for release number ten, happy skull have come full circle with the return of original label alumni adjowa. the uk based producer and musician has fired up his orchestra of rusty, defunct machines to deliver three highly melodic, unashamedly oddball disco jams.
inspired by low budget, private press boogie, italo and electro records, the tracks were recorded to tape in one take with no post-production and dubbed live on a crackly old desk.

a career-spanning retrospective, featuring 28 johnny cash classics. remastered from the original sources and delivered on double 12 inch vinyl.

a live version of björk’s highly-acclaimed eighth studio album ‘vulnicura’ on double 12 inch vinyl, packaged in special vulnicura wound die-cut gatefold sleeve.
the album is made up of björk’s favourite performances from her 2015 tour, including all songs on vulnicura plus some of favourites from previous works.
the songs were performed live with the alarm will sound & heritage orchestras, and critically acclaimed artists the haxan cloak & arca. the artwork was designed by m/m paris.

10 years redshape live is a special thank you to the labels i mainly worked with in the past ten years and also to all the people on worlds dance floors, which gave me so many stellar moments. starting on running back, the best of live series will contain tracks which were only part of my live set: previously unavailable and not even arranged as full tracks. as i always record my shows, i searched for the moment, in which each of those tracks had their biggest and also earliest impact. i took that recording and rebuild them part by part to make them proper dj versions without loosing their live roots. named after the cities where they were performed. av aviv and rome.

28 john holt klassiker in einem superdeluxe 2lp vinyl-set mit klappcover und bedruckten innenhüllen. die geschichte des sängers wird in ausführlichen liner notes von harry wise in anspruchsvoller form behandelt und durch viele tolle fotos, teilweise unveröffentlicht, abgerundet. für die produktionen ist alleine der produzent bunny lee mit 16 tracks verantwortlich, sowie the paragons (4x), phil pratt (2x), joseph hookim (2x), henry junjo lawes (3x) und 1 x lloyd james.

2018 , repress in black vinyl, after just one release in 2013 were super excited to relaunch the tsuba colours series with a stunning ep from rose records head honcho luvless

detroit enigma sharif laffrey makes a return to paramidas berlin-based love on the rocks imprint with pony ep. the two track ep marks his second release with the label (following key jam (a.c.i.d.) and his third release in three years - something of a roll for laffrey who typically allows years to pass between each outing.over 9 minutes of what sounds like nineties 4/4 indian acid-house bass music - in the best way. surprising vocals & a healthy 3 minute lead in. b-side: pony roger’ if the pony you were riding on the a-side was galloping through a grassy meadow - this pony heads into a dark cave. if the a-side is the never ending story then the b-side is the dark crystal. but with prince instead of bowie. sharif laffrey has been playing records and making music for 20 long hard years. born in detroit, michigan - hes worked on the line checking camshafts for chryslers & at submerge for mike banks - at the same time. he toured asia with juan atkins and once had to chase a grown man through the streets at night, who had crawled into his living room through an open window. an active member in detroits early rave scene, sharif remembers booking all foreign gigs with something he calls a fax machine.

italys shift ltd drop their 7th release, a vinyl only affair with 4 low cuts that simply ooze what this label is all about.&#8232,,four great tracks that it were produced in the 1993 from mr. ivan iacobucci.&#8232,,the production duo, ( twins in fact! ) of dnart step up alongside underground ghosts to present 4 delicious slices of bumping beats along side soulful melodies as part of the grunge ep. &#8232,,the track s opens up the ep with swing and soft, deep and inviting dynamic that allows this track to ease you into its feel good vibe. following this up we pick up the pace with a more ukg flavoured o , a track that carries a rhodes driven melody again softening the crisp hats and creating that warm and fuzzy feeling.&#8232,,next u lends itself to the dance floor vibes of o with low swung beat teasing the groove in as the melodics intricately progress. finishing the ep we have l and this is by far the deepest track on the ep, primed and ready for those hot and sweat summer nights.&#8232,,dnarts soul is on full display here for shift ltd in this tight collection of dance floor heat

nice price deal !!! when fortebas first album >space between us< was released on plastic city in 2007, the listeners and critics were convinced by the clear sound and the clear intention krisztißn dobrocsi followed with this debut.

