adam chini is most known as the keyboardist for brian ellis�s reflection band. this lp is a spaced out tribute to love in all the right ways. epic synth & tripped out drum machines with adam providing all production & vocals. intimate, psychedelic boogie classic here for sure

in 2012 bottin presented a mysterious neo-italo-wave band: cristalli liquidi. this album, finally, unveils the mystery: cristalli liquidi is not a band, not in the conventional sense of the word. it s entirely bottin s music, lyrics and vocals, with a little help from his friends. this long overdue lp not only introduces original works, but also breathes new life into remakes of obscure italian pop songs. sun-blushed synthwork is embraced by vocals steeped in romance, vocals en italiano no less. the many guises of the glitterball are unveiled, from the deep bass and smooth funk of 70s disco into the catchy hooks of the 80s and beyond to darker tones and lovelorn laments. across nine tracks the venetian takes you on a journey, as his homeland of italy is musically explored through past and present. cristalli liquidi is an album some five years in the making, five years at first glance. in reality, this lp is a narrative that spans almost thirty-five years. from the poets and songwriters who inspired bottin to the friendships and collaborations that made this project possible, this is an album forged through memories old and new, a heartfelt account of relationships between people (and synthesizers too!)

the collected double vinyl album contains a selection of the songs from level 42 s earlier years of -starchild- up until -tracie- and -take a look-. these tracks, specially remastered for vinyl, are exciting, standing the test of time, delivered by a timeless band.
180 gram double vinyl, housed in a gatefold sleeve including a 4 page insert/booklet with extensive liner notes and photos.

a legendary jazz album on 180 gram pure virgin vinyl. limited edition deluxe gatefold set.

the second instalment of the mr bongo record club compilation series a selection of favourites, recent discoveries and sought after obscurities. files under funk/soul - but a wide variety of styles ios present here

double 12 inch vinyl in gatefold sleeve.

edition of 250 copies, risopgraph printed sleeve
staatsfeinde� dutch synth duo staatseinde finally releases their debut ep on vinyl� after two 7�s on enfant terrible they present this 6 track ep� stripped down through the years from a band to a duo the sound also changed� the songs on this ep are more up-tempo, louder, more beat orientated� and also darker as before mostly� and� for sure more dance floor minded� expect some classic minimal synth tunes in line with el aviador dro and welle: erdball for example but also more punchy tracks with ebm influences� staatseinde 2.0 has arrived!

ike yard recombine their music looking across decades of post punk, electronic, soundtracks and come out with some of their best yet and enough to last the next 20-30 years (in ike yard s very own words). originally founded in 1979 new york city, members michael diekmann (keyboard, guitar, vocals), kenneth compton (programming drums, synths arrangements, bass, guitar, vocals) and stuart argabright (programming drums, synths arrangements, distortion bass, keyboards, metal perc) reformed the band once in 2007 and again in 2010. each time different and with new ambitions. this time �sacred machine� ep is defined by detailed drum layers supported by multiple basses and keyboards, some off-timing beat patterns that turn in a second of synchrony into a straight four on the floor kick and first time vocal collaborations.

tramps feeling nice series has positioned itself as a universally accepted essential cultural and historical document of some of the greatest unknown local vernacular american black music of the sixties and seventies. the feeling nice series has been dedicated to filling in the blanks between the more well known cuts of so-called deep funk canon and drawing out the relationships and stories behind and between the tunes and the artists, and ultimately creating a dialogue that serves to enlighten and enliven a true anti-racist discussion of american popular music specifically and of global human music in general. with feeling nice vol. 4, tramp continues this important conversation, and having spent over 700 days unearthing a rousing selection across the board, offers it to you, now, as a double lp with full-color label scans, never before seen promo shots, and detailed biographical information - in some cases in the words of the artists themselves! also includes a single-sided bonus 7 inch plus download code for the full release, all housed in a gatefold sleeve.

