems with the sound of the human voice. it also includes a remix by curses, whom we recently bumped into (he says cornered) in berlin and asked if hed provide one of his trademark eerie downtempo excursions. long story short: he said yes.

the most powerful non-chemical flashbacks are induced by memories of adolescence—the time of your frst kiss, frst spliff, and those sounds that irrevocably alter the course of your life. calvin valentine’s “eugene” captures the intensity of those feelings. released on eyrst, it is a love story to the artist’s oregon hometown, replete with swooning strings, angelic melodies, extraterrestrial talkboxes, and evocative nostalgia. it’s rap, it’s r&b, it’s soul. it’s one of those indefnable albums that allows you to understand why genre is obsolete. it’s music—a timeless project from an artist who is acutely aware of how much time has elapsed. on eugene, valentine managed to do one of the most difficult things in music: write affecting love songs without coming off sappy, conveying the madness that sweeps you during the frst ?ush of teenage romance without losing a hip-hop edge. valentine’s eugene is a stark declaration of a singular talent. it’s the work of an artist fercely aware of what made him, who he is, what he loves, and where he’s going. this is an album about growing older and falling in love with different things but never forgetting those memories, never forgetting the place you’ll always call home.
the vinyl release includes a download code and a fold-out poster.

nice price deal !!! he has produced on just about everyone of our favorite labels such as snork enterprises, ware, phil or treibstoff, is a great musician, a superb dj, a label honcho at team and first and foremost: an awesome producer. please meet philogresz.

nice price deal !!! manila fine vinyls is the new label project created by shadow sync showing their more soulful side. unlike some minimal fakes you can hear around nowadays, the manila fine vinyls productions have their roots in the original detroit house sound: no frills, no virtual mockeries, just the full and deep analog sound that goes straight to your heart. we care about the substance, not about the decorations! this first release shows the influence of the early carl craig and juan atkins productions and includes two great tunes which have been successfully played for some time across europe. idol, a sweet 90s sounding track has a very characteristic bass line blended with a dreamy pad which opens gradually as long and continues as the song progresses. you will love it! on the flip the feelings, a soulful tune dedicated to all those who are in love for someone: the sweet electric piano chords and strings of the opening are well balanced by the tight bass line and the grooving house beat. let the feelings come up!

cgi records is extremely proud to be presenting the new ep from oakland via-bermuda based artist russell e.l. butler. i m dropping out of life are 4 cuts of essentialist dance music that can provide an ecstatic escape from the drudges of professional life for all who so rightly seek it. as russell himself elaborates, the title has been on my mind a lot, since i almost lost my life in the ghost ship fire and watched as many of my friends lost theirs. i came up with the title several months ago, in fact 2 of the tracks were shopped in a producer s group that johnny (nackt) and chelsea (cherushii) were a part of, both of whom i lost in the fire. this release is about a commitment to life. the life that i refer to dropping out of, is a life where dreams are put on hold, where concessions are made in order to just survive. but that comes at a cost, one that is far too great for me to pay at this point. i wrote this poem, it ll come as an insert with the record.

ltd 2017 repress !!
for the ninth release on hotflush two, a new producer based in london steps to the fore: joy orbison, with two tracks resonating somewhere between dubstep, funky, and future soul. >hyph mngo< is the years most talked-about track in the blogosphere: championed by martin >blackdown< clark and maligned by simon reynolds, it has already become a smash in clubs across the world. on the flip, >wet look< maintains the vibe, and has been supported by gilles peterson on his bbc radio 1 show.

the coeo boys need no introduction anymore. their two last singles made it into the sets of so many djs. they are among the emerging artists of that new german scene of kids that make house music inspired by old jazz and funk records. the boys are mad about rare vinyl. and they love to make music with a positive spirit. yes, there is something sunny in their tracks. something that instantly makes you want to move. we heard so many mixtapes that started with a coeo track. makes sense: they are perfect to set a vibe. a good mood. but if you know that the coeo boys work in a studio over the roofs of munich, with a fantastic view over the lights of the city, with a great vibe where you see all the glammy colors of the light in the night then you understand why coeos music sounds as it sounds

resopal’s latest release features matteo viti’s pure techno power twisted into sub-bass-loaded madness in a 12- vinyl. viti combines a straightforward 4/4 beat with chopped vocals that will hypnotize just about any dancefloor. reduced modern techno sure to be spun by every creative dj.

