lp + lyrics sheet + download code. on their new album current, madensuyu manage to reassert and to surprise at the same time. its ten tracks are reminiscent of the duos entrancing thoroughness and intensity, but the band also introduces defining new elements.

another new series from banoffee pies records. when will it end? probably never. introducing the new imprint for miscellaneous sounds with bpmisc01 airing the newly a&r d band, the walls of love with their self titled 10inch ep. two tracks and a direction that reflect some influences of the past with some indie and alternative sounds. plenty of live elements for you to wrap your ears around including vocals, guitar, a bass, drums, synths and a very saucy saxaphone. get tuned in. tip.

deluxe double-gatefold lp with detailed liner notes, label scans & unseen photographs, full album download code included. all but one song appear on vinyl-lp for the very first-time.

das album von 2013 jetzt erhältlich als ltd. edition gatefold lp! record kicks präsentiert das neue album der italian soundtrack funkateers calibro 35! es gibt eine sache, die können italiener besser als andere, nämlich funky soundtracks. quentin tarantino weiß das am besten: soundtracks italienischer spielfilme der 60er und 70er sind beliebt. calibro 35 macht mit der musik, was tarantino mit filmen macht sie leihen sich, was sie lieben und machen ihr eigenes ding daraus, oder wie das rolling stone magazine sagen würde calibro 35 sind die faszinierendste retro-maniac und authentischste sache, die italien in den letzten jahren zugestoßen ist. the budos band trifft auf morricone.

fist & shout is the debut release from glasgow band leatherette - currently now known as total leatherette - and the first to be released on domestic exile. recorded at the now infamous green door studios, the album is a raw, visceral interpretation of instrumental post-punk, no wave, drone and industrial, complete with a fully immersive and foreboding gothic atmosphere.

pi electronics reaches its fourth release with pi04 and welcomes on board the legendary figure of justin k. broadrick, also known as jk flesh. broadrick, whose name relates to the birmingham industrial metal band godflesh, as well as napalm death, jesu and more, delivers an ep of 3 original tracks under his electronic music moniker of jk flesh. informed by industrial, dub, power electronics and the extreme excesses of electronic music driven by beats and bass, jk flesh presents different sides of his repertoire. california based juan mendez aka silent servant, co-founder of the ground-breaking jealous god and sandwell district imprints and known for his minimal wave-indebted techno sound, offers an atmospheric electro remix of broadrick�s pi04.2.

behind the sstrom moniker hides one half of shxcxchcxsh and a long-time activist of sweden s experimental techno scene. having fallen in love with simple melodies and catchy arpeggios when being a member of bitpop/synth band slagsmalsklubben, he transferred these sensibilities further into his other projects. sstrom s excellent 2016 debut for semantica records was an excellent exercise in lush aquatic techno with breezy and lush atmospheres. the new ep -vitriol- is informed by the personal experience of the producer, which adds additional warmth and emotional weight to the record. the release brings back memories of earth pigments his father used when painting things in their house, the colours created were usually dark toned with some pastel lightness. this juxtaposition is felt throughout the record, which balances between cinematic futurist moods, steel-wool smoothness and subtle physicality due to its textured nature. the title track kicks-off with detroitish synth loops wrapped in dense lo-fi soundscapes, while -sienna- increases the tension by introducing more expansive melodic appeal intertwined with intensity of feather-like 4/4 rhythmics. -umbra- brings some shadowy sonic undertones immersed into a sea of crackle with melodies constantly resurfacing. the closing -ockra- bursts with more groovy patterns, yet retaining the same elegant warmth, which seems to be the signature element of this ep. while listening to all these tracks you feel like touching some alien surfaces with utmost sensitiveness with surreal landscapes stretching out in your imagination. this is carefully crafted introvert music, yet having some elegant dancefloor appeal.

second release from bell telephunk, who went on to be kinsman dazz and then the dazz band.