congratulations is the second major label studio album by american psychedelic rock band mgmt. the album is a departure from the synth pop style that first brought the band acclaim on oracular spectacular, and features a more progressive, guitar-driven sound.
pressing on 180 gram audiophile vinyl.

this is a re-release of the famous red sleeve fleetwood mac greatest hits album. this record was a stalwart of every decent album collection in the early 1970s as it represented the first greatest hits package from fleetwood mac, covering the period from the band�s beginning in 1968 through to 1971.
pressing on 180 gram audiophile vinyl, housed in a gatefold sleeve.

die inspiration für sein neues album -mirapolis- bezog der französische produzent rone seiner leidenschaft für den filmklassiker -metropolis- sowie seinem wunsch, kultregisseur michel gondry zu treffen, der für rone das albumcover entwarf. das ergebnis ist ein cineastisches meisterwerk, an dessen entstehung eine vielzahl von prominenten gastmusikern teilnahm, darunter john stanier (battles), bryce dessner (the national), die französische death-metal-band vacarme band, avantgardist gaspar claus, us-slam-poet saul williams, baxter dury (sohn des legendären ian dury), die israelische elektronikerin noga erez sowie blonde redhead-sängerin kazu makino.

hey du ist die erste singleauskopplung aus tocotronics epochalem autobiographischem album. die unendlichkeit. sie erzählt vom anderssein in der fußgängerzone der provinz, von homophoben beleidigungen und vom vermöbeltwerden, aber auch vom unverhohlenen stolz, modisch aufzufallen. die band rockt auf hey du lässig und entfesselt und kehrt für die dauer von zwei rasanten minuten in ihre jugend zurück. schneller kann man nicht auf den punkt kommen.
tocotronic 2017 - jünger denn je!

aha shake heartbreak shows the band flirting with latin-styled music, acoustic guitars and heavy twin-guitar riffs.
exclusively remastered audio, sourced from the original masters and pressed on 180 gram audiophile double vinyl, housed in a gatefold sleeve.

classic afro-compilation on triple vinyl back in stock!

younger rebinds is a new project and imaginary band by the inimitable and unstoppable benny rodrigues. maybe best-known for his rod moniker and releases on klockworks, rodrigues embodies and keeps the candour, spirit and curiosity that made techno music stand out in its start-up years - and that s exactly what we have here. the -retro 7 ep- makes the most of the classic 707 drum machine, gnarly synths, ambient soundscapes, pianos and organs. done in a way that is as much new wave, as it is electronic disco. spread out over a double-pack with eight tracks (8!, get it?), the younger rebinds hit the sweet spot between vintage dj hell aesthetics, sterac electronics and trevor jackson s metal dance dogma, if its choir would be muted. loud pressing and hypnotic artwork included. please don t look at it for more than 5 minutes.

sublime compilation of long-lost australian indie-pop, acoustic jangle and beat happenings gathered by melbourne-based collector and dj bayu and label head moopie. twelve tracks of singular vision spanning up and downbeat pop, post-punk and minimal synth rarities recorded between 1982 and now. australian twee pop royalty the cat�s miaow shares the stage with the cannanes and the particles, ya ya choral with sarah records own even as we speak. included is the previously unreleased dot, by mutant sounds cult band maestros and dipsos. full colour reverse-card sleeve with printed insert and lyrics sheet.

vier tracks aus dem erfolgreichen album -rr7349- (2016) der experimentellen synthie-band s u r v i v e aus austin, texas, die für den soundtrack der netflix-erfolgsserie -stranger things- verantwortlich ist. abgemischt und neu interpretiert von künstlern wie lena willikens, not waving, sam haar (blondes) und justin k broadrick aka jk flesh (godflesh, jesu). diese vier remixe zeigen gekonnt die kompositorischen fähigkeiten und die musikalische vielfalt, die in jedem track zu finden ist, und fassen die große klangpalette von s u r v i v e zusammen. für alle fans von stranger things, john carpenter, trent reznor, tangerine dream, boards of canada, the haxan cloak, zombi, visible cloaks, floating points!

