beau wanzer returns with another lp of archival material plucked from the mutant mounds of shitty coughs and smelly feet. wanzer digs deep and delivers twelve tracks in his inimitable style, with some dating as far back as 1999. the brutal electronic punk productions like something stinks are balanced with moldy movements such as staring at at fish. this lp takes a more vocal heavy and menacing approach, but it s not without moments of respite. undoubtedly another oozing outing from the chicago deviant.

the 12th installment in the falling ethics series is an adventurous piece of work. tensal and p.e.a.r.l. team up on this split ep to showcase their production styles which are mainly built around crafty drum loops and buoyant synth experiments.
tensal takes care of the a-side where he takes care of one flaming techno cut for the dancefloor which is followed up by two adventurous pieces of electronica.
p.e.a.r.l. also took care of three cuts on the b-side. the opening track “joy of rapture” is a straight forward demonstration of machine heavy techno. “fall before you” is a deep and soul wrenching cut that showcases p.e.a.r.l.’s more delicate side. “red flame” is a piece of horror reminiscent ambient.

dublin’s lime street music follows up on their debut release by marvis dee with another release from a shadowy alias in the form of esoteric orchestra. four machine driven jams packed with heavy drums, dreamy pads and lumbering bass.

after years of releasesing tapes and collaborating with artists from seattle and beyond, budget cuts is proud to announce the launch of our vinyl series. decoy’s lake city way ep is a celebration of seattle and life. the material on the ep features four original tracks of vibrant techno, which range from the melodic “glide synth” to the intensely polyrhymic “heavy track”.

emerging from what sounds like the unknown depths of outer space, new artist icore drops a debut ep on osiris music uk lled with ve exercises in hypnotic, polyrhythmic tension. the a-side’s two tracks ’sigil’ and ‘status field’ feel like two parts of a whole, each establishing a minimal, kick-heavy march in 6/8 that would perfectly ll the cavernous hull of an abandoned mining vessel, lurching through empty parts of the galaxy to the sound of ominous drones and malfunctioning, high-end bleeps. the b-side is more cinematic in its scope, with opener ‘substance from shadow’ summoning a distinctly b-movie vibe in its melody, before both ‘claimed by night’ and ‘axiom’ retreat into darker, more ambient territory, the former thick in sub- bass kicks, the latter ramping up the dread with unnerving repetition.

first ep by vaskular (the creator of black jesus) on comeme will appeal to lovers of south african beats and hip hop four jacking tracks of heavy dancefloor elegance probably one of the best bassdrums you will hear in 2017 100% comeme dancefloor approved. fun facts: yula kasp, who has recently released her own music on kill the dj is not unknown to cómeme insiders - she did the videos to comeme classics guerrero, el sucu tucu, levantate diegors, do you wanna work and more, and did backing vocals on philipp gorbachevs hero of tomorrow ep! m. aguayo played drums for her on some of her tunes, too

unknownmix was a band active in zürich between 1983 and 1992. their music is a mixture of free vocalism, new wave and industrial, they released five lps and three eps. out of their discography lux rec selected four tracks, remastered from the original tapes, and presented as a sampler ep. four tracks that fit perfectly to the label’s tonal view. an ode to those zürich days, when excesses and uncompromising choices were a badge of honour. and music was something to fight for, or fight with, or dive in and die.

following two monumental releases on crosstown rebels, serge devant is back onboard the label to deliver one of his best to date. the immensely sensual thinking of you sees him team up once again with damiano and camille safiya with invigorating remixes from heavy-weights reboot and art department.

serge devant has been turning heads since the seminal fearing love feat. camille safiya dropped in 2015 on emerald city, picking up the best music video award at the 2016 hollywood independent reel film festival. serge reveals it was so nice to have the same company back in the studio to work on more magic! thinking of you breathes the air of summer with its blissfully smooth chords and deep hypnotic tones it s another winner from serge.

