andrey terekhov is known to the world as eastcolors, and is known for his wide-scale, expansive sound on releases for labels such as critical, samurai and hospital. now, it is demand records who take up the talented young russians work, the swiss imprint is respected the world over for its strength of roster, quality of releases and forward-thinking vision. the perfect combination of artist and label, then, for the issue of the light ep. the original is straight up classic eastcolors, with ranging depth, soulful vocals and urgent, percussive beats. the flow is augmented with some flashing electronics, smooth delivery and top drawer arrangement and production. truly a gifted musician, if you have slept on eastcolors up to now, it is time to wake up.

horo gives true artists the freedom to represent the full extent of their talent and it is not often the cerebellum is truly engaged with the genre we have grown from but music for the mind is one of our over-arching ideals. and so we come to *scope*, the 10th release, a full length compilation spread over 5 vinyl 12 inches. deviating somewhat from our vinyl only position up to this point, given the scale and magnitude of this project scope will also be released on cd & digital, although there will also be 5 vinyl only tracks by way of thanks to the vinyl buyers that have supported the label up to this point. 24 tracks of uncompromising, innovative music from horo mainstays and new artists alike, scope represents where we have come from, but moreover, where we will be going. this is just the beginning.

horo gives true artists the freedom to represent the full extent of their talent and it is not often the cerebellum is truly engaged with the genre we have grown from but music for the mind is one of our over-arching ideals. and so we come to *scope*, the 10th release, a full length compilation spread over 5 vinyl 12 inches. deviating somewhat from our vinyl only position up to this point, given the scale and magnitude of this project scope will also be released on cd & digital, although there will also be 5 vinyl only tracks by way of thanks to the vinyl buyers that have supported the label up to this point. 24 tracks of uncompromising, innovative music from horo mainstays and new artists alike, scope represents where we have come from, but moreover, where we will be going. this is just the beginning.

mellys uses striking kicks. sobre and efficient his sounds are physical and brings a natural born good feeling on the dancefloor. the a-side is all about that, a powerfull dancefloor 180 bpm fat confort. his selectas of friends tunes on b-side is exactly on the same scale. format c brings an obsessing hardtek oldschool tune while zside brings a superb dancefloor track as well. honstely this is a total sticking 100% to the peur bleue sound style. digging for more collab! and very awaiting playing this record for real on the dancefloor!

finnish experimental electronic musician mika vainios first solo album for blast first sees him return to his classic power electronics/heavy beats approach that made pan sonic garner a worldwide reputation. the album developed from vainios recent live sets to make 10 tersely-titled tracks inspired by the shipping container industry.

horo gives true artists the freedom to represent the full extent of their talent and it is not often the cerebellum is truly engaged with the genre we have grown from but music for the mind is one of our over-arching ideals. and so we come to *scope*, the 10th release, a full length compilation spread over 5 vinyl 12 inches. deviating somewhat from our vinyl only position up to this point, given the scale and magnitude of this project scope will also be released on cd & digital, although there will also be 5 vinyl only tracks by way of thanks to the vinyl buyers that have supported the label up to this point. 24 tracks of uncompromising, innovative music from horo mainstays and new artists alike, scope represents where we have come from, but moreover, where we will be going. this is just the beginning.

black vinyl !! echo 106 debuted with the well received broken hihat machine and returns with this masterful full length. he grabs influence from classic electro, chicago house, detroit tech and throws down a distinct sound and flavor true to his own. 17 tracks total on double 12 inch vinyl. comes in a mathematics die cut sleeve.

echo 106 debuted with the well received broken hihat machine and returns with this masterful full length. he grabs influence from classic electro, chicago house, detroit tech and throws down a distinct sound and flavor true to his own. 17 tracks total on transparent double 12 inch vinyl. comes in a mathematics die cut sleeve.

hailing from the bairros of lisbon, the portugese duo sabre take the helm of tasteful nudes second single. the young pair follow up an ep for w.t. records by expressing adoration for german proto-techno on a majestic scale across a sub-tropical backdrop. bali comes on like a strong cup of psychedelic tea, leaping from a tapestry of gamelan plucks to gigantic, growling bass lines and prismatic synth arpeggios. ging channels manuel goettschings hypnotic synth lines with the dance floor in mind, rubbing shoulders with a gregarious 303 bass line.

