bangin techno / rave

mr. k turns to the funkier side of disco on the latest 12-inch from most excellent unlimited, working his magic on a couple cuts that still retain the same power to fill dance floors they had back in the day. - love the life you live is one of those rare songs that was big for me when i first started djing, and still jams today,- notes krivit, who gives another stripped-down, bass-heavy edit to the irresistible kool & the gang classic. one for the b-boys as well as the loft heads, mr. k s edit gradually builds on the hard-charging rhythm with a slinky keyboard solo, punchy horn riffs and breaks, breaks, breaks. gary toms empire ruled the summer of 75 with -7-6-5-4-3-2-1 (blow your whistle),- and progressive djs looking for a follow-up soon discovered another mover in the band s repertoire. -drive my car- is a lennon/mccartney cover that bears little resemblance to the original, and indeed most fans would be hard-pressed to identify any similarities at all in danny krivit s reworked version. stripping out the vocals and chorus and leaving just the rumbling low end groove, mr. k s edit motors along for a cool 7 minutes, laced throughout with short change-ups to elevate the energy. both tunes spread over their own sides of a 12-inch to ensure full-frequency clarity and power!

zabumbê-bum-á is is a fine example of progressive music to come from brazil in the late seventies. pressing on 180 gram vinyl, housed in a gatefold sleeve.

big news on the apparel tronic side. were here to celebrate another step forward of our newest label introducing the 7th release on the catalogue & 2nd on vinyl, by an artist we really admire and were delighted to have on board with us: julian habib aka inkswel, on this project with his alias that dude inkswel. the man himself created an 8 tracks lp which truly represents our spirit of experimentation, this time round steering towards a more jazzy influenced hip-hop, shaped up staying true to the sound we love. the sound lp features dope collaborations such as the detroit vocalist and multi-instrumentalist brownstudy singing on the opening and title track, the amazing progressive artist maia von lekow giving her voice for b1 track mother alongside mista monk, the superb han litzs flute and trujillo on kellin it & also divine species on galaxies and mr. shem rapping on a3 track dedicated to mr. schem. this work is a bold and captivating selection of different styles belonging to the same soul orchestrated by inkswel and his musical mastermind, listening to the sound is like jumping on a caravan for a journey where every track is a different stop: crunching beats, deep bass lines, psychedelic melodies. the ingredients for this amazing recipe are all coming from different parts of the planet, a place that inskwel seem to have written on his palms seen his capability of bringing different music influences under the same roof, where he finally invited apparel tronic to hang for a bit. racks such as ‘snooker club and ‘viejos delve into more caliginous, idm territory.

limited edition of 400 copies with bonus 7 inch, containing a previously unissued deep velvet track. the double vinyl is housed in a gatefold sleeve and comes with download code included.

well street records maintain their progressive, broken-beat ethos with a classy & dynamic techno trip from elusive producer ruff cherry

wire parasitism ep is inspired by the electronic music which was produced during the end of the 80s and beginning of the 90s by the likes of richard h. kirk, psychic tv, coil, dave campbell or lagowski (to name a few). walid el barbir uses his unique producing & sampling skills to create contemporary and industrial sounding compositions out of found footage like occult documentaries, rave stabs or emax sound-libraries. walid el barbir is a part of the collective les points based in zürich, switzerland. his art/music draws from 90s rave utopias, occultism, progressive & accessible frameworks as showcased at their offspace mikro - a physical room which has no doors and opening times during exhibitions and raves - making an institution available to all social layers.

heko records presents, never before released on vinyl, essential classic cuts from 1999 by john tejada

limited numbered & handstamped 180 gram vinyl.
commix returns to dispatch dubplate, releasing some of his most in demand dubs.
simplicity and vibe remains essential to the commix sound, with a stripped back, techno inspired ethos enabling his music to carry great longevity, no matter the style. unreleased for a decade but still as effective as ever, daggers dub heads up the release, sitting comfortably alongside the murmuring, freshly cut surveillance . progressive and deeply rooted, with infectious low ends that stick into your mind, disdub012 showcases the unmistakable prowess of commix.