welcomed back onto crosstown rebels, no.19 boss jonny white aka art department delivers a raw, techno cut in his modular perspective remix. jonny has seen almost unparalleled success in the world of dance music and continues to be at the forefront of the industry with a huge focus on his record labels and his in-demand label showcases that take the name of his vinyl only label, social experiment.

frankfurt s reboot brings his flavour to the release with intricate percussion and deep underlying pads. growing up in sven vath s omen club, the talented musician now spearheads the new sound of frankfurt and has released on a wealth of labels like circus, moon harbour, cadenza and get physical.

the second instalment from the bristol based fate and fiction stables follows the v/a ep from ishmael, thrilogy, admin and remotif with a big four tracker from label boss, lee pattison aka thrilogy. again, expect organic, bass heavy, deep house with dusty samples and an acidic, big room, 6am moment in the special the fate also, includes a signed, limited edition (1of 350), pink 12 inch hand-drawn print from bristol artist, anna higgie.

former half of the defunct pitch & hold duo under the banner of which he operated from 2006 to 2011, simon halsberghe steps up on brussels’ very own vlek with his debut solo ep as simon hold. first heard on vlek s 2016 mix for resident advisor as they were appointed label of the month by the high­ranking platform last autumn, maqam bruxelloise reflects the wide­angle beauty and compelling diversity of the belgian capital and its throbbing heart, a city at the confluence of cultures and languages. across a finely­layered interplay of synthetic modulations and intricate polyrhythms, hold lays out a riveting kaleidoscope of pattern­welded textures and prismatic synth motifs played and arranged accordingly to a contemporary interpretation of the traditional arabic maqam system of improvisation the track draws its title from. an ode to brussels all­embracing effervescence. translating as -soft drone- or -pleasant noise-, the gritty dhajij doux then welcomes you into a more disquieting, bipolar audio scenario that evokes the reality of living -in a sometimes difficult and hostile city-. a curiously matching negative of the opener, in this that it taps into the same generous and plural matrix universe as main source of inspiration, but eventually opens on a more nuanced outcome, here hold clearly shows a further abrasive facet of his work: harsh and vibrant, the track may be replete with a lead­heavy amalgam of sizzling bass and jagged drumwork thrown into the furnace, light and hope still manage threading their way through dark clouds and turbulence, slowly but surely turning this rough­hewn stone into a truly haunting gem.

formidable 3 track 12inch from the far north. sabothoka on the side a delivers a real cry for freedom in the form of an afrobeat disco dancefloor crowd pleaser that will make you smile, this track was a rune lindbaek floorfiller at the infamous club nomaden in oslo, norway. on side b changeling kicks off and does not disappoint, with its peak time acid house guitar loop, heavy head nodding drums and vocal it s a surefire winner. finally on b2 we have strong, a carnival style dubbed out reggae vibe with some cheeky effects and subtle flows. long live the wild pitch! dj support: todd terje rune lindbaek rahaan severino (horse meat disco) yyyes please all tracks i like yam who yeah some killer vibes there agent 86 (melbourne) oh man killer material thank you so much. andy carroll (cream/ibiza)

mysterious numbered white label from buddy broke. deep and jackin’ madness with rumbling bass lines and crazy hooks combined with heavy jams reaching the outer-worlds. super limited pressing of this one so don’t sleep.

nice price deal !!! morris t single >break of dawn< features the beautiful vocals of juliet richardson. singer / songwriter, her solo album >random order< produced with stuart price was a big success in 2005 including the opus >avalon<. juliets brooding vocals seduce and entice listeners with a potent cocktail of penetrating sensuality. jerome sydenham, owner ibadan records and half of the duo sydenham & ferrer project, produces a percussive groove, blending house and techno together. the >main dub< is a deep hypnotic builder with an heavy bass drums and fierce beats!

nice price deal !!! a/jus/ted is the musical concept of veteran producer justin strauss & analog aficionado teddy stuart, better known as eddie mars, & since coming together in 2012 the pair have crafted some lush, synth heavy music. before then they had impressive careers: in the case of strauss, remixing & producing for some of the biggest acts in the states from a range of genres, & for stuart it was producing his own disco fried sounds for uno nyc.

