unbalance is an artist that developed his sound douring the last 5 years. coming from russia this artist found home in monasterio (moscow).
and slowly crafted his own way of making things, this record shows how far he developed this sound untill the point of no return.
these 4 cuts are are functional, technical and most of all recognizable. floor fillers and hypnotic instruments for every situation of the night.

holland-based planet rhythm usuals dubiosity and pjotr g return to the imprint with a slice of wax that contains 4 delicate and deep cuts all with a corresponding melodious touch to it. “a man is no island” opens up the 4-track effort with heavy drums colliding with devious soundscapes and a heavy sense of adventure. “die in a forest” is a more traditional techno cut that revolves around a tough acid bassline intrusive synth bleeps and firm set of drums. “poisening the well” is a beautifully orchestrated dubbed out cut that goes into the more spaced out territories of modern day techno. “tears in the rain” is an emotive piece of music that thrives because of dramatic sounding pads and off beat drum patterns.

the original klakson funkateers steffi and dexter return to true form with three punchy techno/electro cuts! zatlap on the a side is a lush nighttime driving track with an urgent bassline powering all through the song while spaced out strings develop. the b-sides kopstoot is a pure funk workout in the detroit tradition while de fles builds a stack of airy pads on top of a playful question and answer bass riff to maximum effectiveness!!!

perc trax return with their first full ep from london s manni dee
three tracks at the more extreme edge of the genre.

sunil sharpe and defekt return with the fifth installment of their ongoing collaborative project.
features unique hand embossed foil stickers
hot on the heels of the massive tinfoil 4 (which gave us one of 2016 s standout tracks -foil 23-), sunil sharpe and defekt return with the fifth installment of their ongoing collaborative project. this time christening most of the tracks with names rather than numbers, the pair continue to display their versatility over this fresh new 4-tracker. -twerp-, -booyaah-, -leave your body- and -foil 30- visit various areas of tinfoil s repertoire from their trademark modular snarling techno and hypnotic dj tools, to the weird, vocal-laced concoctions that they make with apparent ease. another hugely original, and straight-up rocking ep from tinfoil.

of paradise return with their second release the smelling salts ep, from uk based producer stratton. four pieces of music that paint an ever changing electronic landscape and showcase a true distillation of tough, jackin’ and underground house music.

after 25 years of silence, the ethiopian legend girma bèyènè is back alongside one of the best ethio groups akalé wubé. comes in a double lp gatefold 180g vinyl! girma bèyènè is a true legend when it comes to ethiopian music. after an exile to the united states and a radio silence that lasted 25 years, he jubilantly accepted the invitation from the french group akalé wubé to return to the spotlight and perform once more. the comeback took place last september during a memorable concert alongside akalé wubé at the studio de l’ermitage (paris 20). french medias like tracks (arte), le monde, libération relayed this major event, which aroused many strong emotions amongst fans of ethiopian music. the adventure could not stop just yet.

after the success of the first vinyl sampler, neo violence return with another slab of flaming hot underground club tracks. jupiter jax (100% silk, opal tapes, deeptrax), low tape (echovolt), rowvn and one of the undergrounds hottest producers right now, baltra (step, hokkaido dance club and craigie knows) all deliver in a big way right here.

right after a short break on loco records, the polish duo of producers karol xvii & mb valence return to present a series of eps entitled sessions. there are currently two episodes ready to come out: day session, and night session with a consequent vinyl release called session.

a rare vinyl treat from the ever-surprising crookers, this white label 12inch features four tracks that you wont find anywhere else. full of seriously infectious melodies, and equally infectious house beats, crkrs 001 is for those that enjoy a very eclectic style of house groove. always on point with his productions but never one to take either a deadly serious or a formulaic approach, crookers four tracks on the ep have distinctly different flavours while remaining true to his subversive style. lead track innocent kicks things off with a statement beat, cutting through the quiet with minimal percussion. building a patchwork of loops and hooks, the track develops intelligently accompanied by baxters soaring vocals. thats just the beginning for crkrs 001, next track regular sunday introduces one of crookers signature minor chordal arrangements, then the return and drug dealer judgment toy playfully with unexpected vocal samples. grab one of these strictly limited edition run of 200 copies before they get snapped up.

