crosstown release the triple vinyl sampler to the acclaimed get lost v album compiled and mixed by acid pauli. the album features loads of exclusives, some of which have been featured on this vinyl version of the album.

1605 bring the anthem of anthems to the spotlight once again and hit everyone where it hurts, with five completely different renditions. mixes from umek / d.ramirez / uto karem & filterheadz 2012.

nach dem debüt von manuelle musik auf dem zürcher label miteinander musik folgt mit mm003 die birds remixed ep auf der viadrina, spieltrieb, rafael kakudo und james creed ihre interpretationen der tracks vorstellen. ob zur peaktime auf dem dancefloor mit dem viadrina remix, zur späteren stunde weitertanzend mit den versionen von rafael kukudo und spieltrieb oder zum ausklingen mit dem james creed remix, auch hier wird eine musikalische breite präsentiert die perfekt zu den originalen passt.

mowar enters autumn with the 2nd instalment of deep floors, once again exploring the deeper grooves of techno. first up is ohios fbk, whose first release already goes back to 1996 on the legendary frictional records. with she brought me there fbk opens the dance with a solid deep dancefloor groover, driven by a hypnotic hook and infectious chords. stripped down and yet full of atmosphere. after that uks tom dicicco and italys roberto bosco team up to deliver all dem, another stripped affair with rolling drums and chord stabs, a solid blend of deep hypnotic layers of groove. on the flipside we find spains aiken with a strong detroit-infused workout, in-your-face kick drums, jacking rhythms and dramatic strings. your turntables will love it. last but not least, a new belgian upcoming producer stevie p delivers a dubbed out functional deep techno track with hip-sensitive chord stabs and a fiercely throbbing rhythm.

bas mooy, fresh off his releases on mote evolver and perc trax, shows his quality once more, this time with a new release on gynoid audio - alphabet of the fifth hour ep

deepblak chief alchemist aybee returns unveiling >worlds< on deepblak. once again we embark on cross dimensional travels into rhythm as aybee dives head first into sonic landscapes. >worlds< is a rhythmic cartography of the many moods of the oakland, ca based producer. fusing elements of the cosmic, and the deep as he mines through a host of emotional transitions of the last few years. true to aybees production aesthetics >worlds< is full of depth, layers, and colors while touching on various tempos. always seeking to expand the boundaries, aybee once again delivers a long play project that transports the listener while evading convention.

nice price deal !!! mengamuk seeps out from a camberwell garret via the sweet sea scum of terrengganu via a faint dusting of eczema via the dlr via distempered brass via engorged staves via broiled nuance via priapic 16ths via gentlemanly conduct via binary quicksand via basingstoke via beyer via a short in the spoken word via herring via industrial climes via salt via a fucking good slap round the chops via korg via taxi highwaymen via viols & vials ... once again vindicatrix smears the air with the heady scent of amok ...

terrence dixon is the man behind sporadic production alias population one, serving up dark and heavy, intense and ravey records for classic labels like utensil only occasionally. as such, delsins re-issue arm (following on from dan curtin, mk and luke slater titles) has sought to get some of the old tracks out there once again on this double a side 10inch outing with midnight hours (first on detroit: beyond the third wave lp from 1996) and two sides to every story (from an ep of the same name on metroplex, also in 1996).

one records once again stay true to their top quality ethos as they welcome back firm family member and desolat favourite hector, with his stoned raiders ep - a journey into the deep and hypnotic, featuring killer remixes from the recently reunited h foundation, young one to watch samu.

for our third release, we welcome back the collaborative efforts of our three family members mia dora, hahaha & raksha. joining forces once again, they depart from the awkward rhythms and stuttered arrangements of their first joint outing and instead offer up a slab of relentless, dance floor shattering techno.
dj & radio support from bbc radio 1, kiss fm, sinden, sei a, clouds, jackmaster, mary anne hobbs, joe goddard, eats everything, dubbel dutch, toddla t, tomb crew, mj cole, hannah holland, optimo, sonic router, mash, all caps, greenmoney, lone and more. artwork by grampian mountains.