nice price deal !!! shur-i-kans trademark blend of musicality with cutting edge electronic production has been turning heads and gaining fans for a number of years now. fred everythings lazy days recordings were quick to snap up >simply yes< featuring alexander east, and give it a mighty remixe from magik johnson and another from fred himself, along with an additional track from shur-i-kan. full support from luciano, laurent garnier, ian pooley, grant nelson, mark farina, andy inland knights, johnny fiasco, marlon d, nick holder, jay west, nacho marco, giom, pezzner, peter christianson, roberto rodriguez, sarah main, demarkus lewis, luke mckeehan, murray richardson, miles maeda, marko militano, olivier desmet, dj mes and more

kid flicks is the music project started by greek producer and songwriter nickos devisis. highly in?uenced by the bright side of contemporary athenian life, multiculturalism and the internet culture, kid flicks created a unique sound which draws from various genres and styles. from electronic to sample-based music to psych pop to world music, the album full of upbeat pop melodies, explosive percussion and greek, middle eastern and african music references. kid flicks third album kid flicks and first with an updated 3-piece line up, will be released by klik records in greece and wordandsound in the rest of europe on late june. on december 2015 they showcased at glimps festival in belgium and their creative process and involvement in the athenian music scene were one of the subjects of cbc arts documentary series interrupt this program. they currently work with brooklyn-based pr agency drunken piano (carpark, yep roc) and booker jj pallis (boogarins).

killer, heavyweight double pack from the chicago dons - master c&j! originally released in 2002 and featuring some unreleased and alternative mixes and versions of some classics and various projects they worked on this double lp is indispensable for any fans of vintage dance music. all of the hallmarks of master c&j s sound are here and we ca easily see what a huge influence their style was on everyone who came after them, this double lp serves as an essential collection and overview of some of their finest moments. remastered in conjunction with trax records, fully legit, now is the time to revisit a cornerstone of classic chicago house music, often imitated, never bettered!

ltd 2016 repress... you aint got no kind of feeling inside. i got something that will surely set your stuff on fire you refuse to put anything before your pride what i got will knock all your pride aside you may have caught pride in recent jackmaster and spencer sets over the past few months, but were letting it out in the wild now. the simplicity of the elements is the strength here - the creeping discord of the piano, the slow sub rolls, the sheer power of the vocal - baked together with sharp drum boxes, space echoes and advs years of production wisdom. the celestial mr fingers inspired tones of first time provide the flip

„you break through into that space, exactly how you were before breaking through. don‘t feel profoundly alone. you will see the light and enter the realms of higher consciousness.“

product comes with deluxe hot foil stamping print in a gatefold cover! electrica salsa, revisited 30 years later, remixes by roman flügel and henrik schwarz. france, italy, austria, germany, quite precisely thirty years ago, one electronic track turned the european music charts upside down: electrica salsa by the frankfurt project off - a collective producing their tracks at master music studio. the founders of organisation for fun were no underdogs: michael münzing and luca anzilotti would go on as duo snap! and write global hits like the power or rhythm is a dancer, writing pop history. and the third member of off was then 21-year-old sven väth, today one the most notorious international djs. michael and luca were the masters of equipment, responsible for the mixing desk and the recording tape we used to make the master tapes. i was the one providing song ideas, grooves and bringing a good mood to the studio.

matthew dears audion project stands proudly at the intersection between art and hedonism, realised over a decade long dedication to powerful and relevant dance music. growing out of the vibrant diy detroit underground, audion and his contemporaries were free to feed off the energy reverberating from uk and european dancefloors, but singular in their desire to create their own sound and spirit. an audion release is techno in its purest sense - whether its pushing the bombastic limits, spinning the dancefloor out of control or elegantly toying with just a few sonic elements.

limited edition, comes with insert, jamal moss aka hieroglyphic being with the gherkin inspired treats. jamal moss aka hieroglyphic being with the gherkin inspired treats. combining tracks from cdr releases, of the same name, that were circulating at the end of 2015. mastered up proper and given the loud 2x12- for the dj treatment here. comes with riso print insert. wonderful. big tip!

marek bilinski is one of the most famous polish composers, pioneer of electronic music in poland and multi – instrumentalists, using the newest and classic, electronic keyboard instruments like moog, nord, yamaha & roland. he is an alumni of the academy of music in poznan (music college in poznan). he acquired his popularity on the music market thanks to his bestseller album “the garden of the king of dawn” and video clip “escape from tropics”, which were accepted by tv audience as the best clip of 1984 which nowadays can be called a classic video mash-up. marek bilinski compositions deduces from the best standards of classical and romantic music. his talent and knowledge unite tradition with vision of modern world sounds. 30 years after the release of his first best-selling vinyl record called: “the garden of the king of dawn” marek bilinski is back with the next 12” lp called “best of the best”. the album will be a treat for all fans of the 12” and warm analog sounds of electronic music. all songs on the album are the original versions of these songs remastered on a world-class studio equipment. that’s why the sound is so velvety and dynamic. if you are a big fan of: klaus schulze, kraftwerk, tangerine dreams or jean michel jarre it will be your icing on the cake!

