after many years of steady work bristol-based artist joefarr created a well-respected profile on his own, he is now joining the label showing a side of his works that many never saw probably, and others always knew but never saw on a record. development always takes time, and time is nothing when the art comes out in his true form. this is “dedicate” - a very important record that represents something deeper than a peace of wax, label boss emmanuel took the big responsibility to remix the title track and make his own view of joefarr’s dedication.

2lp in gatefold sleeve with liner notes. 180gr vinyl. including download card. an outstanding collection of musical gems from belgium s thriving jazz scene. compiled by belgian dj and eclectic connoisseur lefto.

koova returns to brokntoys for a second ep after his empty spaces. conducere presents the producer showcasing his personal take on the genre, with 4 tracks of tense, melodic electro. one of the founders behind the london modular alliance, he has released sought after eps on cpu, ac and abstract forms. the ep is backed up by a remix by max ravitz aka patricia who takes the originals into eerie, ghostly territory.

hailing from wellington, aotearoa, the land of the long white cloud, scent is a newcomer to the scene but long time gc of modern hypnosis. his first sighting featured a track ‘devils dread’ on indigo movement’s 5-year digital compilation december 2017. heaving at 140 beats per minute, ‘trax’ creates a certain energy similar to early jungle riddims. chopped percussion, giant synth stabs, weighty driving kicks with underlining sub bass and the odd flute build the track to a halt before commencing it’s minimal technoesq break down. ‘just a dream’ a rooted scentimental dub which takes you deep into a place amongst your rem sleep with sparse whaling strings and swinging percs. scent debut solo release. one to watch.

this is a long overdue collaboration and we couldnt be more excited to present a brand new ep from our man, jenas mad scientist funk freak himself, metaboman. a stalwart veteran of the legendary musik krause camp, which has been a kindred spiritual sister label of sorts of ours since the millennium-turn heydays, being fellow purveyors of bold and raw dance floor music, still brimming with new ideas galore and bucket loads of soul. here with the wireless dancer ep we have metaboman in top form offering nothing less than his finest work: doppeldenk starts things off with some classic krause bump that brings to mind the heights of the duo at their peak but updated, like an stl banger turned up to 11 with sinewy melodic lines and that special thuringen twist. hanno follows up with a guest spot by jazz saxophone master thomas prestin, and guarantees to bring down the house with a storm of swinging stabs, rough riffs, and fresh-as-it-gets drum work. on the flip, splitit does exactly that, whether referring to wigs, legs, or that last drink ticket - where dusty blues vox chops and a rolling percussive smack down will revive any fading floor faces. and finally, echterg rounds it all out nicely with the illest of atonal trips and subsonic bass tones that the finer sound systems out there will fully indulge. much love from jena & paris to the world!

it seems odd that we have to introduce the london mainstay and lion & lamb resident mr. bobby pleasure to the fold, but it is indeed his first solo outing and what an incredible record it is! three originals that blur the boundaries between house and techno whilst maintaining a heavy dance-floor orientation, backed up with none other than a (very) special craig richards remix.

apart from being known for founding the infamous vinyl imprint subaltern records and for his residency on sub.fm, gabriele romeo aka. mentha has made quite a name for himself with his jazz-influenced bass music productions. this lp is a selection of tracks from his vault, showcasing his musical abilities and tasteful compositions in this self-release.

for our number 013 we have label boss and founder on command. kessell delivers four slices of precise, expertly crafted modern techno. the minimum for the maximum motto works perfectly to describe this ep, nothing is left over, all the components are carefully chosen to convey sensations and say something. linear synth sequences constantly evolving, profound kicks and sharp hi frequencies, continuous arrangements and solid components, no drones, no breakdowns, no big reverbs. functional tools for the real players out there.

