here comes the heavy remix package to lake peoples much praised debut album purposely uncertain field. with redshape, lawrence and map.ache three remixes were carefully chosen who would be able to bring their own distinctive sound to the table, but also treat the original tracks respectfully. redshape catapults -illuminated- into the orbit of the red planet, where it rotates in a trippy and hypnotic way. lawrence is drifting red but stays closer to the sun. the dial boss keeps things lighter and brings some bells and a steady bass drum to dinner and knows how to mesmerise. leipzig buddy and kann records co-founder map.ache shifts up a gear with his remix for cooping. twisted vocals and a bouncy bassline make his remix a darling on the club floor and rounds things consistently up.

lopatins präziser ansatz an komposition und kreation hat ihn zu einem der einflussreichsten und prägnantesten persönlichkeiten moderner, elektronischer klanglandschaften gemacht. so arbeitete er für viele künstler, regisseure, musiker und führende kunstinstitutionen: von sofia coppola bis ariel kleiman, von antony & the johnsons (dessen kommendes album er produzierte) bis nine inch nails, von der tate modern (london) bis zum moma (museum of modern art, new york). da dem künstler oneohtrix point never auch immer etwas geheimnisvolles anhaftet, läuft seine teaserkampagne mit einer serie an abstrakten interviews, trailern und soundfiles - so kamen bereits erste materialschnipsel als midi-dateien in umlauf. das doppel-vinyl erscheint im klappcover, downloadcode inklusive.

während roberts musikalische handschrift stets erkennbar bleibt, ist *hypermoment* eine stilistische weiterentwicklung seines sounds. mit seinen warmen, analogen klängen, seinen fields-recordings, den satten klangwelten und üppigen pianos, erlaubt dieses album noch mehr einsicht in sein innerstes, während es gleichzeitig die erste veröffentlichung ist, auf der roberts auch selbst singt (care, serenade, fernwood). die field-recordings nahm robert auf trips nach new york, berlin oder joshua tree in kalifornien auf, ebenso wie in seiner neuen heimat in silver lake, l.a., wo er unablässich an seinem album feilte. *hypermoment* featured einige alte bekannte, wie den in l.a. ansässigen künstler schwarzmodul, der auch auf *tsuki* zu hören ist, ebenso wie delhia de france, die auf roberts kürzlich erschienener *california dreaming* kollaboration zu hören ist. aber es sind auch einige künstler vertreten, wie z.b. uks fassine, mree aus new york oder stephen henderson aus kalifornien. *hypermoment* ist roberts bisher persönlichstes album.
das doppel-vinyl erscheint im klappcover, downloadcode inklusive.

lp+cd edition pressed on 180gr vinyl and includes a cd version of the album (no download code)

tiefschwarz are back again on watergate with a dub version and stellar remixes of free falling feat. khan from their recent and highly acclaimed album left.

those looking for a healer, a psychic or a voodoo priest in paris will quickly find one in the suburban districts and satellite towns of the french metropolis along the seine river. here this kind of folk magic has a long tradition. from karaoke to stardom didnt use any dark exotic arts for his second album - still the french electronica producer magically attracts the audience to the dancefloor with his little voodoo dolls!

the 1964 marvin gaye album back on 180 gram vinyl with download code included.

the 1964 duet album by mary wells and marvin gaye back on 180 gram vinyl with download code included.

the 1961 debut album from marvin gaye back on 180 gram vinyl with download code included.

better strangers is the debut album by manchester based producer acre, set for release by tectonic recordings on 6th november 2015. the album follows eps on both tectonic and sister label cold recordings and visionists pan collaboration label codes. as influenced by rave & jungle, grime and techno as electronica, ambient and drone, his ep releases have been rhythm driven snapshots of other-worldliness spliced with dancefloor sensibilities. acre has sought to explore a wider variety of textures on better strangers to re-contextualise elements from uk bass music, bring them away from the dancefloor and open up new possibilities.