* boofy hails from bristol’s fine heritage of progressive bass music producers. having made a name for himself as part of the bandulu crew and his own sector 7 sounds imprint, as well as dropping killer releases on innamind re-cordings and no corner. * lucky for us, he’s saved some of his deepest, heaviest hitting cuts for tectonic! this 4 track ep is a masterclass in minimal effectiveness, with rhythms ready to set the dancefloor off that reveal ever deeper subtitles on repeated lis-tens. * ‘back in the box’ sets the pace with swinging hats, thumping kicks and a bass line that will sound like an earthquake on the right system! follow up for ‘herbie’ which takes things in dissonant direction, before dropping hard and with authority. * flip then for the ep title track, an exploration around the paranoid edges of a creative mind, stretched to capacity. finally the ep closes up with ‘perfunktion’, a rolling rhythm with a lighter mood, somewhat reminiscent of mala circa 2006. quality stuff from an excellent producer who is going from strength to strength right now. * dj support from: kahn & neek, mala, tubby, rsd, joker & many more

this is a reissue of a short-lived and obscure uk dance music label. a compilation of tracks featured on releases across 3 ep’s between 1991 and 1993 incorporating recently emergent dub techno and progressive acid house sounds. nation of noise was conceived in the early 90 s, following a meeting of minds between the producer and ambient soho mainstay django, and vocalist jon martin (of pizzaman fame) at the legendary soho institution: the brain. plate 1 is a fully remastered reissue of the first nation of noise record - xes noiz, featuring 4 locked grooves. plate 2 takes two tracks off both the lockgroove and super bubble ep s. one side is smooth, after-hours deep house whilst the other reaches for two progressive, acid cuts. fully remastered.

raconteur has landed with help from denis kaznacheev doing what he does best. one track per side allows full exploration of the music in all it s essence. enchanting and progressive minimal sounds. vinyl only

jan felix may gehört zu einer generation, die keine stilistischen berührungsängste kennt. neue verbindungen zu kreieren, statt an alten abgrenzungen festzuhalten, lautet die devise. dabei zeigt may, ende 1993 geboren, kompositorische und spielerische präzision, innovativem gestaltungswillen und humor. schon mehrfach wurde er ausgezeichnet, beispielsweise 2016 bei der internationalen jazzwoche burghausen, wo er den solisten-wettbewerb gewann und mit seiner band den zweiten platz belegte. zwar zählt frank zappa nicht direkt zu mays vorbildern, eine gewisse verwandtschaft in der geisteshaltung lässt sich aber erahnen. etwa im gewitzten mix aus klassischen und modernen einflüssen, die bei jan felix may von jazz über elektronische musik bis zu impressionismus und progressive rock reichen. der junge pianist und komponist weiß, wie man ausgeklügelte musik so attraktiv gestalten kann, dass sie neben hartgesottenen spezialisten auch viele andere offene ohren aus unterschiedlichen generationen erreicht. -red messiah-, jan felix mays fantastisches debütalbum, klingt frisch und ungewohnt anders. das album erscheint auf 180 gramm vinyl.

iceland’s volruptus returns to bjarkis bbbbbb with five esoteric cuts titled alien agenda. releasing on bbbbbb at the end of last year, volruptus has emerged swiftly on the european party scene, with the icelandic artist popping up on line-ups all over the continent. following releases by norways eod and fellow icelandic talent, lord pusswhip, alien agenda is bbbbbbs third record of the year continuing bjarkis progressive tastes for innovative electronic scandinavian artists. first up, svi,nasti,a 3000 deploys a synthetic, fast-pitched techno revolver fused with space- induced, twisted modulations. a scratch tool titled itchy and scratchy show follows before launching into su,rmatur a celestial 303 synth line layered over scattered electro drums, together providing a magical transcendental experience. alien agenda is suitably an eccentric, idm tinged number – with shades of acid and powerful bass shrills becoming the focus here. last up, misanthropgy (dark stoff) provides an energetic rolling percussive loop, intensifying naturally through cryptic, high-pitched melodies.