after relocating from california at 7 years old, nasser grew up in a musical environment in new jersey. surrounded by gifted artists from an early age, nasser was fed a diet of authentic 70 s soul, 80 s pop and 90 s hip hop and r&b, which all influenced the spirit of his music and his trademark big production. at only 24 years old nasser displays real musical maturity and a subterranean fearlessness in his productions. mentored by house music master dennis ferrer, nasser has released three ep s and on the indispensible objektivity label, as well as remixing dennis iconic son of raw in 2017. his gramercy ep on suara revealed nasser s more techier side, exposing his wider abilities. his most recent release on objektivity, the just like that ep , dropped in summer 2017, in tune with his first ibiza season. (as a part of dennis ferrer s misfits society crew, a residency he continues in 2018…) here nasser debuts on circus recordings with his first full, self penned, and part sung, vocal single, combined with a intergalactic techno b side that is absolutely not to be skipped over. say something was instantly snapped up by yousef after an early demo was sent to the label owner earlier this year. big, nasty & pin sharp drums carry the original vocal throughout the track, as a playful narrative parties & dances throughout. vocal hook after vocal hook interchange as the slamming 909 drums persist. as yousef said, there is simply nothing else quite like it right now, and as pete tong said it s the best vocal record he has heard in many years, confirmed an essential new tune on the spot… this years bigger than prince..?

first ever official reissue of zamba zamba by peruvian band sangre joven! originally released in 1975 by mag (lima | peru) the 7inch vinyl is hardly available and a rare latin gem. any information about sangre joven is just as rare as the vinyl: there is in fact nothing about the band to be found on the internet.

after their first appearance on curle via naïf, the mix compiled by efdemin earlier this year, aubrey & simone gatto now deliver their debut ep for the label.this might be aubrey & simone gattos debut ep on curle, but they already appeared earlier this year on naïf , the mix compiled by efdemin with nothing but exclusive tracks. they liked our approach, we liked their tracks, sometimes its simple like that. its techno, in various disguises

mika visited the moog sound-lab in april 2015. he made one his last known solo studio recordings in the form of two vinyl sized side long pieces. entitled “lydspor” - danish for ‘soundtrack’. mika worked almost exclusively with the lab’s moog modular system 55.
this uk sound -lab instrument is the sole protoype model (containing several golden filters) of moog’s recent sold out reverse-engineered edition (55 units only) recreating the 1970’s classic.
on completion of his sessions mika announced ‘i could work with this machine for the rest of my life….i would need nothing else”.
a second moog session was planned but tragically mika died in an accident in april 2017, shortly after he had approved the vinyl mastering.
pressing on translucent vinyl.

nothing more than a diary filled with sound fragments that reveal a soundtrack for a surreal story. the emerald ep is a journey lived by a time traveler through eerie ambientscapes, started from the vintage sci-fi frenzy from the late 50s’ immortalized on side a with romeo poirier’s dysfunctional robotic bleeps, continued with boris hegenbart & david moss’ distorted broadcast tape and ended in christopher james chaplin’s atmosphere created by an analog choir.

limitiertes transparentes 180 gramm doppel-vinyl (45rpm) inklusive downloadcode. grammy-gekröntes pop-house duo bob moses legt mit zweitem album nach! battle lines ist das zweite album von bob moses. es folgt dem debütalbum -days gone by- das ende 2015 veröffentlicht wurde und zu einem auftritt in der ellen degeneres show, zwei nominierungen bei den junos und den grammys (und einem grammy-gewinn) und einem top 15 us alternative radio-hit mit der single -tearing me up- führte. ineinandergreifende gitarren-licks, dancefloor-ambiente mit lyrischer tiefe und klassischem songwriting, der sound von tom howie und jimmy vallance spricht clubbesucher und rockmusik-fans gleichermaßen an. das neue album -battle lines- baut natürlich auf dem vorgänger auf, verstärkt aber den groove und die unmittelbaren chöre, um eine platte mit zukünftigen hymnen zu liefern. battle lines wurde von bob moses in los angeles geschrieben und aufgenommen und von lars stalfors (health, local natives, cold war kids) koproduziert.

part 4 of 5 to be released over the coming couple of months. originally released on the phono label in 1995/96 the parts series from matthew herbert are a much loved collection of house tracks that sound just as original and bold today as they did when they were first released. this series of 12-s were part of an early wave of exploratory dance music that paved the way for the deep house that still works its magic on dance-floors in 2018 some 25 years later. the mix of herbert s playfulness alongside expertly grooving production and unusual sounds makes this unique collection of work. the odd few tracks aside this is the first time that these releases have ever been repressed. all newly remastered for this reissue series, the releases include stone cold club classics such as deeper , take me back , resident , people that make the music and see you on monday .