since their inception in 2013, east london duo payfone have been breathing warm-blooded soul into their unique machine-fuelled groove. drawing the dots between the white isle and nu yorica - by way of london s narcotic nightlife - the pair conjure a rhythmic throb and soulful devotion all of their own. together, phil passera and chieka ononye buzz along the fault lines of classic r&b, cosmic disco and acid house, injecting their sound with 21st century syncopation. adhering to a strict no samples rule, their manifesto demands that everything be 100 percent original. it s a formula that s worked well so far: the pair have been widely tipped across the blogosphere and are currently linked to celebrated us imprint golf channel recordings. following three sold-out releases for the label, they return with another pair of discreet bangers, justified and we are chains. the tracks turn up the heat on their previous releases, again offering the vocals of performance powerhouse louis howard jones whose lyrics spark with a political punch.

originally founded by kisk back in 2009 apparel music set out to offer something truly singular in focusing their musical output predominately on jazz whilst venturing into its integration across the landscape of electronic music at the time.with a zealous release schedule, they racked up a healthy collection of eps between 2010-2015 from artists such as delano smith, scsi-9, sarp yilmaz and the label owner himself amongst many others. now after a year-long hiatus, the label makes a return with a slick 4-track va that fans both old and new will relish. strictly limited to a pressing of 200 on 180 grams of wax, their re-launch brings with it a jazz-suffused 4-track record featuring voyeur, ivano tetelepta & eugeÌne latumeten, kisk and kerem akdag. voyeurs swinging for theo kicks things off with organic, brushed drums and a walking bass line set off to a tight, swaying rhythm. glassy rhodes keys bleed into the mix ahead of piano stabs and 909 hats that propel progress when combined with a thickened low-end. ivano tetelepta & eugeine latumeten follow up with je suis reconnaissant a bass-heavy groove that lays soulful vocal samples over filtered piano chords and loose-limbed hat patterns. kisks just u then drives a crackly drum loop through distant, flexing synth tones. arresting vocal samples then take the foreground in a rich, smokey mix before istanbuls kerem akdags closes up the package. akin to the styles of producers such as henry wu and max graef, akdags friend melds playful drum patterns with thick chord stabs and smooth vocal lines that wrap up a stellar return for apparel music.

the wait is over! sound programming wizard and groove master, jeff samuel comes storming in with three new jams. the return was signaled by his recent appearance on our refraction vol. 2 record. nevermore is dubby, melodic and pulls at the heart strings. perfect sunrise soundtrack. both tunes on the b side feature that quirky funk that sets jeff apart from the pack. welcome back sir! our dancefloors missed you

the second installment from the nemas problemas collective.... you know what to expect four killer cuts aimed at the more discerning dance floor. limited and very collectable. dj support : young marco , justin robertson , dj kaos , mo morris , apeiento , craig christon , dave jarvis , softrocks

gatupreto release their sophomore distino di nos vida on tink! music! the duo from lisbon s hinterland return with a second round of their impeccable, futuristic theory on modern club music after the acclaimed modo di trabadja ep, released in 2015. the tropical taste of cabo verde, the cool of that lisbon dance floor fusionism, the appeal of classic vibes. tracks too dark and twisted to be called afro, too sexy and melodic to be called techno, too smart and freaky to be called house and too cool and mature to be called kuduro, it is simply gatupreto. on the a side i became me, deep afro dub with a killer sub bass and endless echoes, starring portuguese soul and hip hop legend nbc as guest vocalist and a remix by afro dutch master and fellow tink! artist philou louzolo who turns i became me into an irresistible deep house with african undertones. on the flip side, the dark dramatic stomping tracks afrowerk and gatu di noti, the first an eerie, irresistible peak time banger, and the later a stormer with sounds from natural africa, harpy acid lines and an off kilter beat.

ecuador s rising son, nicola cruz, returns to multi culti with cantos de vision, a truly visionary ep backed by remixes from jaja, argentinian uji, and multi culti s own thomas von party. one of the core artists in multi culti s diverse catalog of globally-inspired dance music, nicola cruz is deservedly becoming the poster-boy for a new wave of producers that fuse indigenous sounds with internationally professional production, creating something entirely new, sonically. it s a genre that multi culti ambassadors dreems & thomas von party refer to as folklorica, a psychedelic replanting of folkloric roots, and nowhere is it more skilfully executed than on nicola s tracks. following up on his debut lp for latin america s indie powerhouse, zzk records, the return to multi culti sees cruz sharpen his focus toward igniting the downtempo dance-floors that have slowly been gaining ground in clubs and festivals recently. this new club sound is at the fore on lead track tzantza, already an integral part of nicola s live shows and dj sets at festivals like sonar and mutek.

