label honcho eduardo de la calle teams up with orbe for one of the most exciting asr releases thus far. repetitive, percussive and of course analog. two guys that know how to work machines on one of the most analog focussed labels around.

nice price deal !!! the very first release of the new >somos< imprint curated by alejandro mosso. a label intended to enlarge the family and serve as a platform for related artists who share similar aesthetics. expanding the mosso label manifesto into a larger community. ! joachim holm, a young talented and skilled producer from trondheim (norway), wrote some unique and mesmerising wooden melodies which became the foundations of these two songs. alejandro added some extra production and a beautiful record came to life. ! tre rytme, the rhythmic version, focuses on the main melodic motif while adding an intense and pulsating beat. morphing slowly but firmly into a club burner. a spring optimistic piece ready to add a spark of life into any dancefloor. ! tre melodi is the soft and mellow version. a 12 minutes ride of polyrythmic, repetitive and hypnotic riffs, recalling american classic minimalism in an innocent and playful manner. take the time to listen until the end, it promises to be a comforting experience.

on a debut release for bliq, seixlack unleashes his unique fusion of intoxicating gear-crunched cuts. vasumitra is built around static drum-kicks and a pulsating bassline countered by atmospheric and murky synth progressions its repetitive and body-thumping structure rolls deep. nublando o ar rips it from the get-go, with a hyper-funked groove that manages to sustain its rugged pace and entrancing impact all the way. in the title track feitico, seixlack succeeds in artfully juxtaposing banging riddims with jazzed-out, infectious chords leading nicely to the fourth cut, re-crafted by the mighty miltiades, with a deep-rooted and slow-burner of a meditation.

firstep at 12 inches of the dj and producer rene lorenzo on his label celullar memory. seismo ep is composed of three tracks focused on the dance floor. in a side seismo track, the darkest cut, followed by raza, a cooler track with keyboard touches. in b side, a more than 9 minutes track, called evaluate, cheerful, harmonic with repetitive and immersed arpeggios trying to magnetize the mind.

only 1 per customer / max 1 pro kunde
attention: covers are mostly broken on the border , please do not buy if you need a perfect cover
from the moment you hear the first warm pads you know this is going to be an epic journey. not really. here is some more repetitive, machine bass music for djs to play loud & dancers to freak to. featuring vocals from mutado pintado (nyc), paris brightledge (chicago) & dj genesis (detroit)

do you sometimes experience a sensation of dj vu when listening to a new record? its fascinating what a collective impact certain repetitive patterns or organizations of sounds can have when theyre done just right at just the right time. its also mesmerizing how fast these patterns and sounds become worn out and get replaced in a never ending spiral of novelty, proliferation and fatigue. doesnt this eternal recurrence sometimes leave you wanting something else? well. this is something else.

on the 7th releasethe almighty uzb joins the abstract animal family and brings in some spanish fire. uzb already left his marks on numberous releases on labels like sleaze, enemy or sonntag morgen and is also famous under his unam zetineb alias. the ep starts with a repetitive dark chord monster called shift that will set some floors on fire for sure. and if that wasnt enough the hauling percussions and eerie sounds in long rang will push you over the edge. on the b-side you all can calm down a little bit with the great deep fast forward and the even more relaxed remix by leghau on b2

*head off, heart on* is next to go. this ep of our artist juzz contains two brand new tunes, both revealing in depth sight on the producers perception. *i felt a deep urge to get rid of all my conceptual influences regarding the way of creating my music. almost like a purifying force that guided me back to the roots of expressing my emotions through music- says the long time producer and dj. constantly being surrounded by music got me more and more into a repetitive workflow. remembering the freedom and innocence of my first attempts in the studio led to this sole conclusion: turn your head off and your heart on.* and the result speaks for itself: highly emotional music wrapped in functional arrangements, aiming to move your soul. accompanied by two astonishing remixes from markus homm and dreksler & haerle, who both got only one demand: head off, heart on.