classic presents re-interpretations 1, the exquisite remix package of tracks from folamours blissed-out umami album, available on 12inch vinyl. session victim introduce a fiercer beat to their devoted to u remix preserving the delicate strings and its progressive style. next up, fellow classic contributor thatmanmonkz pumps up the tempo and lays down heavy percussion in his 8 minutes of funk remix. afrobeat producer austin ato weaves in his influences on ivoire with soft drumming, slow saxophones and a disco-inflected bassline amid echoes of vocal from nigerian singer kio amachree. alabaman byron the aquarius sprinkles a little of his jazz-house sound on look at me or ill steal your eyes ending a truly mesmeric release.

progressive industrial to cinematic ambient, via new beat synth explorations.

the wait is over as eric prydz returns under his pryda alias to offer up four tracks of classic pryda gold. rich in sonic goodness, weighty arps, hard-hitting kicks and swelling synths it s a stand out e.p. for the 39th offering from the pryda catalogue. as ever, there s an expert exhibition of musicianship and production on display in each of the tracks, a depth of character to the music that will sound monumental on any system they re played on. both dark and magical at the same time it s a real journey of a record and is sure to do damage whenever, and wherever, it s dropped. die cut, spot u.v generic pryda sleeve.

from playing acid house at the legendary haçienda to residencies at a number of the world’s super clubs and a grammy nomination, sasha s career trajectory is pretty much unparalleled. his contribution to electronic music in the 90s is synonymous with the rise of progressive house. as a producer, his vast discography includes a number of studio albums, remixes for madonna and the chemical brothers and soundtracks for computer games, whilst a long list of acclaimed mixes are heralded by many as some of the greatest of all time. as well as his work as a highly visible public figure, he has an extensive history of mentoring other artists behind the scenes, running his own management agency and a studio in new york whilst introducing a wealth of acclaimed artists via his last night on earth imprint. here, across 4 plates of vinyl, all but 4 of the 20 tracks on sasha s fabric 99 mix are available in their full-length glory. featuring his own exclusive track smoke monk (fabric mix), his moog-apella edit of george fitzgerald s echo forgets, and his fabric1999 remix of baile - amae feat. felicia douglass.

newest episode on cdt & la chinerie s -nation techno- special series. like it was done on sister -nation house-, it was time to focus on italy. this compilation of 8 tracks by 8 artists gives us an overview of the italian scene and its different components. from the finest -italian- techno with it s atmospheric pads, repetitive, progressive and mental sequences to more audacious stuff between techno, idm, electro, breakbeat & breakcore.

anyone who’s followed maurice aymard’s galaktika label over the years will be all too aware of the imprint’s leaning toward eclectic sounds. it’s an ethos that mirrored in the work of aymard himself and regardless of whether he’s turning his hand to tech house sounds or more straight-up techno jams, his is a way of working that’s endeared him to many over the years. his latest is a case in point. the 75th chapter in the galaktika discography, the into the night ep serves up an array of sounds that are enticing as they are upbeat and intriguing. getting us underway is the sounds of the title track. an unfurling beast of a track that’s loaded with dramatic tension throughout, it’s an eerie cut that’s characterised by its clever bells and some incessant percussion. a full on track that’s not to be handled lightly, it’s repetitive nature and sporadic vocal charms is indicative of levon vincent at his best. ‘shinning’, a more progressive cut, follows after. another track that’s notable for the suspense that lingers throughout, it serves up a nice stylistic alternative to what’s arrived before. aymard then goes all out on the frankly astounding sounds of ‘rage’. a propulsive gem of the type that sees the producer greatly rewarded for trying something that bit different, it’s a special sort of track that takes on various tones throughout but always stays captivating. seeing us out soon after is eduardo de la calle’s remix of the latter. the cadenza man is well versed in all things deep and dextrous, and his interpretation serves up a fitting example of his talents. although it starts on a melodic tip, it too soon brings the listener on a thoroughly captivating but unexpected journey. much like the rest of this ep, de la calle’s remix is full of surprises from the off.