the first years, from his first album in 1976 to his 7th in the middle of the 80’s, were fuelled with an exemplary sense of creativity and a free-spirit vision. against everyones advice, cerrone was never reluctant to compose long and pure trance disco tracks, not exactly radio-friendly at the time, but which did incredibly well because they encapsulated the hedonism of the day and were far more than a trend. for instance, love in c minor and supernature have become unbeatable classics, featured regularly in the best pop, disco or dance selections, such a success would have burnt most of the others wings, whose career would have been ruined. at the beginning of the 80s, when he decided to unleash his creativity on stage, cerrone managed to rebound with you are the one studio album.

tom middleton and mark pritchards 76:14 is one of the 90s most acclaimed electronic albums, while a cast of aliases (reload, jedi knights and more) also orbited the project. their last record came out in 1997, and although there was a live reunion in 2010, the new material we were promised is yet to emerge. pritchards nowhere to be seen on this remix of duskys skin deep (its middleton flying solo), but its still an occasion. according to dusky, we knew we wanted someone special and we knew we wanted someone who would get to the heart of the melodies and textures in the breakdown. tom has totally delivered, creating something that draws on the heritage of the ambient sound, but also feels current and modern.

the idea that france once had a genius and let him go to california where he was more welcome and appreciated than in paris is, in the digital area, a trivial issue. every single web entrepreneur heads towards the silicon valley to develop his ideas. during the 70’s, this was less ordinary. back then, it was another area, music, which witnessed the departure of a very talented guy for the united states, a country that quickly understood he was a star. marc cerrone, a trained drummer and disco phenomenon who sold more albums than many other artists put together, saw his career magnified by america but also slightly twisted by france which quickly reduced him to a style, disco music, without trying to understand who he was and how relevant his talent was. his path went through two phases, two complementary moves.

r&b für den sommer: sechstes album der neuseeländischen band. die 180g vinyl lp erscheint inklusive downloadcode.

the new record follows 2013s at the back of beyond, which was warmly received creatively and commercially, and inspired ntjam to perform throughout holland and across europe. that was an album that was a part of me, and that needed to explore my poppy side, she says. im grounded in jazz and soul, and pop. but as a songwriter, i really needed to go through that album to learn how to play the guitar, to see and hear what kind of songs i would write, and also to put the guitar on the palette literally being able to pick the guitar up to write.
the vinyl lp comes housed in gatefold sleeve with download code included.

a fine 2015 for untilmyheartstops so far has seen the label usher in superb 12- releases from zach lubin, arnaldo, and duckett with the latter s pair of records a particular highlight. label co-founder leif is next up with taraxacum, his second album and umhss debut long-player and it may be their finest work to date. building on dinas oleu, his well-received 2013 debut album for fear of flying, the nine tracks on taraxacum show leif channelling all-new levels of immersion in his productions right now. very much an album you sink into, there are still tracks on taraxacum that will work on the dancefloor when you require something a bit hypnotic wed love to see a small club reacting to the startling an elephant madness for example. great work leif!

das neue outing der kanadischen electro-pop-band young galaxy ist ihr mittlerweile drittes von dan lissvik (the embassy, taken by trees) im schwedischen göteborg produzierte album. inspiriert von 1980 er electro, acid house und r&b, benutzt die band auf falsework analoge maschinen der vergangenheit, um songs mit futuristischen sounds zu kreieren, wie das definitive albumhighlight body. ihr vorgänger ultramarine war anwärter für den kanadischen polaris music prize. ps: die lp erscheint auf pastelfarbigem vinyl, von dem es insgesamt 5 verschiedene töne gibt, die nach dem zufallsprinzip (un)sortiert sind.

la nature malade brings along a brand new album of analog electronics for 2015 from a well known uk producer operating under a new alias, aquariun. eden and after is a 9 track album on a limited hand numbered pro dubbed blood red cassette in an edition of 100 worldwide. crossing styles and opening with the sub aquatic funk of title track side one takes you through banging electro on energy in constitution, the dark dub techno of to the letter of my oath and leaves you disappearing through a black hole on the path of helium rain. on side two a slice of dark, heavy instrumental hip hop gets things started with where is that perception? next we get into some straight 4/4 club techno with cut up drums and bumping baseline of mi dominante before moving through some blissed out detroit vibes on earth looking inwards, aliens talking through fm synthesis on collected stills and finally closing out on a rough as you like tr606 driven electro groover. look out for more to come from aquariun in 2016.