entering our 10 year, huntleys + palmers introduces new label, belters! we kick things off with help from old friends as we welcome back edinburgh-based duo, hi & saberhägen who are on a return to form following their earlier outing on h+p. since then, they ve been doing the damage on anthony naples proibito label, permanent vacation and yume. earning support by the likes of bufo, joy o and four tet along the way. they kick things up a notch with this release demonstrating their full range - ambient, melodic techno and beach party ready house.

a very welcome return by dany dorado to adult contemporary for their tenth release. as always, on 180g with a decades proven grammy award winning technical team behind the production.

the album a little comedy, a little drama by dusty baron is the result of collaboration of moldavian fellows eugen kara, ivan slivka and dima scripnic. this collaboration has been lasting in the course of 2016, with miscellaneous recordings at home studios, including moldavian radio and television studio. inspired by french and italian psychedelic electronic music of 60s and 70s, cartoons and the comedian genre of absurd, the trio tried to incarnate their vision of the space into a lp comprising 13 tracks. vintage synthesiser lines and classic drum machines create a hugely entertaining blend intoxicated with universal love. now and then you trace the combinations of techno rhythms rushing into the futuristic vertical, and sometimes the sound transforms into a blend of absolute and exotically influenced reverie.

raunachte huntsmen die wilde jagd return to jennifer cardinis correspondant. previously spotted on the labels far-reaching compilation 4 album earlier this year, the duo ride back into town with two more chilling tales.

on let go & release yourself! ep, jamal moss and steve poindexter return with 3 tracks of straight bugged-out freakness and manic drum mechanics. the unbearable tension on the a side is a tweaked-out acid stomper, while the release and the title track back off slightly, but not much!

august 2016 saw running back release a first volume of live tracks from redshape, but january 2017 sees the much loved artist return to delsin, his most regard label, for a second offering of the same. this time the ep has one track made in paris, and one in london, and both are filled with the sort of beautifully bleak and lo-fi sounds that have made this man such a standout artist over the years. up first is london, a chugging track that builds in pressurised layers of coarse hi hats, gurgling bass and pinging kick drums. it is a hypnotic groove that teases you as elements drop in and out and hisses of static and broken little guitar riffs add some cheeky funk. on the flip-side, paris is much more playful, with colourful pixelated melodies dancing about the mix, industrial drums working down low and steppy synths fleshing things out. overall it sounds like a future disco for inebriated robots and is one of redshape s more party starting tracks.

4x12 compilation, vinyl only, 4lp gatefold deluxe printed sleeve first compilation on nervmusic records with an artists like ark, cabanne, fumiya tanaka, half hawaii, rhadoo and many more. comes in a gatefold sleeve with an artwork by igor skaletsky

well,what about tuesday? israeli hybrid house and techno masters juju & jordash return to dekmantel records with yet another outstanding release. their relentless work ethos makes you wonder if these guys sleep at all. maybe thats what tuesdays are for? dkmntl 043 is a three-tracker and a fine display of gal aners and jordan czamanskis next-level, improv based way of painting records. monday mellow is a dubbed out, twisted and subtly emerging house groover, while wednesday something continues the journey with a dense electronic jazz-tinged stomper. thursday, heavy. demonstrates their full range, combining eerie melodic synth excursions with a jagged bassline an out of this world, destructive yet classy house bomb. as always their intergalactic excursions are superbly executed. lets give them some rest on those tuesdays.

next up creme organization is a return by regular artist lake haze. following his natural insight ep earlier in the year comes intergalactic communicationz, four more fresh tracks of acid, techno and electro that is brilliantly evocative. the portuguese artist known as goncalo salgado also please son labels like unknown to the unknown and is a real hardware master. at the gates ov futron is a turbulent lack track with zipping acid and a cacophony of percussion that is visceral as well as cinematic. drexciyan aquarium is, as the name suggest, an aqueous electro track that slithers and slides through an expansive underwater world. poseidon s dream then offers a more rugged electro groove that is backed by heavenly pads and a real sense of loss in the synths. last of all, intergalactic communication closes out this far travelling and intergalactic ep with a sci-fi deep house track that is filled with light, 909s and a sense that the end of the world is coming.

