the kid is back... august darnell a.k.a. kid creole returns in style with his first studio album in over 10 years this autumn, i wake up screaming, an epic comeback recorded for strut at kid creoles sweden hq and mixed by brennan green (chinatown records).
in anticipation of this all-new creolian odyssey, strut unleash the opening single, i do believe, a trippy disco stream of consciousness straight from the mind of darnell touching on greek mythology and other fantastical snapshots. alongside the original album with its unmistakeable double harmonies and infectious slap bass groove, the 12 inch features some mouth-watering mixes: brennan green draws on some todd terry techniques for a hypnotic dub, san francisco dj collective 40 thieves (responsible for dance anthem >dont turn it off< on permanent vacation) take the track into chugging electro funk territory, and nu disco pioneers faze action deliver a smacking 4x4 version with an anthemic piano line. the digital release features extra tracks - the faze action dub and the original radio edit of the track co-produced by august darnell and andy butler (of hercules & love affair) and mixed by brennan green.

next eklektisch anthem. edu imbernon & los suruba pres number 5. punset sees the trio in full-on-goosepimple-enducing mood. each copy of the record should include the instructions - one to be taken, at sunset or sunrise for heightened effect. the boys have encapsulated the finest of balearic moods and brought them to the dancefloor once again. the deep throb of the progressive bassline, whilst allowing the track to breathe, has enough power to drive the track. the fluid sounds in the breaks, together with its simple piano riff and bell chimes, bring us down before the synth melody and weighty bass shoot us to the stratosphere on a wave of smiles... on remix duty is none other than hamburgs finest and diynamic music head honcho, solomun. turning punset on its head, yet maintaining its epic feel, the german produce

fina has been soaking up the sunshine over the past few weeks procrastinating over the best time to release its next summer cut. with global warming rubbing everyone up the right way, we feel now is as good a time as any to drop fina 004. originally from south africa, esa mervin granger may now be more glasgow concrete towers than table top mountain but his grooves are pure house pedigree. from his releases under his mervin granger moniker to exclusive remixes for ooft! the cape town cat was a natural choice for a very >summer< shuffling three track jaunt.title track veloore is immediately recognisable from its soft analogue piano chords, amalgamated with a dreamy filtered vocal and a bass line which nods to the acidic side of deep house. on the remix is erefaan pearce, a fellow south african who pins soul to every production he lays his hands on. reworking vocals and bass lines into an infectious frenzy that is almost impossible to resist, erefaan draws that sunshine feeling from every angle. think las salinas and you are nearly there. completing the ep on the flipside is galaxy, a deep vocal number paying homage to all the lazy dogs. cosmic deep house aimed purely at the terrace. fina records 004: we present… esa

bernd kunz war einst als a forest mighty black einer der downbeat-pioniere. diese zeiten sind längst passé. unter dem kürzel afmb veröffentlicht der mann clubmusik, auf deren stirn ganz groß hit geschrieben steht. auf den enorm erfolgreichen piano-house-mover >back up days< folgt nun mit >in my life< ein großartiger vocal-tune, der die besten momente von inner city ins gedächtnis ruft. die rückseite hat mit >the far side< einen düstereren underground-house-track zu bieten

after his guinness world record, the album and the locarno film festival prize-winning feature film ivory tower, the single never stop chosen by apple for their ipad ad and the inter-planetary video hit you can dance with its near 1 million you tube views, the musical genius brings us a limited edition of symphonic spoken word

we present you the newly born imprint outernational recordings. the kick off for this unique vinyl series is by basque county native kastil who sets the right tone with three wonderful disco edits at a mid-tempo / slomo pace. since uploading these tracks to his soundcloud page, the feedback has been enormous. side a contains the long, slow and loopy back to philadelphia, where kastil cleverly plays with the vocals and delay and creates a highly tense build up. theres no doubt that some large players in the very popular disco edit culture will play this one out. on the b1 side you find the track smd. a track which received great feedback by some key figures on soundcloud. this track is the ultimate pre-lude for the summer. fortunately, this is being released just early enough to enjoy this during the european and northern american summer. with again beautiful vocals floating through the track, this track definitely reminds one of a hot day in the local park. the b2 track is called rolls royce. perfect as the last track of this release since its a long edit which ends with a very atmospheric piano solo that keeps on floating through the last few minutes of the track. all and all, these edits will definitely make some heads turn after the date of release. supported by: cosmic boogie, dicky trisco, the legendary 1979 orchestra, sleazy beats recordings, ben la desh, 78 edits, osvaldo wilson, mannmademusic, gitchell moore

