elossa records präsentiert mit stolz die dritte veröffentlichung, yakovets - temperaments. die erste veröffentlichung des in wladiwostok geborenen, autodidaktischen und talentierten musikers jakowez.

diese ep ist inspiriert von der zweiten hälfte der 80er jahre und der geburtsstunde von chicago und italo house.

5 experimental killer cuts

anna wall and corbi meld nostalgia and modernity, while escape earth and chrissy give it additional twist in their remixes.

20th anniversary reissue of the classic uk soul album by hil st. soul. includes 3 bonus tracks, all pressed on double vinyl and housed in a gatefold sleeve.

deep and soulful debut by sylan 101

self-titled debut lp from european quartet scopes. the 180 gram vinyl release includes a download code.

the 1972 album from brazilian genius caetano veloso is back on limited 180 gram vinyl.

when reggae masters turn hits into jamaican groove. sly robbie, alpha blondy, marcia griffiths, horace andy, morgan heritage, gregory isaacs, inna de yard, alton ellis, ken boothe, jimmy riley... they all play the game with their new versions of hits of today and yesterday.

* seasoned shogun duo technimatic are proud to celebrate 10 years working together with the release of their 3rd studio lp ‘through the hours’. born of time spent behind the boards, on the decks and travelling the world honing their craft, this is their most profound work to date. their first single ‘sometimes’, ‘goodbye kiss’ and ‘all our yesterdays’ are loaded with floor filling nostalgia while the tempo changes of ‘recurring dream’ and stand out ‘resolution’ are thrilling explorations away from the pair’s trademark liquid sound. technimatic fans will rejoice at the sight of previous collaborators appearing. jono mccleery’s devastating ability shines on ‘the nightfall’, while ‘weightless’ ft lucy kitchen is vintage, sublime drum and bass. matt wilson also joins the project as ‘holding on’ finds its feet firmly on the dance floor revealing a fresh side to their production skills. just looking at the three vocal tracks highlights the passage of time in the technimatic sound, seamlessly manoeuvring from classic to current. the grit and swagger of ‘true believer’ matched with the hypnotic lull of ‘let it fall’ give the album a conscious edge to satisfy all tastes. ‘through the hours’ moves harmoniously through sonic timelines appealing to both new and old school heads simultaneously. lastly and most importantly, the music is fantastic. the technimatic sound is as rustic as it is contemporary and after some time away, it’s clearly well worth the wait.

jammin music for fans of rephlex / warp

beware of global worming! heat intensifies as the global worms creep in the label roster, dropping witty warehouse wreckers. flirting with acid, dj w.e.b and steve marie decide to kick off 2019 fiercely as they appear on phi for their first time. accompanied by vid vai and evano on the flip side, their tracks have a high potential of evoking strong rave nostalgia.

look like makes his debut on clone royal oak with a great four track ep! a fresh take on classic house music. italo house, balearic beat, chicagos stomp and detroits funk all stirred up into a nice loose hybrid that seems to become look likes signature sound. lovely stuff!! if you havent heard from him just yet... also check out his cool releases on dvs1s misstress label and drum poet society!

180 gram heavyweight vinyl pressing with download code included.

solo piano album from vangelis, featuring 11 new tracks plus timeless compositions from his career on double vinyl, housed in a gatefold sleeve.

this is the second release on young imprint turnland. dusa - open road ep is picturing the ups and downs of a fictional road trip through wanderlust, anxiety and nostalgia in five snapshots.

lisbon based light channel recordings presents its second number, the debut ep for dj synthesizer.

utopia cloak arrives on film with six track ep, marina gardens. utilising both electronic & acoustic components, the british producer crafts hazy, dynamic electronica with a decidedly emotive bent. the music explores a curious production aesthetic - at once half sunk and at the same time gloriously crisp and direct. caustic drum machine hits underpin the majority of the work, compete with polyrhythmic rolls & glitches, while softly warping synth lines occupy the majority of the remaining sonic space. rather than working explicitly with nostalgia, utopia cloak makes more subtle references to the classic sounds of yore - riffing on downtempo & idm with gentle and considered nuance, eking out arcane hooks & rich melodies with a pleasing focus on compositional structure & songcraft. contrast is the key here, though - and utopia cloak works hard to find the balance between metallic per-cussion strikes and wide-angle instrumental elements, avoiding chaos in favour of a lush, rewarding lis-tening experience.