we present the core of chaos ep by rezystor for the first twb vinyl release. two banging original tracks by rezystor for the dancefloor which are the perfect combination to create a dark atmosphere. binny (monnom black/clft) takes over for the first remix and presents a raw, rave-influenced interpretation of inner core. the second remix of inner core comes from rendered (aufnahme+wiedergabe/body theory) who converted the original into a bass heavy, pounding basement version.
analogue mastering by alhek mastering. artwork by maxime charton.

ozel ab comes swinging back to the lobster fam. this time with a hardware-heavy, industrial-blended sound extracted from the rigs of the north sea.
hints of the lucid tripped-out melodia remain but this time bolstered and scaffolded with steel roads, clanging metallic hooks and grumbling machine-torn synths.

nice price deal !!! the new chapter of australian raah project is a limited edition 10 inch with two stellar remixes done by londoner blue daisy and alex patchwork. >all of your things<, heavy claustrophobic beats version by blue daisy and >will you be there<, uptempo deep style by alex patchwork.
available physically in a limited edition (499 copies) with customized cover artwork, printed and then hand painted.
the ep also contains a code to the digital download of unreleased content.
the original versions of the tracks are taken from the album >score<.

nice price deal !!! titanium is back with a brandnew release! titan103 is a great ep from austrians producer christopher groove who has his first solo release on philipp straubs label titanium. this ep already had a great impact on the market as felix da housecat licenced maximal mnml for his recent global underground compilation milan which was a great success wordwide. maximal mnml is a deep techno tune with soft percussions and a great bassline that makes everybody move. the second track b.o.w. is a real techno bomb with a huge break and succeeded on many dancefloors around the globe, not only due to heavy support from carl cox. to complete the ep philipp straub asked his friend danilo vigorito for a remix and danilo delivered one of his rare and beloved tunes. danilo, who is one of the main protegees of italian techno, formed maximal mnml into a little bit darker structure with a unique atmosphere. all in all a great ep!

ron trent goes dub heavy with his new alter ego blak punk soundsystem.

annanans debut on black opal gives another raw and heavy insight into his wave of nature!

letting it rest was originaly released in 1986 on the new york based chapter 13 label. frank murillo played all the instruments and sings on this killer leftfield disco boogie cut with a heavy italo feel.

dub-stuy links bukkha with uk grime stalwart killa p for a dark, sound killing anthem. dub-stuy expands on their vision for 21st century sound system music with a new 12inch that brings together resident producer bukkha and one of grimes most recognisable voices, killa p . the result is a deadly cut that takes no prisoners and is backed by an equally heavy instrumental. death chat is arguably one of dub-stuys most ambitious collaborations to date. bukkha crafts a dub meets grime riddim that builds from filtered keys into a ten-ton heavy monster. killa p, who has collaborated with the bug and is fresh from a turn on sir spyros topper top, delivers cutting lyrics in his instantly recognizable patois-inflected style, with each bar building tension toward a sonic climax. backing up this dancefloor sureshot is ‘ethiopian dub’, an instrumental that samples its vocal and melodic hook from an obscure dubplate and whirls both around a steady beat and bass line solid enough to punch through walls. with this latest 12inch for dub-stuy, bukkha shows his versatility and delivers an anthem that no sound can test.

silas & snare offer up a killer 2 track ep, with a straight sub-heavy attitude made for darkened clubs.
“biometric” dominates the dancefloor with its sharply executed, big-room laser-like bassline as “patience” demonstrates the duo’s excellent percussive arrangement.
with rolling snares, ragged syncopations and brushed textures, this solid 2 tracker makes a fine club tool.