this album has been many years in the making. around 2005 we were gigging, playing hip hop breaks and supporting acts like krs-one and raekwon. we wrote a lot of our own material, but we never properly recorded it in a studio, we did however make lots of -one mic- recordings onto a mini-disk player. tom kept hold of all of these recordings and in 2011 send copies of everything to the rest of the band. a short list of 30 were chosen to record properly. a basic studio was booked, and recording began, initially it was pretty basic, just drums, bass & keys with guitars overdubbed the following day. with these foundation rhythm tracks tom went away and edited them, creating structure, extra layers and demo mixes. these demo mixes were used to send to mcs. it was decided to go with american mcs as the type of thing we listened to when we wrote a lot of our material was classic 90s hip hop. el da sensei & sadat x were the first to respond to our request, and soon features were flying through ever other week. we actually had enough material for 2 albums, but picked what we wanted to represent our first release and continued to develop the material, including adding session musicians for harps, brass, strings and cuts. we chose 4 tracks to create videos for and got the ball rolling with various video makers. the final year was spent mixing, sequencing and deciding on artwork. the title cinder hill is reference to where the band spent many afternoons practicing at john & joe�s parent�s house, their mum maggie passed away in 2016 and the album is dedicated to her for her endless support and love for the music.

after a first year of activity with 3 beautiful single reissues, sol discos presents its first album, with the compilation message in our music, selected by waxist. focusing on modern-soul genre, the selection ranges from 1976 to 1983 and gathers a nice selection of independent and private press records, all officially licensed.

jazzman records releases the third volume of its jukebox mambo compilation series, artfully selected by dj liam large. a journey through the popular american music of the 1950s influenced by exotic rumba and afro-latin seasoned rhythm and blues. featuring rarities and unearthed gems from percy mayfield, roy gaines, chuz alfred, monogram caribbean orchestra, and many more. the twenty-four track compilation comes complete with in-depth track notes and photographs, as well as a deluxe double vinyl edition with gatefold sleeve, and a super limited edition vintage style 6 x 10inch book set with unique artwork and four exclusive bonus tracks

early charles bradley tracks recorded with the bullets (aka the budos band) as well as -ain�t it a sin- from his current album.

live recording of the 10th band anniversary concert in munich�as olympiahalle. double vinyl housed in a gatefold sleeve.

it does not happen that often any more that unreleased music from 40 years ago surfaces. even more unlikely it is that the songs put on tape are such treasures. the voltags were right at the forefront of the local washington dc new wave/punk scene of the late 1970s. influenced by kraftwerk, gary numan, the clash, and the b-52 s, they have released only one 45rpm single during their existence. but during the time span of not even 18 months, they had recorded enough material for an entire album - but the songs remained in the can. this is the story of the voltags, a short-lived band which could have become famous and mentioned in the same breath as the aforementioned music legends of that era if their songs had been released back in the day. dive in and enjoy the sound of the voltags, it is truly special. we here at perfect toy are thrilled to be label to finally release their work and we sincerely hope that they are finally getting the appreciation they so richly deserve.

am 11. mai 2007 erschien das dritte album der us-amerikaner, welches in deutschland, Österreich, der schweiz, den us und in großbritannien auf platz 1 einstieg. neben den singles »bleed it out« und »shadow of the day« enthält das album den hit »what i�ve done« � die bisher erfolgreichste single der band in den usa. jetzt ist das album als picture-vinyl wieder erhältlich.