italian producer piero pirupa’s musical cv is nothing short of impressive. so it’s no surprise that his next production has found a home on damian lazarus’ crosstown rebels, enlisting the vocal talents of new york’s mr.v. influenced by the sounds of 80s and 90s chicago, pirupa worked tirelessly on this ep to reach a version he was happy with. after seeing the reaction from dancefloors around the world, he decided to send it to carl cox and damian lazarus. we must be (the piano track) breathes new life into today’s dance music with a message from a bygone era. it harks back to the golden age of house music with its lush piano topline and positive message sung by mr.v. happiness simply emanates from this production. with lyrics such as “we must be all in this together, we must live to respect one another” and “this is the plan to make us unified” it takes clubbing back to a time when everyone came together on the dancefloor regardless of race, gender, sexual orientation or religion.

die kunst von me + marie ist das brückenschlagen. zwischen epizentrum und peripherie, skizze und hymne, rausch und romantik. zwischen zustimmung und widerspruch. “double purpose” erzählt von der unauflösbaren verschränktheit der dinge. davon, dass es das eine nicht ohne das andere gibt: keine besinnlichkeit ohne chaos, keine romantik ohne die lust an zerstörung. keine leidenschaftliche nacht ohne verbitterte streits, keine ausschweifende fantasie ohne die gemeine wirkliche welt, die notorisch schwingt zwischen langeweile und ekstase wie die atomuhr der zweisamkeit. der song “double purpose” bringt die geschichte des albums auf den punkt. er war der erste song der nach dem vorgänger-album geschrieben wurde und der letzte der gerade noch auf die platte kam, nachdem er vorher wieder und wieder eingespielt und verworfen wurde.
die vinyl-lp erscheint inklusive downloadcode.

a year after his debut outing on the label, max essa makes a welcome return to hell yeah with the han zon roc ep, which is another of his impossibly laidback offerings. essa is of course the long time uk talent who has become a part of the balearic mafia thanks to releases on labels like aficionado, music for dreams, and his own jansen jardin. this is the second coming together of artist and label and is another timeless excursion far out to sea. opener han zon roc (midori coup) is an epic 12inch minute adventure that slowly awakens your spirit with new age guitar plucks and heavenly ambience before organic drums slowly being to drift into earshot. they grow ever larger as synths start to spray about the mix, hand drums pitter patter and big chords bring the soul-shine. its like the soundtrack to an afternoon boat party all condensed into one brilliant cut. how you showed me everything then gets super chill with lazy drum tumbles, bendy guitar lines and scattered hits. withering cosmic chords colour the airwaves and its a track that will slow your heartbeat to nothing. last of all, rain birds alfalfa jam is a analogue drum work out with early 90s hip hop influences and diving basslines. it s light and airy, nimble and playful and of course filled with the sort of tropical rays that make all of essa works so brilliantly escapist.

schwarzes 180 gramm doppel-vinyl (45rpm) inklusive downloadcode. grammy-gekröntes pop-house duo bob moses legt mit zweitem album nach! battle lines ist das zweite album von bob moses. es folgt dem debütalbum -days gone by- das ende 2015 veröffentlicht wurde und zu einem auftritt in der ellen degeneres show, zwei nominierungen bei den junos und den grammys (und einem grammy-gewinn) und einem top 15 us alternative radio-hit mit der single -tearing me up- führte. ineinandergreifende gitarren-licks, dancefloor-ambiente mit lyrischer tiefe und klassischem songwriting, der sound von tom howie und jimmy vallance spricht clubbesucher und rockmusik-fans gleichermaßen an. das neue album -battle lines- baut natürlich auf dem vorgänger auf, verstärkt aber den groove und die unmittelbaren chöre, um eine platte mit zukünftigen hymnen zu liefern. battle lines wurde von bob moses in los angeles geschrieben und aufgenommen und von lars stalfors (health, local natives, cold war kids) koproduziert.