berlin by overnight by max richter is taken from daniel hopes latest album spheres (2013) and will now be released on 180 gram vinyl (plus download code) together with 4 remixes by internationally acclaimed remixers, who were carefully selected and picked up on the nocturnal, minimal and repetitive atmosphere.

deep, moody, yet powerful techno from the reclusive perfectionist. myles come up with two deeper, slower, moodier minimalistic tracks, venturing in more house territory: *red eye to bogota* and *when i meet god*. both tracks go over 10 minutes during which myles slowly tweaks the rhythmic elements, basslines and chords for your aural pleasure. myles also delivers a more stripped-down uptempo techno track that we love him for, *transmilenio*: its full on repetitive bassline should for sure inflict some dancefloor damage.

tamed monsters ep is an inaugural release of the new record label pandora. new imprint will focus on ambient sounds, music for home-listening and unique artwork. the va includes works from german producer benedikt frey, russian producers shine grooves, unbroken dub, and an ambient group kurvenschreiber. each artist offers a different sound, which lets the music evolve like a story and makes a nice combination of dreamy ambience and mesmerizing repetitive beats.

dj gregory with his point g alias teams up with the martinez brothers for a serious raw action featuring filsonk s delirium what s the point is the result of the boys hanging out in paris including a main mix, two dubs and a raw accapella what s the point has all the tools to drop the madness. it s about beat, wired bass and repetitive vibe on a too raw for u tip. first release of ever lasting love, this new label on the block is a new platform handed by gregory for all kinds of collabs and goodies

nicole has returned to drumcode all guns blazing with her new bittersweet ep. the a-side i know where ive been, is a deep rolling techno machine that uses a constant building percussion loop that eventually explodes into some serious funky signature moudaber techno! bittersweet is a techno belter that uses a hypnotic synth rhythm that will take the listener into another world. the repetitive claps induce a flurry of energy and excitement whilst supported by the crisp highs.

barbirs low-output ep addresses the social constraint of the repetitive output. whether creative or consumer, one will be seen as an eternal fountain, from which ideas (outputs) spring (bruce naumann self-portrait as a fountain 1966).

the legendary mr g is back with a brand new 2014 repress on his phoenix g imprint. 3 staggering and repetitive deep and techy tracks for ultimate club build up purposes. bucket list is a typical track that fits in all kind of sets, wether you are a tech or deephouse dj this ep has a strong vibe on which you cant miss out on.

3th keep on releasing techno with an eclectic vision, although - for this output - each track has its different shades and rhythmic approaches. divided into four acts, it sounds like the journey continues after the previous appearance of lucindo on the label with *the twenty-ninth act*.
act 83 and 86 are both powerful tools that are lead by acidic repetitive patterns and distortions.
act 100 contains a raw and strong beat that travels through cosmic and epic soundscapes.
as conclusion, act 63 is characterized by emotional melancholic melodies and brain-dance music, accompanied by succession of rousing rhythmic evolutions.

mysterious label. limited to 100 pieces worldwide. devastatingly raw warehouse techno, deep, melodic and repetitive. one off etches four supreme cuts from the underground bunker.

hq we happened to find some boxes containing all remaining copies of repetitive digital noise by i, a.k.a. atomtm! four tracks of timeless, minimal, acidic techno recorded in 1992 and rereleased - for the first time on vinyl - on recognition in 2006. as these tunes are still making rounds in dj sets of, among others, marcel dettmann, ben klock or nina kravitz, we thinks its the great opportunity to get hold of some of the most archetypical tracks that helped to shape techno as we know it today

a new perspective of italian underground techno sound stands front of us. all inn black represents the first triple vinyl artist album of the sublabel by giovanni verrina and germano ventura. la terra trema is a musical marriage of restless souls and naughty hearts on the shrine of repetitive illusions. 13 tracks from the darker side, straightly to dancefloors

