enter tsuruda. championing one of the most innovative and heartfelt collectives in the los angeles area, this salt lake city native has a very bright future ahead of him. expertly combining the hard-hitting percussion of trap, the swagger and depth of hip hop, and a style of sampling and melody creation all his own, tsuruda truly brings a unique and gripping sound to the stage. in a scene where true originality and heart is often difficult to find, tsuruda follows a similar path to artists like ta-ku and mr. carmack. he understands his love for music and his own struggle, and brings them into the light for his listeners. following his extensive body of work be sure to look out for his album “move”, dropping on noisia’s division imprint soon.

echocord returns late june with a new release, joel alter under his jor-el alias, entitled ‘tilted reality’ and comprising three originals from the swedish artist. currently based in copenhagen, sweden born producer and dj joel alter is a name synonymous with the contemporary techno scene on both his home turf and across the globe, his back catalogue to date features a long player for the uncanny valley imprint, solo ep’s for d’julz’ bass culture, sweatshop and collaborative works for kontra musik alongside henrik johnsson amongst much more. this time round though we see alter return under his jor-el guise under which he first started releasing material on dj hell’s internation deejay gigolo imprint. up first is title-track ‘tilted reality’ laid out over seven minutes with a slowly unfolding dynamic feel, encompassing spiraling atmospherics, distorted rhythms and blooming stab- sequences. ‘elevation’ follows and takes a more direct groove-driven approach via straight four-four percussion and hooky bass chops, whilst tension building pads and fluttering dub echoes gradually build around the foundation. ‘solitude’ closes out the package deliving into deeper realms with soft ethereal dub chords, acid tinged leads and emotive strings.

framed by two spoken word samples and wrapped in house and techno emotions, that know about electro and 90’s electronica too: the new, second album of the leipzig and berlin based producer and live artist martin enke aka lake people moves in a fresh way. this time he shifts towards a focus on the essentials of electronic club music: sounds and groove, rough and playful interweaved with the aesthetic particles of techno. with his “point ep”, released on the berlin based imprint krakatau records in late 2012, his creative life as a producer for melancholic driven club tunes took off. several top notch djs played the tune “point in time”, lake people started to tour world-wide with his mesmerizing live set and produced countless remixes for colleagues from all around the globe. in 2015 he finally released his first album “purposely uncertain field” on the munich based label permanent vacation and delivered eleven tracks at the interface of techno, ambient, experimental and electronic, that bewitch with hymnal chords, yearningly melodies, detailed production, elaborate sound design and an overall introspective, emotive feeling. now, just shortly after he published a fresh ep on the dresden based imprint uncanny valley, lake people drops “phase transition”, a new album consisting of ten haunting tracks full of dance suspense. he recorded all between 2016 and early 2017 on various vintage analog synthesizers, uad and other creative interfaces. to find out if his latest pure slamming tracks work deep, he tried them out during his live shows in order to catch some new ideas directly from the dance floor.

a fistful of wax is an extension for some very special projects of our beloved deep house skylax records sub – label wax classic. a fistful of wax is back with its fourth volume! this offshoot originally began as an avenue for showing off some of the overflowing great talent we have floating about the wax classic sub-label, but with the growing reception of our previous three releases, it has developed itself into its own uniquely successful imprint. in a time when a lot of the hot records of the moment are made by highly distinguished producers with years of success under their belts, it is easy to forget how much good house music can come out of the underground by relatively fresh names. with afx4, we are only scratching the surface once again, yet we have 5 special tracks from a group of producers who, if not already, will stay on your radar for the foreseeable future.the a side features tracks from erman & abtomat (of série limitée records fame) and kid mark (head honcho of killax recordings). we start off deep with the aptly named how deep can you go , easily the most soothing of the bunch. fantasy 95 takes it up a notch for those who wish to, with classic 90s chords and accompanying bass and horns. over on the flip side, we hear won t get to heaven by californian newcomer, an expresso. being a self confessed new jersey style house addict, this hits in all the right places for those familiar with the sounds of nj legend george lockett jr, aka jerzzey boy. shin continues things with phara , a percussive stormer with one of the hardest hitting leads you will hear for a good while. this one is a sure fire hit! last, but by no means least is rosenhaft s voyager . fans of early uk garage, perk up your ears because this could have easily been a tune you would have heard on your favourite pirate radio station back in 97. if you are still on the fence about the record at this point, you are in the wrong place. this record has it all for lovers of the 90s house sound! whether you are of the deeper persuasion or the more garagey persuasion, the us or the uk side of things, there is something here for almost everyone on a fistful of wax 4.