new release on qalomota records with the main group joyful noise. we can say that we have douzens of unreleased tracks of joyful noise. so we decide to present you this project with one unreleased track >drive in< made in 2002 this track represent the real essence of the group. soul, jazz touch in one fucking deep house track. for the joyful noise followers who like this smooth touch in house music. b side is also an old tracks but never release on vinyl. your soul, my soul, two mixes, like it says in their names, one for the morning with piano and happy feeling touch and one for the evening with groove and dancefloor definition. once again a classic release in qalomota records catalog!!!

four veteran detroit creators, individually accomplished and respected. each, a producer / performer / dj with a long history of deep, inspired, electronic and accoustic music, so innovative, to spawn a genre all its own. soiree records proudly showcases these melodious, technological, architecs on the first installment of detroit: deepconstructed. drivetrain leads off with driven. multifunctional and intelligent this one was constructed from the floor up, genuine and raw. throbbing rhythm and harmonious pads generate the perfect ambience for the signature vocal proclamation. next up, dorian gigís, the james herbert theory is a courageously deep, tech flow. gigs solid detroit influence clearly takes centerstage. thick, fat chords atop a flanged hi-hat move the air while the syncopated riffs fill the groove. dwayne jensen returns from a long departure with i see the sun light. reflecting jensens untold late night, underground experiences.this crafted pulsating, solid house swing inserts a hypnotic vocal chant for total authenticity. new to soiree records, but a known novice and powerhouse to the cause, malik alston’s offering is dance jazz. showing off some extraordinary piano chops, backed-up by a mental sax riff, alstonís unyeilding bassline and acid blips will not disappoint the dance floor. detroit: deepconstucted is music undefined from a place where music does not compromise.

vinyl only!! styrax records presents the last part from the serie >in loving memory<. the release come with an artwork of james marsh, former best known for collaborating with the seminal 80s band talk talk, producing all their iconic album covers. the folder is used for the acceptance of all >in loving memory< parts 1-4. as bonus the special 1 (2x12inch vinyl) with rare and classic tracks from ron trent, larry heard, herbert, isolée, reggie dokes and dj qu

following his two recent singles on scubas hotflush recordings, london based george fitzgerald is back with his much-anticipated third release and his debut for aus music. titled silhouette, the three-track ep includes two originals and a remix from american producer john roberts. fitzgerald once again manages to create a world in which garage, dubstep, house, r&b and a host of other musical influences happily co-exist. on silhouette hints of warm acid, layered oscillating synth lines, propulsive beats and fitzgeralds signature use of vocal samples make this a peak time affair, albeit an incredibly lush one. reset is eight minutes of forward thinking uk garage combined with the melodic sensibilities of detroit techno. for the silhouette remix, roberts develops a relentless broken groove, occasionally punctured by brief piano interludes that recall the sounds of his 2011 debut full-length on dial records, glass eights. a breathtaking remix that sounds like nothing else out there at the moment. in addition to silhouette, fitzgerald currently has remixes out for french house producer brawther on secretsundaze and uk bass artist throwing snow, as well as an upcoming ep on hotflush and a track on the labels recent compilation, back and 4th. this year will also bring the founding of man make music, a new label fitzgerald is starting with friends.

for its eighth release theres no other responsible than oliver schories, who did several releases on labels like ostwind records, parquet recordings or musik gewinnt freunde (just to name a few), which attracted a lot of attention! on his organ freeway ep oliver delivers a summer track which immeadiately puts you into good humor, no matter if heard in the morning to get up, in the clubs or especially on every upcoming open air party! just get on his >organ freeway<, theres no speed limit! the b-side is somehow darker and moody, like the title >treibsand< promises youll sink in layers of sounds, directed by the low-tuned piano, perfect addition to >organ freeway<! all together a huge summertune which is going to be released on lovely 10 inch-vinyl!