the mabon dawud republic, hungary s first all-star progressive afrobeat ensemble started as the fela kuti tribute band for the very first felabration event in budapest, organised by the band itself and joined by fela s original egypt 80 band member, keyboard player and singer dele sosimi. given the member s love for afrobeat, the jamming soon evolved into a project of their own songs. their republic is a place filled with the soul-warming vibes of a 15 piece orchestra, a place for dancers, a place to escape from the outside world and enjoy the magic that is unfolding on stage. the mabon dawud feeling is delivered to you by professional musicians who are also members of other well known hungarian underground acts, such as: the qualitons, soulclap budapest, sena live band, etc. budabeats records is proud to release their first ever record on 7- vinyl single with two heavy afrobeat cuts.

sfetsas formed gfo in 1976, in order to accomplish an ambition dating back to his 1960 s avant-garde period in paris: to create a piece of work that would expand the boundaries of greek traditional music. the result is a progressive-jazz fusion masterpiece comprising complex and intriguing compositions, and performed by athens best musicians of the day.

bleaching agent s latest 12inch follows releases on some of underground musics most interesting labels, including mira, opal tapes and komisch. matthews is well known for his collaborative projects too from his deranged, progressive blacknecks duo with truss, to the prolific techno output of forward strategy group. he also maintains a dj residency at body horror, a manchester based gore-themed queer techno/industrial/transgressive performance art night.

fuego international is very proud to welcome automatic tasty aka jonny dillon in its worldwide roaster ! the fuego 003, coming under the name of -confessions of a recovering optimist- not only aims to be a solution to all your love issues or social neurosis, its also a well balanced record that will perfectly fits differents kinds of moods, from hi-nrg electro gem to sweet & melancholic song ! following his inspired outings on lunar disko, wrong island communication, sleepers, the infamous irish producer brings here an organic vibe of progressive love that all types of dancefloors in the world will need! cheerio!!

del the funky homosapien and amp live have teamed for gate 13. the full-length collaborative album pairs the hieroglyphics veteran and grammy nominee with the zion i and unified highway co-founder. after working together during amp’s authorized radiohead remix project, these friends from their oakland days embark on 15 tracks that fuse hip-hop, funk, edm, and more, with guests including goapele and eligh. as they explore their overlapping chemistry and challenging music to a new place, this album may be another portal into something progressive, futuristic, and fun.

benny blanco debuts with a five-tracks staraya ep onto his valkea music. every detail has been taken care, from mixing to the master from vinyl press to artwork. following a short description about staraya ep stry 1 by ricky l red is not dead mix intense and majestic, the track of rare and profound beauty. stry 2 original mix its a tribute to benny blancos origins and to the electronic/progressive sound of the mid nineties that had great influence on him and became his trademark from the very beginning. stry 3 by giammaria coccoluto & luca vera as soul sonic remix an ethnic rhythm full of grooves thanks to the addition of percussive elements and a masterly used organ, which wont keep you still. stry 4 the thc revenge remix an atmosphere that captures and hypnotizes, where it extrapolates and magnificently enhances the most melodic part. stry 5 erly tepshi dark vision mix an esoteric and astral journey in the furthest and most remote corners of your mind. this original project to the artwork that will in essence, satisfy your eyes and especially the ears.

the new ep by german duo grandbrothers is a collection of remixes and re-interpretations of their standout track bloodflow. the remix by uk producer lone was introduced last autumn but theres brand new tracks to be found here by german techno electronic vanguard christian löffler, everyones favourite new idm producer brainwaltzera and new permanent vacation signing aera grandbrothers are the sum of unique parts: progressive swiss engineer/mechanic/sofware designer lukas vogel and german-turkish pianist erol sarp. their second album open twins sarps piano skills with vogel’s talent for both building the homemade intricate mechanics with which he exploits his partners instrument and also designing its software. sarp works at his ivory keyboard while, from behind his own computer keys, vogel live-samples his partners notes, triggering further effects with the aid of diy electronic apparatus that physically manipulate the pianos strings and body.