jun kamoda has been a solid contributor to japan’s electronic music scene for quite some time. producing under his illreme moniker for over 15 years & also as member of hip hop trio baleine 3000. he is also a cartoon illustrator for japanese independent magazine ‘usca’.
2016 saw him release ‘the clay ep’ (with *that* physical graffiti tune) on new york’s seminal imprint mister saturday night as well as a track for a dirt crew recordings compilation. having recently remixed clap! clap!’s ‘hope’, jun kamoda’s debut for black acre is set for release in june.
infectious licks and raw drums come together to form ‘blind disco’, an animated production that blends a cacophony of samples into a raucous party jam. ‘ramen funk’ is a moodier cut by comparison, featuring a medley of percussive elements, vibrant guitar melodies and a seedy bassline, until ‘savanna on the palm’ chops up and loops a wailing vocal sample before leading into echoing chords and a twisted groove in a mesmerising conclusion.

incl. download code oliver ho s broken english club project delivers 12 tracks of decayed electronics and metallic techno finding a very fitting home on ron morellis l.i.e.s. imprint. tip!

16 years after the first volume, ‘deepsounds two’ marks the return of red ember records’ various artist imprint. featuring four diverse producers from four corners of the globe, joe jones, wade norris, nuno azevedo & jerry seaman band together with one guaranteed common trait … the pursuit of underground electronic deepness … house music and beyond.

secretsundaze are proud to announce the second 12 in the dance 2017 series. the ep is once again a 3 tracker this time featuring the highly-promising emerging talents of dj slyngshot, bastien carrara and jayson wynters. dj slyngshot hailing from offenbach near frankfurt has had tongues wagging with three hot 12s on his own imprint yappin records and received club and radio play by the likes of omar s, floating points, ben ufo and jon rust. his contribution to the a side of dance 2017 part 2 sees him on fine form with the devastating rhythm of hygh-tech . kicking off with a rough and ready groove the hook is a gnarly nagging synth line that will worm its way into your brain. add a sampled wailing diva and some more jazzy interludes and you have a festival-ready high grade bomb on your hands! on the flip steps up france s bastien carrara. his dusty jams on the likes of rawthenticity and funkineven s apron imprint caught our attention and we roped him in for a track. here he presents the charming, breezy and breaky that time again . warm, atmospheric and groovy this is definitely one for long summer nights ahead. last up jayson wynters represents the uk! jayson made his debut on none other than mr g s phoenix g. imprint with the sub-aquatic unfamiliar territories ep. he is an amazing dj and selector able to play house / techno sets and also jazz, boogie, disco and funk sets where required at the likes of brilliant corners. chi kung is a bubbling, mystical percussive number with hand played drums and a perfect closer to the ep.

dispersion is an ep deep in style, talent and wonder. embellishing the underground kudos of berlin-based techno dj and producer avion, owner of the hotly tipped, and renowned imprint crossing, dispersion is an eclectic mix of cerebral, uncompromising and colorful techno. title track dispersion is a gleaming display of spacious dancefloor beats melancholic, yet industrial. real is clinical, functional techno, emulating some of the wizards influential magic. inverse blends together a contemporary approach to sonic aptitudes, while remaining a strictly dancefloor and body orientated, while enidan a colorful moment of ambient beauty, plays the ep out. it is the first release on marcel fengler s regarded, techno imprint imf in 2017. dispersion is an ambitious, and unique ep, from a true underground and mysterious talent. the eps style embodies the bright, hypnotic and pulsing music that has characterized his releases to date on crossing. talking about the release, fengler states, he got my attention after some pretty strong releases on his own imprint crossing. i felt that this was something i didnt have on my label, but still reflected the idea of imf.

for nearly a decade, raíz and subversive have distributed their vision of dance music on various labels including historia y violencia, electric deluxe, construct reform, droid recordings and their own imprint, vrv. three years into the vrv project, the label heads have decided it is time to expand the roster and showcase artists on a similar plane, producers they know can speak to the sound. the chosen interpreters on this release include dj hyperactive, santiago salazar and voiski.

richy ahmeds four thirty two imprint continues to shine a light on the freshest talent emerging from the house music underground, and on the label’s third release, the london based senzala get to flex their muscle on a fine release, backed with a remix from ahmed and jansons aka lovehertz. having previously released on the french label mr. ks & friends, and politics of dancing, the senzala boys, otherwise known as jonni santos & sam holland, deliver the goods once more on the phase ep.