3 new uncompromising banger tracks on vinyl by sev dah oozing of nineties techno nostalgia, but not because of some stylistic choice. rather nostalgia as a form of dedication and belief.

alex metric & ten vens transmission 1 is their first release on diynamic, although their productions are not unheard of in the labels orbit as solomun has been supporting them heavily in his sets throughout recent months. opening track the q, much like the closing track plates, are reminiscent of old uk garage raves with a hint of acid. minuscule shifts in the pitch give that certain cassette-nostalgia, transporting the listener back to the early 90s. the centre piece titled nebula is a driving melodic deep house tune with a hefty break that brings things to a halt right at its centre, only to return with the catchy riff that is its main feature.

alex is a dark, haunting and brooding synthwave record that sets the night on fire, taking you from darkness all the way to the shining lights of broadway. with hints of cyberpunk, outrun and other 80s inspired retrowave influences, alex has developed a true signature sound that is funky, groovy and totally rocking. x takes you on a futuristic, electronic music trip thats filled with nostalgia and suspense.

soulful, west coast hip-hop. a sound unique unto itself. a sound that recalls a classic era nostalgia. a sound steeped in the deep roots of gospel, funk and soul. low blow builds on that tradition with his debut album first book of timothy. the inglewood native embraces the sun-drenched, southern california sound and pushes it forward with intoxicating ows and a soulful musicality that the los angeles music scene is so well known for. consisting of 10 tracks, first book of timothy nds low blow reecting on his life, recounting stories of hardship and loss, relationships and social issues over soulful beats with his unique brand of melodic rhymes and cadences. the album includes production from luke ellington and trevin hickman, with additional production from allakoi mic holden peete. the lp also features musicians miguel atwood-ferguson, uncle chucc (1500 or nothin), jose rios (free nationals), ernest tibbs, jamire williams, jonah levine, jimetta rose, and more.

jansport js low begins with the rude assertion that we oughta wake up and be released from our dream state before we absorb what we are about to hear. what follows is 20 concepts identifying the many different states of human existence. the track titles function as a compass. if we began sleep, we are high in the clouds by album-midpoint, before allowing a wake to bring us back to the sobering reality of modern times. love, nostalgia, consciousness and artist integrity, these are some of the themes masterfully weaved in and out of lows soundscapes. jansport stitches together carefully selected samples, nuanced drum loops, and pungent soundbites. by the time you realize you are being serenaded by the revelations of one of americas greatest literary giants, the albums true concept becomes clear: nobody knows whats real and whats not real. but you wake up everyday to try and figure it out anyway.

“birds” ist captain o’haras erstes gemeinsames release auf dem leipziger label haptik. die beiden artists verstehen die gemeinsame produktion als prozess der kommunikation, ihre talente vereinen sich dabei im eleganten spiel. sein technisches know-how und ihr talent für klangästhetik ergänzen und potenzieren sich und erzeugen eine einzigartige musikerfahrung. dieser mix gelingt über eine experimentell-stilistische fusion zwischen pulsierenden rhythmen und flächigen synth-patterns: neon-nostalgia mal deep-house hoch zwei!

deluxe lp, gatefold sleeve, download-code, printed innersleeve

catch recordings return with their 13th release, this time from dj najaora. hes an emerging talent from the ever growing techno region in georgia who s mature, fully formed sound is showcased here across three innovative left-field techno & electro tracks. the excellent night dreamers takes the a1 spot. its an analogue electro cut throughout. with forceful broken drums accompanied by electric lead lines that provide a powerful energy for the dance floor. space call is a more cerebral and less dance floor affair that has you day dreaming amongst the meandering pads and classic detroit electro vibes. a soft acid line runs throughout, while the whole cuts creates nostalgia of old warp records last of all simulaq which takes the b-side has wide and vast rubber kicks alongside booming bass. making this side a merge of bass and electro. trippy stabs and dark energy pervades the whole thing, making it track for the late hours. while 13 is an unlucky number for some, this certainly doesn t seem to be the case for catch recordings.