for the first solo ep on horror boogie, fedka the irritant steps up, after his outstanding track on horror boogie 01. fedka the irritant is probably best known as the trombonist in the excellent band pest (ninja tune), alongside ben pest (panic bridge, victim, bonus round). he is also a seriously original and versatile producer in his own right. he has released on panic bridge, alongside the other pest members and his trombone techno live sets are something to behold. here, he drops four varied tracks, starting with the behemoth >words for friends<. a heavy slice of wonky techno, with a big kick and rasping synth. next up is one uncertain eyebrow. a building, funky, fuzzy acid-laced track that drops harder and harder as it goes on. on side b, calypso-flavoured, jazzed up >stick it< progresses on to a become a warbling bass effort with a smooth hip-hop vocal. last but not least, is >you only die once<, another funk-laden monster, with a killer slap bass line.

sixth instalment from the shack and another generous exult in aural pleasing for the intelligent of house heads out there. two original tracks, two in-house remixes, you know the score with these guys…this is how they work. key to the label and artists success is being reliable and consistent with the flow, something obviously being picked up as the label once again is topping the right charts and getting the props from the right people. expect no different with 006.

after their much lauded double pack on boe recordings, gaining support right across the board from djs such as ben sims, dj deep and doc martin, to name but a few, nite visions second outing arrives via the meteorically rising chiwax label. with a slew of releases under their belts, craig stainton (mantra, myriadd, acid phreex) and nigel rogers (perseus traxx, orpheus, sir leon greg) have once again combined their knowledge and love for warm synth tones.

once again waap are coming up with some strong deephouse on vinyl. spains oscar barilla has the groove, somewhere in between his releases for kling klong, plastic city, musik gewinnt freunde or parquet he comes up with an interesting two tracker. one side is a beautiful fluffy deep house moover. th...

paper recordings continue their journey back to plastic with another vinyl release once again proving why they remain one of uks best loved labels. jamie l is a mysterious figure of undisclosed origin and history who fits in to the moodymann / theo parrish mold of heavy future disco, which his new production >(what we saw) in the burg< nails. it is a heavy leftfield groove laid over broken house beats with a filtered bass, samples and leftfield vibe. the detroit pad creeps up to the break and filters in and out as the track works its way through for locked down dance floor business. next up, havana candy breaks out the analogue and takes things deeper and techier. with a rolling bass and tweaking acid line, it cuts to a rhodes before filtering down and riding back to the heads down groove. cottam steps up for paper for the first time and demonstrates what all the fuss is about with a very special mix. clocking in at 9.41 it is deep, tough soulful house that crosses the 4/4 divide from techno to disco and deep house to soul.

inspired by mexican street art, dirty basements low-rider bikes, booming sound systems and everything musically that springs from the late 70s and early 80s, isms midnight riot label again drops an ep of bombastic proportions. sleazy mcqueen delivers a dirty blissful laidback workout with ez to love whilst rayko, spains greatest export once again does not disappoint with the hedonistic summer smash hard, and the ever creative mark e steps up with a twisted cosmic house remix for heion on follow me. dj butcher an amazing greek producer and another big name on the disco edit scene has conjured up the amazing anthemic we are the music

8bit welcomes markus homm! already known from his releases on brise, higrade and bondage music, markus homm is known for his deep groovy housesound. finally he comes out with this wondeful 4 tracker showing once again how to move the crowd.
support by: magda, loco dice, barem, steve lawler, karotte, 2000 and one,pete tong, nekes, gregor tresher, gorge, nick curly, dub foundation, steffen deux, affkt ...

the 3rd release on axe gabba records by the axe gabba murda mob is a fact once again total oblivion by the mob in the form of 4 skull crumbling tracks. the head hit axe gabba mental murda beatz, blood languange, skoro budo and bullet proof bitch take the meaning of high quality alpha hardcore to the next level. next level stuff!

keeping with tradition, the second italojohnson release of 2012 once again presents itself in the likeliness of a 12inch wax with three tracks. the one-track mind repeats the same funk-nationalistic character of italojohnson and once more shows its simplicity. this tune comes to its rite where it is loud and dirty but even headz sitting at home will be able to feel the sun rise. boom shakalaka. the double-track side has some surprises in store for its listeners. for those in the know, the first track is also known as >bootytrack<. this track always pushes the low end to the limit and under the right circumstances guarantees some hip swing. number two may sound familiar, but even if you dont know its rootz, youll still be down with each other

here we find a couple of heavyweights facing off with one of the centre pieces of orgue electroniques acclaimed >strange paradise< album. on the one hand we have kink & neville watson (an unlikely pair blabla but you know all that) with a swooning but rather pressing epic that unexpectedly turns into a harmonious vortex. and once you have crossed its event horizon it proceeds to quite exquisitely tear you to shreads. marvel as you turn into jelly and watch your legs grow longer and longer in what not only seems like an eternity, but actually is cause umm technically, like, there aint no time in a black hole dude! code! speaking of which, if you ever do make it to the other side, you will find up n cummer willie burns (who is known to many as the brooklyn budgie smuggler) oldschool jacking the faders with two of the sikkest organic beat tracks north of the corpse of ron (who is in a dead heat with jimi, jim and james in the race for most desecrated musician in like 4evah). anyhow, these jamz come courtesy of the sp12. feel it feel it feel it feel it... boom knock out!