sunday money returns with another indicative vinyl-only release in the form of the alien funk ep from australian born producer morgan hyslop aka morgan. this is her second release on the label and features four stunning new tracks that are very much an extension of her imprint debut, queens ep. expect more of her signature deep & sparse grooves and deft production from this most singular of talents.

reasons marks fort romeaus first full solo release since 2016s secrets & lies on live at robert johnson, having previously released records with ghostly international, running back and his own cin cin imprint. the title track sees the development of the producers interest in playing with the human voice, developing a harmonic and rhythmic hook which builds to a crescendo of wailing synths. c.e.m is a focused dance floor workout built around syncopated sequences which ebb and flow creating a constantly evolving pattern of tension and release. on the final track satellite 2 a pair of beautiful duelling sequences unfurl giving a sense of weightlessness and provide the perfect epilogue to a record that marks the continuing evolution of the producers unique sound.

label boss tonbe is back on disco fruit under the moniker loshmi for the first time. loshmi is specialized for great disco and funk re-edits and he is a well known with his serious edits series on digital imprint. he constantly trying to blur dots between disco, funk and house music. these four tunes are selection of loshmis best selling pieces on digital imprint. highlights include the pounding disco-rock-flute workout drugstore. sweet & nasty is just about as seductive as you can get those strings do some real damage in that groove, while wsoop wsoop deliver heavy, floor friendly p-funk workouts.

a1 the mating dance theme a rush of unavoidable infatuation. the first step of pair-bonding. b1 soft & gentle like her lips rough like daddy playing the piano, sipping on japanese whisky. b2 truth or dare in vivid 70s colors. b3 wood-paneled rooms, cuban cigar smoke, drab tweed suits and jasmine serving that fine remy martin cognac.

meeka kates has been steadily making a name for himself in the online world in the last couple of years and since joining kraak & smaak s boogie angst imprint. his debut wildfire ep introduced his cool and soulful blend of indie electronica and he continues to build his sound further with another ep – fault line. his trademark slick soul melodies and personal lyricism are still present on this collection but this outing is a more lounge and chillout focused affair which absolutely suits meeka s understated mellow style down to the ground. remixes on the package come from ambassadeurs & les loups.

after a long hiatus the fasaan recordings crew finally emerges from their basement to break out a second volume of their chalice imprint. functioning as a looser side vehicle to fasaan, chalice is a home for rawer and more uncompromising side projects of the fasaan crew and their extended family. honing in on a murky zone of cheap-sounding machine rhythms and punchy boogie-influenced proto-house sounds, the chalice style is in your face and then out the door just like that: take it or leave it.

the only vinyl imprint roundqube musik is back on the scene with its 13th release.

berlin-based mancunian setaoc mass returns to his own sk_eleven imprint with now the fourth outing. confirming the label s emergant position as the home of purist, highly-distilled club weapons, see through marries a muscle-bound groove to arching synth strings and sci-fi encentricities for a hypnotic juxtaposition, followed closely by passive - another roller to completely loose yourself in. flipping over, the producer explores a dystopian wasteland populated by cavernous reverb-drenched claps and a nagging, mutant synth chord, whilst disrepair flaunts coates budding trademark electro strut, with bellowing kicks, crisp snares and futuristic undertones all in check.

exzellente kollaboration der beiden komponisten tom hobden (mumford & sons, laura marling, noah & the whale) und eliot james (kaiser chiefs, two door cinema club, bloc party), die nach dem gegenseitigen austausch von orchestralen aufnahmen und filmmusiken beschlossen, ein gemeinsames album, angelehnt an moderne, post-klassische komponisten wie philip glass, arvo pärt und max richter, aufzunehmen.

after 3 years, jesus gonsev is back again with a full orginal ep on swiss imprint deepartsounds. he collaborated again with the lovely & smooth voice of sarignia bonfà on the song unlimited sky. the track also features a brilliant synth solo by chicago legend glenn underground. the label also hired detroits patrice scott for a jazzy and soulful remix. all this is rounded off by two more stunning tracks that jesus delivers for the ep.

leeds producer tom vr is next up on seb wildbloods new imprint all my thoughts.

london-based producer, turntablist and artist touchy subject (numbers, astrophonica, medallion sound) unites dancefloor energy, technical wizardry and dub reggae movements on a 4 track release for irish imprint rua sound. the skyward ep draws on high speed riddims, junglist bloodlines, crunchy glitch and grinding low end pressure to deliver a fresh, creative 12inch full of tantalizing detail. support form fracture, sam binga, tmsv, moresounds, sam binga, itoa, jon1st, etch.