the sheep s fall ep is the latest result of dahraxt s freaky mind keeping that path of harmonic doughty techno rhythm with 90s nostalgia, already shown through previous releases on his own imprints jtseries and picnic34. the release seeps a clear message: the most dangerous thing in life is an incompetent that has been given the chance to rule the world.

standards & practices is proud to present the inaugural release on its new sister imprint, double standards, from nyc-based producer jake reif (device control). his third release working under this alias, reif manages to amalgamate his dance music obsessions (ebm, bleep techno, chicago house) in a totally unique way that feels fresh and idiosyncratic, avoiding simple genre exercises or nostalgia for the sake of it. pressing on green vinyl, housed in a gatefold sleeve.

label head honchos rhode & brown finally debut on their own imprint, slam city jams, after putting out music on fellow labels toy tonics and public possession. produced over the past two years, the wave 100 ep might be the most versatile record by the munich-based fellas so far. on the title track we have an euphoric hint of 80s synth nostalgia, slapped bass and banging woodsticks (did someone say safri duo?!). sparkle on a2 feels like the joy of a fresh breeze on hot summer days whilst living la vida loca in the clouds - b/w phat bass, sweet flutes & strings. on the flip there is love lane, a classic house track with a funked up bassline, shuffling snares and the most erotic vocal in human history. moon bells on b2 is the soundtrack to that road trip you did back in 86 with a juno 106 arpeggiator bassline, percussive drums and airy synths all around. over europe on b3 rounds off this special 5-tracker with beautiful ambient spheres straight from outta space.

one of our most mysterious and intriguing states of consciousness is the dream. we lose consciousness when we enter the deep waters of sleep, only to regain it as we emerge into a series of uncanny private realities. through the fog of the mind we can get a glimpse of a world beyond our day to day realities that sometimes is able to show us deeper truths than those we face in awake states. roger is one of those lucid pioneers that is able to translate these experiences into sound. let him guide you through these wondrous clouds. were very happy to welcome dutch-born german-raised roger van lunteren on sohaso for the first time. his rosa dos ventos ep is a four-track story that oozes retro vibes and nostalgia for a past that never seems to have existed. utilizing raw 80’s analog synths and humanoid acid lines he sets atmospheres that remind of lynchian dreamscapes. vanish starts out with an emotional chord sequence, as you enter the fluid world of the subconscious. a gnarly bassline welcomes your arrival and lets you know things here aren’t exactly what they seem. journeying on through seemingly dark areas, it ends with a hopeful melody and the bass softens as you start feeling weightless. uncontacted uses choral pads and two intertwining 303 sequences as a way of communicating between the different dimensions. aroy dee remixing vanish is like taking a psychotropic liquid, adding more drive to the original while retaining the emotive synth patterns. sleepless is rogers hardest cut on the record, again providing directly plugged in 303 goodness and stomping beats. it rounds off a balanced ep with plenty of introspective dance material.

glasgow s wheelman provides the tenth iteration of dba s dubs series, following a series of high profile releases on huntleys & palmers, studio barnhus, and his own stereotone label. signal is wheelman s most ambitious effort to date, its searing amen stabs and deep sub bass guaranteed to wreck any club, while floating pads and crystalline strings add a bittersweet moment of rave nostalgia to the breakdown. on the flip, in line with the dba dubs concept of pairing a house track from an up and coming uk producer with a remix by an established techno name from across the pond, detroit in effect provide a cold, bleep-drenched take which raises the tempo of wheelman s original to an almost breakneck speed. d.i.e, also known as cybonix, were prolific throughout the late 90s and early 00s on their own m.a.p. label and more recently on rotterdam s clone. to coincide with the release of the tenth edition in the dba dubs series the label are also making all ten original tracks available as a digital package, while all ten of the remixes from the series get their own bundle, with wheelman and basic soul unit providing a megamix of each edition respectively.