following on from the critically acclaimed penya investigations cassettes and the 12inch acelere ep, afro-latin-electronic collective penya conclude an intensely creative period with a long player collection of tracks super liminal. liminal an in-between state references the transitional process the four piece band entered during a series of self-produced recording sessions held at penyas multi-instrumentalist magnus pis home studio between march 2016 and may 2017. penyas percussive and futuristic afro-latin sound also owes its genesis to the concept of liminality: the threshold of disorientation occurring during ritual practices. penya s hypnotic groovescapes, led by jim lem s bata drumming,ancient chants, sung by lilli elina, dubbed-out improvisations on trombone by viva msimangand lo-fi electronic production by magnus p.i create a sound that has garnered significant support on bbc 6 music via tom ravenscroft, worldwide fm via gilles peterson, on bbc radio 3s late junction, as well as being praised by a host of producers including dj khalab, will lv, dj jose marquez and dengue dengue dengue. penya s energised and engaging live show has also toured across uk festivals this summer, including brainchild, wilderness, farmfest and big love.

to make it to album number three, a group has to make a compelling debut and then avoid the sophomore slump. if you reach that third record, you are supposed to be a professional, a stone-faced musical grown-up. but don�t tell that to de lux. after their 2014 debut voyager and 2015 follow-up generation, the la duo is gearing for its best and brightest lp, more disco songs about love. the difference between this album and all the rest? let s ask the band: we like to say voyage was our baby, generation was our baby all grown up and more disco songs about love thinks growing up sucks and just wants to party smart.

erstmals im jahr 1990 erschienen, veröffentlicht earache records das dritte studioalbum von napalm death neu auf vinyl. die engländer machten grindcore salonfähig, wobei sie sich mit »harmony corruption« erstmals stilistisch umorientierten und den beginn der death-metal-Ära ihrer band einläuteten.
aufgenommen wurde das album im morrisound recording studio in tampa, florida. es beinhaltet unter anderem den klassiker »suffer the children«.

hidden orchestras dawn chorus remixes folgt dem aufschlussreichen album dawn chorus, das neueste album des produzenten und komponisten joe acheson mit immersiven field recordings und ausgedehnten soundscapes zu einer reise durch electronica, deep house und ambient psychedelia. dawn chorus remixes enthält bearbeitungen von max cooper, matthew herbert, throwing snow, the physics house band, nuage, floex, nostalgia 77, wrongtom und skalpel. erhältlich als 2lp mit silbernem prägefolientitel und bedruckten innenhüllen, downloadcode inklusive. das cover-artwork stammt von dem gefeierten künstler und druckgrafiker norman ackroyd.

clocking in at 11 minutes, this is a radical deconstruction of the track bint el khandaq that appears on the mashrou leila album ibn el leil. lost souls of saturn tease out the underlying emotion and yearning present in the original and take the listener on a beguiling, symphonic ambient journey that calls to mind wolfgang voigts much loved gas project, or the shimmering imaginary landscapes of brian eno. renowned for their rousing, sensual electro-pop mashrou leilas songs touch on political freedom, lgbt rights, race, religion and modern arabic identity. lost souls of saturn were approached by the band to reinterpret the original track and the stunning results fit perfectly as their debut release on r&s. this is the next step in the evolution of seth troxler and phil moffas lost souls of saturn project. look out for an album on r&s in 2018.

wolf müller & versatile label head gilbr give the remix treatment to zombie zombies hippocampe - the first track from their recent livity lp. a long time fan of the band, jan schulte (under his wolf müller alias), delivers 2 interpretations of the track, combining heavy krautrock influences a la can with a distinctive b-boy twist. gilr takes hippocampe in a more minimalistic direction, with heavy drums laying the basis for a dubbed out journey.

the afro-funk side of the latin soul maestro! born in gao (mali), boncana maiga is one of the most talented and popular producer of west-african music since the 60s. he studied flute and latin arrangements in cuba during the 60s and founded the famous les maravillas du mali in 1968. he became orchestra leader for the national ivorian tv in abidjan in the mid-seventies, and toured all over the world with the famous africando band. during his recording sessions in nyc at the beginning of the 80�s with a lot of �latin musicians� from puerto rico, venezuela or colombia, boncana maïga also recorded few rare funky tracks with heavy breaks! with the artist, we decided to reissue four rare tracks from 1978 to 1982 dedicated to dancefloor, including a really rare soundtrack for the oil company of ivory coast called petroci. in 2018, hell be back on tour with les maravillas du mali, still have a weekly tv show on tv5 monde and with this reissue will continue to warm your afro-funk parties! fully licensed, 12inch vinyl (45 rpm) including interview. remastered by the carvery!