since the release of his first album in 2013, lucas arruda has quickly established himself as one of the most talented young artist and composer from brazil. his music is filled with fusion style, mixing influences and elements from his latin musical background, with his genuine admiration for jazz, soul and funk music.

citrus recordings present the fugitive ep by zero t and mindmapper & silvahfonk. dancefloor sounds with class made by producers you should keep an eye out for. fresh of his sophomore album on dispatch recordings, zero t continues to impress with impeccable skill and style when it comes to producing drum & bass. *the funnel* is based around deep stabs and raging mid bass sounds over powerfull rolling beats. signature zero t sounds right here. on the flip an exciting duo takes over with a track called *the fugitive*. dutch drum & bass frontrunners mindmapper & silvahfonk manage to deliver a techno infused stepper with plenty of weight to keep the dancefloor going. essential.

after his third album and his small hit on this and that comes this nice ep from him, enjoy it! matcha matcha

remastered version of the original album from 1999. new printed sleeve. repress black vinyl.

martin courtney, frontmann des aus new jersey stemmenden indie-trios real estate, veröffentlicht sein erstes solo-album auf domino. das 10 songs umfassende werk mit dem titel many moons ist ein luftiges indie psychedelic-album, voll scharfsinniger selbstkritik und ganz nebenbei ein elliptisches dokument für die wandlung courtneys vom junggesellen zum familienvater. die meisten stücke entstanden auf der tour für real estates drittes schaffenswerk atlas, produziert wurde es von jarvis taveniere (woods).
die vinyl-lp erscheint inklusive downloadcode.

following releases on osiris, tempa and cold recordings, depatterning is the debut album by ipman, released by tectonic recordings.

evantis, ein alias von einem der innovativsten elektronischen kŸnstler unserer zeit, wird sein debŸt album romantic psychology 1 ende oktober 2015 via technicolour records / ninja tune veršffentlichen. es handelt sich um das erste lebenszeichen von levantis seit der 2013 erschienen believe ep auf the trilogy tapes und ist ein elf song starkes album about nigredo and possession of the shadow. technicolour wurde ursprŸnglich von ninja tune als reines single-label gegrŸndet. nach 12inches von legowelt, hieroglyphic being, florian kupfer, kutmah, bnjmn und u ist romantic psychology 1 das erste album auf technicolour. die schwarze 180g vinylversion kommt in tiefschwarzem sleeve mit lackiertem titel, das innenliegende albumartwork stammt von eve ackroyd und wird gedruckt auf unbeschichtetem 300g kunstpapier. ein downloadcode ist ebenfalls beigelegt.

the last 12 months have been a boon for fans of luke vibert, with the veteran cornishman delivering a killer acid album for hypercolour, and a slick, melodious set of disco-inspired jams under his kerrier district alias. here he returns to regular home planet mu with another typically entertaining set inspired by classic british electronic music. utilising his battery of vintage music-making machines, vibert giddily doffs a cap to early 90s intelligent techno, rave-era hardcore, bleep, chicago acid and braindance, occasionally veering off track via easy listening inspired future jazz, wagon christ style hip-hop head-nodders (the title track, which doffs a cap to a forgotten, mid-90s remix he did for ninja tune) and squidgy, synth-propelled mutant electrofunk.

vernon felicity is also known as conforce and boris bunnik, the tireless dutch producer who marries analog and digital sounds together into otherworldy sound tracks. now he is back on mos once more after a new conforce album on delsin, and again he impresses with his unique ear for detail and ability to craft intricate sonic worlds.

yet again the leafs are turning neon golden, reminding us of the change of seasons lying at the edge of our doorstep. the first cold breezes and the fading warmth of the sun, which we just took for granted so easily, sketch the outline of that mild and soothing melancholia resting in autumn s palms. a mood we can very well enjoy to bury in deeply and with luise s newest release listen to closely. -mentis excessus- is a tenderly crafted tale, a musical journey that paints broad images of false memories and blurry resemblances. like a déjà-vu that lasts too long to put aside, it crawls up your neck to give you that eerie feeling of curiosity with which you look at the uncanny world that suddenly surrounds you. we are very pleased to welcome -wide awake- as the most recent addition to luises s sheltered, little family, a project that has its foundations at the talented hands and hearts of -niju-, -ninze- & -okaxy-. these three banded together for greater good to provide nothing less, but their as well as laut & luise s first album. not restless, no insomnia, just wide awake.

