new yorks matuss returns with the eighth release on her absence seizure imprint this september, comprising three originals from the ukrainian born artist. julia matuss, better known as simply matuss has been steadily carving out a name for herself over the past decade, initially finding her feet as a prominent dj in the ukrainian scene she grew up in before a move to new york saw thing progress and the launch of her absence seizure imprint shortly followed. now eight releases deep the imprint has piqued the interested of dj s such as d julz, dj deep, derek plaslaiko, twr72 and beaner. taking the lead on the package is fairy dust setting the scene via warbling rhodes chords, raw dub sweeps and a pulsating low-end drive before a spaced out, sinuous resonant synth lead ebbs and flows throughout the focal point of the composition. baelfire follows and strips things back to raw percussive feel, employing thunderous claps, a weighty kicks and sweeping filtered sample as the foundation before the latter half of the record works in a frenzied acid-tinged hook. faramant then closes the package with an amalgamation of organic percussion, natural bass licks and glitchy percussive chimes which all subtly evolve and retract throughout.

just over a year ago cassy embarked on her largest and most personal project yet, her debut solo album donna , released on revered imprint aus music. since then, cassy has put out a string of remixes on powerplant, turbo, echoe and watergate, plus a track on muna s latest va. throughout this period, cassy has also been in the studio working on new material, the first of which to be released in september, and is titled cassy 004 . as the title infers, cassy is reawakening her self-titled imprint she created in 2006, and has had three previous releases until now. with no plan or set schedule, the remit was simply to release her own records, when the time is right, and the quality is high. the music always reflected the quirkier side to cassy s club tastes. and 004 continue in this vein. it perfectly encapsulates the sleek and hypnotic sounds of the harder end of her dj sets. the tracks are titled one and two , with cassy giving one a reshape to round off a trio of cuts aimed at the dancefloor.

music from memory return with their penultimate ep of 2017, this time with four tracks drawn from virgil vincent work jnrs little-known cassette only debut from 1987, fast forward. following on from a previous compilation of works taken from one of virgils collaborative projects as the duo workdub, this album under simply vincent, reflects a more stripped back and raw musical approach from the st. louis musician.

here at quantize we simply love confounding expectations cos, guess what? we love all kinds of music and don t like to be stereotyped. but this one even surprised the hell out of us so much so that we figured it deserved a 7inch vinyl release in tribute to the original format. think (about it) was originally recorded 45 years ago in the summer of 1972 by the fiery lyn collins. produced by the godfather of soul, james brown, it barely scraped into the rnb top 10 at the time and normally would have faded into time as just another great james brown produced record but in 1987, it started to get sampled by a new generation of hip-hop artists like roxanne shante and robe base and dj e-z rock. suddenly the world woke up to the possibilities of sampling and since that point, think (about it) has been sampled 1908 times and is the no.3 most-sampled record of all time. so we decided to cut a new version of it with real musicians and one of the few vocalists that would be capable of matching lyn collins firepower - dance music s diva supreme, the incredible barbara tucker. we wanted barbara to really cut loose on this and she didn t disappoint. and yes, those are real keyboards, real guitar and real horns. believe us, this session was off the scale! so when we finally got our breath back we decided we had to get this out on a 45 on its 45th anniversary! it seemed the most appropriate way to do justice to a record that simply jumps outta the grooves. we believe think (about it) will have universal appeal pretty much everywhere since the song is now implanted within the dna of dance music across the world.

in 2001 derek launched his own label ‘trident recordings’ and released the ‘copper beech e.p.’ (the only release to date) a collection of deep soulful techno, it has since become something of a collector’s item. subsequent releases on ‘digital soul’ headspace nice & nasty and ‘geek records’ further cemented carr’s place amongst a new generation of techno producers that looked to combine soul and melody with electronic dance floor grooves. the ep entitled distant systems is a musical adventure for a quest for a new home land, a new planet, a new start, it is proper techno, proper melodies , beats and pads for this adventure. derek is a master at creating thoughtful emotive and simply wonderful techno that fits in so naturally on firescope records