now the new ep takes the whole adventure even a step further and features two vocal songs featuring julie runa from copenhagen based band roxy jules: µeighty fourã is a killer krautrock / post punk tune with intermittent screaming synths, while µplaying in the nightã is a more darkwave-meets-surf rock via a laboratory of electronics and noisy guitar layers - thrilling stuff.

repress! the impression one gets of django django is of a band laying down the first, meticulously measured borders on some vast map of a world that only they are privy to. correspondent to that, each track is like its own nation of harmonies, rhythms and textures. >we didnt put much conscious thought into making it sound like an album - we thought wed let any similarities between the songs come out by themselves,< explains tommy.

a lot of bands are trying what the exorcist are doing, to make timeless, mind bending, dance music but they often fail in reaching all the way. the exorcist is the band that seem to exist in a dimension, much like ours but that lacks time as we know it, time is stretchable backwards and forward, and being in this dimension allows you to travel while, still staying in one place. call it time travel if you will or moving outside of time rather. the exorcist does this. also they reach our dimension.
�ii�, released on hoga nord rekords is dimension expanding and time dissolving music.

aux88 bass magnetic re-issue 1993-2018. back by popular demand, the same unique spirits that brought forth the sound of detroit streets and turned it into the futuristic soundscape known as techno-bass , the original members have collaborated to re-issue their catalog 25+ years later. starting with their 1st double pack lp, bass magnetic (considered to be a mesh of influences between miami bass and detroit techno), aux88 established themselves in an effort to stay true to their roots in the streets and the clubs creating their own genre into a global dance culture. after the release and production of their own documentary ( aux88-portrait of an electronic band ), the group celebrates its now classic recordings. harkening back to its first days on cassette tape to revive a future generation of vinyl aficionados. aux88 s bass magnetic = classic detroit electro.

art pop meets mongolian throat singing, blade runner meets walter carlos (clockwork orange), tom dissevelt and kid baltan (bowie�s favourite band) meet tame impala. the fifth album from marsmobil has been hailed by many as their best yet. with closer ties to �minx� (2006) than the last two albums, �fairytales of the supersurvivor� returns to marsmobil�s signature strength of wondrously brilliant songs (�and the fishes in the ocean�, �shadows of the inner light�) that blend off-the-wall cinemascope sounds with dazzling beats and punchy, powerful hooks to create uniquely distinctive art pop anthems. as always with marsmobil, roberto di gioia writes, plays, sings and programs everything himself. here, as on �minx�, he�s brought in support from a fabulous singer � the very wonderful amber lin, who contributes vocals on four songs. all the cover illustrations are also by di gioia.

surely no other orchestra can claim the dancefloor kudos of these guys - the salsoul orchestra. theyve literally played on, shaped, crafted and executed numerous classics since their inception in 1975. as salsoul records in-house band they were quite literally, instrumental, in the personality and sound of one of dance musics most famous and respected labels.

2x12 inch lp in printed innersleeves with lyrics + the album on cd format. rooms / ruins is a collection of eleven devastating songs from a highly intriguing and beguiling band. with their unique mix of experimental rock, drony post-folk and deep, dark blues, flying horseman is an ongoing, growing sensation.

mit nomc15 erscheint nun eine art deluxe album des letzten studioalbums music complete von new order als live-version. zum vÖ des albums spielte die band aus manchester zwei shows in der brixton academy london. eine wahrlich großartige live-aufnahme eines der beiden ausverkauften konzerte erscheint nun als doppel-cd und 3fach lp auf mute!