p€pa & z$oli are an mpc duo from székesfehérvár, hungary, 2 guys who are obsessed with breaks and mpc-s. with their debut on e-beamz they drop a nostalgia drenched ep rooted deeply in early hardcore, rave and jungle also touching down in tha house early on. p€pa & z$oli may seem an unknown name to most and some say that it s connected to gnork or dj shark but who knows.

jordan magee brings together the best of blighty and berlin into a tightly-sprung package for lisbon label helena. the drive and determination of his new german hometown can always benefit from a little northern swagger, and there s no shortage of it on liberties and process . balance this with some late-night levity and early-morning nostalgia on eksil and kilo culture and you ve got yourself an all-rounder ready for any dancefloor.

due rent is a collaborative double album by solo artists lojii & swarvy. written & recorded in the summer of 2016 in l.a. by the two philadelphian transplants, lojii says this tape is a score to being a broke nxgga in amerikkka (emphasis on the kkk) – full of dreams and hustlin to make em happen, but dealing with the everyday pressures of making ends meet. a.k.a trying to pay rent. the 22 tracks, many of which barely break the two-minute mark, make for a vast voyage through remarkable contemporary hip-hop. the grooves and beats that skip and flutter are smooth and mellow, with nods to the old-school but entirely void of nostalgia. this is a sophisticated, thoughtful, and inventive modern hip-hop record that understands anger doesnt have to be loud. daniel dylan wray, bandcamp (best 100 albums of 2017)

pressing on 180 gram vinyl.

after establishing himself with rough but emotive house as rimbaudian and jungle as birds of sweden, he unveiled his dj seinfeld alias to the world, first with underground hit single u, then with his time spent away from u album on lobster fury in november 2017. it was a post break-up love letter to the dance floor with heart-on-sleeve emotions colouring the dusty and analogue house grooves. acclaim came in from far and wide, with everyone from rolling stone to pitchfork fawning over its heart swelling nostalgia and melancholic immediacy. jakobsson approached his dj-kicks with the intention of representing all the things that made him fall in love with dance music more than a decade ago, as well as showing some of the progression that has occurred in that time and reflecting the simultaneous fear of leaving something safe behind as well as the excitement of venturing into unknown territories, musically and emotionally.

time flies, doesn’t it? it sure does when you suddenly wake up to celebrate your 10th vinyl release as a small label, which is the case with us. but as we’re all about quality over quantity, our latest 12” offering comes with a superb collage of fresh music by the one and only radicall. having made his mark as one of the most consistent producers, known for his trademark combination of strong, dynamic drum programming and soft and booming basslines, radicall keeps on delivering top-quality music with each next release. and this 12” single is no exception to the said rule. the playful, happy-go-lucky “touch” is a bit of a nod to the old-school/rave/early jungle/footwork/you-name-it style given its complex drum pattern and an array of acid-style synthetic samples and tinges of vocal here and there, but sticking to modern-day standards nonetheless. the flipside comes with “build me up” remixed by bungle, who surely knows how to make good things just as good as they are, but yet a bit different. and here we have the brazilian powerhouse reshaping radicall’s work to make it a bit lighter and upbeat, but still retaining some elements of rawness mixed perfectly with traces of nostalgia. an excellent job, breathing a new life into the original piece - a darker-shaded straight-to-the-point roller, which you can get as a digital bonus added to the release. so here it is - the tenth vinyl item in our catalogue, featuring names you simply can’t go wrong with. what better way to celebrate the occasion?