hero wouters is a dutch artist who has been active since 1950. through the years he has been involved in many (music) projects. his work in the field of electronic music ranges from synthpop to experimental music. some people might know him from his collaborations with the legendary pink dots and edward ka-spel. other people might know him from his contributions to the obscure contactdisk vinyl series or his appearance on the legendary dutch ding-dong tape label. featured on this lp is work by hero wouters from 1982, 1984, and 1986. most of the material was written for a dutch film (‘een zaak van leven en dood’) and a theatre play (‘laios’). the music has been (partly) released on cassette on hero’s own label herophone. now it is for the first time available on vinyl. the music has been restored from the original tapes and mastered for vinyl with great care not to loose the original feeling. below you can find soundclips for the tracks but we feel these do not give a really good impression of the record. the music (and the record) have to be heard in total (and as a whole) to be fully experienced and appreciated. we are proud to present this beautiful and simply fantastic music by a dutch artist that deserves more attention. the wonderful cover artwork is a drawing by maaike.

once again, perm has turned just the right knobs to give you the perfect soundtrack for your personal journey into techno wonderland. the leipzig based wizard simply knows how to leave dancers both dizzy and beatific. when those strings in -03-viii- come together to its climax you re more than ready to embrace the night. the focus in -03-iv- is more heavy on the drum work with just the right amount of subtle tripping hazards. -03-iii- builds and builds without ever bubbling over while the mighty -03-viii- comes with a boom-tschak-electro feel to it. the artwork comes courtesy of carl-johannes schulze.

huge collection of 100 rare breakbeats / drum loops sourced from rare records found across the planet. ready to chop, loop and layer, international breaks 606 is ideal for producers and djs alike. whether you’re looking for unique sounds or simply want more variety than the usual over-sampled breaks, this sound library is a must have. worth its weight in gold!

soulstice music is back! and this time we present to you i m in love. a true soulful house gem created by the incredible uk producers the l.o.v.e project featuring the amazing vocals of shean williams (craig david backing vocal). this is the ultimate collection song that can uplift your spirit whenever or wherever you hear it! it will be a hit today, and a classic tomorrow. this song is timeless! just as we like them here at soulstice music. seans voice and lyrics will bring the sweetest feelings out of you, and combined with the finest studio arrangements from the l.o.v.e project this track will simply and truly make you feel like im in love if you know the house music scene, it is impossible not to know the remixers that joined this project: dj spen, earl tutu & jhon khan, mark di meo and rob hardt (cool million). we say no more! other than we are proud to assure you i m in love will become a house music masterpiece!

producer and dj from cantabria pablo bolívar signs the new release in his very own seven villas, in which he takes the chance to interpret --remixwise-- the tracks on the album traverse -by sensual physics which was originally released in 7v in 2016.

we are facing a very special project for pablo bolívar this time. his admiration for the veteran german producer joerg schuster -one of pablo s musical heroes- gets highly reflected in each one of the eight revisions which form this traverse (reprise) . what pablo exactly does is to respect the original escapist, dubby and ambient spirit of the original trip proposed by traverse , by means of adding a soft, deep and sophisticated club aura. he turn that the album sensual physics takes into the most characteristic bolívar style is tasteful and subtle, therefore it seems a sequel of the original one. no crashes, no harshness. here everything flows simply in a natural way, especially that ambient-deep and tech fog which just adds a punch in any case. tunes as mondragon , málaga or miracle -among others- acquire a new dimension when touched by pablo bolívar s hands: always looking to their origin with respect to the original producer and the delicacy of a revised piece of work.

after his banging ep 1 on aus, tee mangos back for the 5th installment in his tribute project, inspired by the much referenced theo parrish quote: love of the music should be the driving force of any producer, performer or dj. everything else stems from that core, that love. with that love, sampling can become a tribute, an expansion on ideas long forgotten, reconstruction, collage. time is now time is now comes off like adamski era seal rerub for the small hours. replete with hypnotic looped piano and drums sounding like they were lifted from vaughan mason s raze house archive. simply sweet sweet electronic music. make it last forever the b side is tee mango on home turf, with a selection of choice samples under his cap (from a record you might recognise), some simple loose sampled drums and a smattering of dub delay. love for this series coming from: axel boman, benji b, artwork, fred p, and a heap of others. these tribute releases sell out pretty quick, my hunch is that these will not hang about.