2015 was probably the busiest of my career, during the course of the year i lived many hours of flights and delays at airports, stayed at hotels with wonderful views immersed in nature and others, on the contrary, very urban. i must admit that many of these scenarios were the kick start of the creative process of oscillators ep. this is an ep conceived strictly for the dancefloor, and its creation was a perfect combination between air and land, as all the tracks began on a plane and were developed on land. a very important part of the creative process when youre working on a track is the mood youre in, and there is always an extra excitement before, during and after each show, the space where you work. i take advantage of that moments and translate those feelings into music. - flug

nice price deal !!! we were very surprised as we got unexpected mail from outsider stanley anscorm, who seems to be departed years ago. although it wasn t possible to recognize the origin of the mail, we are pretty sure he still lives on earth. but who knows? it isn t beyond believe that he s find a way to leave this rotten planet and is waiting for his eternal rest somewhere out there. the only thing we can be sure about is the timeless quality of the futuristic and precise music he sends electronically. battle beyond the sun narrates about the human struggle for life in an somehow sinister and - how can i say it? - parallel universe. mr.anscorm s music still strikes the balance between the grim aspects of life and the promise of hope we can discover in the wonders of existence and the methods of survival. although the battle beyond the sun ep is sometimes frightening, a white light of hope always shines through the darkness

the aim of „métamorphose“ is to offer a voyage to the listener. the pieces really often start quite dark and then the mood turns into something intimate to catch the audience from the deeper spheres. sometimes it goes the other way as well: the track starts in a happy way and turns into a deeper vibe. by doing so the listener should notice his own feelings and try to completely let himself go. further he should be aware of his emotions: on the one hand the happy and melancholic and on the other hand the dark and rather monotonous side. in addition to the musical part to each track there is a specific artwork which was made while listening to the tracks and is based on the emotional expressions which were triggered by the sounds.

abduction is the name of the second release of the german label malonian. the record comes with two timeless house tracks, which were produced by korsakow aka dub taylor / tigerskin in 1996. the name of the label based on the vocal in the track abduction. the edits on this record comes from the romanian producer benone.

straight from the 90s comes our next release, an entire album from an amaaazing producer! 8 beautiful tracks... one record has the after party mood , while the other will send u to the dance-floor

berlins cult techno duo exercise one release their newest 12inch featuring 3 tracks. one track reminiscent of the past, one track gazing at the future and a time defying remix by locked groove.timetrap has always been the dark horse of exercise ones back catalog, so they decided to go back to the original idea of the track and see where they could take it. a few sessions later their ears were happy and timetrap 2016 was born. the staccato groove and eerie hook of the original now live in a much more powerful and demanding surrounding. exactly what they where looking for.

next up is 2bc007 and this one is a special one. four friends were asked to remix the hoop dreams ep and this is the result 5 hot tracks from aarhus, denmark. keep an eye on these guys, shouts to central, manmade deejay, dj sports, ph1 & palta!

the new vinyl-only record label modeight continues to expand the influence of east european underground dance music. silat beksi is well known for his tracks that pump the best afterhours worldwide, and also for his plentiful creative collaborations. three tracks were prepared for the ep together with the immensely talented musician durrrred from germany. “over” immerses us in a cold dark techno atmosphere. “afterglow” brings you out of the darkness so that you can see the infinite beauty of dawn at the sea. the elastic bass line of “inception” pulls you into the dense vibrations that captivate you and won’t let you leave the dance floor.

greg belson s divine disco is a snapshot in time encapsulating the raw power of a spiritual performance, set to the pulsating 4/4 rhythms that were in vogue with the dance floors of the day. tip! labels like savoy played a key part in identifying artists that fit nicely into this brand new style with performers like shirley finney and the gospelaires, both of whom were established within the scene, but carried the disco torch brightly with their tunes featured here. divine disco also paints a picture of the lesser known acts that privately released their message to the hopeful masses, such as the gospel ambassadors and the inspirational souls, whose recording budgets would have been significantly less than any major label.