it does not happen that often any more that unreleased music from 40 years ago surfaces. even more unlikely it is that the songs put on tape are such treasures. the voltags were right at the forefront of the local washington dc new wave/punk scene of the late 1970s. influenced by kraftwerk, gary numan, the clash, and the b-52 s, they have released only one 45rpm single during their existence. but during the time span of not even 18 months, they had recorded enough material for an entire album but the songs remained in the can. this is the story of the voltags, a short-lived band which could have become famous and mentioned in the same breath as the aforementioned music legends of that era if their songs had been released back in the day. dive in and enjoy the sound of the voltags, it is truly special. we here at perfect toy are thrilled to be label to finally release their work and we sincerely hope that they are finally getting the appreciation they so richly deserve

dark entries and emotional rescue team up to further explore psychic tv�s acid house years. psychic tv was formed by genesis p-orridge and peter christopherson of throbbing gristle with alex fergusson of alternative tv in 1981. after various line up changes, the band shifted direction to dance oriented songs influenced by the house and techno scenes of detroit and chicago. by 1988 the group included dave ball of soft cell, fred giannelli of turning shrines and matthew best of carcrash international. during the summer of 1988 the group recorded a batch of songs at time square studios in london that would appear under the guise of various artists compilations jack the tab� and �tekno acid beat�. the idea behind these �compilations of imaginary artists was creating a sense that a healthy acid house scene existed in the uk. virginia was the studio project of dave �mista luv� ball and then-wife virginia �gini� ball, a classical violinist who toured and recorded with siouxsie and the banshees and marc almond.

schon der opener und titeltrack des albums »walk the earth« ist eine hymne, und gleich geht es weiter mit dem heavy »haze«, die sofort ins ohr gehende melodie von »election day« bis hin zu dem lyrischen »kingdom united«.
mit »walk the earth« spielt die band ganz oben mit. die wundervollen melodien zusammen mit der stärke und eindringlichkeit von joey tempests stimme, kombiniert mit der starken rhythm-sektion, das hervorragende gitarrenspiel von john norum geben dem album eine besondere stärke.
erscheint auf weißem 180 gramm vinyl im klappcover.

the eight record of the ukrainian label muscut bursts into consciousness like a psychedelic van which is flying at all pairs, leaving behind a sultry cloud. meet the chillera - new girl-band from odessa. three young witches mixed together the berriesof surf rock, dub-rhythms ripened on the southern soil and greens of funky ornaments. it sounds juicy, naturalistic, relaxed and, most importantly, fresh.

the 1969 album from english folk rock band fairport convention remastered and pressed on 180 gram vinyl. comes with download code included.

20 jazz funk greats, das dritte studioalbum der britischen industrial-band throbbing gristle, erschien ursprünglich 1979 und wurde nicht selten als herausragendes album der band bezeichnet. es erscheint nun auf grünem vinyl inklusive downloadcode.

throbbing gristle gelten heute zu recht als die wichtigsten vertreter der klassischen industrial music. die band ging aus der aktionskunstgruppe coum transmissions (ct) hervor, die etwa ende 1969 von cosey fanni tutti und genesis breyer p-orridge gegründet wurde. 1974 stieß der im jahr 2010 verstorbene designer und techniker peter sleazy christopherson zu ihnen, im jahr darauf chris carter. zum 40. jahrestag seiner erstveröffentlichung wird am 03.11.2017 -the second annual report- als limitierte edition auf weißem vinyl im original packaging inklusive downloadcode erneut veröffentlicht werden.

next up on asking for trouble after selling out the album and re-pressing comes a four track remix ep for radioactive man�s luxury sky garden album. life-time friend of radioactive man and control tower partner dexorcist aka simon brown is first up to deliver his take on �sonic portal� on the a side. his style has always been uncompromising and as a music lover and dj he s been a major influence on tenniswood�s style and taste for a long time. dexorcist turns in a detroit influenced banger which goes deep. ben pest then follows with his own take of the same track. a member of funk band pest, purveyor of wonky techno, music tech teacher and hardware enthusiast ben has also released on jerome hill�s don t� label, i love acid and horror boogie to name a few. his take on �sonic portal� is as genre bending and weighted as you�d expect. over on the b side pain struck stanley dumb remix �blast furnace� - a fast and furious electro track which was released as a digital bonus to the album. they work it into a breakneck speed techno number. taste the amphetamine! completing the package biggabush (aka glyn bush) brings his dub influence to the mix. bush of rockers hi-fi connected with radioactive man during a mastering session asking to do the mix after hearing the record. the results are impressive and provide a welcome tempo and vibe change to the ep with its deep and dubby elements.