cocoon recordings presents cor12146, the dignified follow-up 12inch by rico puestel that we were waiting for so long. cocoon head sven võth himself is dropping caravel for quite some time already and the godfather of german techno smashes floors around the globe with this hot and dirty bombshell. take all of the rocking techno ingredients that you loved so much over the last decade and you get a melt down of dustin zahn, industrial strength soundhack and many more milestones to nameà however puestel created a very unique own style out of all these influences and the result is simply outstanding. sven played the acetate of this so often that we even had to cut a second one. techno-trainspotter worldwide went mad for this one and were killing us with their requests and track-id inquiries. the wait is over guys! caravel and est (on the flipside) are two cutting edge techno monsters that hold enough energy to power your car, your computer, your phone, your lifeàwe cannot imagine what rico will show us next

confine yourself in a space. we tend to behave and act according to the walls around us. the easy way is to stay within the room, acknowledge its walls and accept being limited to its floor. instead, start exploring the boundaries. walk the walls or simply tear them down. flip the whole room upside down or collapse it all together. question and explore the concept of a room. it might not take you anywhere new but it could make a big difference on how you enjoy the journey or appreciate the space you are in. unconfined.

we are proud to present our second release by beat pharmacy aka brendon moeller aka echologist, a singular voice in contemporary electronic, techno, and sound system musics in his various guises. beat pharmacy tunes begin life as live hardware jams where reverb, echo and delay rule the day, and rugged textures rub against digital processing. in “density,” bass, kick and heavily reverbed piano skanks anchor an instantly enveloping soundworld of deepest dubwise ambience. from around hidden corners emerge the hiss of distant pistons and valves, sentient machinery working in complex relationships. wobbles, wubs and sweeps communicate across cavernous spaces, as strange rhythmic elements sputter and spatter, tangling and massing in double-time to the point of rupture, only to resolve into crystalline moments of suspension into gorgeous, neck-snapping drops. simply mesmerizing, and heavy in the dance. “everything to gain” is spun from the same heavy metals, with a sparser feel, processed voice, and a buzzing, repeating alarm figure that sounds like a submarine warning that the dive is getting too deep, too dangerous… music that is moving, powerful, evocative and kinetic, slotting beautifully into 140 sets while defying easy categorization or description, always following vision over fashion. this is why we love beat pharmacy.

berlin producer troy gunner marks a new step in an ascendant career with the introduction of his very own imprint. simply titled ‘gunner’, this project will be predominantly vinyl-focused and will act as a platform for his own productions as well selected peers. it kicks off with 3 of his own tracks - all of which carrying a chilly quality whilst bearing troy s distinctive blend of stiff drums, heady atmospheres and muscular low end. support from resident advisor, dj mag, mixmag, zenker brothers, moxie, hodge, mickey pearce, xxxy, mj cole, john osborn, brendon moeller, carl craig, ivan smagghe, woz, christian martin, claude vonstroke, gorgon city, groove armada, tensnake, james zabiela, richy ahmed, my nu leng, altered natives, danny tenaglia, horse meat disco, huxley, phaeleh, gene farris, eddie temple-morris, shadow child + many more.

that cyberpunk chameleon of styles, manchester’s pride and dancefloor master ruf dug is back on wax on copenhagen’s music for dreams. following up the first 12” of remixes that came out last year, we once again re-visit the island life of monsieur ruffy and his debut full length album “island” (recorded during a sojourn on guadeloupe). first up we have italians on the mix. hi-jacking ruffy’s tribute to wally badarou, leo mas and fabrice opt to do their own thing: which is churning out a bouncing house belter of their own that bears little resemblance to the original lo-fi synth reverie. closer to the original then, is fellow mancunian andi hanley’s take on the same track. adding sparse percussion and and a simple but effective drum beat, this take seems to simply be an uncovered second half of the original, where it finally takes off for the dancefloor. “mangrove dub” is reworked by fresh-on-the-scene aussie producer tropical hi-fi who creates a brilliant version full of moist ambient textures and reverb-heavy dub treatments. at last but definitely not least, seahawks turns the whimsical hippie folk ballad “le rayon vert” into a more intense and neatly dressed affair, focusing on the instrumental parts and lifting aside vocalist nev cotte’s contribution to the original. still with a mindful of tropical dreams and the ocean shore close at hand, but in a more introvert vini reilly kind of way. essential package.