in a nutshell: mellow floating braindance, electro, quirky and wonky techno beyond standard schemes. a1 we start with sane - the hangover. this tune is made for quirkier techno sets. it is a funky wonky techno tune mocking around with a whistling lead synth on top of a tripped out beat. a2 next one is chordata - silent singer. electrobeats mark the rhythm for this progressive adventure into space. electro in the good old detroit or dutch fashion. a3 jochen heym is also featured twice on it. after his ep -sononaut- this time he brings a mellow braindance electro tune: floating soul b1 in addition b1 contains a remix of the cling clang ambient tune of the stonedwave005 => chip tronic transforms the ambient piece into a hectical electro tune. b2 b2 is the final tune. chip tronic - frequency modulated metallic wide hypnotic screaming leads are being carved into the listeners brain while being distrted and modulated by any means available. the number 18 implies => dark techno rhythms for wonky minds who love it more distorted.

das 2017er album der progressive-formation way out west, bestehend aus top-dj nick warren und dessen partner jody wisternoff erscheint nun als limitierte gesignte deluxe-3lp. die pioniere gehören zu den einflussreichsten elektronischen acts der letzten 25 jahre und haben dort diverse charterfolge zu verzeichnen. sie touren nachwievor global und sind als remixer für gleichgesinnte wie orbital, unkle, james holden, st.etienne und viele mehr bekannt. neben ihrem beeindruckenden katalog also duo sind sie beide als djs weltweit unterwegs. nick warren enthält zudem sein soundgarden label und präsentierte bereits acht ausgaben der ikonischen global underground compilationserie. jody wisternoff hat bereits ein soloalbum bei anjunadeep veröffentlicht und die letzten vier ausgaben der gefeierten labelcompilation gemixt. ihr fünftes album als way out west, tuesday maybe, ist das erste in acht jahren und wird bereits von den fans heiß ersehnt.

alongside farfa and roby j, miki the dolphin kicked italy s tuscan techno movement into high-gear during the 1990 s. earning his first residency 38 years ago, the captivating sounds purveyed by miki and his compatriots would go on to influence the entire italian peninsula for the greater part of a decade. miki can still be found fusing elements of his avant-garde past with future-leaning house and techno in his dj sets today, having assembled a cult-following thanks to his sought-after mixtapes, highly-collectable releases and research into the 432hz phenomena.

originally released between 1996 and 1997, the tracks on this phonographic disk have been remastered and re edited with contemporary standards in mind for your listening pleasure and playability.
lead track, apple, incorporates live instrumentation with tough, northern italian rhythms. caterpillar glimmers and undulates across its pristine psychedelic and progressive landscape, sacre graal is a fine slice of timeless, electronic body music. one for those who know.

mannequin records is proud to present a trilogy of reissues from the avantgarde italian-born producer doris norton, -norton computer for peace- (1983), -personal computer- (1984), -artificial intellingence- (1985). . apple s first music -endorsement- and roland affiliate, doris norton is one of the most important women pioneer in the use of synths and in the early electro / computer music. norton is the wife of antonio bartoccetti, progressive rock guitarist, and mother of the musician and techno producer rexanthony. as a teenager, she was drawn to medieval, renaissance and baroque music, not to mention quantum physics, differential equations, organic chemistry, the experimentalism of john cage and animated movie soundtracks

after more than 30 years, halfway ritmo in collaboration with early sounds, will release unpublished recordings (1982-1989) from former tangerine dream and iggy pop s drummer klaus krüger. advanced dance combines a sweeping mix of krüger s handcrafted acoustic drums and distinctive electronic sounds of the late berlin- school years, creating a unique blend of advanced polyrhythms. krüger achieved a balance between creativity and classic drum patterns giving birth to an unconventional and avant-garde type of music that could be easily defined as a precursor of techno. his progressive mentality led him to delve further into the tape collage technique and unique ways of triggering his drums. it was a whole new world of music - sustained by his artistic surroundings, which included collaborations as well as friendships with other influential artists such as david bowie, martin kippenberger and helmut newton. in the time of german division, the pulsating west berlin became a melting pot of creativity and international encounters. advanced dance is the result of the blazing heat feeding the unstoppable thirst of discovery which characterized that generation, creating tunes that transform the listener s experience into one blissful moment amidst beautiful confusion.

aikens recent contribution to psyks non series gets remixed by talented uk producers blawan, volte-face and james ruskin. blawans remix of genetics sets the tone with energetic rhythms and trippy sound textures, volte-face delivers a progressive and hypnotic version of hybrid and james ruskin ends the release with his own intense yet funky interpretation of dominance.