widely acclaimed techno pioneer nicole moudaber has delivered the release of her adoption ep, a two-track production on nicoles own mood label which sees the dynamic producer tackle two tracks from one of the most important innovators of dance music since the 90s, moby. first up she offers a uniquely dark and twisted rework of like a motherless child, pitching down moby s vocals to create a deep demonic sound,verging into a range of immersive textures. on the flip side moudaber spins a heavy and grinding feel on her remix of mobys mere anarchy (taken from 2018 album everything was beautiful, and nothing hurt). moudaber packs the mix with haunting melodies, with the subtle use of orchestral sounds adding a hypnotic feel to the release.an event promoter, record label founder, radio host, and one of the most passionately followed dj/producers in the world,nicole moudaber is a one-woman army marching her muscular take on techno all over the globe.

finnish dj and producer otto yliperttula, aka yotto, is a dance music star in the making. championed by some of the genre’s most respected trailblazers and building an army of adoring fans, yotto is primed to join the big leagues with the release of his highly anticipated debut album ‘hyperfall’. yotto’s unique sound blends dark, brooding atmospheres with light, uplifting melodies – deftly hitting the sweet spot between melancholy and euphoria. otto draws inspiration from his childhood favourites the chemical brothers and röyksopp, along with more contemporary influences ranging from eric prydz and m83 to jon hopkins and xxx. having debuted on anjunadeep in early 2015 he quickly caught the ear of bbc radio 1’s pete tong and annie mac, picking up no fewer than 5 ‘essential new tunes’ and 3 ‘hottest records in the world’, along with dj support from the likes of solomun, jamie jones, patrice baumel, adriatique and joris voorn, who signed yotto to his renowned green label. the 13-track debut lp hyperfall is the culmination of three years in the ascendency, and sees yotto continue to carve his own exciting path.

ultimate block party breaks volume 6 continues the tradition that began in the bronx in the 1970’s, where “break djs” would take that one part of the record that dancers would go absolutely crazy for. that part where all the music breaks down to nothing but the essence: drums and percussion. these are all truly timeless beats that sound as fresh today as they did when the founding fathers like kool herc, bam, flash and hollywood were catching them for the frst time in community centers throughout the city. we’ve edited and extended these breaks for maximum effect on the dancefloor - so you don’t have to. enjoy!

part 3 of 5 to be released over the coming couple of months. originally released on the phono label in 1995/96 the ‘parts’ series from matthew herbert are a much loved collection of house tracks that sound just as original and bold today as they did when they were first released. this series of 12”s were part of an early wave of exploratory dance music that paved the way for the deep house that still works its magic on dance-floors in 2018 some 25 years later. the mix of herbert’s playfulness alongside expertly grooving production and unusual sounds makes this unique collection of work. the odd few tracks aside this is the first time that these releases have ever been repressed. all newly remastered for this reissue series, the releases include stone cold club classics such as ‘deeper’, ‘take me back’, ‘resident’, ‘people that make the music’ and ‘see you on monday’.

slamming deep house with funky & disco moments
the „will you be there ep” completes the „christophe salin - ep series“. he is taking us on his musical journey and paves the way for cooperation with future artists on his very own imprint „salin records” that he runs with his wife daria salin as a platform for electronic music and art. „to love” is what it’s all about, love your next one, love yourself, love what you do, love music and art. needing a bridge at this point nothing would be sweeter than a little excursion to the french touch sound and vibes of the late 90’s and early 2000’s. so, the a-side ends up with a question „shall i give love another try“…flip side „i’ll think of you” keeps this mood until „your soul” takes us slowly over to the final declaration of love „lullaby for daria“.

om unit s acclaimed album -self- gets remixes from dbridge, skrs (aka seekers international), sorrow & o$vmv$m (aka neek & jabu young echo) a real deal remix package. genuine expansions and redirections from likeminded producers, selected by om unit. true experiments on self s flexible styles & vulnerabilities.