the night is what makes a big city come to life. right after sundown, the hectic buzzing of downtown makes way for adventure playgrounds, bathed in neon light, revealing their countless chances and opportunities. its when youll find the subway spitting out its purpose seeking passengers by the minute. a coming and going of restless people passing through. all it takes is a few hours, before the sunrise makes it all disappear. mental bend captures the magic of that very moment in their dreamy soundtracks. if you close your eyes, you can see blurry pictures passing in slow motion, accompanied by their atmospheric songs. grainy black and white snapshots, fragments of memories lighting up somewhere in the farthest corner of the cortex. one step is the berlin-based indietronica duos visually vivid debut album, released on enfant fenou. mental bend are all about letting go. sissip (voc/synth/bass) and hendrik havekost (beats/production) know how to trust their instincts, crafting their hypnotic signature sound, somewhere in between electronica, ambient and dream pop. before founding the band in 2013, the two were already shaping their skills in all kinds of different formations and styles of music. as soon as they got together, they had a viral mini hit with their song take my hand, praised on various tastemaker blogs and generating over 100.000 likes on soundcloud in no time. the bands first long play record one step is all about important experiences and decisions, small as well as big steps, all a part of making progress, which in the end can even be life changing. it was a step, that recently got mental bend their record deal on mos ferrys sub label enfant fenou.

marcel vogels intimate friends label welcomes a newcomer to the fold, with hypoleon displaying a warm and inviting take on outboard, leftfield, electronic soul with a wavey edge to it. the vocals on the original tracks have a haunting edge to them thanks to some hefty processing, but the power in the delivery is undeniable. the tracks meanwhile channel acid, electro and minimal wave in understated ways, played out with a live band dynamic that hooks you in from the start. jon mcmillions remix of tresberry turns the track into a simmering 4/4 jam for the warm up heads to get loose to, while tevo howard brings some of his signature boxy acid to bear down on the track.

nach zwei ausverkauften 7inch singles, festivalauftritten auf so ziemlich jedem namhaften deutschen musikfestival und opener-slots für bands wie balthazar, future islands oder battles veröffentlicht das kölner quartet xul zolar mit �fear talk� am 19.01.2018 seine debut lp auf dem von der band mit-gegründeten label asmara records. um diese vision in die realität umzusetzen hat sich die band sowohl mit dem kölner produzenten marvin horsch (woman, keshavara) zusammengetan, als auch die besetzung mit dennis enyan zum quartett erweitert

format lp, 12nch + insert w/ lyrics and drawings by ben. this vinyl was pressed in 150 copies. story about the band w.a.t.s (where are the stars) is a project of 3 musicians based in lyon, france. the band is composed by 3 members: ben merlin (vocalist & texts writer), jonas bernath (synthesizer, guitar, bass) & guitos (keyboards, percussions).

rumble records present a reissue of serge gainsbourg s du jazz dans le ravin, originally released in 1966. gainsbourg, the original bad boy of french pop, the man who updated the french chanson and made it hip again infusing it with the youth culture of the late 50s and 60s, ruled by jazz, drugs, and free love. very different from his celebrated later works, the music captured on this vinyl edition finds gainsbourg mixing traditional chanson and big-band jazz rather than the avant garde pop that went on to define his career outside of france. this record presents a revealing insight into the early years of this iconic figure.

jonny rock remixes of rocking lebanese band mashrou leila track djin bassline to shake your bones to. it s an epic trip.

the definitive hendrix live album has now been expanded to inlude 5 new performances. the double vinyl comes in a gatefold sleeve, including a deluxe 12 page booklet with rare photos and comprehensive liner notes.

garage-rocker otherkin veröffentlichen mit »ok« das lang erwartete debütalbum.
2017 war eine stürmische zeit für die band. zwei uk-touren, sowohl als headliner als auch mit the amazons gefolgt vom glorreichen video zur single »bad advice«. darüber hinaus hat die band für guns n roses das legendäre slane castle eröffnet, ihr download-debüt im castle donington gemacht und erfolgreich die otherkin-flamme in holland und frankreich am leben erhalten. erst vor kurzem hat sich metallicas lars ulrich in seiner beats1 radio show für die band eingesetzt.
»ok« wurde in irland in zusammenarbeit mit david predergast, jason boland und der band aufgenommen. die lieder wurden in london von jolyon thomas gemischt, der am besten bekannt für seine arbeit mit slaves und royal blood ist. mit einem frischen »ok«-tattoo beweisen sänger luke und schlagzeuger rob echtes engagement und volle hingabe für ihre kunst und ihr album-artwork.
die vinyl-lp erscheint inklusive downloadcode.