gizelle smith’s second full length lp “ruthless day” is the sound of a dynamic artist expanding her horizons from the classic aesthetic of her debut to explore a new brand of progressive modern funk. it’s an exciting record that still retains all of the energy and intrigue of her earlier works but builds out her musical palette to incorporate more psychedelic and jazzy progressions, bold arrangements and adventurous instrumentation. expansive and exhilarating, the record ranges from delicate honey dripped soul through psychedelic funk freakouts, complete with strutting beats and emotive lyrics. gizelle’s energy and personality are undeniable and both shine through in every track on the record.

obscure dutch private pressing from 1977. laid-back instrumental psychedelic / progressive sounds with jazz-funk-groove and abstract / experimental / latin-indigenous touches. stoned homemade atmosphere with treated / distorted electric & acoustic guitars, flute, electric piano, primitive drum machines / homemade electronics. much in the vein of the experimental-underground scene of france & germany during the early 70s but actually recorded and released in holland.

our latest examination of esoteric, modal & progressive jazz of the 20th century has taken us to japan. the liberating force of jazz has been created and felt all around the world, but few nations on earth embraced the jazz message with the passion and intensity of japan. from the dawn of the jazz age to the present day, japanese audiences have been renowned tastemakers, enthusiasts and champions of the music in the 1980s, japan was the biggest per capita market in the world for jazz records, and it has even been said that japanese jazz fans kept the jazz record industry alive through the lean years of the 1970s, when the music fell from commercial favour in the land of its birth.

our latest examination of esoteric, modal & progressive jazz of the 20th century has taken us to japan. the liberating force of jazz has been created and felt all around the world, but few nations on earth embraced the jazz message with the passion and intensity of japan. from the dawn of the jazz age to the present day, japanese audiences have been renowned tastemakers, enthusiasts and champions of the music in the 1980s, japan was the biggest per capita market in the world for jazz records, and it has even been said that japanese jazz fans kept the jazz record industry alive through the lean years of the 1970s, when the music fell from commercial favour in the land of its birth.

dark entries editions is proud to reissue ghost town the 1984 debut 12inch single by mono band from italy. the project was conceived by producer rene d herin and massimo fantinatiti aka fantenax. they teamed up with songwriter and guitarist luigi venegoni aka svengile who had previously worked with progressive and jazz-rock bands arti & mestieri and venegoni & co. as well as cosmic disco group stratosferic band. treading the lines between italo disco and the darker side of new wave, the trio crafted a mysterious sound. melancholic arpeggiators, a throbbing baseline, stuttering samples, and the classic linn drum machine run throughout the track. vocals were handled by an uncredited carlo rossi who raps about a ghost town filled with fear. when female vocalist elena sansonetti begins to softly whisper the chorus one might get goose bumps. the trio were joined in the studio by dj mike aka michele paolino of make up/mike up, dj moody, fabrice bellini of art fine and producer miceli. the song was recorded in a few days at dynamo sound studio in turin and originally released on the popular discomagic records. this reissue includes the original vocal version, backed with a longer dubbed out instrumental ?ghost version? on the b-side. all songs have been remastered for vinyl by george horn at fantasy studios in berkeley. the 12inch is housed in an exact replica of the original sleeve with an astrological photo the planets orbiting the sun. each copy also includes a 2-sided postcard.

strange valleys, the 2018 full-length from starving daughters, is a progression as well as a shift in sound from the la band s already-stellar previous releases. make no doubt about it that the sound of progressive rock and psychedelia still play a big role here but there s certainly a greater influence from library music on the new lp. the starving daughters vinyl impressions blog, led by chris tillotson of the band, shared the music of chris s collection of which many were library lp s. these records seemed to have seeped into the mind, body, and souls of the whole band on this strange valleys lp. everything from the instrumentation, the attention to melody, to the track-length shows the large appreciation they have for library music. that being said, this moog-heavy, psychedelic-prog-funk, california-themed record is certainly unique and adventurous. winding through the exotic roads of strange valleys is certainly a trip well worth taking over and over again.