popof’s illustrious label form music is set to release a special vinyl only compilation showcasing some of the imprint’s most exciting artists entitled, ‘reformers’.
since its formation in 2009, form music has rapidly established itself as one of the most innovative and ambitious dance labels, working alongside both established and new artists including julian jeweil, sébastien léger, animal & me, mendo, philip bader, petar dundov, dj fronter and jay lumen as well as the label’s head honcho himself, popof.
kicking the four track package off is popof’s sublime rework of julian jeweil’s acclaimed dancefloor destroyer ‘chrome’, which is perfectly followed by the pounding drum-and-bass-tinged-techno workout ‘shadow tactics’, created by slovenia’s pioneering dj/producer umek.
julian jeweil’s ‘midi’ continues the release, seeing the talented frenchman utilising synths with real expertise and blending electronic nuances with melodic percussive elements to bring us nicely on to the compilation’s closing track, the deep and trippy tech house gem ‘slush fund’ by berlin-based simina grigoriu.

after a handful of 12-s for labels like hessle, liberation technologies and his own imprint b.s hell, bandshell returns with a knock out blow for ftd!
mutant drum structures, cascading synths and industrial bell ringing forms the backdrop to bandshell’s latest work. those paying close attention to his output over the years will remember his work on labels like hessle audio, liberation technologies and his own recently setup b.s. hell.

reda dare comes back with his own brand new imprint, reda dare records. for this ep, he decided to press three of his smoothest tunes. the wax’s a-side is the one and only ‘albadare’, representing his classic strict groovy mindset and bouncy harmonies. then comes ‘orgy of the dead’ an old school hip-hop inspired house track, with a heavy bassline and a festive rhythm. finally, the vinyl ends with ‘x’ a spookier vibe that’s perfect to set the dance floor back on track. this limited issue is a collection of reda dare’s finest over the years, don’t miss out ,)

perc returns with bitter music , his third album on his own perc trax imprint features full printed, shrinkwrapped jacket designed by resident perc designer jonny costello of adult art club
great dj feedback

biotop proudly welcomes the spanish master of machines, eduardo de la calle, for his debut biotop ep. eduardo is well known for his countless analog releases on labels such as cadenza, mule musiq, be as one, planet rhythm, mental groove, and his own delicious imprint, analog solutions, to mention just a few. biotop boss patrick zigon is a big fan of de la calle s music from the early days, so he s honored to extend the biotop family with this exceptional artist. -hyde numbers- is a typical de la calle ep featuring multilayered masterpieces built on eduardo s unique analog studio rig. the first two tracks, -hyde number 1.34.- and -hyde number 8.47.- are uncompromising driving techno tracks built on hypnotic chords and roaring synths with rousing snares and effects, ready to destroy the dance floors of dark techno clubs worldwide

relaxer folgt dem mit dem mercury prize ausgezeichneten debüt an awesome wave- und dem nummer eins und grammy- sowie brit-award nominierten album this is all yours- und wurde quer durch london aufgenommen von shoreditch über st johns wood, crouch hill bis brixton. alt-j arbeiteten dabei zum dritten mal mit produzent charlie andrew zusammen. visuell dreht sich alles rund ums artwork um das videospiel lsd: dream emulator, das uns in eine psychedelisch-polygone welt entführt

following their eponymously titled 2016 arrival on midlands graded imprint, as well as a recent followup on dark entries, solitary dancer return to the label on which they made their debut. once again, this three-track 12inch blends electro, ambient, and acid to superb, undeniably modern effect. with a running time of nearly 12-minutes, the title track transmitting to heaven is an ambitiously sweeping cut that subtly moves through its various shades, from electro and acid, to strobe-lit 90s rave. the b-side kicks off with birth of saturn, built around an arpeggiating synth that shifts and morphs throughout the track as the intensity ascends. the 12inch closes off with ‘at the end of the corridor of love, a loss’, a slow burning ambient piece that is as sombre as it is cinematic.

from the wilds of new zealand our favorite kiwi drum and bass duo returns with a sinister vengeance. with a hot list of tunes as part of their de-evolution series, the boys are finally ready to unleash their arsenal of productions to the public eye. featuring collaborations with ivy lab, orifice vulgatron (foreign beggars) and mara tk from electric wire hustle. released on noisia s vision recordings imprint.
pressed on 3 x 12 vinyl. this album contains pt.i, pt.ii and pt.iii of the upbeats - de-evolution series. comes with a download card for the full 320 kbps mp3s.