banoffee pies return with the second in their beats series. another record featuring friends and family with label members slim. and simiah both dropping 4 sample heavy cuts, more original vocal work from the blossoming merryn jeann, and local bristol talent with a beat maker named crate head and rodn3y. mesmerizing melodies pull this rolling beat tape together with another 12 track selection of dusty head nods for your listening pleasure from a to b. a new journey for the banoffee pies camp that continues to push and collaborate musical boundaries in all directions. for the music and lovers. living room jams made in smoke. banoffee xx

it’s no exaggeration to say that geraldo pino and his band the heartbeats kickstarted the whole soul/funk/afrobeat scene in west africa. mixing highlife, funk and jazz, and using the latest equipment, they laid waste to all before them. in 1966 fela kuti was a jobbing musician, eeking out a living with highlife bands. when gerlado pino came to town, it changed his life.
“pino tore up the scene,” he recalls in an interview with carlos moore. “i knew i had to get my shit together. and fast!”

fresh first various artist from the young parisian label escaped records, wich is placed under the sign of deep house. 4 track 5 artists but one thing in common the love of electronic music and a will to participate to the scene. deep , sometimes with a heavy acid bassline sometimes with dreamy trumpets but be sure to find 4 dj tools in any case !

hot creations gear up to drop the eagerly anticipated house & pressure from hot property route 94. echoing the excitement that surrounded his no.1 hit my love, which shot him to stardom, the record has been in serious demand for months. now finally ready for release he showcases his versatile skills as a producer over three heavy-weight tracks. rowan jones aka route 94 explains how he wanted to put out three tracks that were diverse yet definitive. title track house & pressure packs a real punch and contains the vocals from joey negro s classic ride the storm featuring linda clifford. the dominant female vocal on ‘house & pressure’ combined with the force of the drum machines is a traditional element that people connect to the route 94 productions. with ‘crazy bitch’ it’s a more of a big room sound, incorporating ghetto elements. ‘dark keyless’ is the complete opposite, creating a groove that aims to grab the crowd and let them loose. this year has seen a succession of big releases and remixes from route 94 that cement his place amongst the dance music elite including the recent hit mind, body & soul on crosstown rebels. the talented producer first saw fame reaching no.1 in the uk charts with my love featuring jess glynne. keen to remain on the underground scene, he followed with releases and remixes on leftroom, defected and hot creations. overwhelming success followed as he performed at the likes of fabric, sub club, space, ushuaia, dc10 and many more. with a wealth of new material still on the way and a hectic touring schedule in place, its clear this is only the start for the young artist.

after heavy support on their rinse fm show over several years, keysound recordings are proud the announce an ep from lyeform.
with forthcoming releases on keysound and fulcrum, lyeform’s diverse and innovative music has received support on rinse, nts and radio 1 from dusk & blackdown, mumdance, karma, walton, riz la teef, benji b, beneath, hodge, tmsv, detboi and e.m.m.a.

lefto (belgium) and free the robots (california) found themselves on tour together a year and a half ago and had the wise idea to do a record together with the beats they were making from inspiration collected along the way. fast forward to the present, and that idea has grown into karavan - an album of international exotic melodies and heavy rhythms - that reflects the sound gather through their years of consistent nomadic touring.

having emerged from the murky waters of the tape scene on always human and summer isle, strahinja arbutina follows up on a first 12- for bank records nyc with this sterling sure shot for the excellent bliq label. there s a range of styles displayed across fox venom, but the tracks are held together by the immersive, droning atmospheres that linger in the background of the productions. -fox venom- lurches under a heavy cloud like the best subterranean techno should, while -teabagging mystery- gets locked into a deathly minimal groove. this is music for the graveyard shift, although deemonlover s -so solid mix- of -fox venom- does inject some wild breakbeat action into the gothic surroundings