groove line records are proud to add to their 2015 releases of half-speed mastered re-issue singles with both the extended special disco version and instrumental version of earth wind & fire s 1976 funk bomb getaway gracing each side of a 180g 12” virgin vinyl disc. looking to gain on his groups critical and commercial success from the early 1970s ew&f s main man maurice white brought in the legendary charles stepney, who had tutored him at chicago s chess records in the 1960s, as the co-producer and arranger on their incredible 1976 album spirit, which opened up with the formidable funk track getaway. co-written by guitarist, vocalist and songwriter bernard “beloyd” taylor (s.o.u.l.) and songwriter peter corbelenky around the theme of escapism and self-fulfilment, the primal urgency of getaway was the ideal composition for white to record with ew&f. white felt the song s energy and positive, uplifting lyrics matched the attitude and ethos of his group perfectly. as a result ew&f created a funk gem both musically and lyrically perfect for the dance floor.

(180gr vinyl, deluxe version heavy weight ‘old style tip-on card sleeve) psychedelic, vigorous and at times quite experimental, koen de bruynes only real album to have seen the daylight is a rare belgian gem, one that stands the test of time and is waiting to be rediscovered by new generations of listeners

aphroheads first full-length album, resurrection, in over decade has recently been released, one of the standout tracks grown man cryy sees a single release complete with a superb carl craig brainy grimlin rework.

food music welcomes a1 bassline to the label to release his first lp - technicality. the album’s title draws from the club night “technicality”, a monthly drum & bass night at herbal in east london, which is run by chris inperspective and continued the sound of early reinforced and metalheadz records as well as pushing new forward thinking music. the album is centred around growing up as a teenager discovering this jungle/drumfunk sound through his college friend rahim (lab creation), where the likes on fold, ben ufo, breakage would attend the club. in addition to well received records on dirtybird, pets recordings and his collaborative work with leon vynehall as laszlo dancehall, the album is a stamp on a1’s sound and his influences from his teenage years to growing up and discovering house and techno.

as one half of simian mobile disco, jas shaw has been co-creator of a remarkable string of varied albums, from their debut, attack decay sustain release, through their vocal lead more pop leanings on temporary pleasure, uncompromising techno on delicacies, and prog synth wig outs on whorl. now, given a bit of free time while his musical other half, james ford, has been off producing for other bands, jas has been busy crafting a whole slew of new material, the first fruits of which see the light of day on this brand new release on the duo’s own delicacies label.

the 2nd album from atcq, originally released in 1991, back on double 12 inch.

the 4th album from norman cook aka fatboy slim, originally released in 2004, back on double 12 inch.

yppah meldet sich mit seinem vierten studioalbum tiny pause und seiner einzigartigen mischung aus electronic, psychedelic und rock zurück. yppah (ausgesprochen: yip-ah) hat sich in den letzten jahren eine große und treue fanbase erspielt und veröffentlicht nun mit tiny pause sein bis dato wohl intimstes album. das album erscheint auf transparente, grün gesprenkeltem 180 gramm vinyl im klappcover inklusive downloadcode.

die verboten are a space rock band formed by david and stephen dewaele of soulwax, fergus fergadelic purcell and henry riton. this is the first album from die verboten, written and recorded in 2007, rediscovered and mixed in 2015. this lp consists of five tracks, dafalganger, white island, e40, nacht winkel and aquarius. it is the sound of classic german kosmiche, live drums, synths, percussion and a loose funk you only find in these kind of stretched fluid grooves. the album was produced by die verboten and recorded and mixed at deewee. artwork is by ill studio / fergadelic. die verbotens debut ep live in eivissa was released in 2009 via londons vinyl factory (now selling for over £100 on discogs) and was recorded poolside in ibiza.