despite a discography that stretches right back to the late noughties, little is known about turkish producer ali kuru. perhaps he’s publicity shy, or simply wants to let his music do the talking, either way, the music he makes is magical, and undoubtedly worthy of wider acclaim.

tucked away in a now not-so-quiet corner of south east london, wholemeal have been quietly, unobtrusively getting shit done. wholemeal music’s freshman release hits the shelves this month featuring two cuts from yam records boss tom esselle and a hoofing remix from fellow south-londoner west norwood cassette library. skilfully treading the line between house, techno, and jazz, the a-side, until she spoke is a superlative exercise in light-touc h sampling and devastatingly effective rhodes work. it shuffles then stomps, hypnotises then elates, bringing together disparat e threads to create something for the head and the heart. the title track, garibaldi, maintains the light-touch sampling thread and then takes it to a whole new plane of drum-driven dancefloor detonation. twisting chord hits whirl around a savage interplay between bass and drums before dropping back to an elemental pounding, bypassing the brain and heading straight for the feet. long time wholemeal friend and serious contender for the nicest man in music award bob wncl has very kindly picked up garibaldi by the scruff of the neck, grafted an enormous pair of junglist balls onto it and kicked it screaming across t he dancefloor. this is about as peak-time as it gets. wait for the wall of bass after the second drop, its enough to stop you breathing.

the year 2016 cemented dext s position in the boxes of discernible djs around the globe, by putting out a string of material from the likes of hodge, bodyjack, mella dee, endian, lo shea and callahan. we kick off 2017 with a bang with a killer 12inch from the fast rising otik. hailing from bristol by way of london, he has steadily been building an artillery of heavy club hitters on labels including 17 steps, push & run, infinite machine, and durkle disco, plus remixes for the likes of dusky, rosie lowe and pixelord, it s clear to see his ascension is moving at a strong pace and we are proud to be able to drop this for you we won t say much about this ep other than it fuses everything we love here at dext: hard hitting funky drum programming, super heavy sub basses and shades of rave, house and techno. backed with two remixes one from talented newcomer erosion flow who has released on martyn s 3024 label in 2016 and another mix from uk artists who are synonymous with writing club bangers mak & pasteman.

the esteemed will & ink imprint hits the mini milestone of a tenth release by inviting old and new associates to remix some of the label s still essential back catalogue. the results are as weird and wonderful as you would expect of a label that has always gone its own way. mosca flips second lucas into something intense and brutal, with lashings of frazzled industrial synth sounds whipping about above pinging and high impact drums. italian chevel then transforms third lucas into five minutes of otherworldly machine made oddness. livity sound star asusu comes with a typically hi fidelity re-work of second carol. dubby and loopy, metallic and clean, it is a pristine track to get dance floors locked to a groove. and first carol reworked by its original producers yaleesa hall and malin, minimal dub with freaky sound design and the result is an earworm of a tune that burrows deep into your brain.