after the reception of “battle anybody” from luminaries like dj premier (#19 on his best of 2013 picks), dj evil dee, dj eclipse and more, dawhud and ace-one started working on a proper follow up to their emceeing anthem. one track turned into an ep which then quickly turned into a full length project. the project... d&g (david & goliath) - “the scepter & the sword” the concept for the group simply came from dawhud’s name (david in arabic) and ace-one, who was in the midst of fnishing up his “rapmonster” series. those two elements and the sheer chest pounding vibe of their prior track led to the creation of “david & goliath”. epic, biblical, and loaded with imagery that paints what the duo are trying to convey in just a name. produced entirely by dawhud, the duo trade verses over his landscapes to join forces and reign together. from the opening battle cry of “something’s coming” to the closing of their p-p-p-p-p-premier approved track, “the scepter & the sword” is a rap odyssey. assisting the duo on this legendary journey are emcees like masta ace, rock (from heltah skeltah), sadat x, kokane and pacewon alongside longtime friends/emcees joe harvey, jo and otomatik. with a title like “david & goliath”… legends should be involved. something’s coming…

hard techno not for the faint hearted!! as we move forward, corseque records introduces a concept which we simply call faction. a series of joint releases between artists from different corners of our beloved scene and label head ascorbite. for the second record we are pleased to have with us italian producer warind (warind records, instruments of discipline, overdraw).

nice price deal !!! russias freza and dj flashs twist things up on sog records with the musically mind-blowing ritmix. there are simply few dance tracks out there that are as musically intricate as ritmix as melodies and arpeggios sweep over the funking bassline

vinyl only! new house label founded in 2017 coming up with a diverse selection of various artists. inahle exhale hails from the ruhrarea and the first ep shows kicksparkling, thick cut and remarkably original deep house focussing on mid 90s chicago/new york standards. made new and simply super gut

ltd 2017 repress, yo people, it has been a while but these things take time. since our one release last year gave you enough booty shaking until this spring, now is the rite time to drop our 8th release to get them butts shaking again. the a-side is like that dish you always order at your favorite restaurant because it simply never fails. just like it, this track during peak time hours is satisfaction guaranteed. the flipside, aa1, hands you your ass on a platter. this track belongs in any house set to be taken seriously. aa2 is the real reason behind the reasoning. novices and experts need look no further. word. vinyl only

as we move forward, corseque records introduces a concept which we simply call faction. a series of joint releases between artists from different corners of our beloved scene and label head ascorbite. first in line to cover the a side is parisian producer hemka (float records/decoy records/green fetish records).

rdv, the new imprint from french dj & producer molly, presents its first release, from prophets of a new generation (aka michael zucker & pete an). rdv , the abbreviation of« récits de voyage » will simply be a meeting with artists that i have crossed paths with during my travels - a platform for my very talented friends, artists i really like, and also music from myself. this project was in my mind for so many years. it was not until now that it felt like the appropriate time to realize it, but i feel ready now to help push new talent & music from people i love.- - molly

few artists can claim to have their own distinctive “musical voice”: a style of composition and production that listeners instantly recognize. for starters, it takes years of experimentation to perfect, and most people simply don’t have the patience, talent or skills to pull it off.
ali kuru is one of those rare producers whose music sounds like nothing else around. the istanbul-based artist has spent the best part of a decade honing his trademark style – a fragrant and intoxicating aural brew that combines a myriad of influences with atmospheric field recordings and snaking, mind-altering middle eastern instrumentation – via releases for the likes of luxa flex, kalisah, sound architecture and, most recently, leng.
it’s to the latter label that the publicity-shy producer returns with his most ambitious release to date, egzotik. 15 tracks and 70 minutes deep, it’s not so much a debut album as a statement of intent. from start to finish, it feels like a humid, sweat-soaked saunter through the winding streets of istanbul in the company of a musician who draws more inspiration than most from his immediate surroundings.