we’re glad to welcome back aun to cyclic law for their latest opus! aun’s music as always suggested forays into other dimensions, be it to imaginary worlds, industrial wastelands, through space and time, or via mind altered states. from the ominous dystopian artwork, of a city being drained of its energy by some mysterious black hole, to the first notes of the title track “fiat lux” we are once again transported on aun’s otherworldly travelling path. ever since the space industrial and power electronics of aun’s previous cyclic law cult release “black pyramid”, the world has become even more sinister, but in contrast, “fiat lux” exudes even more of aun’s melancholic hopefulness. the disintegrating chords and densely textured waves, anchored by a left field industrial pulse, invoke occult drug enhanced, future psychedelia. created in part in their montreal studio, these tracks were extensively performed live, prior to recording, and refined while on tour breaks in montpellier, barcelona and tokyo. the energy of these cities is definitely at work in these recordings, which also features a french connection of experimental heavy hitters: witxes, frédéric d. oberland and philippe petit have helped round out dumais and leblanc’ arsenal. fiat lux: let there be light, from light will come darkness.

collages are a marvelous thing, every now and then, almost a magical thing. the process of layering materials that were not meant to ft together, such as fabrics with photos, is one of constant choice and assessment. maybe these could ft with those? how can i make this sit well with that? as with physical objects, the process of creating sound collages will have you up late considering… contemplating… calculating… it can leave the strongest of minds numb. but then, all of a sudden, a magic moment occurs. these weirdly ft with those, this somehow blends perfectly with that, and creation just… happens. it will never cease to amaze me how some silky chords recorded on a sunny ohio day, seem destined to be paired with a stumbling polish drumbreak. that is the mind boggling, time traveling magic of beats. pieces of sound, from different times and places, sometimes appear to be made for each other with these words in mind from lyricist ivan ave, we present to you ol burger beats sophomore lp mind games. the frst lp on the newly founded label mutual intentions, and one of the most thematic releases weve done to this day. ol’ burger is known in the beatmaking circles for his jazzy sound and great drums. with his latest unreleased instrumentals ep well received, its now time to let the rappers jump on his beats. the feature-list includes underground heavy hitters like chester watson, jeremiah jae, quelle chris, ivan ave, fly anakin & koncept jack$on and kami from savemoney.

the second installment for the label comes from sheffield based artist tommy vicari jnr. the ep starts with always be here, track which gives the release the name and sets up the mood with an uplifting vibe. rudow explores more esoteric realms, bringing you into deeper states of mind. ramshackles ventures into more dub influenced territory, expansive chords and a twisted beat make it a monster in big sound systems. untoucome closes the ep with a heavy bassline, sprinkled with some tripped out sounds making it perfect for a closing trip.

situationism brings you a deep soulful house release by bittersuite and andre espeut. ‘these thoughts sees bittersuite take the undeniably soulful vocals of andre espeut & melts them over a delicious deep house groove, warmed with chords & brought to the boil by a jazz funk fuelled live bass line. julian sanza brings his unique production style with this deeper edged, conga driven remix, building a truly hypnotic boogie experience, taking the vocals cleverly into a more dubstyle vibe. situation take things a little more straight up deep soul house with sharp beats over a real fat old school synth bassline covered with the deepest chords, warm synths & of course andre. dan d3 delivers a moving house dub remix that hauntingly draws you into its infectious filter heavy trancelike groove …built for late night shenanigans.

vinyl only 12 inch with deluxe clear pvc vinyl sleeve in neon print. bottom heavy techno cuts from bristol.

i m a cliche provides the 3rd chapter of its edit service special delivery. this new 12- features 4 edits by moscovian dj and producer grisha nelyubin, also part of the odopt project, under his new moniker blind rape. using unexpected material, from percussive brazilian obscurities to lost french 80s tapes, ex-yugoslavian ebm or early 70s heavy krautrock, nelyubin delivers 4 powerful dancefloor friendly edits which already show a very personal touch.