many of the problems africa faces are a result of outside interference by other countries, and as the 21st century progresses we will see the continued pillage of african resources to feed the global capitalist machine on an unprecedented scale.

slowly but surely spencer parkers work them label has been gaining a deserved reputation as a no nonsense house and techno imprint thanks to releases from the likes of pittsburgh track authority and dana ruh. now it is the turn of the s:vt who serves up one track, basement sweat, complete with a remix, which will then be followed by a separate 12 inch featuring two remixes from arttu. the original track pairs classic, piled-on-top-of-each other claps with a freewheeling melody that runs up and down the scale. the bottom end is streamlined and techno inclined, bringing with it plenty of raw warehouse vibes. the no strings attached mix loses the melody and ups the percussive ante, chopping up and slicing out patterns as that bottom end continues to burrow on.

knox is the band brainchild of brother-sister duo nic and eliza coolidge. hailing from boston and new york, the siblings released their second ep, here, on december 3rd, and it is a big step forward for the band. formed less than two years ago, in march 2011, knox finds themselves working with the likes of john tejada and kuxxan suum on this release, and the outcome is stunning. here is five-song set full of ice and echoes. it runs as close to the third rail of impersonation, but flies away so quickly that knox sounds contextual and perfectly fresh. the influences from james blake is clear: the swooping, bomber bass and half-timey compressed dub beats, here could also easily be an inventive b-side to the latest how to dress well album. but, with the limited scale, interspersed remixes and foundling status in the scene, i would say it is likely a more impressive feat. the ep as a whole is desolate. expansive spaces filled with cold little beats and vocal washes, exploring in the course of five songs an icescape aesthetic with a sense of place usually reserved for full-length albums. the remixes blend so seamlessly that i didnt even realize they were during my first, casual listen.

boris bunnik goes under many aliases. numerous smaller projects, some huge faceless projects but mostly known and well respected for his conforce project. as versalife he found his way to the clone familia for his night time activities project, and around this same period we just managed to pull out the best suitable tracks for frustrated funk. versalife is electro-techno in its purest form. deep and intense analog rhythms with crisp percussion patterns slightly touching the more experimental side of things. this ep is a nice balanced mixture of industrial drone material to more classic sounding electro with versalifes own signature strength. highly recommended as always!

as a man well versed in the moves of the old-school, fabio monesi launches his albion imprint with the immaculately executed styles of 623, full of sexy 90s synth notes and crisp, pumping beats. washerman brings a more rugged style on his remix of the tune, dropping in some cheeky and thoroughly familiar samples, while the melody wobbles around an amorphous scale. the peephouse finds monesi reaching back to the soothing organ tones of the dx7, with a gentle and piano-driven throw down that stills carries plenty of heft for the floor. rio padice steps up for another remix of 623 and spreads a strange and nervous shape-shifter of a late-night jam, scattering the vocals like confetti and nudging the drums out of joint on a whim.

total control dislocate expectations with this inaugural home loan records 12 inch. not the charged up paranoid vox/guitar/drums combo that we have become accustomed to through their visceral live shows - instead men with machines producing pensive proto-tech experiments and tense industrial wave. includes the original version of carpet rash which was re-recorded in full band mode for henge beat, and two previously unreleased immersive rhythm tracks formed through collaboration between guitarist mikey young and drummer james vinciguerra. vinciguerra would fire deranged beats down the hole while young would jam over them, watching waves in a trance from his perch at phillip island. on the flip we find two reconstructions from home loan manager michael ozone. carpet rash receives the club re-contextualisation with ozone fully utilising its penetrating synth hook, while new age hop climbs the arabic scale.

dj shadow ist eine schlüsselfigur der dj-kultur. in den fußstapfen von eric b. und lee scratch perry, als vorreiter von st. germain und thievery corporation hat der 40jährige musiker aus san jose, kalifornien die kunstform namens hip hop zu neuen ufern geführt, neue maßstäbe im trip hop, ambient breakbeat und turntablismus gesetzt. mit >reconstructed< gibt dj shadow zum ersten mal dem größeren publikum eine eintrittskarte in sein universum.