the return of manie sans de&#769,,,lire with seven new tracks on a double vinyl edition (12inch& 7inch) of 300 copies recorded in studio between june 2015 and july 2016. manie sans de&#769,,,lire is the project of june and trenton chase focusing on electronics, played and recorded live

nice price deal !!! remixes by jet project & alan fitzpatrick
the first release on the hot new weekend offenders label comes courtesy of las android cartel, of viva music fame. >glorious & notorious< and >return of the saint< are two heads-down tech-house bombs that are sure to fire up any self-respecting dancefloor this summer!

making a welcome return to wavereform after last years effe ep, qindek is back with the kind of distinctive dancefloor alchemy that promises to get under your skin and create an unforgettable experience. hailing from deventer in the netherlands, thomas lauren has already issued some essential releases over the past few years for labels as respected as wolfskuil and sneji, and now he comes back to wavereform with one of his most potent creations to date.

labelbosses sbth return to their mothership and take over the steering wheel, capture the vibe from the previous releases and add a little munich touch. like giorgio mordoder would do a proper modern house track… a trippy journey!

lutto lento makes a return to ftd to fulfil your wildest of wishes. as with most of his work, the ep draws influence from across the musical world and defines something of it’s own in the process. we’re all really pleased that there’s finally a saxophone solo on the label though.

few nolder has created a fitting second ep for gardens of god’s sodai label, spotlighting the cream of electronic talent coming out of lithu&#8203,,,ania. ’&#8203,,,ace of space’ confidently delivers three original tracks that build upon an already solid reputation. “&#8203,,,showing a steady upward trajectory, few nolder has established himself as an internationally respected &#8203,,, dj-producer”sosaid&#8203,,,xlr8rofhisrecentwork.h&#8203,,,isopeningtrack‘&#8203,,,balance’isthemostunexpectedtrack linas strockis aka few nolder &#8203,,,claims to have done in years. he is particularly surprised with his approach, discussing the “&#8203,,,deep percussion and long tail cowbells together with windy tex&#8203,,, tures, and lush hypno feel”. while ‘&#8203,,,teaser’, which gardens of god played during his back to back with &#8203,,,b.traits &#8203,,,on bbc radio 1 recently is contrastingly unrelenting. “&#8203,,,the m&#8203,,, elody evolves into a monster”, he says of the record, which can be heard in the metal snares and enchanting flute.&#8203,,, on title track ‘&#8203,,,ace of space’ nolder wants you to imagine “&#8203,,,stars passing by in their intergalactic travels &#8203,,,whilst the drops are like a return from an uncharted nebula”. this is an ep based on big melodies and endless spaces, and a worthy fit for the burgeoning label. few nolder has been creating music for over a decade with a steady succession of releases on ghostly international, planet mu, connaisseur recordings and needwant recording

the return of our adventurous pirates who go diggin for some more buried treasure. vol 3 sees 2 funk / soul classics get the cutlass treatment. limited edition so dont sleep (with the fishes). 7 inch punched centre hole

2016 repress ... *in love again* first surfaced as part of red rackems *all i ever wanted ep* in 2010 becoming an underground smash. soulful vocal samples, and beautiful detroit strings work uniquly in the wolf style that we come to expect. the new remix is uptempo, with skippy drums, and a deep warm feel. this tweaked mix is made for underground dancefloors. the b side features a brand new track entitled *latin techno*, which combines filtered chopped up loops layered over huge beats. another successful release for red rackem and a fine return to form for wolf music.

ondon-based duo jamka return with inter alia, the latest evidence of their patient, intimate relationship with their analogue machines. from the start there’s a sense of event – we encounter clear, interlaced electronic textures, powerful analogue drones and well-placed beats. the tracks aren’t soundscapes so much as fertile electronic soundfields. patemp continuously expands in an incredibly subtle but powerful way and shows that jamka’s technical skills don’t preclude an emotional touch. on the tight and minimal anazmo, the coiled energy bears traces of minimal techno and radical electronica, but it’s beyond either of these. while the album passes quickly, it’s full of detail and the thoughtfulness and craft that have gone into it are evident. dwa offers the chance to appreciate the flow and the sheen of its analogue textures – the modernist romance of the power line hum and its promise of technological-cultural progress. jamka are known for their dynamic live performances and this energy is almost tangible on derazor. the stately igora is a strong, bold close to the album, offering surprises right till the end. the sharp, metallic details ripple through the mix and an anthemic sequence shines through. inter alia makes clear that jamka are worthy inheritors of slovakia’s proud late modernist traditions of radical architecture and electronic music. this is a work of craft that demands respect and repeated listening.