20th release in the relative family. a split ep by founders john swing and emg with 4 heavy duty house floorkillers in typical relative style.

la-4a returns to delft for his first release on the label since last year s phonautograph lp. the a side comprises two beatdown acid house jams, with two versions of the raucous electro cut -snake eyes- on the flipside. heavy and uncompromising tracks that are not for the faint of heart. sick release!

heavy hammond organ led driving ancefloor devastation on whip it on me taken from the heavy soul album from 1968. on flipside and taken from the new genius of the blues album from 1967 and the first time ever on a 45 is bill s killer rendition of got my mojo working (but it just won t work on you) featuring mr hawks on vocals and organ and joseph jones on guitar. powerful stuff from the mukatsuku camp and another essential single for your record box! limited edition. strictly no repress

glyn -bigga- bush began his production career with rockers hi fi in the early 90s, co-writing several studio albums, a host of remixes and the infamous dj kicks - the black album. in 2000 he went solo as both biggabush and lightning head, making albums for sonar kollektiv and stereo deluxe as well as many more remixes. his sound reflects his love of dub reggae, analogue synthesisers and intricate rhythms, with influences of samba, afrobeat, the deep dubscapes of rhythm & sound and most recently the more interesting end of 140bpm bass music. this ep is his first vinyl release since the late 00s and takes in a number of bass-heavy rumblers with classic biggabush twists and turns, starting with the steppas delight of mangrove monkey, relentless subs and skanks of sounds & blues, post-dubstep breaks on dash way com and finishing with a minimal 4/4 fx soundscape on footsie index.

paul blackford returns to cpu this time donning a 7inch downtempo tip. light years vinyl takes 2 of the highlights from the accompanying lp, all of which demonstrate his versatility in expressing his hip hop and funk influences from an electronic music perspective. on first pass you might think you are listening to nightmares on wax, but without the heavy sampling as blackford favours creating his sounds from scratch. comparisons to photeks hidden camera can be made in terms of atmosphere but keeping things within a slower trip hop framework. light years is for chilling out, but theres a strong temptation to mix hip-hop vocals over the top due to the lps solid instrumental foundations.

reda dare comes back with his own brand new imprint, reda dare records. for this ep, he decided to press three of his smoothest tunes. the wax’s a-side is the one and only ‘albadare’, representing his classic strict groovy mindset and bouncy harmonies. then comes ‘orgy of the dead’ an old school hip-hop inspired house track, with a heavy bassline and a festive rhythm. finally, the vinyl ends with ‘x’ a spookier vibe that’s perfect to set the dance floor back on track. this limited issue is a collection of reda dare’s finest over the years, don’t miss out ,)

summer s round the corner and javi bora & iaam are back on robsoul with a sizzling new soundtrack for the weeks ahead. somewhat of a label regular, javi makes his fourth robsoul return, backing up ep s in 2012, 13 & 14. he teams up with fellow spaniard and regular sparring partner iaam, as they follow up recent releases on music for freaks and bauhaus with tonight, a four track party-starter of an ep. the drum-laden perklap-style opens the ep and its raw energy is quickly followed by the filtered disco flavour of tonight . on the flip the funky feels continue with i just can feel as its classic sample calls for some choreographed roof raising. finally, closing up is rolling up, a bass-heavy beat tool that brings a perfect end to tonight.

fredfades is a norwegian producer specialising in the uncut raw hip hop. here’s his debut solo album, “warmth”. (vinyl includes download code) in 2013 he dropped a classic with ivan ave called breathe on kingunderground records. warmth is his debut solo album following a long line of singles, collaborative albums, cassettes and load of independently released projects. the album has 16 tracks made from jazz, soul and boogie samples with gritty drums and a dash of synth stabs, mixed by fred and mastered at strype audio in oslo by christian obermayer. the title track warmth is the last track on the album and was sampled from a live recording off one of fred’s favourite jazz records that is always on heavy rotation at the crib. guests at the table include med (stones throw), mndsgn (stones throw), ivan ave, (jakarta), moruf, koreatown oddity (stones throw), chester watson and more.

the legendary skatalites, alongside the later studio one in-house bands - the soul vendors, sound dimension, soul defenders and brentford road all stars – were as much a part of the classic studio one sound as were the singers that they accompanied such as alton ellis, horace andy, marcia griffiths and bob marley and the wailers.