repress !! great original cuts - regis remix carries on where >in a syrian tongue< left off with increased club appeal... dominick fernow arrives on blackest ever black as vatican shadow. two tracks remastered from the the debut vs cassette on hospital productions, byzantine private cia, and a powerful regis remix of another early cut, >church of all images<. in the words of hospital: >militant religious industrial. music for assassins on the world-scale board game upon which it isnt clear who is winning or what side you are on.<

limited 1st edition in lp style sleeve!! great original cuts - regis remix carries on where >in a syrian tongue< left off with increased club appeal... dominick fernow arrives on blackest ever black as vatican shadow. two tracks remastered from the the debut vs cassette on hospital productions, byzantine private cia, and a powerful regis remix of another early cut, >church of all images<. in the words of hospital: >militant religious industrial. music for assassins on the world-scale board game upon which it isnt clear who is winning or what side you are on.<

after a prolific 2011, punch drunk jump straight back in to action in the new year with the searing percussion of new signing tessela. direct from his debut for dublins ever impressive all city label last year, tessela joins the ranks of punch drunk to kick start the year in fine style. with a signature razor sharp rhythmical workout and erupting molten subs, lead track >d jane< unleashes richter scale tremors unto the dance. without a pause for breath, the greased rolling funk of >channel< keeps the pressure at boiling point with its dnd / menta style bass line swagger and punctuated chops. two devastating dance floor tracks that make for an impressive punch drunk debut. expect to hear a lot more from tessela in 2012.

alexi delano dwells in the perfect balance between shiny minimalism and dark vivacious techno. with more than two decades on stage he has been able to combine different roots and facets of the contemporary music scale.
alexi is intimately linked to the plus 8, clink rec and truesoul labels and each one of his projects has been leaving foot prints on the minimal/techno scene. he performs constantly in clubs around the world and in prestigious events.
born in chile but raised in sweden, alexi, with fellow swedes like cari lekebusch, adam beyer, jesper dahlback (who is on he flip side), joel mull and others, became a house hold techno name!

with the latest album from dance producer hans-peter lindstrøm, norways latest entry in the space race has been launched out of the wooded outskirts of oslo. six cups of rebel, lindstrøms fourth solo album, is a super-sized cosmic disco rocket that burns up a galaxy of eclectic influences in its wake, from bach to deep purple, from prog rock and arpeggiator disco to acid house, while sounding sleek and utterly contemporary. he may worship at the temple of godlike european djs from the 80s like daniele baldelli and beppe loda, but the relentless, occasionally monumental scale of six cups of rebel has the power to move mountains all by itself.
double 12 inch in gatefold cover, cd-version of this album included.

the third in the inertia series with four new exclusive techno tracks. this third ep offers up four brand next and exclusive techno cuts, take straight from the inertia compilation ann aimee have proudly compiled. things open with the dark, skipping beats of stroboscopic artefacts boss lucy, before veteran berlin producer and label boss milton bradley layers plenty of filter and reverb over a kicking beat for his textured effort, >sequence 1<. one of the three fachwerk bosses, mike dehnert, contributes some ravey techno loops in the form of >pneumatic< before the ep is brought to a close with some gray-scale bleakness from belgiums ozka: in all, four dark dancefloor gems

about yoav b (delsin/wasa bi) :in the last 10 years, dj yoav b has released some of the finest deep house and techno records around, some are already considered as cult classics. most of you will recognize that thick, thick bassline of his underground anthem >energize<, which was fired at you at many dancefloors around the world, or that dazzling kick drum and fm synth bass line of “organ satta” that appealed to djs from chicago to berlin.with his latest release for the most respected delsin label, entitled >love dubs<, he kept pushing the limits of dance music over the maximum, with some experimental yet funky as hell house and techno music, picked, played and charted by a large scale of djs such as martyn, marcel dettmann, charles webster, basic soul unit and more. near future projects include e.p. releases for the lables meakusma (belgium) and synchrophone (france).as a dj, yoav b. has established himself as one of israels finest underground dance music jocks. also recognized for his unique cut n paste way of mixing, you can hear in his sets nothing but deep and hot music in various styles – from deep house to techno, from disco to jackbeat, from classic to futuristic – all mixed in a furious funky, yet coherent spinning style.

daniel solar is one half of dikso, the excellent edits imprint responsible for many a disco-rinsed dancefloor burner over the last year. the hannover native is also one of berlins emergent talents, a dj, producer, label owner and a&r intent on bridging the gap between disco and dance music, while coaxing the techno-loving citys tastes a little further off the beaten track.
as a child of the early 80s, daniel was strongly influenced by synth pop and dance music, before rap and hip hop caught his imagination and inspired his first forays into production. once he had finished school, daniel became more and more and intrigued with house and techno, clubs and raves, and his studio style expanded to take in electro, techno, and deep house until we arrive at today and his latest release: too much light ep.