torontos my favorite robot records team up once again with the excellent jonny cruz for a new ep featuring remixes from avatism & jeremy p caulfield and fur coat … it is another winner from my favorite robot records!

no.19 music look once again to the multi talented tone of arc for their latest single, an atmospheric cover version of the 1988 hit goodbye horses, the release also features a remix from the ever excellent deniz kurtel

neroli is back for a warm autumn with an array of new releases. first up is ricardo and the latin soul brothas once again with a heavy 4 track ep mixing the deepness with the latin sound of his origins. >808 signatures< is raw and deep as it could get, >voices< features once again fellow chicago star glenn underground for a classic latin soul brothas jam. on the flipside ricardos homage to the classic >faces< drum track, and finally a deep and long journey into sentimental house called >mental samurai< ft. hernan cronner.

mermaids surfaced at the end of 2011 into a lagoon of crystal clarity, brimming with starlit life and perennial funk. combining elements of the past and future to create a present that is at once sky high, another ocean deep, their music has sent a stir through the blogosphere, finding its way into tastemakers sets across the board.

foam fangs could be a term used to describe silks preferred take on that too-easily dismissed 70s dancefloor dementia of disco – the soft bite, love nibble, mirrorball on steady/ready perma-revolve. jesse reiner (jonas reinhardts first mister, alongside past/part-time collaborators like phil manley of trans am and damon palermo of mi ami/magic touch), who never quite had the kranky krinkle of his ohm-ambient labelmates, travels head-on, tomorrowland-style, through long-form cosmic moroder constellations of >foam fangs<. nothing frothy about it, though there is a bit of the rubbery in reiner’s bounce-about, cool, funky kraut-disco. suddenly we are beaming back to a time when the world looked forward, envisioning a 21st century decked with silver, chrome, and neoprene. it is a sonic space both transparent and shiny, the metallic ding and cold ribbon of data, scrolling through infinite space. the opener, >foam fangs<, transports us instantly into an ever-expanding universe of sound and light at once fanning out and folding in on itself. variations on that theme continue as the jonas journey oscillates through the beat-beyond.

sccucci manucci once again proves its dancefloor chops with its fifth release, the cinquemila lire ep, which sees the london based imprint curl its moustache in the direction of deep house. manchester based duo toyboy & robin open proceedings with >no more sunshine<, an insouciant mix of soulful vocals, shuffling garage percussion and burning deep house organ stabs. it is a heady, intoxicating mix, and it is one that is matched on the a-side by sahin meyers effort, the husband and wife duo turn in the gorgeous >spread love<, a cut that wrings every last drop of emotion out of a classic, drummy arrangement. flip over for >saif< by illyus, a twinkling late night excursion into melodic, star gazing house, and >feel love< by firas, one half of the waze & odyssey, who rounds off another killer sccucci 12-inch with raw-thentic smacky beats and an addictive loopy vocal and bassline.

far too loud has once again upped the anty on electro house with the certifiably bangin firestrom ep.
the eps title track firestrom leads the way, but is heavily supported by two additional tracks, lightbringer and 600 years that add depth to the ep and showcase far too louds versatility within the realm of heavy electro.

here we go again! the heels of love strike gold once again with their new single >flight 707< on nang. it arrives accompanied by a strong brace of remixes from jadoo, billy bogus, and braking dogs. boom!