future boogie - the name of the game, killer disco release / late 80s acid house flavoured... incl rmxs from julio bashmore & pbr streetgang

netto houz are back with an extended and newly mastered version of >bad man speaks<, first released on their album >room 7107<, published on ladomat 2000 in 1998. >the prince of dance< elbee bad explains the difference between house and house music to an oldschool four-four- rhythm running on 113 bpm. the flipside of the 12 inch contains the previously unreleased deep house summer track >knuggles<, which builds on beautiful chords with a live rhodes piano jamming to it. berlin based knuggels recordings, run by dj kriton together with netto houz, is planning further to release new and previously unreleased material by netto houz as well as edits and remixes of their tracks from the 90ties.

for all the wonderfully subtle shell-breaking he did on his full-length, mark e falls back on old, slow habits for his new single, >the day<. and welcomely, we might add. pitching things down to a basement lounge floor crawl, the midlands dj/producer wraps his always chugging kicks and snares in serpentine synth-bass, jazzy, tripleted hi-hats, and moaning, wordless soul vocals. its grasp is tantric—hinting coyly at ecstatic release, but never fully delivering. for the vinyl junkies that bought stone breaker and missed out on it the first time around (it was absent from that version), this release should be a no brainer. but >the day< isnt carrying all the weight here. a new track called >special fx< will have sample hounds—particularly those with a thing for classic electro-pop—salivating. and the oft imitated, never replicated prins thomas shows up on the flip for a (naturally) eleven- minute revamp of >the day<, livening up the bass and drum patterns, adding in strings, piano, guitar, organ, and ending up with something that totally could have emanated from a camaro at some point in the early seventies. (albeit, one owned by someone with interest in eleven-minute instrumentals.) it even has a fade out!

two tracks from alden tyrell which he played in his live sets a couple of times. produced without the intention to release them or do anything with it beside using them a few times in his sets. however after we played the tracks from cdr we just needed to get them on vinyl! so here they are... two basic chicago house trax ready to be played out loud!

a true showcase of vesicles creativity, versatility and dark bassline science, the we are lost ep contains 4 deep and dark dubstep excursions and makes a strong case for this finnish duos inclusion among the genres best and brightest of the new generation of sound visionaries. the title track we are lost is a beautiful, dark anthem combining haunting vocals with live guitars, intricate melodies, precision drum programming and fat slabs of bass. the result is a well-rounded, catchy and melancholic masterpiece. smoke curls switches up the program, engulfing the listener in deliberately lo-fi sound fx and percussion whilst conjuring up deeply emotional, melodic bliss by juxtaposing a dusty piano with a soaring, distorted, filtered leadline of 8-bit chiptune charme. destined to become a dark breakstep anthem,mythos harks back to the late 90s metalheadz sound with its epic synthlines, eery vocals and massive, growling reece bass constructions. redemption completes this vicious circle with a journey to the depths of darkness, attesting to vesicles true mastery of uniquely filthy bassline construction on this stripped-down vision of despair. to ensure that this ep looks as mindblowingly sick as it sounds, the vinyl release features stunning, limited-edition full sleeve artwork!

nice price deal !!! following on from her acclaimed debut last year on jansen jardin, yuki suzuki and producer, max essa, return with another slab of far east magic entitled >we don?t have much time<. combining yukis sultry vocal with a very muscular, bass heavy groove, the track comes across like some pitched down (way down!) early 90s nyc garage classic. big, rolling drums push the track along while some glorious strings and piano make sure, as usual, jansen jardin have something for your mind, your body and your soul. on the flipside neville watson delivers one of his finest productions to date. pushing the tempo up and dubbing things out he provides a brilliant reworking which is already causing a fuss from tokyo to berlin. moody, emotional dance music for late nights and early mornings. one limited pressing - as before - first come, first served

fresh from the release of his stunning third album, >inner space break free< on the magic + dreams label, the unique and acclaimed live performer, bass clef delivers an anthemic summer 12 inch for the punch drunk label. an integral piece of bristols musical jigsaw, bass clefs live shows and dj sets have wowed the city for years. his punch drunk 12 inch debut is long over due. rollercoasters of the hearts euphoria fuelled piano refrain combines with dub echoed beats and rolling, ground shaking bass before delving deep into acid bliss, juxtaposing the darker, melancholic yet tough and club ready so cruel on the other side. if you get a chance to catch bass clef live, you wont regret it!