here comes, well, certainly not the record to turn your party upside down. the first lurker release brings two raw and sluggish instrumental rides through deep slowmotion territory. young talent babok shows us how to move that midnineties downbeat spirit into an adequate place for 2011, his mysterious djurh combines a strongly fragmented rhythm section and a distracted piano from somwhere below.
on small window, nic & jaq manage to hold the balance between early fall romantics and mid winter darkness,reaching the goosebump-o-meter s full scale with an intense samplesound and a thick drumset.

music always played a significant role in the life of javier viudez and rainer serrat and the quest for the music made them leave their hometowns mallorca and barcelona and move to london where they met each other and started sharing a studio in 2004. constant flow of releases on labels like serialism, safari electronique, vinyl club and serious club gigs followed. here javier and rainer kick off a new chapter and team up for 4 tracks, tales of lost memories and other-worldiness of early morning hours, that were some of the best kept secrets of loco dice sets this summer. the repetitive title track “scusas” with its hypnotic, scale wandering staccato bassline, >rainer nostalgia< with its uplifting vocal shouts, the timberlake infected, driving >nuevo cedar< or any other piece of this collection, these boys seem to have a golden hand for stripped down grooves

englishman matthew styles is a special one. firmly schooled in the history of dance music as a dj, his productions usually carry a uniqueness that cannot be located in time and space - a little bit like what courtney melody tried to put into words with his >modern girl<. styles debut for running back is his first solo release in a long while and ticks all the niceness boxes: straight up house with >dont call me again< that works itself up in a frenzy, the rough and ready >scale< performance without a ruffle, >polee< and its irresistible melody and last but not least the percussive and bass-heavy lunacy of >galaxy 21<. yee-haw! styles for days !!

dj t.s pleasure principle immersed itself, wholly and rapturously, into electronic musics legacy of soul, and helped to usher in a new period of groove-heavy deepness. like an antidote to clinical club sounds, album standout tracks like sense inject some well needed groove into the dancefloor. the maxi version of sense partners faraway melodies with james teejs breathy vocals that get up close and personal. a deep electro funk bass riff establishes its intent, and snaky percussion leads to a more structured house beat. piping flute sounds and drum echoes add an element of swing, while analogue handclaps and the tracks distinctive bass line recall its retro pedigree. newcomers tale of us continue their journey into dark minimalism, with a remix that isolates the percussion and vocals, shrouding both in reverb for maximum atmospheric effect. a sense of unease pervades through the saturated bassline and slow delayed handclaps, creating frosty mists and dark corners within the synth-tech house arrangement. hot natured duo lee foss and jamie jones next bring their sunny midas touch to the proceedings. teasing out the intro with high hats and layered vocals, a sense of anticipation is high. it blooms into sleek, skittering beats and otherworldly sounds, with a bass line thats been cut & paste back into place, before it delves deeper into a menacing deep bass synth rumble. the club version begins with a kick, deep echoes and meek percussive sounds that loop upwards through the scale. the distinctive bass line and handclaps begin, then teejs unadulterated vocals are pushed to the fore. brittle metallic synth flares appear from below the bass-heavy beat and recede again, ending in an electro-disco retro groove

after 10 years at the helm of the venerable label scandium records whose techno productions marked the electronic scene, paul nazca is a new challenge: to start from zero and create a label alongside his sidekick studio maxime dangles & florian combe. programme: the music came first, fresh, dynamic, varied. the artistic choices are made on favorites guided by the desire to share our passion. and to open the show, paul is in command of the first output followed by maxime before you discover new talent. so stay tuned! support from laurent garnier, sven vath, stephan bodzin, dave clarke, nhar, michael meyer, dj feadz, ramon tapia, zombie nation, angel molina

jeroen verheij has been churning out dance floor smashing tracks for almost as long as many of todays clubbers can remember under his aliases secret cinema, grooveyard and meng syndicate to name a few. tracks like timeless altitude, mary go wild (ec records) and kurzweil (cocoon) invoke warm memories in many of us. in december of 2009 verheij set up his own label gem records and started to release the unique sound he is famous for as a dj. now, just over a year later, gem releases its first full album - and this ep is the first preview from it!