following the success of the now sold out freundchen ep, true romance revisits the disco anthem with this hot hot hot trio of remixes, right in time for the summer. on the a side, red rack’em puts freundchen through his cut and paste wizardry delivering a heavily filtered, bass heavy, hypnotic disco version. on the flip, lauer cranks up the groove and unleashes the pianos for a classy house rendition that oozes sunshine and smiles. russian producer phil gerus’s gets gritty on his take, bringing the track on a mad chopped up italo road.

zombi 3 - the soundtrack classic edition & special edition - available now on we release whatever the fuck we want ! tip on sleeve! wrwtfww records is delighted to unleash the complete uncut soundtrack for lucio fulci & bruno mattei’s cult zombie-ploitation gem zombi 3 (aka zombie flesh eaters 2 aka sanguelia 2, 1988) available on 2 different collector’s edition vinyls for the first time ever. the classic edition comes in red is dead colored vinyl with a red japanese sanguelia 2 vhs obi and has a helicopter pictured on the back cover. the special edition has the same songs as the classic edition plus bonus skits/interludes with dj blue heart talking (taken from the movie) on the b-side and comes in green inferno colored vinyl with a green japanese sanguelia 2 vhs obi and dj blue heart pictured on the back cover. both versions are housed in heavy old style stoughton casebound tip-on jackets - pick your poison - get infected! this future deluxe edition oop classic is packed with menacing synths, ghoulish melodies, and contaminated anthems remastered directly from the rare original reels of maestro stefano mainetti which were found at an abandoned top secret research facility.

it is making my blood boil. man, my jaw is hanging down listening to this stuff. read the email from butthole surfers man and producer, paul leary, when he heard the demo for what would become the debut philipp gorbachev & the naked man album. philipp gorbachev, the russian musician and dj, has been throwing killer parties and making some of the most innovative and exciting electronic music to come out of moscow in years. in 2014 he released his debut album silver album but when invited to perform a live boiler room he had something else in mind: a band scenario. the resulting concoction was not something locked into a 4/4 beat but rather a much more organic, groove-based sound with funk-strutting bass lines and live drums that rolled and flurried around the beats that jumped around leading the charge of the songs along with gorbachev’s damo suzuki-like vocals. taking that experiment into the studio, i dont give a snare is a wild ride that jumps genres, switches paces and alters tones frequently. the opening goodman exploding in intense rhythms and heavy, spiralling riffs that at times recall sabbath but the ever-shifting drums and gargling electronics give a wonky freshness that feels impossible to place into genre. whilst gorbachev cites a range of influences from beck to blind willie johnson as being core to him, the primary motivation is the live nature of the project itself. the main influence is the constant live experience we have as music players and performers. i want to get the most out of every party, every jam, and every dancefloor.

the one and only joey beltram delivers a remix of jungle love with a techno electrifying spinoff complete with strong drum basslines and favoured by the industry s best. matt sassari gets deeper and darker than ever in this classic techno must have. audio kode is a beast calling to the signatory sound of de-noize with driving techno, heavy drums and bass, and raw heart-stopping beats that have appealed to richie hawtin and the likes. joey beltram s remix reached beatport s top charts at #47 and stayed there for almost a month, boosting both audio kode and de-noize records. support from joseph capriati, richie hawtin, marco carola, danny tenaglia, paco osuna, monkidj, dmc worldmagazine and plenty more!! matt sassari s track met with early success reaching #29 on beatport s top 100 in techno and climbed to #19 traxsource s chart, staying there for over a month. support from richie hawtin, romanolito, marco carola, paco osuna, joseph capriati, skober, hollen, dformation and more.. richie hawtin played this track on his livestream several times and at space ibiza opening party during hawtin s enter event. this was followed by plays by notable djs during the summer festivals and numerous related tweets to richie hawtin and tons of support by his followers. track fully supported by more including skober, hollen, dubfire, dj boris, danny tenaglia, nicole moudaber, tocadisco, mark antonio, meat katie, anderson noise, angy kore, tom laws, tiga and more