press release: 124recordings are back with release number eleven the twin suns ep,representing the new generation of producers.first up is an exciting collaboration between pascal viscardi and hugo lx.both names are well known and respected individually from releases on courtesy of balance,mliu,frole and traxx underground,and this is the first time they have released a track together.twin suns is a homage to when house tracks were made straight to tape,with a killer juno bassline and raw beats.next are two young producers from germany.das carmas vitual reality doesnt hold back with a thunderous kick,rumbling bass and gritty stab.philladelphia s matpat closes the first side with work dis.with its clever use of a dj deeon sample,its a raw stripped down 808 groove.the second side opens with parisian duo dub striker,which glides along with warm embracing chords,soft pads underpinned by a bumping bassline,before fonso closes the release with the hypnotic 28 days

sing with me: much in the same vein of the mannheim house sound made popular by artists like johnny d, nick curly, christian burkhardt etc. bretts gives us a deep but driving track centered around an african boy singing. brett chops the sample up to create a choir of ethereal voices to support the boys singing. as the track progresses it takes a left turn into weirdville through some dramatic synth tweaks & sweeps. this track is perfect for anyone who likes to dance standing up, with their head down and first firmly in the air. speaking japanese: many people will tell you learning to speak japanese is one of the most difficult languages to learn, and theyre right. lucky for you, brett has done all the work by translating his message into sound. the core inspiration for this track is based on a sample from a song by get physical owner and artist mandy. they were kind enough to let brett use the sample and run wild with it. the result is 8 minutes and 12 seconds of over driven 909s, rolling bass lines and a pad so thick you need a fork to eat it. all of this keeps the calm while frantic chatter and out of this world fxs take you to a japanese after party somewhere in shibuya.

welcome to the second release on a new record label, real balearic. we are record label based in ibiza and london. we were set up by the team who brought you the world famous real ibiza series of compilations and released the very first cafe del mar compilation. we are passionate about music and in particular music with a thread that runs to the musical sounds of ibiza and the balearic islands. whilst we may chill out with the best of them it is not what we are all about. balearic techno, balearic disco, ambient soundscapes, classical interludes, sun-drenched chords, sunset grooves, moon-washed rhythms, and just about anything that grabs us.

the third release of the obscure cuts series, curated by the italian disco pioneer beppe loda, represents the electronic dance movement that formed in the late 70s, early 80s in italy. it features a few obscure productions that were inspired by giorgio moroder and other european electronic music of the time.

second album of the avalanches on double vinyl with album-cd icluded.

from milan, italy we happily welcome onboard to eartoground, wrong assessment.
mainly known for his work on the prolific m_rec ltd, our attention to marco’s techno came from tracks released on cleric’s label c l e r g y, very soon after a line of communication was opened and demo tracks were created.
the end result is what you have before you. a six track ep consisting of x4 originals, x1 centralised locked groove and x1 atmospheric. functional, emotive, very playable, dj friendly, dance floor techno.
alien landscapes visually back time transfixed by way of bespoke, full cover artwork.

echnical playful acidic techno created in malmoe - sweden. simon recently had a track out on the lackmus compilation (borft119). before that some mysterious 12inches were released on kontra-musik... this is new, present updated, white vinyl limited to 300x too...

that night, we answered a regular call, something about crazy loud noises coming out from a basement. while driving to the area all i could think when i first heard the bass stomping was: “man, whatever, this doesn t even sound like music to me.” and we were at least a 100 meter away from the source of the sound. when we got there, after knocking several times on the door, we decided we had more than enough probable causes to bust in. after a warning, we kicked the door open. what we saw inside was a five feet tall woman jumping around in that cacophony. we screamed and she ignored us, my colleague then panicked and shot her with his taser several times – she then simply pulled the probes out of her body shouting moments moments – and continued to jump around..

admaiora is proud to announce another release. no one other than arado makes his debut on our label with even if u have ep. hailing from düsseldorf, arado made his strong entrance in the music scene back in 2010 with ‘uganda express’ (with den ishu): since than hes been loco dices protégé for a long time, with several appareances on desolat, area remote and snatch! to name a few. he also had some very successful collaborations with italian marco faraone, which were released on moon harbour and etruria beat too.