open the curtain for the next trick from the highgrade disharmonic orchestra: for the last year the team have been busy refuting the notion that the dj is a one-man-band in the booth… tom clark, todd bodine, philip bader, dale and daniel dreier are an act that combines all their many and varied qualities into one pot, stirring vigorously and serving up a hearty dish that goes straight to the hips! they have proven many times with their live performance that the musical ingredients are just right – and have also put the evidence on the record with an original ep. now comes the follow up. the first track way too far, is a live recording which evokes an atmosphere of urban beats and pulsating flashes just behind the eyes and a dancing crowd who appear to sink deep into the dance floor. then theres a complete chance of scene for the second track the other night, that appears to hijack the veranda of a villa in the american south. crisp rhythms are backed by muffled thumping beats, a trumpet laments, a sexy sleep-talking emerges in gentle piano sounds. this is southern passion under the disco ball, cleverly approximated by the highgrade disharmonic orchestra

alex cortex >unshell< is the follow up to his acclaimed >i wont conform< (pom22) and the foretaste for his upcoming album which is going to be released on pomelo this coming fall.
>unshell< features 4 modern dancefloor tracks in best cortex style, characterized by tight rhythmic structures and a unique and irrestistible hypnotic power.
from deep stumbling house grooves with piano stabs and a male vocal admiring >your sexy moves< and a chicago jacker with a repetitive voice on the a side, to athmospheric dark techno with warped sound effects and breakbeat house layered with modulating 8-bit sounds on the flip, this record shows once more alex cortex skills to move off the beaten tracks in his very own style.

and here it is: the second vinyl ep of niko schwinds album >good morning midnight<. it features some of the unique tracks that niko has created together with some of berlins hottest production talents. on the a side are two tracks that feature the clicky tech-house boys that are channel x, where things kick off with >back from the bar<. it sounds as the title suggests: a little wobbly, a little drunk, a little crazy, but also pretty magic. quite clearly this is an homage to one of berlins not-to-be-forgotten clubs that is unfortunately history now. but things continue on here at least with >dont turn the lights on<, a more straightforward dancefloor track, with a trumpet as the main protagonist. this is one of those tracks that keeps leading up to a real arms-in-the-air-moment if it wasn’t so damn housy at the same time. on the flip the magical connection between niko and label daddy oliver koletzki can be heard on >master of ceremony<, a chopped-up house track with epic dimensions. when things get to the piano breakdown, they get very musical and colossal before dropping back into a great house track. the stark contrast between the piano melody and the groove on this really make it. last but not least then, the original album opener >good morning< that features the singing of fran. it works great as a great album opener, but also perfectly as a slower and more thoughtful addition to a great ep

nice price deal !!!

cesar merveille first joined the cadenza team in 2009 with the outstanding ep. descarga, produced alongside fellow artist pablo cahn and garnering high critique from industry and public alike. a well known and much loved figure within candenzas vagabundos ensemble and equally the international club circuit, it is with great pleasure that cadenza welcome cesar for his debut solo release on the label. maayancholy is a beautiful and heart wrenching record, showcasing the delicate and fiercely musical palette of the french producer. introducing with shimmering open cymbals. light and airy they rustle simultaneously and offer diversity via their multiple manipulation. unsettled and sporadic, they splash throughout the remainder of the piece in an ethereal manner, casting light over delicate steinway piano keys and stabbing muted chord sequences. argentinean artist guti composed the aforementioned piano, his jazz and pianist training clearly used to full degree on maayancholy with simplistic singular key arrangements and piercing chord sequences. as the ascending chords rise, they dance magically alongside the pitter patter of percussive drums in a stripped back and raw demeanour. maayancholy effortlessly lays bare the emotive side of merveille through this ambient and surprising track. luciano picks up the remix duty for with a 16 minute interpretation. as condensed cymbals and piano chords are electronically warped, urgency prevails and groove sets in, securing lucianos twisted version as the perfect companion for the simplistic original. pace quickened and intensity sharpened, luciano demonstrates the clear dance floor attributes within . maayancholy in an electronic reinterpretation fit for the floor