coefficient is an english artist with so much experience now, thanks to releases on labrynth and beyond. in this record he shows 2 original tracks and a remix of his strong friend michaelangelo. he shows his skill in creating the techno cleanly, hypnotic and with no compromise.its a journey straight on his way. you can hear a lot of the influences of detroit (see robert hood and jeff mills), but his style is certainly unique. the remix of michaelangelo completes all the release with an even more dark and hypnotic style - but mostly clean. welcome to another trip high quality signed mrec ltd!

ulysses dj career began in 1991, when he started his universitys first techno radio show. shortly after graduating he returned to his hometown and became a player in the late-90s electro scene in new york, running some of the earliest large-scale electro parties in new york. guests included legends such as alexander robotnick and arthur baker, as well as recent stars like i.f., miss kitten and the hacker and adult. ulysses is not only about party promotion, however, and a close look at his diverse musical career will quickly shatter this misconception. although a long-time advocate of obscure disco and classic techno, ulysses is currently best known for the piano house anthem robotic hypnotic adventure from his neurotic drum band collaboration with john selway. in addition to the ndb ulysses collaborates with thugfuckers holmar filipsson as filipsson & ulysses, who are releasing soon-to-be classic eps of emotive electronic disco on internasjonal and bearfunk records. ulysses still continues to chart his own musical path with an incredible ep of dark pop for internasjonal spesial in the works, as well as some new club-friendly dance tracks on wurst and his solo debut for throne of blood. the acid reflux ep represents the diversity of ulyssess talent, from banging acid tracks to moody downtempo and grooving electronic house. to round things out ulysses recruited prins thomas to deliver an unprecedented nine-minute rerub of >acid reflux< that preserves the originals 303 groove but injects a heaping dose of cosmic atmosphere and live instrumentation into the mix. essential

born in romania in 1981, mihai popoviciu is one of the most talked about newcomers in the house and techno scene. but to call him a newcomer is a misnomer. mihai has been releasing quality music for years, on labels such as gigolo, level non zero, brise, diynamic and, of course, highgrade. since 2007 he has sworn allegiance to the highgrade flag, either alone or with production partner markus homm. he always has the ability to surprise with his music tracks produced straight to the point with no unnecessary fluff – just the uninhibited thrill and euphoria of dancing seems to empower his work. after a busy summer season playing in the clubs of europe, he is now back to work in the studio. and so comes >trapped in brakets< with three brilliant club tracks of outstanding quality, custom made for the dance floor. if you dont believe us youll have to hear them for yourself. turn up the volume and close your eyes! for those who still want more, mihai popoviciu will be releasing his debut album in may 2011 on highgrade records. time to get excited and warm up the legs for maximum dance floor effect!

metalheadz are proud to back subwaves most deadly and innovative tracks to date which will push the russian to the forefront of most talked about artists. watch out for his forthcoming debut album to follow soon on metalheadz. with d+b bigger than ever before on a global scale, there is nowhere more up-and-coming than russia, and subwave is right at the heart of the moscow scene. gleb started to make music with production partner alexander rotov over ten years ago, grabbing early attention from the late john peel with there debut release on tech itch recordings in 2001. more tunes followed with a remix of tiesto (with paul b) getting which gained huge attention stateside, with a 12inch on goldies metalheadz label following gleb going solo. not only a talented producer, gleb is also held in high regard as both a dj and promoter. he successfully marries ice cold minimalism with wide open dancefloor sonics, and with huge support from the likes london elektricity, hype, fabio, and of course goldie, expect more subwave in your system shortly

bergerac is the new record label set up by uk producer and dj red rack’em (aka danny berman) to showcase the more dancefloor end of his music productions. danny is well known for his wonky disco outings as hot coins on tirk and also his deep as hell beatdown house on untracked. his style of production and djing have recently taken a slightly more banging angle due to the influence of larger scale festival gigs such as glastonbury, snowbombing and the big chill. so it seemed like the perfect time to start a label focussing on house and techno for the more discerning dancefloor. the label artwork will feature bespoke illustrations from german artist silke eiselt of all the houses danny has lived in chronologically. how much more fucking house can you get than that? how i program is a raw, heads down, whacked out banger, which straddles the wafer thin divide between house and techno with aplomb. with a massive loud donking bass noise, seedy late night atmosphere and danny shouting about how he programs his shit - this is some freaky deaky peak time business. next up is bonn, a warm crackly rhodes driven halcyon house moment, which evokes the slightly majestic and nostalgic vibe of people dancing alone together in a hot room at the end of the night. cheering sourced directly from bonn in 1982 mixes with naive keywork and distant female chants the first bergerac ep closes with it happens to us all, which could be an ode to prematurely greying men, the onset of senility or occasional farting in public places. its definitely a prime slice of wrong house with some seriously french hi hats and dubbed out bassline action though. yes, its more syncopated than an exploding castanet factory but thats how we like that kind of funk