mit »zwischen den runden« ist das letzte kettcar-album nun bereits fünf jahre her. drei jahre liegt auch »konfetti«, das solodebüt von sänger marcus wiebusch, zurück.
deshalb dürfen wir uns 2017 besonders über das neue album der hamburger indierocker freuen. »ich vs. wir« heißt die mittlerweile fünfte studioplatte von kettcar.
elf songs hat die band dafür geschrieben und aufgenommen. die produktion übernahm philipp steinke (bosse, revolverheld, mark forster).
limitierte special-lp mit gestanztem gatefold-cover und booklet im lp-format plus downloadcode.

ombra international can save you with the fury and lust. bordeaux cold-wave band, bagarre perdue kick things off with cowboy and the psychedelic spaniard, sutja gutierrez closes with a tripped out vocal track. the b-side goes more for the dance floor with french-londonite, mondowski and a post-punk slow wave song ties it all together from st. petersburg russias, seven knives.

sterns edits returns after the sell-out success of its debut edition with another two catalogue reworks from ben gomori. this time he turns his attention to burkina faso s much-loved taxi-driver-turned-singer, amadou balaké. balaké ( porcupine in mandinka) is burkina faso s proudest musical export, and in 2013 he recorded his final album before passing away: in conclusion. the record saw him revisit some of his most popular tracks from his remarkable 50-year career, backed by an eight-piece burkinabé band who took the country s traditional sounds and brought them into a contemporary light. gomori retains the essence of the original recordings which were mostly captured in one take and marries them to vigorous afro-house stylings. bar konon mousso (musicien c est pas quelqu un) in which balaké tells of a bar lady being unimpressed by his profession, gets a gentle push towards the modern dancefloor, its wonderful sax lines resplendent. massa kamba is taken for a drive down the more traditional route, with commanding drums bolstering the original grooves and a marvelous triple harmony brass section at its core. balakes freewheeling style suits the hypnotic feel of the edits to a tee. sterns edits is an official collaboration between african music stalwarts sterns music and london s ben gomori.

first official vinyl reissue of original cassette fondation - le vaisseau blanc.
fantastic cosmic, space, ambient and experimental music from mysterious french duo annanka raghel and ivan coaquette (formerly of spacecraft and musica elettronica viva). originally released in 1983 as a limited edition cassette of only 500 copies on camouflage label, this ranks up there with anything by ash ra tempel, agitation free, heldon or richard pinhas. incredibly evocative and highly recommended. historic moment - a lost piece of the puzzle of the wondrous french avant-garde. this official reissue comes in a double album gatefold sleeve with archives from ivan coaquette collages. limited to 500 copies.
bonus: comes also with an insert with trippy photo by france annanka raghel herself and brief description of fondation band.

réminiscences is a selection of 8 standards of the band revisited in a more punchy and electro style compared to the original versions but preserving what made the specificity of the opera multi steel sound. indeed, on boosted rhythms and fully re-recorded vocals, those new versions use sounds and �historical� instruments cherished by the band since its beginnings: tr 808, tr 606, tb 303, elex, casio vl-1, recorders, medieval choirs and various samples. the texts have been preserved in their entirety. the tracks are taken from albums such as cathedral (un froid seul, du son des cloches...) a contresens (les sens, las), les douleurs de l�ennui, la légende dorée (fureur en asie) and even from the very first vinyl ep of the band (massabielle). the artworks of the disc and sleeve, as well as the video clip coming together, have been realized by alan cassiano, who based his graphic work on visual atmospheres inherited from the very first vinyl ep of the band, using images taken from the encyclopedia (xviiith century) and perspectives by jan vredeman de vries (xvith century). finally, reminiscences is not a simple compilation of tracks, but rather a kind of travel through the different ages of opéra multi steel�s music rearranging/revisiting classic songs and images through nowadays eyes and ears.
limited edition of 250 numbered copies on picture vinyl.

