heavyweight reworks of the latest ike yard releases.

it was like a bird of rarest-spun heaven metal or like silvery wine flowing in a spaceship, gravity all nonsense now – anthony burgess, a clockwork orange after their lps “ike yard” (also known as “a fact a second” factory america, 1982) and nord (phisteria and desire, 2010) ike yard delivers their last album “rejoy” on noiztank, 2018 as the culmination of their recent years reinvented sound. as the perpetual flag bearers of the cutting-edge post-punk spirit, the nyc- based band shows muscle in a lp fully loaded with abrasive synth pads, scrap metal percussions, and whispered vocals. following the previous criteria of “sacred machine” 2017, it is worth to remark the inclusion of external vocals in the pieces “sister m” and “beyondersay”, which feature yuki osaki and maya. the nine tracks move through different atmospheres, tensions and moods that would perfectly represent a new contemporary soundtrack of the s. kubrick film “a clockwork orange”, a major influence and source of inspiration for the group this time around.

ike yard recombine their music looking across decades of post punk, electronic, soundtracks and come out with some of their best yet and enough to last the next 20-30 years (in ike yard s very own words). originally founded in 1979 new york city, members michael diekmann (keyboard, guitar, vocals), kenneth compton (programming drums, synths arrangements, bass, guitar, vocals) and stuart argabright (programming drums, synths arrangements, distortion bass, keyboards, metal perc) reformed the band once in 2007 and again in 2010. each time different and with new ambitions. this time ‘sacred machine’ ep is defined by detailed drum layers supported by multiple basses and keyboards, some off-timing beat patterns that turn in a second of synchrony into a straight four on the floor kick and first time vocal collaborations.

ike yards *loss* from their timeless self-titled 1982 album, remixed by regis, pressed on translucent, single sided vinyl.

ike yard came into being as no wave passed on, industrial was in the air and proto-techno had yet to be coined. propulsive, paranoid, aggressive electro minimalism, with as much attention paid to the mixing board and effects processors as to vocals, guitar and synth. at once starker and more fully-formed than virtually all other contemporaneous post-punk music. desires 2012 edition represents the first ever vinyl reissue of this classic, prophetic album. the line-up for the third remix ep includes a great deal of diverse music.
this is a 12 inch vinyl release, limited to 500 copies. grey vinyl, black inner-sleeve. artwork by stephen americh, inspired by the factory america design for ike yard…

arnaud rebotini, recombinant and tropic of cancer remix 2 tracks from ike yards self-titled 1982 album. pressing on red vinyl.

classic factory (u.s.) lp re-issue, printed jacket / innersleeve / 12 inch insert... for fans of: john foxx, richie hawtin, raime, cabaret voltaire, early new order...

ltd regis and monoton remixes !!

splatter is a producer from merida in mexico, with huge reconition in central america and europe. his style is deep and sinister inspired by the world surrounding him. an abstract experience, mixed with unusual non-linea structure base. mike walls productions sound like the perfect fusion of techno and groovy house. creating his own style of techno is the reason he is doing fantastic live sets as well including all the different sound structures, glitches, bleeps and basses he s interested in and let him feel balanced. this release is inspired by splatters summer holiday in copenhagen the summer of 2010. the release features deep and exotic basslines wrapped with glitches, funky noises, and hypnotic drones. a solid composition for the after hour specials.

decks tip!

indie folk

asymmetrik with the 2nd mekanika recordings release. limited edition of 100 hand-numbered copies.

baseline cavi is a collaboration album between inland empire/los angeles rapper trizz and producer mike summers (aka seven)

ground out industrial four tracker by mike broers (clear, us) on justin longs (1/2 circling vultures) new imprint, soft machine. 250 copies only!

the ep has already gained huge support by james johnston, tomorrow is now kid, kid mark, oli furness, scottie deep, jamie trench, lucas rawculture, sem marini, kool vibe, jeremy underground, tunde adams caspa, bryan agent pepper, skylax records, washerman & more!

excellent timeless melodic minimal electro / acid techno !!

excellent 2008 remixes of this huge chicago house classic!! ** mixes comes from lifelike & dolby anol!! ltd green coloured vinyl

rmxs by lifelike / teenage bad girl / boy 8-bit

superb minimal acidic tech tracks !! plus 8 artist !!

standard weight, double black vinyl

coloured vinyl

double vinyl compilation of reggae classics, curated by arte.

smalltown supersounds presents the debut album from perila.

limited pressing on transparent blue double vinyl, housed in a gatefold sleeve.

new album by rodhad

repress without poster!

2lp incl. poster & download

140 gram vinyl double vinyl lp

2018 reissue

abstract-melodic idm-electronica from vester koza on double vinyl.

unveröffentlichter soundtrack des norwegischen kultfilms operasjon cobra aus den späten 70er jahren, das album von 1978 wurde mit einer all-star-besetzung aus talenten wie knut riisnæs, henryk lysiak und thor andreassen aufgenommen. remastered von den ursprünglichen mastertapes, erscheint das album in einer limitierten auflage von 500 stück.