this record is a collaborative between marq spekt and experimental, proto-new wave musician gary wilson (stones throw). it�s rare that you get the opportunity to work with the actual artist rather than just sampling his records. gary opened his vaults and provided sample soundscapes. some of these instrumentals date back to 1973 and may have been heard before. others may not. the ending result is a pure creative expression and meshes hip-hop, psychedelic, jazz and funk. soak up the vibrations and enjoy!
this is the kind of idea that makes you enjoy the fringes of rap more than what�s in the spotlight. with that said, �broken mazes� sounds weirder on paper than it does in the headphones. gary wilson is an awesomely strange dude with some outré music under his belt, but for this project spekt wisely sticks with the more accessible sides of wilson�s catalog. it�s all breezy jazz-funk with some vague psychedelic touches for extra oomph, a wide-open feld for spekt to run his free-flowing bars. the result is relaxed and enjoyable, if at times a bit unfocused � kinda like a good open-ended improv session by a talented jazz band.

funkadelic have created an enduring legacy, and the power of their impact is visceral in detroit. their records not only played with genre, but possessed a diabolical sense of humour that led to music domination by the late 70s with parliament, funkadelic, parlet, bootsy�s rubber band and the brides of funkenstein all releasing albums the same year for two years in a row. the music itself is beyond stereotype, but equally huge is that they were a black band not allowing themselves to be limited by anyone else�s notions of who they could be, having a massive impact on the next generation of detroit music, detroit techno. but more than just techno, it is a freedom of thinking that extends beyond boxes, so we included all sorts of today s generation of detroit musicians and producers to show the wide range of music that was funkadelic and how these ideas are still contemporary, they endure and inspire.

daß die belgier humor und eine vorliebe für körperlichkeiten besitzen, weiß man spätestens seit ihrem 94er erfolgsalbum »voodoo-u«, welches dank des exquisiten artworks vor allem in den usa zunächst einige ernsthafte vertriebsprobleme sein eigen nannte.
»our little secret« dürfte es in dieser beziehung wohl etwas leichter haben, wenngleich sontitel wie »rubber doll«, »fingerlickin� good«, »pussy« oder »man s best friend« keinen hehl daraus machen, daß man die inhaltliche fixierung keineswegs geändert hat.
aber wozu auch?! passen das kreisen um sex, lust und obsessionen doch hervorragend zu ihrem brillanten gemisch aus industrial , techno, bigbeat und pop. sängerin jade 4u gibt die vokalsichere schlampe, während der rest der band spielsicher für zuweilen ironisierte härte sorgt.
alles, bloß keine langeweile verbreiten, scheint das motto gewesen zu sein. und so jagt ein grandioses musikstück das nächste, verwöhnt den hörer ein ums andere mal mit phantastischen refrains und bleibt dabei immer dicht am industrialisierten dancefloor.

nach dem überaus erfolgreichen start mit veröffentlichungen von konzerten aus dem legendären hamburger club onkel pÖ im frühjahr des jahres und dem überwältigenden presseecho setzt das label jazzline in zusammenarbeit mit dem norddeutschen rundfunk die reihe ab oktober 2017 fort. sie war eine der großen stimmen des soul und des blues: esther phillips. die viel zu früh verstorbene künstlerin tourte in den 50er und 60er jahren durch die blues clubs der vereinigten staaten. erst mit ihrem discohit what a difference a day makes wurde sie einem größeren publikum bekannt und erreichte den kommerziellen höhepunkt ihrer karriere. das vorliegende konzert aus dem hamburger onkel pö zählt zu einer ihrer letzten großen auftritte. das vom ndr aufgezeichnete konzert im �onkel pö�, mit kraftvollen begleitern in der band und sehr enthusiastischem publikum, dokumentiert auf gleich zwei cd�s die außergewöhnlichkeit dieser großartigen künstlerin. noch einmal gelingt die große verzauberung in diesem hamburger november des jahres 1978. esther phillips wird wenige wochen später erst 43 jahre alt. aber die zeit läuft ab � die 50 hat die sängerin schon nicht mehr erreicht. am 7. august 1984 ist sie gestorben. dieses zeitdokument ist ein �must have�!
jetzt erhältlich als doppel-vinyl (schwarz/180g/direct metal mastering)!