enigma dubz is consistently tearing up dancefloors worldwide, this time round he teases us with a medley of deep garage tracks. enigma dubz really steps into his own with this ep, creating a solid ambience between all 3 tracks fusing deep basslines with two-step beats. all 3 tracks are heavily influenced by ukg which all show tones of enigma dubz influences from the likes of mj cole right through to nice n ripe. while their remix of jessie ware continues to tear up the worldwide scene, disclosure entice us with two silky and lucid house cuts that don t fall anywhere short from being timeless - brilliant stuff from the youngsters du jour, once again.
dj support from: toddla t, whistla, stinkahbell, rob da bank, giles peterson, eddie temple morris, mary anne hobbs, last japan, disclosure, huxley, el b, sticky, dj q, bbc radio1, bbc 1xtra, xfm, mash (capital fm)

still in its infancy, swiss dj and producer rippertons personal imprint tamed musiq returns with its fourth offering in the form of, lets hope. maintaining the tradition of the labels previous releases, ripperton once again takes us on a journey of epic length, one that masterfully builds, swells and diminishes, as we make our way through a flurry of playful piano hooks, subtle synths and deep bass drops.the flipside comes courtesy of the hottest property in house right now, bicep, who continue turn on the charm with another deep and seductive, on-point dance floor bomb.

the deepest techno act from amsterdam with their deepest works so far.in three haunting and hypnotic analog techno jams spaventi & g-string show us the beauty of darkness. not sure which spirit possesed them that night but it was a nasty one! with their sparse 909 percussion and eerie synths they deliver techno how it once was intended: funky yet moody, seductive yet alienating. the bio rhythm continues.

3 snuff crew remixes at once!! back in the day chicago oldschool tracks. acid house, techno and electro at its best.

for the second time (cf. hors-serie volume 4), catwash records proudly welcomes onboard the prolific and anonymous italian electronic music project named lula circus which delivers here a complete speaker-busting package ready to slay dancefloors worldwide.

with the >closer ep< by gunnar stiller were welcome a new member to our family. gunnars first clap your hands record takes us directly to the dance floor and whet the appetite for long club nights. the 2 original tracks come with a nikola gala remix on top and nikola shows us once again, who has the most pounding groove in business!

once again rollerboys have put together an epic disco compilation. this time they have invited mark e & prins thomas, in addition to the home team bogdan irkuek a.k.a. bulgari & ultracity. the ep contains 4 brilliant tracks, ranging from slow epic to chicago house

vinyl only!. professor inc gets around in paris and it was natural for rue de plaisance to welcome his project very detroit oriented. label manager, producer & executive producer of amour, wbttu & reve, all vinyl labels where he releases under various nicknames & anonymously presenting his influences. varoslav welcomes 4 of his tracks: natural evolution magnifies tweaks & complex grooves, sfx like haute couture. the machines speaks and even lyrics embrasses the concept with computer generated voice. telegraphe stalingrad is a collaboration with the young producer modstand living near telegraphs subway station. professor inc used the sound sources he plays usually with the horses and live gigs to make a complete new track, very tracky & dj tool, usa style & strong beat. detroit baby once again, an absolute delight of complex puzzle and chess. >heavy drum, bass duty, this is detroit< says derrick thompson from detroit and label owner of soiree records where he reads a text written by inc himself. pmax, expartner of inc in their band phuko plays the keys while the other arranges them. very catchy & state of the art of the genre when it is digitally produced. hoes this is where it ends and it is for the best. as detroiters in late 80s got influenced by the house sound of chicago parties and created techno, the frontier was little, thats what the professor is bringing here on the today style. this b face remines ds classic key pads for sure.

gehm returns once again to the mathematics imprint for more banging house cuts! fire & ice along with from space 3 suns bring old school chicago house vibes with raw drums and eerie synths. warm words dont help as much as a helping hand with the title track take on the flip.

never shy of bringing new flavours to the table, once again it is time for tectonic to introduce a new artist to their increasingly eclectic roster. born and raised in london, jay fontaine aka decibel later hopped over to newcastle for a few years and now can be found based in belfast. already this exciting producer is tickling a wide range of interested heads, with dj and radio support coming in strong from the likes of sinden, mistajam, benji b, doorly and toddla t as well as mj cole, drop the lime and many more.. get involved!

neue veröffentlichung mit experimenteller musik und sounds auf dem streamline label im vertrieb von drag city. neben dem originalen >i, anatomy< album sind die beiden eps >all at once is what eternity is< und >the die thats caste< enthalten. das artwork stammt von labelmacher christoph heemann aus aachen.

amazing release! nach dem vinly-only-debüt von miteinander musik folgt zum abschluss des sommers die zweite platte, auf der miteinander-mitgründer manuell gleich selbst hand anlegt. von melancholisch bis verspielt sind auf den fünf tracks wunderschöne stimmen und stimmungen eingefangen. drückend schwer und doch luftig leicht musizierend, widersteht der junge zürcher der versuchung, mit pumpendem house den hit zu suchen. gespannt sein darf man ausserdem auf die in kürze folgende remixed-ep, auf der viadrina, rafael kakudo, james creed und spieltrieb manuells tracks weiterspinnen.