r.kitt is not a man of half measures. his approach to making tracks is all about an obsession with the philosophy of a dancefloor and how to communicate that in a musical moment. the result is tingle, a fully realised four track ep, showcasing unique slices of soulful house, progressive yet warmly familiar.

we are proud to announce the vinyl reissue of one of the best and most complex japanese jazz fusion albums, 1987’s breeze by hiroyuki namba, eiji kawamura, and toshiro imaizumi’s band atlas. hiroyuki namba is one of the most important japanese keyboardist of the ’80s with a legacy that in-cludes japanese cosmic classic “who done it?” and “tropical explosion,” a sought-after gem by diggers. in addition to his work with his progressive rock band sense of wonder, he’s also known as a member of tatsuro yamashita’s band.

this album is a 80’s movies musical trip.
start the journey to “mind enhanced waves” musical vision with this first volume and finish it with the second volume which will be released in 2018.
influenced by early progressive synth rock, hard rock guitars, and minimal electronical synthy ambient with heavy beats.

back in the area. banoffee pies original imprint continues with bp007. the more serious and leftfield off shoot under the labels wing this time inviting the introduction of two new label members on this 4 track va. toma kami opens the a1 with the title rivershells, a slowly erupting swirl of percussion and progressive drums. a real head turner. the a2 comes from pablo marco with his second addition to banoffee after his breakbeat power track on their black label series imprint earlier in the year. murmuring vocals and a swirling feeling with all about - sure fire dance floor reset button included. the b1. comes from liem & eddie ness, whos split ep with acs on the earlier released bp005 analog acid record was enough to invite a return appearance this time with leftfield fujiyama, and welcoming of k-lone previously known for his involvement on the powerful bristol label, wisdom teeth with a down tempo track with warm spherical sounds.

first reissue of this essential lp by italian pioneer and ennio morricone cohort, alessandro alessandroni. originaly released on munich based experimental, progressive library label coloursound. alessandroni at his best: very refined italian cinematic sound, tense 12 strings guitar themes, synth sequences, beautiful sound of chamber classical music mixed with psych choir. you can feel alessandronis magical touch for melodies and arrangements on nearly each song and at the same time, some françois de roubaix reminiscence on themes like dramatic and sad farewell. no doubt each track of this underrated masterpiece could have been a classic soundtrack theme.

great heavyweight 2lp-set featuring the best tracks from the 1972 to 1975 period including the group s signature track -gamma ray-. birth control is among the longest running german bands and were formed wayback in 1968 in berlin. the group had several line-up changes over the years and fused krautrock with progressive rock and the blues rock genre, with percussive keyboards & synthesizer effects an unique sound was created.

d-force and yence505 did an awesome collab creating 4 tracks with a warm mix of styles. house, techno, progressive all in one to make this a beautiful ep creating sunny vibes.

centrifuge ep is the debut vinyl release on new hardgroove techno german label called kickmasomaass. this label was especially created to bring high quality hardgroove and tribal techno music for the real djs and a new life to vinyl. centrifuge ep is the first part of two vinyls where you can find a original version from slovakian hardgroove techno dj and producer andy bsk and three remixes from g8, goncalo m and wyrus. untill the original version is characterized by a groovy bassline with smooth percusions and synths, the g8 remix goes a little higher and bring the entire track to another level with great progressive sounds of trance and techno with a little acid synths too. don t need to write too much about the remix from hardgroove icon goncalo m because all hardgroove fans know how great his music work is. only a couple of words: killer beat, killer bass, killer percussions, this track kills all clubs and partys. next remix is from hardgroove producer wyrus. his remix is based on a killer beat with heavy percussions and at the lenght with over seven minutes is this track great for mixing. centrifuge ep is for all people they love hardgroove techno and we from kickmasomeass label will bring you only the best from the best. hope you all will appreciate our work and will support our label in the future too. may the hardgroove techno be with you.

t.d.o.s. third single featuring japanese turntablalist dj to-ru (dujada-goja) is side b is uchu daikaiju no ballad (the ballad of the space monster) featured samples of gozilla dialogues with a scary soundtrack mood.on a progressive and experimental beat. the artist > the dude of stratosphear aka t.d.o.s.