best works records label-owner andré lodemann is back with a new long-awaited ep on his imprint. it is the 20th release on the label. for this “birth” ep andré personally enlisted non-other than swiss duo adriatique for their remix skills aswell as new-comer producer fabian dikof. andré’s track “birth” creates contrasts using african-drumming inspired styles paired with techy-beat pro-gramming. starting more on a minimal tip the track works its self up to high-tension climaxing with an emotional break keeping the deeper moments intact. adriatique created a faster more club-orientated ver-sion paring the more hooky parts of the original with beat-sythn elements giving the track a more tribal feel. the second remix featured here come’s via fabian dikof the second main artist on best works records. it s great to have him remix andré lodemann at last presenting his masterful skills. fabian took a different path in his remix working more on the melodic hook but also creating a warm bass-laden soundscape that loves the dance-floor in its own right.

the latest compilation from dutch imprint wolfskuil records offers up three more secret weapons continuing the series with four artists already well at home on the label.as the title suggests, each track is a heavy-hitter, but as a whole this release acts as a showcase exposing three very different approaches to peak-time techno.

for its 10 years celebrations, be as one unleash a special v/a release in two parts with previously unreleased music by the imprint artists and frequent label collaborators. two 12” with unreleased material from the label head shlomi aber, truncate, skudge and jam., who are featured on this first instalment, markus suckut, savas pascalidis, eduardo de la calle and yotam avni will join the celebrations in the second part of the series.

the third longplayer from peverelist, this time released on his own livity sound imprint.

nice price deal !!! jorg henze has impressed us all with the output on his skip imprint since it kicked off some few months ago. he has shown with this label how diverse a producer he is and this record adds more weight to that argument. the a side here is a throbbing minimal growler with its twisting acidic textures and minimal groove well punctuated with vocal samples and sharp percussion. the a side keeps up the intensity with its bass heavy warehouse style groove with mad vocal snippets and killer drums. this is a two tracker just made for sweaty dark dancefloors. it rocks

rising young talent, elliot adamson, has been on the edible radar for a couple of years already, so it’s fitting that his debut for the eats everything curated imprint marks the label’s tenth release. the newcastle born producer has been gathering an arsenal of some of the freshest and inventive house music for some time now, and two of these cuts are ripe and ready for consumption on this tasty edible release. with its insatiable jackin’ vibe, “still workin” has already become a firm favourite in the dj sets of eats everything, the dj deeon sampling track keeps pumping pure energy and classic chi- town house troupes from start to finish, with a rasping bassline riff worming its way around the solid kicks and clattering hats. the fantastically named “where the fucks my flanger at?” clearly represents his love of raw and undiluted house music. coming from the cajual/relief school of trax, this is another crafty and playful club cut from the house of adamson. having built up a strong following already, and support for his music from djs like jackmaster, skream and patrick topping,

dred records is the new imprint from john osborn. after co-running tanstaafl with october for 5 years john is now focusing his solo a&r efforts with dred records. dred takes the fundamental principles of dance music that was laid down in the late 80s & early 90s, fusing them together with modern producers of today. a record label concentrating on sonic sci-fi visions of the future without loosing the roots of dance. the first release features two heavy hitting club tracks by s:vt aka sven von thuelen with a killer remix by john osborn. made with love in berlin & mastered at man made mastering, 2017.

detroit legend rick wade steps up for the fourteenth release on vinyl only imprint shall not fade with his melodic, dancefloor fuelled ‘guardian of forever’ ep.
rick wade or big daddy rick is an artist who needs little introduction, a true house music legend, rick serves up three of his signature style tracks, accompanied by a remix from lk. the four track ep features jazz fuelled cuts, perfectly suited for the dancefloor.