his release on jeff mills axis sublabel 6277 was the first in a series of amazing records, which made johannes volk become a very well known and highly acclaimed producer, liveact and dj. his initial appearance on heliocentric music features a stunning dancefloor bomb, which will spark large-scale-fires in clubs around the world.
the second track on this record comes from label-owner myon, who again delivers an epic journey through the periodic table of techno. for those, who listen closer!

limited 2010 repress !!! >most of all< sees morgan aiming for the deeper end of the ital-disco scale, with jeremy greenspan s smooth vocal backed by great italo keys, a bouncing analog bassline, and tight beats. along with an instrumental take of >most of all< on the flip comes >skyblue pink<, a slightly angular, atmospheric late night cut for the leftfield headz to get to grips with, combining sprase metallic beats and textured italo keys. tracks: most of all/ most of all (instrumental)/ skyblue pink

as dj and as live act, frances nhar certainly knows how to tweak the controls. hes transmitting his message on every channel, sporting his personal recipe for dancefloor mayhem, consisting of driving beats, melancholic euphoria and some other ingredients meant to stay a secret. on diverse labels like mobilee, plak or modelisme, the former member of the 22 crew shines with his panoramic view, melodic depth of focus and concise footwork. that love has to be rewarded, so kompakts jörg burger, a.k.a. the modernist throws in one of his rare remixes for close up, delivering that bonus punch and enhancing the originals charm with the razor-sharp musical scale hes become known for. its a born winner for wir

nsi. non standard institute – eitherway, nsp o7 is the third part of nsi.s scale & sync research series. max loderbauer again is responsible for the analog sounds and sequences and tobias freund was responsible for additional sounds, beats and mixdown treatments. all in all a record that follows the idea of non standard productions.

s.c.u.m. is back and with a plate that ll rock you right off your socks! none other then zero g has been selected to drop his long lost ransom tune that has been cained by almost all the bigshots and even was featured in ruskos essential mix! now this tune finally sees the light of day and ready to rock the dance floors on a global scale. dj nicon of rotterdams subway crew was big fan of this tune from the start and was surprised this never got a release. so naturally this got scooped for his personal scum imprint asap! and of course no release is finished without a suitable b side so flip it over for scorpion! a brand new club banger that delivers the dubstep sound ever so crispy! if your into the heavy side of dubstep then get on this!! play support: skream, benga, walsh, marlow, seven, 501, reso, matt-u etc.

a bomb in the making, holger and dave teams up w ith richard davis for a vocal gem out of this w orld ! deep, yet driving smooth house production mixed w ith richards heavenly vocals, this is hot ! on the remix tip the ever reliable kiki doing his w onders, keeping the vocal parts intact but turning the techno scale a few notches, this w ill appeal on all floors. also included the original dub version for the vocal-shy djs around !

the revitalized moton records inc continues to impress and inspire us with amazing, undiscovered music. despite being launched in the early nineties, the label have only released just over 20 records. a co operative effort between djs diesel, harvey, faiths dave jarvis and ashley beedle, this label has expertly amended and extended many and undiscovered, lost classics. as passionate afficionados and music lovers, their selections for the moton treatment are always dealt with respectfully, and released in super limited quantities, hence the crazy prices they reach in the second hand market! this expertly crafted trio of cuts is right up there with their best ever releases. from incredible vintage soul to priceless soulful disco, the moton biys have unearthed yet more buried treasure for your listening pleasure the quality is off the scale, the pressing is a one off - you know what to do!