bedroom community broadens the scope with their newest release: en garde by puzzle muteson, a mysterious, intimate record by a fearless songwriter and lyricist from the windswept isle of wight. arranged and produced by collaborators and labelmates nico muhly and valgeir sigurdsson, en garde is a strange, comforting and alarmingly personal record. driven, spare lyrics are hoisted high by vocals of steady, sturdy tremble. each tune swells with plush guitar pluck in a sea of orchestration and electronics. recorded in the greenhouse studios in iceland, the album collects puzzle muteson s odd and beautiful stories - about love and horses, rust and polar bears, heartbreak and birds. puzzle s songs are curious sounds from a troubled heart and his lyrics are urgent and open, striking a note with their vulnerable memories. i was once a horse is an unforgettable song about nostalgia. the first single and title track, en garde , pits puzzle s longing against waves of dense strings and jagged rhythm, while perspex disguise sets his naked, translucent vocals against shimmering piano that refracts off epic chords. in flamingo head he sings, i left your house. you let me. i left you ugly , buffeted by guitar and distant murmurs. not a single thing could take this magical sight. i ll find you still , he sings in medusa , the story of a man tracking down a lost love. like many bedroom community recordings, en garde takes an unexpected and unique voice and elevates it out of any easily discernible pocket. puzzle muteson could be folk or something completely different - instead he s an intense stranger from the isle of wight - at once both familiar and unfamiliar. en garde heralds a haunting and essential new voice, beautiful, earned and yearning

debut release on clone royal oak by morning factory. two tracks that turn every party into a house party! two tracks that go somewhere between the old and the new school with phat bass lines, filtered stabs, blissful keys and joyful piano and a cheeky vocal on the b-side cut. all that combined with slightly slower pace, powerful production. two killer tracks that makes the most stubern raver move his ass!

killer groovy deep house tracks !!

after >echo life< and >night impact< mirror peoples third release >reaction!/odyssey< is out now on social disco clubs hands of time label. this 12 inch reinforces rui maias ability in crossing over his trademark synth skills with his love for emotional and melodic dancefloor movements. both tracks fuse recognizable patterns and intriguing ones where the cold teutonic meets far-eastern harmonies in a cool piano induced crescendo. as for the two remixes, tiago miranda provides a buzzing hypnotic >zawa dub< of >reaction!< and jacques renault a rhythmical stomping >odyssey< version

the band recorded cadenza last summer locked in a salford basement experimenting and stretching their songs into new and unexpected shapes. produced by brendan williams and phil bulleyment they’ve created an album that, whilst drawing on the eccentricities of sparks, the piano methods of steve reich and the unhinged prog-pop of the cardiacs, has at its heart a real pop pulse.

last year put leeds-based producer midlands (aka harry agius) name on the map with his successful collaboration with hessle audios ramadanman, >your words matter< on aus music. this year, aus label chief will saul has invited midland back to take a solo swing. its an excursion that explores the boundaries of 2-step, uk garage and techno and consists of two original tracks. on the a side >through motion< shows midlands ability to seamlessly take the spirit of uk garage and fuse it with techno. the tracks moody piano melody is punctured by a dark, pitch-shifted vocal and encircled by the warm atmospherics that have become his trademark. on the flip side is >shelter<, a brooding and cavernous affair whose vocals and whispery atmospherics make this the perfect late night tool.

bocca grandes piano masterpiece >procedere< gets an exclusive 2011-overhaul plus an epic morgan geist remix.

one night stand is jam factorys third release, a collaboration with new york-based vocalist mattie safer (formally of the rapture) over two 12 inches. this first 12 inch features the original version - a piano-driven chicago style anthem with heavy drums and a touch of acid. mattie delivers a classic house performance in his own instantly recognisable style. on the flip are two different dubs, one an incessant barrage of pianos, the other a thick slice of acid. this release is only available on vinyl.

this release is strongly recommended. the first record of the enlightened wax series is a fine blend of incandescent house and techno tracks, flaring through the darkness of the night. all the tracks are written, mixed, and produced without the use of any software. light 1 (6.14) is like a ray coming from a distant star: it is slow building up on a wide bass body rising from atmospherical pads. a deep house jam with a touch of hi-tech jazz . light 2 (4.51) scatters raw beats in the urban skyline. an old school piano sample in addition to a aggressive bass line are the foundation of the track. its a breath-taking piece at the furthest boundaries between techno and house. on side b, the delightful journey continues with light 3 (5.34) an hymn to the glorious past of dance music. solid beats, ground shaking low frequencies, joyful voices, soulful piano chords call up the assembly for a return of the shining days. light 4 (6.06) fuses garage sounds and techno attitude. its massive dubby base breaks through sonic barriers. a dancefloor striker

the debut release of swedish artist combo (he is half of s.u.m.o. which is well known as jazzy house artist in the beginning of 2000). probably some people know his excellent edit of robert hood >minus<. the title track of a side is modern beatdown house with the emotional piano loop sound. if you like the release of the revenge or mark e, you will like this song. b1 is an old school house version of the title track and >uptown< on b2 is early new york house sound.