sparse, minimalist, mesmerising ambient / ambient techno excursions

two long-time friends juho kusti (deep space helsinki, parabel) and ville vähäsaari (rezonans) bring you their brand new label, no future but what we make. the label’s first release features two broken beat burners on the a-side from detroit-based uun (mord, ego death) coupled with a more straightforward remix from acid mammoths boston 168 (bpitch control, odd even, enemy records) on the b-side. make a difference. get involved. there’s no future but what we make.

a new adepth audio record featuring canadian rennie foster, including a remix of nomadico (dj dex/underground resistance). the title track witch hazel is a 9 minute long track with no breakdown and a minimal approach to arrangement, with organic elements cycling in and out subtly rather than obviously beginning and ending. a rolling half time, tribal groove drives the power of the track with a haunting vocal sample and layers of percussion creating a heady, polyrhythmic hypnosis on the dance floor. not since rennie s well known devil s water has he presented such an overtly occult offering as this extremely finely crafted ep, and this song represents the initial seduction of the record to the listener very effectively. the second track, navigator, is a drum machine driven workout, again with a polyrhythmic and tribal vibe, this time drenched in a rich, holographic pad that morphs and moves in unexpected ways. minimalistic in presentation, this track is bass heavy and functional for the dj, yet artistic and emotional. the nomadico remix by dj dex of underground resistance takes the elements of witch hazel and re-constructs them in a futuristic style with a more driving kick and molten detroit attitude. a heavier techno approach to the piece, but still intact is the melancholic atmosphere of the original and siren song of the vocal sample. this mix includes a dramatic breakdown and unique arrangement familiar to fans of nomadico s awesome yaxteq label. the last track on the ep is called crossing the boundary is possibly the only track in this style to sample distorted vocals usually associated with black metal, making this a very unique, perhaps polarizing, experiment in sound. evocative of the desolation of deep space and suggestive of sonic dark matter. this track combines rennie s singular approach to dub techno with ambient and drone music and the result is like nothing else currently in existence.

record compilation (10inch ep+mp3) dark tango, mysterious twist and psychedelic cha-cha-cha! record compilation (10inch ep+dl) - dark tango, mysterious twist and psychedelic cha-cha-cha! nothing you would expect from a sixties egyptian soundtrack. romanticist and artistic all-rounder abd al-rahman al-khamissi stands out with this absolute timeless musical production for his 1969 movie -respectable families . four abstract instrumental dances to express poetry through music!

there may be many northern soul compilations on the market, but there are few as glorious as this. few other collections have such unfettered access to such outstanding catalogues that of tamla motown and chess. these 25 floor fillers are guaranteed to ignite any party and have been tried and tested in clubs the length and breadth of the country from the 60s onwards. compiled lovingly together on vinyl, these tunes - with artists such as the elgins, frank wilson, gloria jones and frankie valli and the four seasons - are timeless examples of this most precious music. the double vinyl release includes a download code.

deluxe 2x12” full artwork gatefold, shrink-wrapped double vinyl package with printed inner sleeves and download card.
the recording sessions for rastrumentals took place over seven years, between são paulo and brixton, but the roots of the project stretch back to the arrival of digistep’s father in 1970s bristol. aged 18 he had almost nothing to his name, apart from his treasured vinyl collection. these records are still in the family, and have been invaluable in shaping dubkasm’s unique sound. rastrumentals combines samba instruments such as the cavaquinho, pandeiro and cuica with the work of some of the uk’s greatest reggae musicians.

a broken frame | the 12” singles contains see you 12”: “see you (extended version)” b/w “now this is fun (extended version)”, the meaning of love 12”: “the meaning of love (fairly odd mix)” b/w “oberkorn (it’s a small town) (development mix)”, leave in silence 12”: “leave in silence (longer)” b/w “further excerpts from: my secret garden” and “leave in silence (quieter)”, original single poster reproduction, download card.

he sings! he dances! the fabulous new album! says the original sticker on dmx krews nu romantix lp and nothing changed 20 years later for ed upton aka ed dmx. permanent vacation marks the anniversary of this influential album with a special re-release. the album is available for the first time on a loud and sharp 45rpm double 12inch (including the instrumental of come to me as bonus track). carefully remastered by lopazz for maximum pleasure. the music is now as relevant as it was 20 years ago, when the king of electro power ballades sings about the essential things in life and takes you to the place called love, that is more needed than ever before.

