palmistry is the project of londonbased musician benjy keating. a vocalist and producer with a singular vision and voice, palmistry makes hybridized pop music that is both distinctly new and yet, like the best songwriting, sounds instantly familiar. as the producer, writer and performer of his debut lp, pagan is a succinct showcase of his holistic approach to contemporary pop, where melancholy and euphoria share equal space and sonic decisions resonate as much as the emotions that run through it. beyond the music, palmistry gives us a multilayered experience – working alongside talented collaborators to build his own visual world through artwork, photography and film.

tormento part 1 2×12icnh is an extract (to guarantee the ep sounding) of the second album of the spanish band synths versus me. as stated by mixside.com -is this second album what proves the value of this new band- or as stated by wave press the song -suicider- is one of the best 20 coldwave songs of 2015 so not necessary add much more info. minimal structures and pure analog sounds, romanticism and agressivity at equal dose.

third skin is a 4-track ep that connects the dots between detroit techno, early chicago house and belgium electronic body music. inspired by equal parts liaisons dangereuses, drexciya and black devil disco club.

debut 12” for ruutu poiss and follow up release for the label after last year’s double hitter from ajukaja & andrevski. support from benji b, call super and james blake plus heavy club rotation from secret sundaze james and gilles... two extraterrestrial cuts for the dancefloor - heroic bubbler * kiiged with its ethereal pads and sub bass emotes and propels in equal measure, while * noad* on the b-side broods in altogether heavier weather.

whiskey disco continues to explore the boundaries blurring the lines between original and edit, disco and oddity. wd47 is helmed by dutchman, olivier boogie, an artist known for strengths across the spectrum, in previous releases, we ve seen his editing on display, no goodbye is a fine balance between original synthesis and editing panache. thoma cher is a newcomer to the edit scene, but has been heavily involved in a disco and house renaissance occurring in shanghai over the last few years. his club chops have honed an acute ear, we love what we re hearing from him and can t wait for more. the b-side is everything a b-side should be: weird. label staple, alkalino guides us along a cosmic journey of boogie-down grooves. arps, baby. we love em. sf crew, jp soul & anthony mansfield have been attracting serious attention of late between outings on roam recordings and sightings at the famous burning man camp, disco knights. to say they are ravelords is an understatement. their pedigree is on full display in warlord, equal parts arp energy and huge (huge) lead, the right balance of fun and cheese.

coherence is a new vinyl only series from be as one, a channel of expression with a different approach than the main label catalogue. techno alumnus orbe launch this new limited series with a double lp of dreamy, hypnotic and carefully programmed techno.

nice price deal !!! kind gesture is pleased to present our first release, the vinyl debut of the masterful electronic musician tigrics. equal parts playful, delicate, and brooding, thin drum is a comprehensive exhibit of tigrics’ complete control over his machines.

repress 2016, support from ben sims, james ruskin, edit select, truncate, exos, dustin zahn, alan fitzpatrick, skream..
uk techno veteran broom is one of the most consistent producers in the game and on neon, he delivers four killer dance floor tracks. inspired in equal parts by the swirling, dub techno of chain reaction and the insistent, loopy techno of mid to late-90s jeff mills, the release starts with the steel-plate percussion and churning chord builds of -m19-. broom keeps his focus on that approach for -energy-, where doubled-up claps and clanging chords create an eerie but urgent sensibility, while the title track is a slightly less visceral affair thanks to the inclusion of a sleepy vocal sample amid the churning keys. finally, -involver- sees broom focus his energies elsewhere, its acidic, grimy groove coming across like steve bicknell in a bad mood.

for the first vinyl release on sound & object we are thrilled to have chicago resident area bring us the ep forbidden plateau. in forbidden plateau area is able to create a mood of equal parts confident swagger and tentative emotion. rich pads, loping piano melodies and robust rhythms swirl and mix to land somewhere between house and techno. the 3 original tracks - and a remix from mikaere - create an ep that is full of space, details, bright edges and dark corners all framed by lively beats.

not all dance-floors are created equal. some of them challenge the status-quo and require a certain kind of music. introducing the model s brand new warehouse traxx pt.5 record - high-precision slamming beats. crossing genres, with a great chance to become a modern classic.

chateau vinyl offeres a perfectly protected, shock absorbing and cushioned space for 75 x 12inches. two equal subdivisions that can be divided to both sides. this unique feature makes record selecting more comfortable in different club situations. each chateau vinyl bag contains the flight cover, an easy, lightweight and highly sustainable solution to protect and extend the life of your chateau vinyl. advise to all the flying djs: don t check-in without! the puristic chateau vinyl solo version comes without the side pouch and docking station. less is more - if it s enough for your needs. - 2-way zipper - adjustable 50mm shoulderstrap - comfortable, cushioned shoulder pads - easy to clean, cushioned record cases - material: certified cordura nylon - made in germany - dimension: 35 x 34 x 24 cm

passafire has built their reputation up through relentless touring and a series of studio albums that have upped the ante each time out with its songwriting, musicianship and production. the band’s fifth studio album, vines, is their strongest yet, featuring a super tight set of songs that draw on reggae and alternative rock in equal measures. produced by the band and mixed by paul leary (sublime, slightly stoopid, pepper, meat puppets). the limited vinyl release includes a download code.