umeko ando (1932-2004) was a folk singer from japan. she is a representative of the ainu culture on the hokkaido island in the north of japan. iuta upopo was released on her last cd upopo sanke in 2003, produced by oki kano (oki dub ainu band). upopo is the name of a particular singing style which involves repetition, while iuta simply means song. umeko ando performs this minimalistic vocal in a brittle, emotional manner which is framed by a slow, percussive pulse and oki�s tonkori patterns (the tonkori is a string instrument of the ainu). when pingipung�s andi otto toured japan in 2017, he came across this enchanting, folkloristic and danceable song in a dj set of a friend. he made contact with oki kano who agreed to license the track from his own label chikar studio. it is pressed on vinyl for the first time. this single is part of pingipung�s ongoing concentrical series of 7inches. we are very pleased to have a m.rux remix on the b side. he is not only a brilliant original producer, as his ep in the hold (ynfnd 2016) has proved, his claim to fame is a sublime collection of edits & cuts (for free on his bandcamp) which skillfully takes classics by nina simone, townes van zandt and others to the slowhouse dancefloor. his remix adds a gliding subbass, a kickdrum and occasional claps to the enhanced percussive structures of the original. umeko ando�s vocals adapt seamlessly to m.rux�s powerful electronic production

soundway records presents the debut solo album from the ever-energetic diron animal, lead singer of the band throes + the shine.
born and raised in the ghettos of cazenga in the angolan capital of luanda, the portugal-based artist is known for his incredible stage presence and unique fashion sense. influenced by traditional african music, diron brings modern electronic production and multilingual vocals to his album, which explores the realities of growing up in harsh conditions. the impact of such a life on himself and his local community is thematically apparent: pessimism, greed, and ambition feature - and yet the overarching message is that of opportunity, hope and channelling one�s struggles into creativity.
spell-binding rhythms, bass hooks and original lyrics abound, spanning portuguese, kimbundu and english.

electronic pop act penelope is the second release on fellow swede pjotr�s label. backed up by remixes from roger 23 and physical therapy, the band offers three dystopian pop songs spanning from futuristic, villainous r&b to trance filled breakbeat ending with a guitar based ballad - all songs being infected by penelope�s machiavellian lusting vocals.
roger 23 delivers two versions of the title track, the first a forceful chi-town beat adventure with raw outer space chords (including full original vox), the second a reduced effective piercing dub straight from the outer sphere. physical therapy closes with a psychedelic version of �rattlesnake� built around hard-hitting tribal drums.

sumerian fleet is a trio formed by dutch producers alden tyrell and mr pauli, joined by zarkoff after their 2010 debut ep. their second ep came out in 2012 followed by their debut album �just pressure� on dark entries in 2014. sumerian fleet have returned to release their sophomore lp �pendulum� of all new material as well as a remixed version of �this game has no name� from zarkoff�s other band, fffc.

crackazat is back on local talk! this fall he s about to release his second album on local talk, -rainbow fantasia- and as a little taster we re proud to present this 12-... proton blue and called my name got the crackazat signature house sound, melodic, jazzy and of course very catchy. but it wouldn t be crackazat unless he did his own little spin on those tracks either, right? these two remixes shows why ben is a wizard when it comes to soulful chords on a blaze tip. this is for each and everyone out there that enjoys real music.