mint condition a brand new record label focussed on excavating the outer fringes of classic house and techno. unreleased mixes, classics and overlooked gems mined from the last 20+ of contemporary dance music are the order of the day. from chicago, detroit and new york to london and beyond, mint condition have got their expert digging hats on to bring you exclusive heat and those rarer than rare jams that have been on your wants list for years! dig in. guy plez pleasant dropped this monstrous slab of proto-tribal techno on his own plezure label way back in 88. the rest, as they say, is history. a stone cold nyc club bomb was dropped. literally. the fact that this record is still played, still talked about, still sought after really says something about it s heady mix of heads down dark corner tribalism, it s screeching, soaring synth lines and it s sheer balls out attitude. this one goes off. a cursory glance shows that plez only did a handful of records, with cant stop definitely being the biggest and most well known and loved (honorary tip of the cap to thing for you here too). the acid rainforest mix featured on this 12inch is a dangerous weapon in any dj s bag, submerging the dance-floor into an otherworldly jungle planet. heavy, heavy stuff. heres the chance to bag yourself a classic slice of nyc dance history, sounding as heavyweight as ever, ready to do damage. fully remastered specially for mint condition, i can t stop is back, as notorious as ever. legitimately re-released with the full involvement of guy plez pleasant for 2017 and remastered from the original dat s specially for mint condition by london s very own curvepusher. 100% legit, licensed and released. dug, remastered, repackaged and brought to you by the caring folks at your new favourite reissue label - mint condition!

vanguard sound! founder and head honcho, amir alexander returns with the ep that marks a turning point for the label. the 10th degree uzi ep is the first release to come with the official logo artwork. a1 features risque female hip house vocals over a chugging acid groove. a2 has a crazy sounding british lady talking about rocking the dance floor with her supernatural sound uzi over a house piano loop and deep dirty bass line. b1 is an urgent, odd-time signature acid house club destroyer, and b2 is dark, melodic, textured techno that mourns and laments the seedy underbelly of the average after party. vs011 is the beginning of a new era for the label. it marks the transition from rookie to veteran status label-hood. serious dj weaponry.

waxtefacts returns with another raw joint! real d and interstate are warming up with some sunny vibes while strip steve builds it up with some metallic hihats and passes it to dj storch - who create a royal ending on the b-side. another record which is yet to be loved.

axpin debuts with its ep „gilgamesh“, including three deep house tracks and a first floor remix of mastermind christian burkhardt (cocoon, oslo, cbsessions). it smoothly combines multifarious arrangements and arousing melodies with a forward pushing club sound. suitable for the dance floor as well as the afterparty at home, this ep transports the listener to a faraway world of subtle grooves, pushing drums and mesmerizing sound design. „gilgamesh“ is a track based on the story about the journey of an ancient emperor, searching for enlightenment in the highlands of mesopotamia. so it comes as no surprise that a driving beat breaks through the laid back percussions and hypnotizing atmospheres. wandering through this track side by side with mysterious pads and exotic sounds, a lost but defying melody accompanies the listener on his steps. „catiba“ is a track with a multilayered arrangement, that doesn’t necessarily reveal its complexity on the first look. different rhythmic moods provide the structure for two melodic lines, competing at first but working perfectly together after a thrilling break, melting your soul. they’re supported by a pervading deep bass groove that will make your body vibrate.&#8232,,christian burkhardt summarizes both tracks’ features and unifies them in an impulsive club remix that floats every second and climaxes in a thrilling break. dry but playful, perfectly fitting for the dance floor without losing the warmth and lightness of the original. „kryon“ is the ep’s third and most expressive track. starting with lost parts of a melody, rather an echo in the vast distance, the track continuously increases its tension, extending the rhythms until the arrangement blasts out a stunning break that, contrary to all expectations, is a calm and compassionate moment with a transient theme. the clear production provides a place in the mix to each sound, a deep moog bass rumbles in the basement while the stimulating percussion coats

sos gunver ryberg, aïsha devi, rrose and paula temple are the four artists collaborating for decon/recon 2. the new record will be released as limited edition vinyl on noise manifesto. in this collaboration series, each artist has produced a track from all the artists sounds, yet the release credits all four artists equally on all four tracks. it is a symbolic act for reducing hierarchy, ego attachment in identity, preferring instead to shift the focus towards affinity. paula temple describes the bond in this second collaboration as every artist in this release approaches their creative energy particularly connected towards a more shamanistic mindset. when you listen to the progression of their music, it feels like the physical and mental realms we accept as reality and function within are being stripped away. maybe that is weird to say about underground dance music, but i find the journeys each of these artists take you on are very exciting in how they affect you.