by all accounts, whiskey disco has matured. each release unique, but compiled meticulously to meet some of the highest standards in the edit community. wd45 continues the trajectory with 4 tracks combining equal parts soul, boogie and disco. rastanils cuts up cheesy obscurity to reveal heavy disco vibes—this edit was smashed by mcde at numerous festivals in 2015. next up, the intriguing corsican brothers reappear after a 5 year absence from whiskey disco with a sliced version of i like it, beefed up bass and space on the platters with a touch of dub. side b exemplifies the weirdness only a b-side can… albions disco chopper is a stretched and phased party jam that does not stop. move to the inside for the lengthy and epic big time, a 9 minute exploration into rocking disco roots, courtesy of the eponymously named blaxploitation movie from 1977.

in the follow up to huxleys widow ep aus present their second offering of 2016 and in doing so welcome back two label favourites: timothy blake and marquis hawkes as hawkes & blake both artists made outstanding debuts for aus last year, with hawkes having more than a hand in blakes stormy search ep before delivering his own disco inflected hit chances. now we see a continuation of the studio chemistry as both parties join forces and present love precipitation: a pair of no frills bombs built strictly for the dancefloor. playful piano lines and jubilant synths are propelled by expertly crafted 909 drums throughout, recalling in equal measure the classic garage sound of detroit and the soulful grooves that emanated from new jersey in the 90s. with hawkes & blake aus continue to maintain the high quality in 2016 and offer us an insight into an exciting new production pairing.

hidden truth is an open window to the occult knowlegde, an initiation into the hermetic wisdom. jonas kopp delves into his characteristic sound. direct, mental and mechanic in equal parts, the fifth release of this series comes full of classic and atemporal techno structures.

not an animal return with their 2nd installment, this time from ess o ess (aka chris stoker and jamie blanco). their original offering, cantillate, isn t an easy beast to identify, being equal parts swamp-rock and techno. imagine you ve stumbled across an ephedrine and moonshine fueled rave in a deep louisiana bayoux in the year 3000, and you re close. add an out-there vocal refrain, and you ll start to appreciate why this is a particularly distinct record. relocate said rave to a some kind of space ship hitting hyperspace, with photon torpedoes fully armed, and you ll suddenly find yourself with the first remix, as created by ene records owner chida.

introducing the first release from mysterious new label, southern lights. dedicated to releasing high-end hypnotic grooves from close friends and family from australia and around the globe. the first release is by melbourne artist craig mcwhinney, featuring heavy cuts of percussion and atmosphere in equal measure with the ‘versions’ ep. the a-side features ‘upon humanity’ and the b-side features two versions of ‘keloid’. in contrast, on the remix tip is eric cloutier’s ‘the end is near version’ of upon humanity , which strips back the elements to a more esoteric and cerebral translation of the original. for lovers of fine art and fine techno. limited to 300 copies, 180 gram vinyl.

three impeccable pieces of stripped down, unfeigned tanz trax make out the debut release of esther silex – deejay extraordinaire, colognian woman-about-town and very dear new addition to the studio barnhus family. the gargantuan yet free-flowing bassline of hans, the menacing tension of heinrich and the dawntime anthem oskar are all testaments to esthers unquestionable status as an impassioned powerhouse with enough west german swagger to create timeless music with equal parts simplicity and beauty.

meeting up in australia after time spent in europe and north america, old friends and collaborators angus gruzman (dreems) and jono ma (jagwar ma) teamed up in sydney and celebrated their personal climate change with a cover of the moffs 80s cult classic. equal parts of each artist shimmer in this visceral version of *another day in the sun*. a love letter to the end of the summer, also featuring the vocals of gabriel winterfield (jagwar ma), the song takes sonic cues from their surroundings on the australian east coast.

coming from a cultural landscape that is still yet to fully form can instil in a person an unusually strong force of will. autarkic is the latest representation of tel avivs cold wave scene. the leftfield movement through an eastern lens. holding up a mirror to the current state of his world, autarkic (assisted by red axes) has provided 4 tracks which manage to be thought provoking, compelling, and even anthemic, in equal measure. industrial techno tribal goth dub vibes for 2075 and beyond! produced by autarkic & red axes.

third release on maciek sienkiewiczs fasrat label comes from a polish wunderkind selvy three tunes showing his rare versatility, blending together deepest house, acidic techno, dreamy balearia, all with a very special exotic feel. groovy, funky, dreamy and trippy in equal proportions!