superb compilation of modern ambient/minimal electronics featuring exclusive tracks from a wealth of current talent inc. h. takahashi, david edren (aka dsr lines), miaux (ultra eczema), kuupuu (em records) nuslux (keijut) & olli aarni. finnish label collab between lal lal & ikuisuus. tip! . neptunalia, a festival of neptune, celebrated at rome, of which very little is known. the day on which it was held, was probably the 23rd of july. the festival was celebrated with games. respecting the ceremonies of this festival nothing is known, except that the people used to build huts of branches and foliage, in which they probably feasted, drank, and amused themselves.

what you want presents ray mono with 4 fantastic club tracks on black vinyl. there is nothing more to say than: pre-oder necessary!

the first release of the new label hupu records is on one side an adventure from spacey italo disco to wavey electronica by vorticon. the other side it s label founder aiden who brings a odd country infused techno track accompanied with a dreamy synth tune carried by a heavy bassline. limited handstamped vinyls with cool insert.

one of the most coveted unreleased low rider / soul ballads. a huge tune, up there with darling dears (google that shit). only released on a japanese compilation 20 odd years ago without the bands consent (and with some of the channels missing) we bring you the full unreleased version for the first time. this is a big one for people who know the score.
if that’s not enough, we found this rather good unreleased disco gospel number on the master tapes of their private press lp sessions (also coming soon) but we had to give the ballad to the a side, roll the windows down and blast it.

28 classics from 50 years of northern soul on double vinyl, housed in a gatefold sleeve.

eddie fowlkes is one of detroits finest, still working doggedly to push his own distinct spin on the motor city sound. hes taking no prisoners on this latest 12inch on his own detroit wax label, bringing a tough and righteous rhythm to the foreground on give it up for my dj with some of those head spinning melodic flourishes that are his trademark. love works is a crooked groover that piles the bass on generously and keeps the swing up high if this one doesnt get bodies jerking then nothing will. no-one does it quite like fowlkes, and hes on impeccable form here.

dusty archives, the backrooms of record stores, private reel to reel stashes, master tapes - these are the environs of the dynamic range experience. dynamic range is a new label focused on unearthing deep soul, funk and disco jams that continue to resonate with todays dancers and dj’s. time spent scouring the bowels of the majors and independents has unsurprisingly resulted in numerous gems being added to the dr wants list. high quality, fully licensed reissues are the order of the day, always taken from the correct master source and re-presented to hungry record heads the world over. to repeat, this is a fully legit operation avoid the sharks at all costs! the debut release on the label is a real doozy new birth, the mighty detroit funk outfit who operated from 1970 onwards are first up to bat. their late 70s rarity deeper is a real monster lifted from their killer behold the mighty army lp. produced by legendary motown stalwart frank wilson this is some straight-up disco-fied funk for sure! one of those solid, mid-tempo groovers that just ignites a dance-floor at any time, any place. side-a is the glorious full-side disco mix and were treated to the full instrumental version on the flip. no lazy edits here, just the full funk and nothing but the funk, just as the group intended! this is one of many soulful treats that dynamic range will be presenting in the coming months, stay tuned for more - aint it something?.

dark hypnotic hardcore influenced leftfield odd house perfection. tip.

coming out in late july from the man who brought you e ruscha v s -who are you- to great acclaim earlier this year is secret circuit s 2nd ep for invisible inc, the cryptically titled -out of body interiors-. featuring four exclusive new tracks of the acid drenched, dubbed out, tropical disco variety mr ruscha, as always, delivers a sonic palette you won t find on many other imprints: from the turbo-charged homage to early 90s bleep meets indie rave euphoria of stomping ground, through the chugging, motorik groove of crazy ways which sounds like it s blasting out full volume from a smoke-filled space patrol hovercar gone rogue then flipping over to side b and waking up in mali, andromeda in a haze of syncopated percussion, other-worldly guitar licks and a billion new synthetically generated sounds that you may strongly suspect you just imagined.....to finally the feather drop which brings entirely new meaning to the word deep and which fires technicolour sounds of profoundly immense variety at the synapses at a rate of knots not many other producers can keep up with as all the while the bass holds court and keeps things deep rooted and dub heavy. secret circuit (aka eddie ruscha v) has had a plethora of releases on an equally expansive plethora of labels under such names as the parels (lal lal lal), blasé (esp institute), food of the gods/laughing light of plenty (whatever we want), odd numbers ( no label), shadow kids (el diablo s social club) and of course as secret circuit (beats in space, emotional response and invisible, inc.)