merkur releases its 6th ep which has a new, different approach compared to the last eps for which it has gained much praise during the past 5 years. the a-side >theme of mercury< was produced by label founder shingo suwa and akirahawks, who is known for the unique re-edit label house mannequin. the two of them mainly perform at homopatik in berlin. theme of mercury is a hypnotic track which was created with some broken old synth and sends your mind on an intergalactic odyssey, before diving into the deepest ocean on a journey to forget about space and time. the first track of the b-side is a remix from ducerey ada nexino aka yuji kondo, also known for his work under both his own name and as a half of steven porter on semantica. the remix fastens up the mix by repetitive pulsating synths, giving the beat an industrial modern atmosphere and letting the crowd heating up. the second track on the flip-side, called >barsoom<, is a solo production by shingo and completes the whole package. the functional work of a cut up 303 acid line with raw bass and a running groove creates an insistent and deeply pressured feeling. vinyl only, limited to 300 copies.

from a repetitive monster track to entertaining hazy-house-funk taron trekka knows how to make it right.

after the buzz generated by the duos previous release on our number 015, here we have the second instalment of the series. oscar mulero and christian wunsch have joined forces in the studio and made four new cuts of spatial futuristic techno. with the minimum elements, it is hypnotic, rough and repetitive.

frenchman tanov hits the monique musique imprint with 2 techno stompers. dark vocals and a repetitive bassline take control of the a side whilst on the b side a heavy hitting snare leads the infectious groove into a long break with some great effects. essential release in the mm catalog.

cavaan is the alter ego of a rather well known berlin producer and his fellow from milan. the duo debuts with their very much loved project. they feature a studio-recorded wonderful vocal on this hypnotically modern percussive house affair titled black snow. the original track grooves on some free swinging retro percussions and beats from the 80s machinery and a softly moving house-beat making this a very subtle killer for any dancefloor. while the vocals carry the track as light as a feather it is after the breakdown that things get really musical - you will hear yourself while listening the melodies and sequences. for the remixes turdjr has aligned a high-quality and diverse array of a current top producer. one of heidelbergs coolest kids on the block, lopazz knows that every track gets better with a lot of handmade music-and he sure is right in his interpretation of black snow. last not least i is under on the flip which is one of these tracks that sucks the listener in so deep that there is simply no escape: repetitive yet constantly changing and constantly grooving while remaining very pure! this release is filled with tracks that will long echo on the dancefloor!

oh cruel science is the thirteenth enklav release, the second to be printed on vinyl, as well as the second work for enrico luccheses project evn.after his first mini-album cloche insecure, a 56 minutes journey in a dilated abstract land stretched in long dreamy melodies and at times crushed by squelchy fast beats, evn presents his more beat-oriented work.oh cruel science is a 5 tracks ep in which noises, synths and drums create evolving hypnotic textures, imaginary landscapes of repetitive pulsating patterns composed to be a complete physical-emotional-intellectual experience. evn sounds come from the use of analog modular synthesizers and digital machines with which he creates his own timbres and structures starting from scratch through the manipulation and modulation of raw waveforms and noises by means of meticulous patching and looping techniques.

adesse has recently turned heads with his sought after and limited versions releases. for prime numbers he brings another high quality ep featuring three more excursions. the title track, untitled love, is a dubbed up 90s-esque workout. repetitive vocal samples swirl over a deep, low-slung bass groove & peak’d-up snares. its an unashamedly wide eyed, bouncing production that will please those checking for the current resurgence of raw garage sounds. supernal takes things into deeper territory with an intriguing steppers outing. the track oozes soul with rousing keys & smoked-out production that is all kept in line by a mesmerising, metronomic vocal. the set is closed by metachemistry an equally engrossing track utilising a shuffling groove wrapped in breathy, reedy horns & heavily reverbed percussion. all told a deeply reverential release highlighting a producer with an obviously wide palette of influence & a natural feel for what simply works.