2007 - 2017: heavenly sweetness is turning 10 years old! they are celebrating with 3 birthday parties, and 2 compilations! one is a best of the labels production, and the 2nd one is made of exclusive tracks, composed for this occasion. one is a best of the labels production, and the 2nd one is made of exclusive tracks, composed for this occasion. this compilation is a very subjective best of the labels production, from each album or single we had the chance to produce, with great artists. a journey through 10 years of music, a great introduction to the labels universe, but even the experts will discover unknown tracks. including well known artists such as guts, blundetto, sly johnson, anthony joseph, but also more confidential artists: robert aaron, jacaranda muse, patchworks (and his tribute to gil scott-heron)

first time reissue of the very first dub lp released in nyc, 1975! part of the genesis of the jah life label! first time reissue of kaya dub from 1975, noted as the first ever proper dub lp pressed and released in new york city. the eponymous lp is among the first set of releases on the kaya label. this imprint was the first to showcase the partnership of percy chin and hyman jah life wright as producers and cornerstones of the burgeoning nyc reggae scene of the day. though these tracks originate from jamaica thru a connection with pat jah lloyd francis and have also been released elsewhere, this is none the less a killer selection of dubs from tubby s and randys. in sound and visuals, kaya dub serves as a fantastic snapshot of the music and vibes of roots reggae in the mid 70s, among the best dub lp s of its time.

paul simon’s 2nd album, originally released in 1972, now back on 180g vinyl with download code included.

die r&b/soul-legende andre “mr rhythm” williams veröffentlicht mit “i wanna go back to detroit city” sein langerwartetes neues studioalbum. der 79-jährige amerikaner kann auf eine beachtliche karriere zurückblicken, williams, mittlerweile 79 jahre alt, ist seit den 50er jahren im musikgeschäft aktiv. er schrieb songs für u.a. parliament, funkadelic, stevie wonder, produzierte ike turner und managte soul-star edwin starr. er veröffentlichte alben und singles bei fortune records, epic, chess records und seit ende der 90er jahre auf bloodshot records. auf seinem fünften album für bloodshot liefert uns andre williams einen gelungenen potpourri aus psychedelic soul, r&b und blues. mit an bord sind u.a. dennis coffey (funk brothers), matthew smith (outrageous cherry, rodriguez), dan kroha (gories, demolition doll rods) und jim white (dirty three, cat power).
das album erscheint auf 180 gramm vinyl inklusive downloadcode.

riotvan, die zehnte. welch ein schönes, rundes jubiläum! die perfekte katalognummer, um mal kurz einen blick auf den bisherigen backkatalog zu werfen und sogleich nach vorn zu blicken auf die dinge, die man als nächstes in rillen pressen könnte. riotvan ist nicht nur abbild, sondern auch fester bestandteil und antrieb der elektronischen musikszene leipzigs, was wäre da sinnvoller, als erstmalig den inner circle des riotvan-kosmos auf einer schallplatte zu versammeln? rvn010 ist deshalb die erste so genannte various artists im roster. gleichzeitig aber auch der beginn einer neuen serie, die in regelmäßigen abständen die engen und die neuen freunde aufs spielfeld führen wird.

u2xproductions presents, i m yours written by niko marks and featured artist, sadiqua. niko expresses true detroit deepness while allowing room for a sultry female vocal to carry a bit of melody throughout each mix. a1 starts off low tempo and very dance friendly while b1 delivers a very funky baseline and leans to a more aggressive beat. b2 gets really deep and plays down to a minimal pulse. this release is a definite dj record with smooth and rich grooves that will make a great fit into your playlists!

• limited pressing on sky blue vinyl
• high gloss printed sleeve
• vassago features vocal and lyrical contributions from ike yards stuart argabright

playdoe offer a novo hip hop, an hybridization between groovy and heavy basses and speedy electropop with a graduated lyrics flow. six tracks which confirm the vitality as well as the creativity of the south african stage which managed to digest with daring and freshness all the ingredients from electronic culture. house music, breakbeat, booty, hip hop and ghetto in mind, for a an energetic and addictive result. including a toxic avenger remix!! for fans of kitsune, ed banger...

the music contained in this album invokes the vibes and spirit that were so crucial to much of the music recorded during the 1960s & 70s in jamaica. if you talk to the musicians and singers of this era, they will tell you that the driving force behind the songs they created was the sheer love of music. this is one of the reasons these recordings are so powerful and move listeners to this day. music like this can only be made by those who were schooled in the studios and yards around kingston and is not something that can be easily reproduced outside jamaica. the kingston all stars represent some of the most legendary musicians to ever grace the little island & it is thanks to their passion and dedication that we have a lifetime of music to enjoy.