it is almost summertime and endless welcomes the brazilian analogue wizard zopelar. >origini< is a cinematic techno track which is the result of a full analog jam, his obsession with vintage synths and drum machines. the track opened most of last live years shows. zopelar is also writing and producing various forms of propulsive pop, running the excellent >in their feeling< label founded in 2015 together with his good friend davis, as well as performing in clubs and festival with his live techno project. on the remix a man who doesnt need introductions: ripperton, the finest swiss dj and producer, delivering two superb and outstanding remixes! from immersive dark techno to refined house, ripperton adds a fresh alternative sense of introspection to >origini<. we were simply delighted from the very first listen! enjoy!

nature never sleeps.... for the fifth release talismann arose and harvested the life-force energies of the oldest and biggest trees known to man. their supranatural frequencies will creep down your spine and massive base will simply leave you gnarled, twisted and unrooted.

1985, restored from a vintage vinyl copy (masters were lost long time ago in chicago...) copies sold for 0. on the youtube thread for the track a cousin of t. woodard says they pressed 2.500 copies of this - but that seems hard to believe unless they didnt sell and got recycled at trax and/or were simply thrown out, as this rarely show up anywhere. this is a very early and simple track which sums up the new and experimental sounds of early 1985 along with tracks such as jesse sanders on & on and funkin keith funkin with the drums. basic early house music that havent lost any of its relevance.

kuniyuki takahashi (often best known simply as kuni or kuniyuki) is a japanese dj and music producer, sound engineer from sapporo, hokkaido, japan. he records under many different aliases depending on the style of music he is producing, including forth (dub techno/acid house), frr hive (downtempo/drum n bass), koss (for techno). he was also a joint member of the group drp (deutsches reichs patent) along with other member tomoyuki murashige.

quantize recordings is excited about the latest release from the incomparable susu bobien, help is on the way. produced and written by dewey cioffi and bj nelson, this creative tribute to jesus christ is second to nothing else. once you ve heard susu s vocals on this recording, you will be amazed. this package features the dynamic production skills of earl tutu and john khan. earl s beautifully laid keys are the perfect complement to john s driving drums. add the mixing talents of dj spen, and you ve got their original and inspiration information mixes that are simply irresistible! if that isn t enough, thommy davis lends his extraordinary talents to this project resulting in the gospel-driven rescue remixes. these mixes rock straight down the aisle and contain all the elements needed to make dance floors explode with energy!

much has happened since stereofysh released their debut album - the race , which has been received very positively by music critics. groove magazin described the album - fresh as a daisy , and - simply congenial , faze magazine as - made with love and - excellent result , freshguide found that the album - held the spirits high and set the bar even higher . features in intro and missy followed. dasfilter wrote: - stereofysh lets the elements melt into dreamy poppy house, that unfolds is magic as much on the dance floor than it does when hanging out at the next river bank. two years later, the latest output of the family band is available in the stores. their second album is a very personal one. the sound of the album is not only inspired by their life in berlin, but also their tour through the united states and hawaii, where they introduced the album to an international audience. important to know that the name of their new album, ohana, is an essential part of the hawaiian culture representing the importance of family and friendship connections, the company and coherence over generations. stereofysh themselves describe that the album has lead them to their musical and familial roots in a very special way. being on tour together, the shared experiences onstage and backstage have brought them closer together. this also shows in the music and lyrics of the ohana album: towards more closure, even intimacy. so the songs have gotten both, more exuberant and more melancholic. little daily life stories have their spot, so do the bigger puzzles that keep the band s minds busy. the optimistic and hopeful message, that the band radiates in spite of it, is, again, truly refreshing.