blending mode ep by hironori takahashi (lineal, stroboscopic artefacts) showcases two of his original tracks. his sound is best described as deep, raw and hypnotic techno. he has provided us with venatrias & jazert, amazing tracks which are filled with atmosphere and repetitive rhythms they will take you on a deep journey

supported and played by: dvs1, brendon moeller, jeroen search, session restore, samuli kemppi, invite, anaxander, myles sergé, mary velo, arnaud le texier, patrick gil, opuswerk, kereni, gonzalo md.... the unison e.p. start with a pure techno banger, facial features: the heavy kick drum and synth pattern hit you where it hurts. myk then goes in more minimal territory with omage and see, both tracks making use of nice background repetitive voices, heavy basslines and dubby synths that remind you of late nights in berlin. the e.p. ends up with with synda, a peak time atmospheric dub experience that will not leave you indifferent.

vertigo is the a side on this four track ep by roberto capuano that uses reverberated kick drums and piano chords to create a groove that was designed for peak-time play. the second track, inversion uses rising and filtering synths with the use of space and influxes of pitched hi hats and percussion loops to create a 5am track that will keep people rooted to their spot. new chapter uses a repetitive percussion-like stab to keep the deep atmospheric sounds together over the industrial techno drums. the final track earth uses phased sporadic stabs to create an interesting groove that compliments the driving drums that are ever present

emotional rescue is proud to reissue one of germanys best - if most underrated - collectives dunkelziffer. formed of dominik von senger, reiner linke and helmut zerlett, the floating line up also included contributions from cans damo suzuki and jaki liebetzeit, as well as the unknown cases stefan kratchen and reebop kwaku baah. this true supergroup, over a 6 year period, made 4 ground breaking albums that covered the classic krautrock blend of heavy, repetitive drumming, intricate, overlapping melody and sonic intonation, but expanded it to include heavy dub, soul and jazz elements. this special retrospection obi set is being issued as part of record store day and features the three 12 inches that will later be released individually.

ltd to 200 copies! tonkind is coming up with a release of head and founder edgar peng, who worked here rather more on a tool, as you could find it back in the 90ies classified as detroit sound. now >lahars< and >surges< suppose to be a paraphrase of this origin sound. discomposure, harshness and yet a sweet tingling tension is running throughout the tracks. repetitive grooves with a touch of polyrhythmic and bumpy rough surfaces are creating an atmosphere of infinity. once you have closed the eyes and the rhythm is riding your skin, you might feel a certain vibe, followed by a vision of bellevilles backyards.

the a-side tears it up with hartwood, rodriguez jr.s biggest hit to date. with a series of alternating and repetitive keyboard strokes and soulful lyrics bouncing on a thick velvet cushion of rich background base, this number is guaranteed to appeal to the industrys most respected players. already landing on the hard drives of pete tong, laurent garnier and simian mobile disco hartwood has gained a bit of airtime as loyal listeners burn for the final release date.

another clever techno release with emphasis on quality and structure and not forgetting the input from detroit dub merchant luke hess. *terminator reserve* is dominated by a thick bass line, razor sharp percussion, devastating juno stabs and with tonnes of analogue warmth coming from its abyssal depths. the luke hess remix provides the deep qualities of the original however its much more repetitive in its nature making it truly hypnotic and one you cannot help but get completely lost in. on the b side *mediator* is rough and ready ... booming kicks, dynamic bass shifts accompanied by the right amount of snare and filter inputs make this one of the toughest on the release not forgetting that its split down the middle with a heavy 303 bleed. highly recommended! *stilled* runs off in the opposite direction to the other track it shares the b with as its laden with detroit influenced floating chords and percussion.

the new vinyl release by stefan gubatz features unreleased new dance floor versions of his tracks >byte and scratch< and >offshore< (which had originally appeared as electronic versions on cd) which appear now exclusively for the first time on the telrae vinyl 10 inch series as reworks. >byte and scratch rework< generates a subtle form of urgency which slowly step by step takes possession of yours and does not loose its grip till the very end. stefan has reworked the original for the club, has kept many details in the process of the sound shaping while on the other hand has changed the arrangement and dominance of key sounds very skillfully. he has transferred a piece of electronica into an intense piece of dub techno. >offshore rework< is the counterpart of >byte and scratch rework< being much more ease and repetitive... more in the fashion of some of stefans 10 releases on telrae before