trisomie 21 is a post punk band formed in 1981 by phillipe lomprez (vocals, drums) and herv? lomprez (guitar, electronics), two brothers from abscon, in the north of france. they began composing songs at the age of 16 while studying at school. the brothers were influenced by kraftwerk, the residents, yello, p.i.l as well as the films of george a. romero. their music consists of lush soundscapes that do not easily fit into any one category. lyrics are sung in english because in the north of france the duo sought to contradict the trend at the time for everything to be sung in french. musically their mood is melancholic and one can hear traces of joy division, durutti column and the cure.

trisomie 21 is a post punk band formed in 1981 by phillipe lomprez (vocals, drums) and herv? lomprez (guitar, electronics), two brothers from abscon, in the north of france. they began composing songs at the age of 16 while studying at school. the brothers were influenced by kraftwerk, the residents, yello, p.i.l as well as the films of george a. romero. their music consists of lush soundscapes that do not easily fit into any one category. lyrics are sung in english because in the north of france the duo sought to contradict the trend at the time for everything to be sung in french. musically their mood is melancholic and one can hear traces of joy division, durutti column and the cure.

trisomie 21 is a post punk band formed in 1981 by phillipe lomprez (vocals, drums) and herv? lomprez (guitar, electronics), two brothers from abscon, in the north of france. they began composing songs at the age of 16 while studying at school. the brothers were influenced by kraftwerk, the residents, yello, p.i.l as well as the films of george a. romero. their music consists of lush soundscapes that do not easily fit into any one category. lyrics are sung in english because in the north of france the duo sought to contradict the trend at the time for everything to be sung in french. musically their mood is melancholic and one can hear traces of joy division, durutti column and the cure.

trisomie 21 is a post punk band formed in 1981 by phillipe lomprez (vocals, drums) and herv? lomprez (guitar, electronics), two brothers from abscon, in the north of france. they began composing songs at the age of 16 while studying at school. the brothers were influenced by kraftwerk, the residents, yello, p.i.l as well as the films of george a. romero. their music consists of lush soundscapes that do not easily fit into any one category. lyrics are sung in english because in the north of france the duo sought to contradict the trend at the time for everything to be sung in french. musically their mood is melancholic and one can hear traces of joy division, durutti column and the cure.

the mighty one-man-band with the most notoriously misspelled airport pick-up signs in music history returns to his beloved hometown imprint musique risquée with a scorching three-track can of shake-ass. guillaume & the coutu dumonts is never one to shy away from fresh contrasts in his works, and we have no exceptions here - all manner of dark-to-light, flacid-to-hard, and identifiable-to-wtf? moments, sounds, and vibes abound. lead-off piece histories vraies brilliantly soundtracks the inevitable future moment when a season-premiere costumed viewing party for game of thrones unknowingly gets their punch spiked with moon rocks and teleported right to the middle of panoramabar at peak time. a2 jam far is the field counterattacks with the next level fusion of sun ra arkestra-esque transmissions wrapped around a humpty dance-on-steroids bassline, twisting and shifting away from the hands on the clock with beautiful ease - i am music.. indeed. finally, b-side long-burner whatevers inside rocks a sultry belly dancers theme song at an fm and modular synth bazaar on uranus, with g & the cds patented sharp percussion fills ensuring that the resulting melted faces and hearts will still be set in motion by the all-important collective flexing of the gluteus maximus.

the son of a radio dj who introduced him to the world of record collecting, harris grew up with music, progressing from violin, to high school drum line, to the jazz studies program at virginia commonwealth university. he also continued working with other instruments and developed an interest in sampling. his development as a producer at first, without a computer or sampler came first learning to replay samples on the drums, piano, bass or guitar. dj harrison finds himself inspired by local musicians in the richmond scene thats as diverse and nonexclusive as they come. among rappers, producers, punks and bluegrass bands, he falls within reach of an expansive pool of musicians to collaborate with. he lives and works in jellowstone, a house turned recording compound occupied by his band mates in butcher brown, a garage punk jazz funk group.