this hampshire & foat project should not come as too much of a surprise to those familiar withgreg& warren s music, influenced heavily by not just jazz but the library sound of the 60s and 70s along with film soundtracks from the same golden era.greg& warren are avid collectors of this music,gregsends me links night and day to lps he has picked up digging on his travels. this constant search sends him down new musical pathways and often sparks a whole new concepts for projects. warren andgregare both fiercely creative talented individuals which means we have to keep them working, a challenge for us all, but the music rewards the effort many times over. we had talked for a long time about doing a library style lp (somethinggregis very passionate about) so during different recording sessionsgreg& warren started laying down various tracks with a view to the lp we have here. side one is 5 tracks in very distinct styles, musical paintings for the big screen. the vast sound of the japanese influenced jasmine, the spaghetti western melancholy of mariposa lily, the call to action that is antonio s theme, the breezy vintage sports car in the sun that coastal drivepaints, and lost in nostalgia, a late night poirotesk piece. side 2 is a classic library suite, whichgregdescribes as a detective s theme with different variations on the motifs.

joe powers is from edinburgh, far outside the network of the grime capital of london. his caffeinated productions as proc fiskal are faster than usual, with many clocking in at 160bpm. ‘the highland mob’, his 2017 debut ep, opened up his music to open-eared footwork and drum’n’bass fans as well as the grime crowd. after following that up with a jungle-inflected ep on cosmic bridge, ‘insula’ switches the feel and intention towards a personal, and melodic music with one foot in grime, infused with often comic, often wistful recorded moments from his environment. he says ‘i wanted to be aware of where the music is coming from, referencing things i’m presently experiencing, like making grime, my radar radio show, phone addiction, alcohol, my surroundings, girls, depression, positivity, being unemployed, being employed and hating it, my friends etc. trying to be true to myself instead of relying on other peoples’ nostalgia, and focusing on now.’ the record is a huge leap in vision, with delicate, pointillist melodies and intricate edits reminiscent of grime producers such as terror danjah. it also resonates with japanese video game music like that recently explored on the ‘diggin in the carts’ compilation. ‘i think i probably make tunes to get out emotions i don’t express in day-to-day life. i used clips of my friends talking, drunk folk, and general scottish life to preserve and represent what my experience is like right now, like a time capsule. social media notification sounds are designed to release serotonin, which is what i’d like my music to do, to make me, and other people happy, and in using these manipulative noises in a positive way, i like to think i’m taking back the power of the manipulation.’ proc fiskal is adventurous and thoughtful as a producer, and at the young age of 21, his debut album is very advanced in its ideas and execution

dark entries is proud to release ‘commerce’, the third ep from san francisco-based trio inhalt, german for “content”. the group was founded in 2009, and for the purposes of this recording are matia simovich, philip winiger and steven campodonico. inhalt’s core operative strategy is of sonic fidelity and integrity rather than nostalgia. their first release was a split 12- on world unknown in 2011 followed by two eps on dark entries, a remix ep on emotional especial and a part time punks session on cleopatra. ‘commerce’ is a close examination of the self destructive tendency of the ego in relation to the allure of negativity and mass tragedy. the ep details the psychopathy of relentless thirst mandated by neo-liberalism and traverses through the adoption of social and economic technologies that strengthen domination vis a vis self enslavement to disempowerment. employing the best of both modern and vintage techniques, the four songs on the ep utilize dense production, big snares, and powerful german vocals from philip. inhalt are informed by the brooding soundtracks of john carpenter as much as the vastness and sheen of trevor horn, and set out to explore the borders between the vocal-driven pop song and the expansive dancefloor 12&#8243,,,, arrangement. the record was produced over four years at the bands own black sun loft recording studio and different fur studios. paul lavigne mastered the ep in london, england at kontrast mastering and george horn handled the vinyl eq curve at fantasy studios, berkeley. each ep is housed in a specially designed jacket by leo merz and includes a lyric sheet with english translations.

the aesthetics of this ep is related to the universe electro / idm early 90 s by a choice of very precise synthesizer. p6, sh- 101, tb-303, tr-808 and to coordinate the whole an rs7000 which comes to rhythm this refusal of modernity. foreign sequence digs into the techniques of the past to find the answers, he shows his know-how here and uses it to express a multitude of emotions between nostalgia and optimism.