next up on titanic city is stephen lopkin, who serves up five new cuts on the strategic reserve ep. stephen is a massive talent and has really turned heads over the last couple of years with releases on m>o>s, bokhari records, and raw tools. needles to say were delighted to have lopkin on board

all good things take time, aussteiger said once. and indeed, it took a serious amount of time to get everything set for what soon will be known as dub disco s first release! we’ve been digging deep inside his tune collection. not only to make sure that the first three-tracker is a belter, but that it also showcases exactly the kind of musical approach we wanted as our personal imprint: to hell with a boring and homogeneous release that only represents one genre! we were looking for something that stands for itself, something that tells a story, something that is representative for what the artist stands for in a musical sense. and after a tedious quest, we carefully curated something we think is dope! kicking off the number one is a track disclosing the joint forces of berlin-based collective of musicians los wawis and aussteiger s capabilities as a remixer. here appears a psychedelic version of the track, which is carried by gentle guitars, a dubby bassline as well as the funky-trippy synthesizers that usher a tropical vibe onto the dancefloors. the starter on the flip is entitled “heimat” and comes around as a melancholic interpretation of aussteiger’s time in exile, a period that enabled him to craft his very own style. there is not much to say about this bomb that the ear doesn t catch instantly: this one is an honest earworm, with it s irresistibly arranged horns and a pervasive and driving bassline. to finish everything off, we went for a nasty banger, that carefully blends different aspects of the raving side of dance music. the electrifying broken beat and it’s haunting bassline are blended with an intense influence of acid.

gouru is launching its own label, submersive, with an ep from brendon moeller aka. echologist, including a remix from french duo hbtvsk (voiski & heartbeat).in 2014, to celebrate the 4th birthday of the webzine gouru, brendon moeller and hbtvsk were invited to play at la machine du moulin rouge (paris). following a car accident on his way to the airport of new york, brendon was unable to appear and play. to make up for this unfortunate incident, gouru offered brendon the inauguration of its new label submersive, and invited heartbeat & voiski aka hbtvsk, the duo he was supposed to share the stage with, to remix one track. 2 years later, the first ep of the label gathers all 3 artists who were not able to share the decks on stage, on the same record. as brendon himself says , “all good things take time” and instead of evoking the nostalgy of a party that did not happen, the record opens the doors of the imagination and takes us to a powerful collaboration between 2 artists’ generations, thereby showing us the techno scene at its best.zur opens the ball and sets the tone of the ep, a dub and progressive rise, based on a cyclic structure, punctuated by a random reverb. tension is maintained throughout and finally leaves room to filth, whose rhythm is faster, unrestrained, yet keeps an air of suspense and unpredictability - the perfect soundtrack for an exhausting race. looking for trouble plays on a more hypnotic side. with a dark yet electrifying atmosphere, rhythms are exalted by a strident and piercing melody, evolving alongside uncontrollable sounds, throwing us straight into a cosmic trip. faithful to the spirit of the ep, the filth remix delivered by hbtvsk is a perfect exercise of style. without denaturing the original track, the remix revisits it. its’ heavy, powerful mechanism is, at the same time, accurate and sharpened. certain parts of the original track are easily recognizable, which finally get lost in the subtle gearwheel of an anthem tinted by noise.

ned ludd, possibly born edward ludlam, is the person from whom, it is popularly claimed, the luddites took their name. in 1779, ludd is supposed to have broken two stocking frames in a fit of rage. after this incident, attacks on the frames were jokingly blamed on ludd. when the luddites emerged in the 1810s, his identity was appropriated to become the folkloric character of captain ludd, also known as king ludd or general ludd, the luddites alleged leader and founder. disclaimer: this record was made by real immigrants

not too long ago a jiffy bag arrived at parkwest hq. in it was a scratched tdk case with a sa-x tape containing a musical message from years past, simply marked the tape i lost! we sat and listened, able to pinpoint influence and reference but yet hearing something totally new. that this tape surfaced and made it across the years and the miles to us was fortunate. when the synth part came through clear on a later version on the tape, allowing us to remix then it became destiny. emotion, melody and rhythm will always be timeless and these tracks, selected from that tape, are as relevant today as they ever were.

rawax proudly welcomes gigi galaxy aka gary martin to the family! we are more than happy that gary liked the idea to present his past treasures back on vinyl from the beginning. the first release on our -motor city edition- is the -lemuria ep- from 1994. originally it came out on gary s own legendary teknotika label - enjoy the trip to lemuria!