frío y vacío is a band based in méxico city, formed in 2015 by the prolific angel kauff (vocals, guitar, synths, drum machine) and jon gil (bass, drum machine). angel also created his more synth orientated stockhaussen and isotropía projects, jon is also half of the identik fact project, the other half being his twin brother jeremy key who in turn is the guest vocalist in frío y vacío s song autodestrucción . what frío y vacío do is a reflection of their name, meaning cold and void . they have been influenced by different music genres, from post-punk and goth rock to cold wave and synth punk, all with a classic 80s sound. the lyrics are a consequence of kauff s personal experiences and feelings. the music, a maelstrom of fast rhythms, sharp guitars, thumping baselines, everything to create an oppressive atmosphere, charged with a high load of electrostatic power that is released in almost every song. pure, dark energy. note: limited to 265 hand numbered copies - comes with download code and lyrics insert

180 gram brazilian polysom re-issue of the polydor original.
the third album from the legendary os mutantes � part of the essential trio of sides released during the tropicalia years! the record�s got a sound that�s tighter and a bit more straightforward than their previous efforts � stricter song formats, and styles that lean heavily on rockish guitars and organ. but as the odd cover images on the front and back will attest, the band is still in a very creatively arty mode here � still working strongly with arranger rogerio duprat, in a wash of sounds and moods that fold contemporary music back upon itself with plenty of odd twists, turns, and surprises! titles include -desculpe babe-, -oh mulher infiel-, -quem tem medo de brincar de amor-, -hey boy-, -haleluia-, -ave, lucifer-, and -meu refrigerador nao funciona-.

a certain ratio aus manchester repräsentieren beispielhaft die Ästhetik und kultur der postpunk-explosion der späten siebziger. mute schickt sich nun an, den katalog der band in einer mindestens länger währenden veröffentlichungsoffensive erneut verfügbar zu machen. die reihe beinhaltet das debüt �the graveyard and the ballroom�, das im original im dezember 1979 auf factory records veröffentlicht wurde. es erscheint als limitierte vinyl-edition mit einem farbigen pvc-sleeve inklusive cd und, analog zur erstveröffentlichung, kassettenbeilage. gleichzeitig erscheinen die alben �to each...� (1981) und �force� (1986) auf farbigem vinyl.
rotes doppel-vinyl (45rpm) im klappcover, downloadcode inklusive.

deluxe 2x12 lp edition, cut at audiophile 45rpm:
- original lp in 180 gram virgin vinyl plus bonus track from the first single
- exclusive picture disc with bonus tracks taken from the same recording sessions
second studio album by the influential music band tangerine dream, alpha centauri is the milestone of the psychedelic era. originally recorded in 1970, this album is an extraordinary trip into a dark sonic universe, where the overall quality has little in common with the luminescence recalled by its title.

if m.a beat! was a place, it would be the liquidrom in berlin. this sauna where the youth swim to the rhythm of comforting electronica. their music is often oneiric composed of ethereal details with surrealist samples. after �drowning for love� album and a few eps, m.a beat! �s second album �sans soleil� will be released 29 september via bmm records and its first single nosferato on september 8 with a clip by the gif artist sarah zucker. ambient music legend, brian eno-collaborator, laraaji is featured on the album and give birth to a cross collaboration with the band : m.a beat! will release a remix for laraaji s new album. in the lineage of avant-garde electronic music, the band s last effort appears to be experimental, adventurous and radically different from their previous ones. using less sample collages and improving composition techniques, the trio seems to travel in time with ambient landscapes and obscure pop songs.

first official vinyl reissue of original cassette fondation - le vaisseau blanc . fantastic cosmic, space, ambient and experimental music from mysterious french duo annanka raghel and ivan coaquette (formerly of spacecraft and musica elettronica viva). originally released in 1983 as a limited edition cassette of only 500 copies on camouflage label, this ranks up there with anything by ash ra tempel, agitation free, heldon or richard pinhas. incredibly evocative and highly recommended. historic moment - a lost piece of the puzzle of the wondrous french avant-garde. this official reissue comes in a double album gatefold sleeve with archives from ivan coaquette collages. limited to 500 copies. bonus : comes also with an insert with trippy photo by france annanka raghel herself and brief description of fondation band.

the mindblowing second album from george clinton�s warped band of brothers. pressing on 180 gram vinyl.