vinyl only, limited copies !!
onur Özer is back! after a two years of silence returns on all inn with his brand new ep, called mormarch. unique and pure minimalism, gently modulated atmospheres spiced with repetitive and playful dynamism. perfect work

new kanada enters the fall 2012 season with some dark angular acidic house. black and medleys >roll the dice< - featuring the voice of rosina – is an old-school blend of disco, ny house and classic toronto warehouse vibes. slightly acidic, with its bubbling juno bassline – and slightly techno with the driving, repetitive beat – this house track should rock the deepest of dancefloors. file somewhere between henry street and early adonis. 5am - no earlier. for the flipside, adam marshall sits down at the controls for a clinical, tight, stripped-down scrubbing, turning the original into a late-night fear edit. broken, diffused drums and lots of black empty space in this one. the lights go out – blackout.

vinyl only release !! limited to 300 copies... after the previous four compilation releases, merkurs founder shingo suwa now announces his own ep. as first track never leave me / original mix is a smooth house track, which combines synthetic riffs and chords with a solid bass line. hm dub is a remix by house mannequin, this remix contains some of the vintage chicago style beat, including filtered pads with dubbed samples. it is an incessant groove of a mellow and simple dub edit. side b inhaled deeply / original is a profound production by shingo, created with a deep and raw groove. wild rhythms assist the techno flavor here as well. sei katsu acid mix was created by the mysterious newcomer sei katsu from miyazaki. this remix is a repetitive trip through hypnotic, sweeping synthesized lines and tricky drumming. its kind of a dj tool that is functional on the dance floor

ununhexium (r-n 116) is the sixth release of raster-noton unun series. emptyset is a bristol based project formed in 2005 by james ginzburg, di- rector of the multiverse studios and the curator and electronic artist paul pur- gas. the project explores the legacy of analogue media, integrating aspects of rhythm, signal processing and spatial recording within the framework of mini- malist composition. their work interrogates the perceptual boundaries between noise and music and the potential for both technology and architecture to em- bed and codify themselves within sound. collapsed is emptysets first release on raster-noton and investigates the threshold where sonic structure is destabilized to the point where a chaotic order emerges out of a resistance to fragmentation and likewise explores the potential contained within this liminal space of transition. across the four tracks of the release a structural grammar is defined and then pushed to excess to the point where it reforms from repetitive and stable frameworks into non-grid based forms and ultimately chaotic rule sets.

the sound of young dÜsseldorf. in the last three years, lucas croon, nikolai szymanski and martin sonnensberger have created a cosmos of driving bass lines, danceable rhythms, floating pads and shimmering electric guitars. using repetitive lyrics with double meanings, analogue synths and icy cold clackering computers, stabil elite revive krautrock and the avant-garde moments of the german new wave.
comes with code for free mp3 download of this release.

very good to see that cuatro records is back on vinyl. the artist duo javier orduna and inigo oruezabal (also released on resopal, pong musiq, regular etc) show the two pearls of their unique style, classy deep techno. the atmosphere of the track pray 4 the value is very visionary and deep, as where the rhythm of the track dolls of mud is more repetitive with a catchy groove. definitely, a release that can be played by professionals who understand the dance floor.

vinyl only – limited copies! all inn represents jay bliss in the 8th round of black series. kokkoo for coco puffs gives a repetitive hypnosis to the dancefloors in more than 13 minutes. after the long tracker trip on the flipside war of the worlds comes front of us with dry and housey rhythms filled with funk, and mission control closes the line with its perfect toolistic sound for main-time djsets

the dawn ep is the debut release of markey alias sander markey. who recently settled down in berlin, after he was living and working as dj and producer in gent, belgium. now he comes up with four really playful tracks. here he shows his affection for funky grooves and soulful voices. with support from mz. sunday luv, who gave her voice for a freaky intermezzo on dawn, the ep starts offensively. the repetitive groove and the marching 303 bass drum toped with a dark demanding voice have a mystic massage. as contradiction to it you hear a charming dirty string ensemble and an odd delayed snare crushing the monotony. spring break as well as in the shade, the last made in coop with robyns alias yannick robyns, have definitely the warmer funky attitude. playing around with a bobby mcferrin vocal sample and bringing out the soul. facing the clouds is closing the ep as rather melodic and atmospheric track.