those who preordered, do not have to do so again - we will contact you when we have stock! recorded in the autumn of 2017 at their studio in vancouvers deep blue, mvx / u41a is the first new music from minimal violence to be released on ninja tunes technicolor imprint and the first to be recorded outside their usual home production space. the result is a record that intends to reduce pop music to its emotive qualities and apply that abstract nostalgia back into dance tracks. their penchant for the heavier and more aggressive side of dance music is most evident in its infiltration of the duo’s often raw and disorientating live set. formed in 2015 the duo, consisting of ashlee luk and lida p, have a string of releases to date with labels such as lobster theremin, 1080p and jungle gym records. drawing on luks years of experience playing in punk bands, they combine hardware sequencers, drum machines and synths, to weave together acid tinged compositions that derive inspiration from early electronic and minimal synth through to heavier uk rave and hardcore.

2lp in gatefold sleeve with liner notes. including tracks by dead man ray, mauro pawlowski, vive la fete, lunascape. let belgian nuggets 90s-00s surprise you and discover 20 spanking new belpop gems!

for the past two years, flee has been working on its first issue entitled benga music – a signature genre from kenya. conceived as an attempt to document a kenyan timeless music genre – benga – this issue is also a visual and audial tribute to the heritage of east african music. approaching this musical genre with a new and innovative perspective, the first release of flee features a vinyl compilation and a printed journal. faithful to the local essence of the genre while transcending unproductive nostalgia, the two objects ensure that the vibrant traditional roots of the benga movement interact with a contemporary approach. to make this initiative possible, we joined forces with celebrated kenyan journalists, ondiso madete and emmanuel mwendwa, and collaborated with renowned international specialists such as douglas paterson. this great team work translated into a well-documented manuscript, with exciting articles, exclusive authentic photos of the era and creative present-day illustrations celebrating the genre. accompanying the journal, the record tells a surprising story, starting with the pioneers of benga (daniel owino misiani, george ramogi and the migori superstars) and concluding with the modern respectful re-interpretations of nik weston, jaakko eino kalevi, and africaine 808, blowing the dust of the original scores.

note: import release - limited repress - comes with digital download code and a 16 pages silkscreen printed journal with articles in english and french.

perth native turned melbourne local roza terenzi is one of australias exciting new electronic artists. her debut for voyage delivers a three-piece suite of experimental, rhythmic workouts forward thinking with a heavy lean on early rave nostalgia. the ep is rounded off with a fast-paced remix of the title track from vancouvers d. tiffany.

the two versatile record labels banlieue and peur bleue are joining forces for a very special occasion: psyop, the outstanding debut album by watching airplanes, a production duo breaking through in 2018. psyop opens up an alternate reality where dance music is freed from the yoke of genre-based distinctions and is no longer tied to any dancefloor norms. by exploring different moods with smooth sailing and rough patches, psyop is an intense journey in the murky world of psychological mass conspiracy. this lp could very well be the soundtrack for an cutting-edge orwellian sci-fi movie or an imagined futuristic venue where music and dance of a new kind are performed. forward-thinking dance music from the future seems like the most accurate description for this album devoid of any tropes or nostalgia.

hypnotizing nostalgia that dictates the dance floor. with previous releases on rythm section, echovolt and les yeux orange, earth trax & newborn jr. are unapologetically consistent in building a legacy. the maze ep is the fourth collective delivery of the duo, sent off into the world by dopeness galore. while hypnotizing synths dictate the dance floor, it is hard to resist the balearic arrangements of new wave nostalgia. the record elevates through soothingly repetitive ambient dreamscapes, while minimalist entrancement pulls us right back into underground territory. the ep represents a side a. meant for club settings and a more ambient side b. once the vocals on a2 set the tone, we bear witness to what seems to be the true ethos of the maze ep: where theres a will, theres a way

lp,180g , ltd ! alex is a dark, haunting and brooding synthwave record that sets the night on fire, taking you from darkness all the way to the shining lights of broadway. with hints of cyberpunk, outrun and other 80s inspired retrowave influences, alex has developed a true signature sound that is funky, groovy and totally rocking. x takes you on a futuristic, electronic music trip thats filled with nostalgia and suspense