nice price deal !!! david moufang has been creating electronic music for over 20 years. he djs and produces under the name move d. jordan czamanski records as jordan gcz and as part of juju & jordash (with gal aner). lp with deluxe printed inlet poster and download code for the album plus bonuas material.

we are proud to announce the double lp edition of echospaces phase90 project, lovingly remastered by bazza (abbey road studios/thom yorke) @ alchemy mastering, london. features unreleased new material and beautiful silk screened metallic sleeves and art direction from the very talented lindsay todd of firecracker recordings & house of traps. the entire album was bounced down to 1/4- analog tape prior to remastering to preserve the integrity of the masters. this project was deeply inspired by the possessive quality of supernatural textures, field recordings and found sounds conducted at the calvary cemetery. there is something quite haunting in the underlying tone of these recordings, an ominous feeling not for the fainthearted. -illuminati- celebrates the progression of the soul, a concept which stems from metempsychosis. the material on this album can be interpreted as sinistral--dark, heavy due to the hardware and its currencies emitted by its source--the phase 90. an acidic dream of transliminality, this is the first phase90 project to materialize in its essence, until now. limited to 500 numbered copies.

after impressing with his debut album, buy the ticket, take the ride on tsuba last year, magic feet label boss craig bratley is back with a hot new ep on his own label that features tracks by unisexl audio club, beato cozzi and the man himself. since 2014s lp release, bratley has been remixed to great effect by ewan pearson and has continued to take his machine made, darkened disco sounds to clubs and festivals around europe

dissonant is proud to welcome daniel stefanik who had delivered a string of modern, refined production with essential albums and singles, throughout his career. on this release, aftermath ep, he offers up two tracks that strike a perfect note between cerebral intrigue and instinctive deep house groove, channeled into an unforgettable and timeless quality. it might drizzle until september, is a truly heartfelt piece throughout its keynotes and dubby gestures. the combination of subtle rhythmic elements and strong, ever-developing melodies is the perfect example of the passion and power that can be worked into house and techno. a stronger beat punches through on jolly green giant but the soothing, sensual synth lines remain giving space for dubby effects and delicate details to feed into the mix.

monnom black introduces dax js 1st solo full length techno album shades of black. drawing inspiration from acid, jungle, drum n bass & uk rave, combining a diverse fusion of tempos, moods and breakbeats. essential and highly recommended!

nach releases auf kompakt, glasgow underground und distance und beitrŠgen fŸr kultserien wie cafŽ del mar und buddha bar erscheint das neue album des griechischen produzenten und neu berliners mikael delta auf inner ear. life is now ist eine neuromantische klanglandlandschaft aus minimalem piano, klassisch schšnen string arrangements und soften synthesizerbeats. dreamy electronic listening fŸr die herbst-/wintersaison.

sein 1. album.16 seiten booklet mit fotomaterial. bonusssong: cet enfant que je tavais fait mit brigitte fontaine

ephemerals new album chasin ghosts is the follow up to their breakthrough album *nothing is easy* and looks set to further build on the fast growing uk and international fanbase that saw them tour their debut extensively, including shows at key festivals like glastonbury, bestival and mostly jazz and score a sync in hit us tv show homeland. pressing on transparent vinyl.

re-issue of the album from 1979 in its original cover as a heavy weight 180gram edition, re-mastered and with extensive liner notes! produced, composed and arranged by pablo gad, recorded with the backing band zion steppers from the uk, the artwork was created by wayne massop. a release in the re-launch series of the classic uk reggae label burning sounds. (this album was also released with an alternative title of *blood suckers*.)

new phil weeks triplepack album with mike dunn & peven everett featuring.

this september, acid arab celebrate their third birthday and the release of a first ep on versatile. from acid arab, you knew the ‘collections’ series: three eps and one album, featuring a lot of guests (omar souleyman vs crackboy, i:cube, legowelt, pilooski,gilb-r). it took the band that long to finally release a whole record of their songs. it’s called ‘djazirat el maghreb’ and it’s a tribute to north africa and its three countries, morocco, algeria and tunisia.

blond:ishs album debut sees the duo departing from the club and embarking on a universal journey.