two new suprawax releases by eduardo de la calle. the four tracks on offer here bear testimony to de la calles search for the perfect loop. they are hypnotic grooves, almost entirely devoid of arrangement in a classical sense. but the tracks are not static. they suck you in by means of constant modulations, build free flowing structures of their own, hints of peaks emerging at the mercy of the low frequency oscillators cleverly set phase relationships. these tracks do not need the in-your-face kick drums and squashed dynamics of the brickwall generation. by leaving space, they work on a different level than solely sound pressure emanated. the simple, repetitive structure coupled with the unhasty development find their way into the dancer’s brain. moving your mind—your ass to follow suit. all records have been pressed in a run of 400 copies and come in inside-out natural cardboard sleeves. no represses are planned at present.

two new suprawax releases by eduardo de la calle. the four tracks on offer here bear testimony to de la calles search for the perfect loop. they are hypnotic grooves, almost entirely devoid of arrangement in a classical sense. but the tracks are not static. they suck you in by means of constant modulations, build free flowing structures of their own, hints of peaks emerging at the mercy of the low frequency oscillators cleverly set phase relationships. these tracks do not need the in-your-face kick drums and squashed dynamics of the brickwall generation. by leaving space, they work on a different level than solely sound pressure emanated. the simple, repetitive structure coupled with the unhasty development find their way into the dancer’s brain. moving your mind—your ass to follow suit. all records have been pressed in a run of 400 copies and come in inside-out natural cardboard sleeves. no represses are planned at present.

played and supported by norman nodge, samuli kemppi, inigo kennedy, samuel l session, colin dale, dvs1, developer, alan fitzpatrick, cassegrain, markus suckut, phil kieran, max_m and more. darkcell shows the new release on vinyl, just the third for his own label. his style is clearly defined. one track signed by the labels owner, and others two tracks signed myk derill (reform, knotweed, etc). darkcell transmitted in its track an atmosphere of modern techno. a slow techno rhythm, repetitive with something of psychedelic. a sort of brainwashing that will lead to total body hypnosis. the two tracks by myk derill are the same style. the first track (apply) is definitely very rough with a syncopated rhythm . the second (contemporary) is much more in the direction of dub-techno. only high quality in the fluxus records vinyl.

first up is 92, a straight up jacking deep house number with, as the title suggests, a retro flavour. the deep repetitive pads are jacked up with amen break style drums that were used so widely in electronic music back in the 90s. some quirky synth lines and vocal licks here and there give the track its touch of soul and then a fat bass line to bring in the bottom end. high quality simple yet effective house music...

italojohnsons first release in 2012 breaks the standards of the classic 12 inch model with two tracks representing a double a-side on a 10-inch vinyl. this is the first release that is branded with the italiojohnson logo so grab it while its hot because stickered copies are limited to 500 vinyl.the stamped side blows you away with a solid bassline powerful enough to light your ass on fire. unique fx-sounds, an explicit arrangement and sharp drumming pull the track together.the flip side provides you with proper house music as the vigorous, repetitive vocal-stabs, a hells bells bass and the fearless 707 drums flow into italojohnsons trademark sound.any questions?

we welcome william kouam djoko to the voyage direct family with his first release for the label. with this new release by the the hague native, the label continues to release dutch only artists. william delivers some late night house goodies here. the title track is a pulsating and hypnotic track that leads with a repetitive >we are your brothers & sisters< vocal before diving into an epic organ and drum break

the new ep by harmonious thelonious called ting tong ep is ready to be released. its the second record on asafa. this time its getting melodious, especially on track one and four. almost a bit like holger czukays genious song called persian love but without the short waves. the track a.o. seems to play in the jungle (its a street jungle in whereever) and profaner tanz starts with a noise pad and ends with repetitive guitars.