having done such wonderful work alongside wolf muller on the sound of glades album, cass makes a welcome return with an expansive album release on emotional response. the german producer s ambient tendencies blossom here, occasionally meeting with laconic drums as on u but primarily dealing in huge swathes of melody. djs will want to hold out for the dramatic pulse of ann, where a more pronounced drum set makes for one of the album s most club-ready moments. theres a strong variety of tones and moods across youth sessions, from the strafing arpeggios of running to the bliss-out shapeless swirl of prismatic prolog, and this ensures that the album will not dull with repeated listens.

mint condition - a brand new record label focussed on excavating the outer fringes of classic house and techno. unreleased mixes, classics and overlooked gems mined from the last 20+ of contemporary dance music are the order of the day. from chicago, detroit and new york to london and beyond, mint condition have got their expert digging hats on to bring you exclusive heat and those rarer than rare jams that have been on your wants list for years! dig in..

no repress, one copy per custumer and made with love – otherwise they would have eaten us alive! handstamped innersleeves & labels. polaroid cover

cw/a are producers thomas feriero and francesco leali, known for their releases and remixes on parachute, r&s, decca and vakant, their work as avatism, clockwork, opus 3000 and house ov leaves, crushing live shows around the globe and running parachute alongside dj tennis since 2013. with ringleader the duo return with their first original productions since their debut full length, last years critically acclaimed words unspoken, acts undone. inspired by global trends towards orwellian mass surveillance and cyber espionage, ringleader aims to be an audible interpretation of big data, ubiquitous connections and the acceptance of corporate and government spying. grim and mechanical by nature, the six tracks — named after leaked codenames of government tools used to watch on citizens — work as a soundtrack to the destruction of privacy: a cold reflection on this aspect of society and its implications.
the vinyl ep includes a downloadcode.

the return of cirez d s mighty mouseville see s the second release pressed on limited green vinyl. limited stock. grab it before they are gone. 12 inch green vinyl full sleeve, shrink wrapped.

limited repress due to high demand on requests. on its second release, the fresh label eating records, native of brussels, embarks us on its most unlikely underground journey yet .the new project includes two beautiful tracks from the deep flows of house music, from the unfamous talented producer from kiev, io (mulen). there s no point in trying to place io or his music in some larger social picture. no need to talk about his intensive production. his successful releases can be found on imprints such as rejected (joris voorn), propaganda (nastia), elarum and his own mulen records which he started in 2012 and that released his stunning debut album within 2013. on flutes/creeps ep, he thrives on fantastic impossibilities including flutes and deep melodic basses. it is obvious that mister io had a wonderful time making the two tracks. flutes comes up as victorious and gallant. it is an energizing shock full of curious noises, mesmerizing musical surprises, a real dancefloor track. creeps is discreet and dark, and remains beautifully deep. this track finds io wrenching as much sweetness out of it as he possibly can, in return giving us our first indication that he is in a generous spirit. when this ep comes to an end, it feels like getting back from a good vacation: the last thing you want to do is re-enter the real world.

savage grounds return to lux rec for the third time, with their third record. atrocities comes after unpleasant music for unpleasant people, released in 2015, and over fences, 2014. it is, as much as the previous 2, the result of investigations in music, live, composed with a minimum amount of instruments. the duo, comprised of cco and daniele cosmo, worked with a roland 606, a roland 909 and a modular synthesiser. experimenting with fm modulation and loose sequences. the result is concrete noise, anger, ghostly voices, and above all, the sheer conscience of human failures. atrocities marks number 30 in the lux rec catalogue. it comes as a 12inch + 7inch package.

dublin based disco imprint fatty fatty phonographics return with the 4th instalment of their downtownsounds classics series, this time throwing three stone-cold classics onto one 12, all given the re-edit treatment by in house producers pablo and shoey. voiced by leroy burgess, with drums by hip hop legend marley marl and production by the aleem brothers, release yourself was a huge across-the-board anthem in the clubs of nyc on its release in 1984. the lads have superglued elements of both the vocal and dub sides together for an epic end of night take on this beloved classic. the b side features two under appreciated classics from the pen of one billy nichols, a man known for his work with west end records (the levan mixed give your body up to the music ) and the funky band of brothers that was bt express. on take me... nichols hooked up with disco master patrick adams for an emotional, string drenched disco belter that has found favour with the likes of dimitri from paris, floating points and hunee. while dance if off is a wonky proto acid-disco trip beloved of rahaan and eric duncan of rub n tug. with copies going for over 300 euros, you can do your bank account and your dancefloor a favour here.