damon yates, aka martianman, set up 4th planet recordings to release music by people which includes some of his more favorite artists. artist that simply need to have more music released. it involves the same basic idea that he had when starting up the martianman volumes which is to release original, high quality jungle with a completely underground feel. not only the bass and drums are important for the vibes but the whole feel of the music is in play. it can be completely futuristic sounding or full of old school vibes though out. however it’s served up just know that it is underground.

claude debussy (+1918) was one of the most popular and forward thinking composer associated with impressionist music. his innovative and at this time new way to compose music with non traditional scales and chromaticism inspired countless artists from the likes of steve reich, philip glass, miles davis and herbie hancock. remarkable attributes of his music were i.e. the usage of parallel chords, bitonality and many compositions of whole-tone and pentatonic scales and all this surely reminds us on contemporary electronic music where you hardly find limits or boundaries when it comes to traditional, harmonic sounding scale tone music. after studying countless composers of the last centuries marc romboy decided to accept the challenge to edit, remix and reconstruct several works of his favorite french composer, ranging from „la mer“ to -prélude à l après-midi d un faune“. romboy: „one sentence of debussy impressed me a lot when he said that he simply intents to write new sounding music. this is and has been exactly my goal, to create kind of unheard sounds“. on the album romboy performs together with the dortmund philharmonic orchestra, the renowned conductor ingo-martin stadtmüller, the well respected düsseldorf based concert master miki kekenj and sound programmer ali khalaj. the recordings was directed december 12th 2016. it s the first live recording ever released on an album where electronic sounds and classical components were merged in such manner.

a belter of a double-sided monster. welcome to the brilliant herbie hancock with the always in-demand slinky groover stars in your eyes on the much coveted 11.21 -special disco remix-. this is quite simply one of the smoothest disco rides you will ever take with a production made in heaven and a vocalist supreme with gavin christopher taking it to another level. featuring an extended percussion break from the fantastic sheila e, this a very different mix to the original album version and was never widely circulated at the time. so another nice rare gem. as double-siders go, this really takes some beating.

nice price deal !!! fan erhalder delivers a fully reworked version of his zollamt to build the third strike on geilomat records. pounding kicks and deep basslines, you simply can t resist to shake. the flipside features vintage electro sounds with that classic 808 sound.

driftmusic, version: h / gry / 002 - further explorations of the deepest roots of avrokosm, where occult still means hidden. three cuts of electronic will, from the primordial ooze with a desire to simply be. out of the gate, crown of light, come on, come on, this is now. twisted 808s, melodic tripmuzik seduction, like the flares of 1000 suns. swim through space with us.

while carefully handling their respective careers, postponing then their obvious collaboration, möd3rn trio s members have capitalized its desire and now deliver its mere substance, in the rightest moment, where, simply, all the distant forces converge. the six daring, expert hands merge now into a unique entity, unanimously moving within the same effort towards techno music. the formula is elaborated freely: each one s adjunctions -subtle keys, nervous chords, underground blows, rhythmical uproars- pour into a thick maelstrom, opaque, condensing detroit s grieving sensibilities as well as last decade s bewildering cacophonies.

the latest ep on tresor records comes from reduction luminary terrence dixon. detroit’s most puzzling genius debuted on the label in 2000 with his first ever full length work – from the far future. it took over a decade for its sequel to follow – from the far future pt.2 released in 2012 to great public acclaim. this year, terrence dixon prepared a matchless four track ep, going ever further in his very own tenor of collided electronics and mesmerizing tones. words can simply not describe.

for our 4th release on supercharger we are welcome to welcome pastaman, omen breaks and vocoda for their supercharger debuts alongside supercharger resident jungle badman simply dread. 4 slices of jungle fire to mash up any dancefloor.
this release is vinyl only and limited to 300 copies.