the crooked man returns. after making a huge impact with the first 12 in a series of 4 limited edition 180g vinyl packages. the crooked man is back with the second, once again featuring some of the best & most innovative house music we have heard for a long time.

recorded in dears home studio and mixed at nicolas vernhes rare book room studios in brooklyn, beams evokes a day-lit dreamworld at once strange and familiar. while the albums dancefloor-ready tempos, major keys, and sun-warmed synths signal beams as the lighter, brighter response to its predecessor, closer inspection reveals a squirming mass of oddball details. dears latest productions on beams creak and groan like anxious organisms, with slivers of guitar, electric bass, and drum kit darting in and out among the synths and samples. beams is the latest transmission from one of pop musics most fascinating creative minds. tour dates coming in nov and dec after recently performing live in may this year in select key cities.

dead capo is a quartet that fluctuates between the classic sounds of jazz, the attitude of rock and the trepidation of surf. all of this seasoned with the cinema sounds of rota or morricone.
it has been 10 years since their debut lp, díscolo (pueblo records, 2002), made waves with the national critics. their new album is once again surprising and the band sounds as fresh as when they started their journey at the end of the 90s. sale (lovemonk, 2012) combines an extraordinary energy with passages of meticulous precision and goes from wild to calm in a way that is both unexpected yet natural. thelonius monk, cartoons, cinematic landscapes, rocks past, africa, surf and the ballad come together in an album as great as it is as unpredictable.

gregory isaacs, reggae superstar, has left an unrivaled legacy. report, taken from our gregory isaacs remix album, is yet another testament to that. curtis lynch boosts this bassline driven track to the max, as gregory enquires of his ladys whereabouts the previous evening. marcus visionary once again takes the reigns for the dnb mix.

inspired by the teachings of the earons (thats .22, .18, .33, .69 and .28 to the uninitiated, see www.earons.net for more background), a splinter group was formed earlier this year, with the express mission to bring back the message and connect it to a whole new audience. >land of hunger< is given a 2012 reconstruction from the cosmologist, a sturdy rework performed by the mysteriously concealed outfit, who identify themselves only as .40, and .44. whilst they are heavily influenced by earons beliefs on positive energy, which they seek to share, .40 + .44 are quick to point out they have no links with the earlier incarnation from 28 years ago, but felt a compelling force to unearth it once more. the universe knows when the time is right, and frankly the original broadcast was just too good to not want to fashion a 2012 edit, so a new chapter begins ...

berlin-based emerson todd returns to saved with the >dis n dat ep< in which the new-zealander once again presents us with 3 big records, showcasing the reason he is considered one of the most exciting producers in the scene.

krone and malsum team up once again for this amazing new release on fkz:ltd. heavy on the neurotip, the a-side starts off with a creepy soundscape and rolling yet subtle break edits. the synth takes the overhand and leads you into the monsterous bassline. wicked! for the flip krone created a solo piece of music that could easily fit on motherlabel fokuz as well. a nice musical piece of music filled with the trademark krone basslines and sweeps. diverse ep for both traditional neuro fans as for the fokuz crew!

morgan geists project storm queen marks a return to his roots with an analog approach towards modern house music with a disco pedigree. >lets make mistakes< once again features the vocal talents of damon c. scott. storm queens debut of 2010, >look right through<, became an underground hit and was reissued as a remix package by defected records. 2011s >it goes on< nearly outstripped storm queens debut in popularity and was featured in countless radio and club dj sets and charts. >lets make mistakes< extends the storm queen continuum at 117 bpm, slowing down and emptying out to form a sinewy, building sound sculpture with a pop song nestled at its core. storm queen physical releases will be limited-edition 12 inches only. storm queen is made for djs, but doesnt sacrifice atmosphere and songwriting. storm queen owes a debt to classic house music from new york, chicago and detroit, as well as disco and boogie. s t o r m q u e e n i s a l e a p o f f a i t h .

eartoground records 3rd consecutive vinyl only release, once again features as a limited pressing on high quality black wax and is likely to be seen by techno purists as ready to go dj ammunition for a variety of dance floor, as each track & remix carries its own identity.