nice price deal !!! the next instalment on simon baker s own label infant records brings you this infectious track remixed by one of the hottest producer/remixers around right now paul woolford. it follows in line from the success of the previous releases on this new imprint label. expected to be huge on dance floors worldwide, the paul woolford remix rides around a kick arse bass hook that literally gets you hooked from the word go. plays zabiela/ satoshi tomiie / tiefschwarz / tiga…

file under : industrial / noise / ambient / experimental
since its inception, shifted s avian imprint has gone from being a murderous, straight-laced techno imprint to what has now become a source for some of the best and most multi-faceted industrial music from the european quarters. we re not sure of verge s true identity, it could either be one of the label s existing artists, the mysterious shifted himself, or even an artist like blawan riding incognito (don t quote us on that, though!) solitary and crest-fallen, this magnetic collection of tunes feed off one another with utter ease and simplicity. they re not merely a selection of sound experiments but rather a unitary cloud of sonics which leave the listener with a powerful mental image. the feeling of dusk, the water dropping off the leaves, the cold breeze of autumn. this is a blinding foray into the darkest corners of contemporary industrial experimentation.

back to back 70s roots shots from joe morgan, his first and second ever tunes. while many know joe from his wackie s anthem basement session, joe was already producing himself in the mid 70s on his own afro black label in jamaica before coming to nyc. both of these tunes are stone cold classics long hunted by roots collectors, and the rhythms used should be familiar to astute listeners from other brilliant cuts. joe continued to record and produce himself and other artists on his own main imprint fish tea, and other labels label thru the 80s. the two tunes issued on this fish tea 12inch both originally appeared as afro black label 45 s in jamaica, and the b-side also on a pet shop label 45 in nyc

joe morgans stop them is killer late 70s militant roots, self-produced and originally released on his own jomor music house label (under the name billy joe morgan) in nyc. awesome vocal, majestic horns, heavy rhythm, a shining example of the brilliance of late 70s roots reggae and how perfectly suited the style was for the extended mix 12inch single discomix format. we ve added something special for this reissue (now on joe s main imprint fish tea). not only do we have the original 12inch replicated in full, but also an awesome and previously unreleased late 80s digital recut of the tune entitled warrior. unfortunately a dub version for this cut was never mixed, but we are grateful to have uncovered another gem from mr. morgan, one of the crucially under recorded and underrated artists of his time.

six more tracks from fm’s star-crossed association with fly-by-night srs records and their soul deep imprint. glittery, loungey charms circa ’76 — and today!
limited-edition diy glue-on covers, two different fm designs available, our choice!
also includes insert of alternate cover, with liner notes.

killawatt returns on tommy four seven’s 47 imprint for its sophomore single artist ep.
uk’s killawatt made his debut 47 appearance on the first various artist ep, 47001 in 2015 with his contribution, ‘tensile’, alongside kwartz, isolated lines and tommy four seven. following his appearance at 47’s new event numerology in berlin, killawatt steps up to deliver the label’s second solo artist ep, 47010, which combines deadly broken rhythms, futuristic soundscapes and cutting textures to create 4 solid techno stepping experiments.

ennios debut and the start of sluwe vos his imprint patron records. hard hitting house tools with a pinch of new wave.

curses launches a new imprint under safer at night focusing on all things dark and slow. ombra international is a vinyl only series inviting artists from different cities from around the globe to contribute their rock & roll/post-punk influenced slo-mo disco and cold wave sonics. ombra intl 002 is a 4 tracker bringing together cannibal ink (madrid), dawn again (sydney), k-effect (toledo), and curses (berlin).

as owner and curator of the exotic dance records label , j. albert has released a steady handful of projects on his brooklyn based imprint , as well as showcasing new music from deejay xanax and person of interest . add to that, recent releases on the 1080p label and black opal, and j. albert is fast making a mark on the scene for his raw and undiluted deep fusion of house, techno and jazzy vibes. his debut ep for hypercolour opens up with dont hide it a bumpin and jazzy flavoured house cut, resplendent with rolling snare drums and warm stabs, a sampled double bass riff and choppy vocal refrains xtra sauce is another stellar house track, fans of the ron trent/prescription chicago sound will instantly find an affection here with the rolling drums and soft keys, all pushed along at an energetic pace, whilst vista finds j. albert in more playful mode, carving out a 10 minute jackin underground house vibe that cuts raw and hypnotising.

sergio sp has created a diverse selection of tracks to offer up as the debut release on canadian imprint, slivers. since his relocation to the ever growing center of toronto, sergio has been focused on building a sound that connects his previous habits and passions with newly acquired skills and findings from his new home city. loosely named and curated through findings in and around his new studio space, this ep marks the beginning of a new chapter in his production career. vital sales points: this 12inch is packed with a mood for every situation, reaching from hard hitting dance floor tracks to late night vibe compliments and many zones in between. sergio is currently working on a split ep with one of edmontons finest up and comers fraser. the release is set for physical production on a heavy weight deep groove 12inch forthcoming on heart to heart records.