who am i? thats what ruede hagelstein asks himself when he looks at the reflection in the mirror every morning when he gets up. then the image goes into the studio and produces tracks for upon you for him. the first one sings >give a little slap to your soul< darkly and romanticly at a relaxed 120 bpm into the mike and has taken up lodgings on a1 of our uy 047. the second plays piano, even if just paraphrased. the b1 beat requires a slightly faster dancer that a1. then the third member of the group on b2 with a quite definitive minimal touch, sounds a bit like peter and the wolf at the lsd opera … hop hop off you go then my lovelies.

knight moves - the last single from ivory tower after the locarno film festival prize-winning feature film ivory tower, the soundtrack chosen by apple for their ipad ad, the singles never stop on phantasy records (erol alkan), i am europe on boysnoize records and the inter-planetary hit you can dance with its near 1 million youtube views, here the last single from ivory tower. starring the exclusive chilly gonzales solo piano version as well as the original album version, the tracklist ist completed by 2 remixes: dj koze - the master of the abstract and romantic productions turns knight moves into a sweet hiphop soul version, using feists vocals only. lone - newcomers from london with releases of r&s and boysnoize rec, takes the original idea of the song and gives it a more electronic-house feeling. from his own words his best remix to date

limited edition white vinyl release.

the two berlin residents and great friends, jin choi (archipel, lesizmo:r) and daso (my best friend, spectral sound) present us with the first summer tune of the year, >teer<. the original has already featured on the 5ysyst compilation and today we feature its new edit. beautifully deep, piano laden and featuring incredible vocal work, >teer< is set for a successful summer season. backing the new edit, are two stunning remixes from systematic regular, rodriguez jr. and the mighty, quenum! >due to the never ending feedback of many friends and djs we have decided to take this very different and outstanding track off the compilation and release it as a single.<
approved support by dubfire, luciano, jimpster, konrad black, tini, terry francis, adam beyer etc.

after the monster hit >1998< by taras van de voorde, ec is proud to present the long-awaited follow-up >the game<. >1998< was played to death by pete tong and everyone from luciano over agoria to sasha. tong even had it at #1 in his vest of 2010 list! we also add a smashing remix by santos, known for his dancefloor sure-shots on moon harbout, rockets & ponies, crosstown rebels & figure!

serbian producer milenko subotic behind the machine for the 5th release of french imprint sharivari records. after sharing ep,s with technasia, orlando voorn or atjazz, subotic presents a powerfull 4 tracks record, showcasing his love for the analogic sounds and his usual straight and raw beats. expect some killer piano samples, deep chords and raw & hypnotic acid sounds. 300 copies pressed on grey marbled vinyl.

maxmillion dunbar returns to future times with his first release there since it began with his >outrageous soulz< 45. >max trax for world peace< takes the house sound maxmillion hinted at on his 2010 >cool water< lp (for uks ramp recordings) into sublime territory. tip! in the hyper-percussive, shape-shifting opener >polo,< max mixes italian house, angelic choirs and a bouncing bassline, while >ballroom< sees a synthetic waltz become ambient disco as 707 claps echo from the corners. >piano & dream world< engulfs the entire b-side with a blissful, heart-wrenching workout indebted to those head-down, eyes closed house tunes of the past, adding what sounds like a smudged digital orchestra to a roller of a track that marches on (>and on<) forever

label bosses are back in tandem for the sixth release on micropunto: wine ep, which also marks the beginning of micropunto schallplattens vinyl era. wine ep started as a back to back game after a spillage incident. ikkaku and d-gelo started producing two separate tracks in their respective stations and every half hour they swapped seats, building the tracks as they went along. the result is this musical experiment that sets the trend for all things to come from the micropunto clan. they spilled wine on me kicks in with a deep lead stab from the catacombs. the elements appear on the scene in a stride to resurface. it goes up then down, left, rigth, it gets dubby, then back in your face. in i spilled wine the beat unfolds steadily like a bulldozer coming up to the surface in search of the true sound. next we meet the preacher. with a subtle housy piano lead he puts us in the right track, reminding us that the dance floor is made of sand and we are on the rivers bank. listen to the flow. lord techno, you are my music. originally inspired from a dub tune featuring ras ajay from the spaceship sound crew in london,dubwine closes the triangle with a huge dub flare. fat subsonic bass and broad stabs make this track a serious contender on the dub techno charts. its the producers blink of respect to the reggae culture that has inspired them all through the years, hence the vinyl release.