!! 2018 repress !! after a seven years release break, mambotur take you on a quality journey of airiness. except for the stunning result, there is nothing magical about it, because berlin-based venezuelan argenis brito and chilean pier bucci take nonchalance seriously.

summa cum laude is pleased to announce the new release from cult seattle based underground techno producer collin strange - acid non musica.

veteran nyc producer and dfa regular juan maclean hops on the rnt wagon for a rolling ep of drum-machine driven grooves for the reserve sub-imprint. the record starts with the peak-time stomper fine time, building exquisite tension and release through looped and filtered samples, and then moves on to the boogie-infused swing of dont stop for nothing. everybody clap leads off side b with a soulful and string-laden vocal over a bouncing hi-hat-focused house arrangement, and the ep closes out on the dubbier tip with the eponymous panic in fort greene park, a synthy and smooth slow burner. all around beautifully produced and eminently playable, señor maclean has made himself a most welcome addition to the razor-n-tape family with this dynamic ep

das heise experiment 2- marks the 6th album of the exaltics. lovely presented on double 10- vinyl with full cover artwork from non other than the mighty godspill, who also designed the pre release of this album with an amazing looking shape picture disc. to hold things special the guys from solaronemusic put a full comic with the story of -das heise experiment- in each record. the music ranges from dark experimental techno, electro, ambient and soundtrackish nightmares which goes perfect with the story of the comic. also drexciya s gerald donald collaborates with the exaltics for one track , which is one of the highlights of the album. this music is nothing for the club its much more, a complete story to feel. turn your headphones on and dive into the world of aliens, scientists and distant gallaxies. all records come with a comic book!!!

produced, arranged and mixed by &#150, dario fimiani, flavio cuva, giuseppe zanin, jamie lewis and tibor lörincz for u.m.m. records in the 1993 . 5 house/deep/happy vibe tracks...flash forward represses one of the most played record in the underground house scene of the 90s, five different high quality tracks for an ep that after 24 years its still an absolute gem. enjoy !

ltd coloured edition ... produced, arranged and mixed by &#150, dario fimiani, flavio cuva, giuseppe zanin, jamie lewis and tibor lörincz for u.m.m. records in the 1993 . 5 house/deep/happy vibe tracks...flash forward represses one of the most played record in the underground house scene of the 90s, five different high quality tracks for an ep that after 24 years its still an absolute gem. enjoy !

in the studio prototype 909 was a group that rarely agreed on a clear idea of exactly what they were trying to accomplish. the entire project was an experiment, and every time they hit record there was nothing better for them to do than to just try stuff. whenever it came time to put together an album they would go through what they had recently done and nd the tracks that seemed to fit together well, or that at least sounded like they were made by the same group. that left on the cutting room foor some really amazing worst that somehow just didnt fit their goals at the time. at schmer, we remember. p-909 leftovers have schmer written all over them. these four tracks were all recorded live in the studio in between their three studio albums 93-97. brenecki ( half of ontal ) provided his remix inspired by one of them. hyperdrive and -datafash- were recorded shortly after acid technology was released in 93. they come from the -lets make acid technology vol 2 approach-. that would have made a really cool record had they done it but they decided on making transistor rhythm instead. anoisenyc aka the tracs that dietrich hates is what you get when you let jason go nuts on a doepfer maq-16 ( they never made that mistake again ). bobo is possibly the most prototypical p-909 tracks ever: it took three guys making their own tracks simultaneously almost ignoring what the others were doing but somehow mixing them into a flow to make this one, but it all comes together nicely in the end. its amazing that they never released it before. you ve enjoyed the wait, now enjoy your new prototype 909 while it still is new!