2017 repress , vinyl only! one-sided limited edition 12 inch!justin van der volgen s my rules label is back with its second release of 2016: the lee douglas edit of soulful dynamics, jungle people. given the nod and approved by the band, this is the version you ve heard and been looking for over the last few years. now finally seeing a proper release after many requests. called by resident advisor a mareh anthem referring to the new years eve festival in brazil and rinsed by djs like tim sweeney, psychemagick, and eddie c, this record is pure soul-disco heat. douglas takes the original, teases out the arrangement and turns the psychedelic knob to 100. simply stated, putting this record on is like pushing the button labeled -party time. vinyl only.

kammer musik releases #009, 010 & 011 all bundled up for one special price!

nice price deal !!! this two track white label is a simply great. it is 2 mixes of a very good disco laden pumping club track. the a side is a real solid house groove at a steady tempo, well produced with excellent drops, breaks and edits. the flip side has a more pumping bassline and has a higher tempo and would work well on slightly harder floors

simply put, this album is a must have for any listener yearning for exciting and fresh contemporary music.

panorama bar resident nick ho&#776,,,,ppner gets to work on his second solo album on ostgut ton, connecting the territories of house music with the ease of alt-pop. work as in labor. an axiom that fuels the capitalist system just as the techno/house scene economy says that one needs to keep oneself busy to make a living. as a musician, things are complicated of course. it’s a long way from the romantic idea of creating music simply for the sake of art to becoming a full time musician. those who have accomplished this feat often find themselves in a professional loop of writing the music, producing it, promoting it (with an info text like this), releasing it and then hopefully selling it. after leaving his full time job as ostgut ton’s label manager in 2012, nick ho&#776,,,,,,,,,,,,,,ppner went fully freelance, focusing on his musically diverse, deep and dynamic djing in and outside berghain’s panorama bar, but more importantly spending more time in the studio. the result was his critically acclaimed debut album folk (ostgut ton, 2015), various 12“ releases and remixes, and now his sophomore lp, work, which, more than ever, lays out his refined production skills and his talent to work the machines until they reveal their inner ghosts: nine new songs that now dodge the dance floor, then fully embrace it.

six more tracks from fm’s star-crossed association with fly-by-night srs records and their soul deep imprint. glittery, loungey charms circa ’76 — and today!
limited-edition diy glue-on covers, two different fm designs available, our choice!
also includes insert of alternate cover, with liner notes.

in 1990 joe lewis teamed up with singer darryl goodlett to form the shortlived survival. now on clone classic cuts their midnight dancin finally gets a full release with all the versions. 2 of which were never released at the time. to top it of simply yours by dj joe lewis also from the original midnight dancin ep. remastered by alden tyrell.

the pretenders just be yourself remixed from the original multitrack 2 tapes. dj kon has been busy doing re-works and remixes of chic, michael jackson, george benson, t.s. monk, donna summer, chaka khan, gil scott heron, willie bobo, pleasure + many others. this remix of a legendary and highly in demand modern soul track on carnival records keeps in step with the original recording while breaking ground into new sonic territory. the sound is rich and full due to analog mixing by kamal humphrey through maurice starr s ssl board. simply a future classic.

originally released back in 1995 the fingerprintz ep is truly a deep house masterclass. forget all these records coming out today claiming the deep house title, this is what it s all about right here - on one slab of wax. kc is a legend and at this stage in the game he doesn t need an intro, every single track featured here is an absolute winner, all drenched in that classic kerri swing and style. timeless productions. it s hard to pick a favourite as they are all amazing, every possible mood is covered making this whole 4 track ep your new always in the bag staple. from the driving upbeat funk of where is love to the totally stripped back tribal diva sampling i remember kc has you covered. it may sound cliched, but they simply do not make them like this anymore! essential, essential business here from one of the true masters of the game. 100% classic. this is one of a series of official madhouse / kerri chandler reissues for 2017. every title has been remastered by kerri chandler himself, from all original sources and each reissue has been legitimately released in full conjunction with kerri and madhouse records. and, as if that wasn t enough, all the reissues will be coming in the classic madhouse records house bag. snoozing not advised!

kitjen 006 is the tropical cruise ship experience of the summer brought to you by amsterdam duo beesmunt soundsystem. watch an umbrella appear in your glass as you play these 4 superbly crafted house cuts! start sending automated out of office replies by simply scanning the cover with your mobile device! this record’s official dress code is cannabis farmer at court hearing. dont snooze!