mister ho & heap close their eyes and float downstream. this is their second offering for the esp institute. on side a, feeling hopeful is a straight-ahead burner comprised of minimal thuds, bumps, honks, blips, bleeps and bloops—a harmonious arrangement of percussive elements and soaring synth chords that feels both slow and fast paced, sunset and sunrise hour, island back roads and traffic in metropolis. on side b, gis gis explores a similar notion of contrast, setting a the scene with a driving mechanical hi-hat that never dips below the selection of luscious melodies—a cha-cha bassline, breezy chords and a slippery lead hook that collectively invite us all for poolside pin&#771,,a coladas at the ho & heap villa. these two songs were conceived in the year of the monkey.

the rawkers ep…more than 10 years after the release of cassius first album, the duet comes out with a 6 tracks project that mustn’t have left a lot of people whove listened to it indifferent. well, if there are two people who appreciated the ep, it is jay-z & kanye west, aka the throne, who sampled the famous i <3 uso on their track why i love you, turning it into an absolute popular anthem. if the former album of the band was a tribute to adolescence, here it is more about the earliest days of ours, as the song les enfants (children) depicts it. to such an extent that the rawkers ep sounds like a gigantic playground, full of joy and happiness. were glad to repress this record and to give you an opportunity to escape through this enchanting opus, before cassius new album is released.

nice price - all tracks written and recorded by gordon sharp and matt kinnison between 2006–2011 at roi vert, okamoto (japan), 13th floor and space eko (london), southend (essex)... mastered at piethopraxis, june 2011. cut by rashad becker at dubplates & mastering, berlin, june 2011. hold everything dear is the third instalment in the new cindytalk sound which started with 2007s the crackle of my soul, and then last years up here in the clouds. its the first in the trilogy to feature musicians other than gordon sharp namely the late matt kinnison, to whom the album is dedicated. inspired by the john berger book of the same name, this latest release is whole new set of parameters which push the sound on the previous two works to an extreme point of abstraction, and in some places near silent passages and haunted melodic segments. and what a mysterious journey this ends up being with increased use of piano and found/field recordings giving all the tracks a blurry soundtrack appeal to the point where the definitions between the tracks are no longer clearly defined. it harks back to the odder parts of in this world and the wind is strong albums from the early 1990s

stasis005 is another vinyl issue of elysia crampton s digital work, following stasis003, the bound adam 2011 7inch. it is the first pressing of the light that you gave me to see you, originally released under the name e+e. the arrangements were conceived between 2011 and 2012, and the l.p. was finally assembled in 2013, while the artist was homeless in los angeles, california. this edition also includes a previously unreleased bonus track, troll song, which originates from the same period. as with bound adam 2011, the art is by felix lee, and the master is by brandon hocura.

amazing 2 monstruous tracks taken straight from the basement from one of the most original, ultimate & cult house producer : the great marcus mixx !!! all the djs were looking for those for tracks for years. it’s a fuckin’ must have & it’s on your favorite label : skylax

as we move into the summer months, yoruba records is pleased to present this tasteful rendition of celebration of oggun from the much acclaimed sunlightsquare. based on a traditional yoruba chant performed by havanas abbilona, sunlightsquare takes the original and gives it a modern deep house touch. a soulful tribute to the protector in the orisha system, sunlightsquare provides a rhodes-driven melody that accompanied by powerful chants will have you grooving any time of day or night. a2 finds us with the stripped down yoruba soul beats version from osunlade himself. a unique percussive number that keeps the soul of the original – the bata drums command you to move your body in celebration. as we flip the record over we kick off with the yoruba soul mix. using the backbone of the beats mix, this nearly seven minute ballad is an absolute must-have in your bag. a smooth, subtle bass keeps you grooving as it makes way for the vocal – elevating you in the spirit of dance. lastly, we close with a stunning mix by none other than trinidadiandeep. this future yoruba classic is as deep as it comes. guaranteed to keep the floor moving, this must-listen tracks pads help round out an ep were extremely excited to bring you.

we are really proud and honored to present espectrum, a year-long effort to put together a compilation of the best dub techno. the idea was simple, but ambitious: ask some of our favorite artists for one track to epitomize dub techno—the style of music we’ve loved and continued to develop since our birth as producers and a label. with a very precise idea of what we wanted to collect, the compilation was carefully built with hypnotic, obscure, dense, and magical sounds with an eternal hook. these are the kind of tracks that will never lose their appeal, because they go above and beyond labels, styles, and trends, resisting the passage of time. after the first tracks starting coming in, the idea grew more and more special, and the concept even stronger. we knew we were onto something really big. and, finally, here it is.