passion sound (inner beauty) is designed to exemplify the inner passion of an individual, while maintaining the outer crust of a chicago sound. it is well true that tevo howard found it necessary for this artistic track to make it to vinyl. he has said that the tracks elegance is the perfect potion for a bgr vinyl release. while inter tribal is slower paced, and somewhat crosses bands of what one would expect to hear from the machine drums used to create it, inter tribal as a track is also meant to even out the energy of this conceptual vinyl piece as a whole. dreamers reason is simply the title track to tevo howards first full scale album, which will be released in coming months. on this particular vinyl selection, bgr 7, a bonus mix titled, (deep reason mix), is included, whereas it will not be included on the full scale album.

the revitalized moton records inc continues to impress and inspire us with amazing, undiscovered music. despite being launched in the early nineties, the label have only released just over 20 records. a co-operative effort between djs diesel, harvey, faiths dave jarvis and ashley beedle, this label has expertly amended and extended many an undiscovered, lost classic. as passionate afficionadoÆs and music lovers, their selections for the moton treatment are always dealt with respectfully, and released in super limited quantities, hence the crazy prices they reach in the second hand market !this expertly crafted trio of cuts is the handy work of non other than dave hill, founder of the legendary nu phonic label, well turned out gentleman about town and a fellow disciple of the good groove the quality is off the scale, the pressing is a one-off - you know what to do

kirk needs no introduction, as a long serving electronic music devotee, a quick glance at kirks discography shows the scale this extraordinary talent has contributed to electronic music over the years. it is therefore with huge excitement that abstract forms brings you jitter world. featuring three tracks of deep techno business, jitter is a full on, peaktime dance floor mover with extra drive, that will undoubtedly appeal to the djs as well as the deep techno lovers amongst us, whilst back in my head and traject lay focus more toward the deeper end of the techno spectrum. its kirks groove on the dance floor and his deeper experimental electronics that make this ep fit perfectly within the abstract forms ethos.

another mouthwatering viper beatz release sees the daylight and this bombshell is guaranteed to devastate the dance floors on a global scale. live a lie a jewel in the typical way only g town madness & the viper can create, breathes brilliance and has not only been receiving heavy dj support from the total top in hardcore such as endymion, nosferatu, tomyknocker, dj panic and evil acitivies, but is also to be found on major compilations like hardcore to the bone xiii, and in qontrol. with its impressive anthem break live a lie brings unity and gets back to that true feeling of hardcore: come as one! envy shows the raw side of these craftsman resulting in an ear piercing, raging, full in your face hardcore track yet without losing any of the true g town madness & the viper feel. the result is a raw hardcore bomb, as probably many would not expect from this magical duo. crazy edits, weird synth patterns and freaked distorted bone shattering kick drums bring a refreshingly different taste within g town madness & the viper releases till date. current dj support by the likes of partyraiser, neophyte, tha playah and outblast. when angerfist heard cliffhanger, he decided to give it an angerfist refix. gtm and the viper were so pleasantly surprised when they heard this, they immediately decided to let everyone enjoy this fine piece of rework. after circulating within the hardcore scene for quite a while also this tune will leave a mark on the hardcore scene as we know it.

highly succesful imprimt kumo is about to enlarge its scale of high quality music, this time with japanese long time and inside japan well known dj sodeyama together with a remix from mr. glimpse whos name is surely not unkown. this release is a perfect mixture of superb minimal techno (original) and slightly moody relaxed housy tunes (remix).

despite being launched in the early nineties, the incredible moton records inc have only released just over 20 records. a co-operative effort between djs diesel, harvey, faiths dave jarvis and ashley beedle, this label has expertly amended and extended many an undiscovered, lost classic. as passionate afficionados and music lovers, their selections for the moton treatment are always dealt with respectfully, and released in super limited quantities, hence the crazy prices they reach in the second hand market !this superb three-tracker is another gem, featuring another trio of superb rarities. the quality is off the scale, the pressing is a one-off - you know what to do !

adam beyers drumcode label has its ten year anniversary this year and there will be many releases as well as a massive compilation album project later in the year featuring brand new tracks from many of the label s key artists. one of the newest additions is the producer of this new release - tor lowkrantz or mighty thor as he is known. this 4 tracker again demonstrates the open musical policy of the label. the last hardcell release was a fine piece of work demonstrting influences from both hard and minimal techno sensibilities. this release focuses more on the harder end of the scale but still remains fresh with its almost old jeff mills and rob hood influences. all 4 tracks have a fat groove and are saturated with funk yet still pack serious punch in any set. another winner from drumcode