with its intriguing melodies, strings and piano orchestration, >silk city< has got modern classic written all over it. nathalie is a jazz singer and the tone of her voice reminds of telepopmusiks >love can damage your health<. fred everything once again steps up to the remixes with a straight forward modern house production and a dub that brings back early influences of mauritzio and mood 2 swing. hope you enjoy the release as much as we do.

big with stephan bodzin, hernan cattaneo, gregor tresher, dubfire, monika kruse, mihalis safras, butch, paco osuna, hermanez, gel abril, joris voorn. the labels first three releases have already featured such names as martinez, piemont, daniel dreier and d.diggler, backed by mixes and original productions from some jetts very own team of artists. todays release comes from the label head himself, fred siera who turns in two original cuts, bell x1 and yeager. bell x1 is a deep, driving number. moody and atmospheric with an extra long break it touches on in-flight safety details and even a touch of nancy sinatra. seriously. on the remix and fresh from the success of his tiny little widgets album is martin eyerer. staying true to the original, martin ups the ante by adding more drive and muscle. on the flip the original of yeager is another driving number. deep and percussive with a gorgeous jazzy piano break, it receives a rework from jett001 artist daniel dreier. the watergate resident injects a healthy dose of groove and ups the percussion. added strings, vocal samples as well as a splash of woodwind take the original on a new trip

the boys are teaming up again! the name is lonely, but you are not lonely at all. niconé and philip bader are setting up two mad tracks for your sprawl over the dance floors in the cities and over the countryside. knowing how to use the sharp blades of selected beats and emotions, they just wanna get on top of you. so get ready for a bright summer with wandering open airs and screaming hands in the air. spoony talker give you the right mood and put their mad soulful vocals into lonely, filling the last available free space between techhouse-beats and piano-hooklines. together with mama simba you should be prepared for a wild ride through hot funky peaktimes near chilly lakes and rivers. back in the club animal trainers remix is pulling you into the flickering lights. time to feel too good to be true, cause you wont survive the summer without these tracks...

al kent continues his quest to bring his definition of disco to the ears of the world with another killer three tracker. >be my baby< is an uptempo disco monster – dope bassline, rhodes and wah guitar with nice loud hihats for full dancefloor appeal. >sun shine down on me< is a dark, sweaty, latin disco beauty soaked in strings, horns and rhodes piano. think that says it all. >time is moving< picks up where a1 left off, with the addition of strings and occasional vocals to wrap things up. million dollar disco is loved by dimitri from paris, pat les stache, solid state, cosmic boogie, greg wilson, peter adarkwah, the dead rose music company, horse meat disco, nik weston, chris harris and many many more..

al kent was once described as scotlands walter gibbons, and on >fantasy< he pays tribute to his hero with an alternative take on a track walter made his own. with beautiful rhodes piano, sweet strings and heavenly jazz guitar, file under >lush<. flip over for some disco madness… >check out the sounds of nyc< may once have been a loft classic, but in this incarnation may have proved too much for that particular musical journey. tough as old boots. wrapping up we have >gimme some loving< – built around a cool piano hook and an instantly recognisable voice and featuring some proper hands in the air string sections. million dollar disco is loved by dimitri from paris, pat les stache, solid state, cosmic boogie, greg wilson, peter adarkwah, the dead rose music company, horse meat disco, nik weston, chris harris and many many more..

the miracles club is a group from portland, oregon featuring members rafael fauria, honey owens and ryan boyle. fusing elements classic chicago acid house, world music, experimental pop and contemporary dance. they have been adding a new and vibrant energy to the west coast us club scene over the last 12 months. cutters records brings us the >light of love remixes< ep which has all the makings of a mid 80s house party except on the dance floor is a giant cosmic rug to float you through space and time. >light of love< is the psychedelic piano house jam from the deepest depths of a dank dark rave cave and cut copy have reworked it into an entrancing dancefloor gem. also included is a dubbed out house mix by new yorks ever-consistent neurotic drum band. and dont sleep, because on the flip miracles club journey into classic 909 house with two versions of their jam >so hot<. it feels like the second coming of jack, but believe… its the rise of a new dawn!