evod, oisel and syntaxism return with their -e.o.s.- collaboration. luna crescente is composed by two strong tracks that have different appearance, but same nature. orbita x is a slow track that contains granulated, ferrous sounds, accompanied by a pulsating oscillator and various sharp ambient sounds. orbita y is a strong tune in which, almost during all the time, there are an intense groove and a sequenced modal oscillator

deeplabs is a detroit based record label run by luke hess focusing on detroit influenced techno for the dance-floor and in return building a strong community of likeminded artists. the third installment of the warehouse sessions series highlights four artists: deepa & biri, jeff hess, hiver, and mor elian. each track gives the listener and dj a deeper understanding of the soul, character, and quality of each of these artists. enjoy the music and play it loud. with love from detroit.

aus music proudly present their final release of the year which brings with it the return of recent signing paul woolford. the houndstooth and xl recordings regular continues to refine the emotionally charged drama of his recent work and in doing so, enhances his constantly evolving catalogue with a continuation of the recent heaven & earth ep on aus. the father, son & holy ghost ep sees woolford propel heart-wrenching melodies with thunderous drums in a manner that only few are capable of. progressing with resolute intent, the package includes 2 club-ready cuts and the beatless, string-laden son which completes a release of radically heightened compositional intensity and rounds off a stellar 2016 for aus.

after his recently, well acclaimed balearic adventures as “jane in palma”, don froth makes a welcome return to the wncl fold. he comes out fighting with the bass and bleep heavy “hr22”, nicely juxtaposed with the equally quirky but altogether more soulful sounds on “joint loose”. flip to the b side for more jump up adventures with -docs- and, by popular demand, his previously bite-sized cut “a broad range” gets extended into a full on acid squelch “widescreen mix” to close the show.

ltd to 300 copies / vinyl only / mastering @ calix
long awaited return of the neapolitan imprint informale with the founders random / noize delivering a solid techno ep and hosting a great remix from the talented technoyzer ! -syncope, also known as fainting, is defined as a short loss of consciousness and muscle strength, characterized by a fast onset, short duration, and spontaneous recovery. it is due to a decrease in blood flow to the entire brain usually from low blood pressure. some causes have prodromal symptoms before the loss of consciousness occurs. in phonology, syncope (/&#712,,s&#618,,&#331,,k&#601,,pi&#720,,/, greek: syn- + koptein -to strike, cut off-) is the loss of one or more sounds from the interior of a word, especially the loss of an unstressed vowel. it is found both in synchronic analysis of languages and diachronics. its opposite, whereby sounds are added, is epenthesis-.
already supported by: kerstin eden, gez varley (lfo), plural, john massey, kill ref, richie hawtin, warind, formal method, m.r.e.u.x, klaudia selection sorted.hu, kata mercado, archivone, mirko (etichetta nera), gill (different grooves), jeff rushin, domenico crisci, gigi galli, pat coefficient, noemi black, dr. motte, logotech, imugem orihasam, gemma furbank, subsist rec 2, joseph capriati, paco osuna, dario caruson, slaker, xpansul, chris jones aka sejon, trunkline, future 16, terrae, l.a.w. dj, len faki, jerome baker, diarmaid o meara, maceo plex / maetrik, drumcell

whiskey disco 50 marks the return of label head, sleazy mcqueen in an homage to the disco dads and daddies. 5 tracks meticulously tuned ranging from deep house to peak time, heartfelt disco before softly lulling you to sleep with a sweet cover of lost in music in a lullaby style.

blawan is kilner on new double ep for avian.
jamie roberts is no stranger to the more experimental tenets of the techno genre, and much of the british artist’s output of late has hinted at more leftfield leanings. a recent return to will bankhead’s trilogy tapes imprint saw a brace of meditative, post-detroit workouts - employing the same heady, hardware aesthetic as much of his work on ternesc - though at a drastically reduced tempo. it’s this same willingness to break down perceptions regarding his own music that marks walk type – roberts’ debut on the avian label, as a notable chapter in the artist’s discography.