born in a remote log cabin deep in the scottish highlands, eventual reality, the debut album from the james l�estraunge orchestra melds jazz and electronic music sensibilities with a huge helping of heart and soul. in 2014 seasoned producer and musician ricky reid and his partner retreated from the city to embark upon a new life, in his own words �away from the constant, incoherent noise of the world�. as he set up his studio, the clean air and spectacular surroundings began to provoke musical inspiration like never before. then, like a scene from �field of dreams�, a series of talented musicians from his former life visited the cabin for a series of late night jamming and recording sessions, leaving behind them hidden treasures to be discovered and lovingly pieced together by ricky over the following months. with nostalgia so much a part of the album�s creation, the james l�estraunge orchestra can�t help but appear somewhat spectral, after all they are truly the band that never was.

great new album by portuguese producer, dj and live band moullinex. guest singers include fritz helder (azari & iii), georgia anne muldrow (flying lotus, madlib, mos def), best youth and da chick. delicious artwork by brßulio amado. worldwide tour to accompany release during q4 2017 / q1 2018
support by vice, kcrw, npr, majestic casual, les inrocks, tsugi
for fans of:
kaytranada, anderson .paak, prince, daft punk, metronomy, cut copy, chromeo, xinobi, caribou, prince, miami horror, rac.

vor vier jahren durften sich green-day-fans wirklich verwöhnt nennen, schließlich servierte die band damals gleich drei neue alben direkt hintereinander. dann wiederum wurde es etwas still, die band nahm sich erst mal eine auszeit. die ist 2016 allerdings beendet. und mit »revolution radio« steht endlich wieder ein neues album in den startlöchern.
limitierte pressung auf picture-vinyl.

following on from the first part of heatwave remixes, mike maurro digs deep into this legendary groups catalogue to bring us another duo of stellar reworkings. this time their jazz-funk classic the groove line from 1977 gets the mm remix treatment and is backed with their evergreen slow-jam always and forever. 2 deeper cuts this time but the quality is just as high as maurro really understands this music and knows what to use and how. fans of heatwave will undoubtedly adore these new mixes and people who are new to the group will be amazed they hadn�t checked out the legendary mr. rod temperton and his super talented pan-european band of musicians before! naturally, everyone is welcome to this party...

abschaum is a rock band from lyon, incredibly good, which is trying to keep the mystery on their identity. sacha met them last year when they played an improvised concert at heart of glass, heart of gold, a festival in the middle of france, and felt under the charm of the energy of the band... few months later they recorded this lp, and what the fuck !! this was just mindblowing !! macadam mambo is presenting here one of its best release, in the influence of bands such as can, amon duul 2oralainbashung... abschaum will be on tour from october till the end of the year, so if you have the chance to see them playing don t miss it!

break at home is the collected recordings of the mysterious group 2 katara which was formed in athens, greece in 1978 by george theodorakis (keyboards, percussion, vocals) with his close friend dimitris papangelidis (bass, guitars, percussion, vocals) tip! this musical-duo recorded quietly over a decade between theodorakis� family idyllic home studio in the philopappou hill of athens and the nearby studios theta and sr. for some part, the tracks seem like adventurous experiments or even unfinished samplers or riffs the band starts to develop, but at the same time there are productions that are clearly meant to be the backbone of an album that never came out.

ziúr is a female berlin-based producer and she�s bringing some future club industrial vibes to objects with her deeform ep. in 2015 she started �boo hoo�, a night dedicated to the queer community, along side joey hansom. bookings are inclusive, having female identifying and people of colour on the bill with a core friendly and accepting space for people to party. ziúr first made stirs when she remixed peaches �how you like my cut- from the totally nsfw but incredibly fun �rub� lp. she then exploded on to the scene with her debut club vibe taiga ep on infinite machine earlier this year. ziúr has come a long way from her experimental noisy punk band �sissters�. punk vibes still run through the dark and bass-heavy sound of deeform ep though. her use of environmental noises, dogs barking and the like, are evocative of cityscapes and dimming lighting when the streets meet dusk. �my testing ground for my own music is when i work at a venue and i do a sound check,� she explains. �if people freak out, then i know that it�s a good track.