-perfectly protected, shock absorbing and cushioned space for 75 x 12inches - two equal subdivisions that can be divided by a very strong zipper to both sides - this unique feature makes record selecting more comfortable in different club situations. - ea

-perfectly protected, shock absorbing and cushioned space for 75 x 12inches - two equal subdivisions that can be divided by a very strong zipper to both sides - this unique feature makes record selecting more comfortable in different club situations. - ea

-perfectly protected, shock absorbing and cushioned space for 75 x 12inches - two equal subdivisions that can be divided by a very strong zipper to both sides - this unique feature makes record selecting more comfortable in different club situations. - ea

-perfectly protected, shock absorbing and cushioned space for 75 x 12inches - two equal subdivisions that can be divided by a very strong zipper to both sides - this unique feature makes record selecting more comfortable in different club situations. - ea

professional dj bag carrying 75 of 12inch records. two equal subdivisions when opened. extra strong bel, cruchioned ground for easy record selecting. for a good party we recommend to carry 130 of you 12 inchen safely in two of there functional >> chateaux <<

bazzerk is the multiform label project run by jess & crabbe and is released under equal bazzerk and mental groove moniker.lcindo joaquim, known as dj afro pupo, was born in 1992 in the terra nova district of luanda. although the influence of us deep house and south african house are obvious on angolan afro house, its direct affiliation with the kuduro, or most traditional kazukuta and semba give it its own unique identity

float records first vinyl release is a fact. and what could be better then to divide it in two equal parts, where the first output reflects the second. label owners twr72 proudly present you *reflect*, with remixes coming from myk derill, kwartz and developer.

continuing on from vol 1 s theme of established artists working in disguise, music first vol 2 delivers another sonic assault with this absolute rollercoaster ride of a record. the mysterious scorpio t opens the ep with neptune rising , a squelching acid-bass boomer that can simultaneously spiritually elevate and physically devastate any dancefloor. rounding off side a it s followed by scandalous arthur s acid in my mind , a lo-fi tape-hissed jacking beast of a banger that sounds like it s genuinely been brewing in a vat of highly toxic acid for at least 25 years and guaranteed to melt your mind. on the flipside comes jax dax returning from vol 1 with the low-frequency moody slo-mo electro workout fucking computer that oozes bad attitude and booty-shaking basslines in equal abundance. bringing the trip to a close is kyrenic azalee with the self-titled kyrenic azalee , an x-rated new beat tour-de-force of epic proportions that will fry minds and bodies with its relentless energy. limited edition so don t sleep on it, not that it would let you.

drawing from the leftfield avant-pop of arthur russell and talking heads, progressive disco of nile rodgers and contemporary ambient electronica, retiree channel these influences through their own pervasive aura of rum-drunk antipodean sunshine. the result is music that is in equal parts lush, thoughtful melody and meditative tropical rhythm. the ep sees joint international release from peckham label rhythm section international who released the instant classic debut of al dobson jr, and were nominated for label of the year at gilles peterson s 2015 worldwide awards, as well as purveyors of southern hemisphere groove-driven underground pop, plastic world (gl, savoir).

time for some double dutch action with apollonia’s latest release, which comes courtesy of makcim & levi. the twosome have already been picking up steam in their native holland, playing at many of the country’s best-known clubs over the last few years, establishing themselves as selectors in a class of their own. and their prowess as djs is equal to their talents as producers, with their very first ep appearing on raum musik and finding its way into apollonia’s sets. now they’ve got together once again to produce their second ep just for the apollonia guys…the ‘more lettuce’ ep fits perfectly into the french label’s sound ethic, emitting a dark groovy energy throughout. for starters we have ‘more lettuce’, a gritty tech-driven monster on a mission. with its gravely percussion and air-raid siren-esque effects this is a surefire dance floor killer… listen out for the switch of pace, class. this is followed by ‘tegel’, presumably named after the airport in berlin. with this we get a kind of dingy berlin vibe, morose, grey yet ingrained with a bouncing energy that you just can’t help but bop your head to. on the flip side ‘thaiman’ injects a slightly odd feel to the ep with warped, muted sounds meandering around a subtle bassline. finally, makcim & levi close up the ep with ‘dope erwt’ another roller that will enchant the dance floor from the start, building into a bright, airy breakdown before continuing in its somber yet groovy manner.

sweet valley is nathan williams (wavves) and his brother kynan, two bongwater-soaked beat geniuses making rap instrumentals that feel like melted playstation games. mndr is a one-of-a-kind artist and songwriter versed in britney and breakcore in equal measure. put them all together with producer peter wade and dance 4 a dollar is the result, a darkly catchy cali masterpiece. sv chop up strip club 808s and woozy synths like they are reclaiming trip hop for the dj mustard era, while mndr explores the underbelly of radio songcraft, finding the creepiness inside champagne anthems and coating tales of teenage nihilists with rihanna-worthy ear candy. decay never sounded so sweet.

this month athens of the north presents two 45 s from a true musical genius, weldon irvine. here we have 2 classic sides taken from the 1976 lp sinbad on rca. the vocals don blackman are certainly the equal of marvin gayes whats going on for conscious soul perfection, i don t think i can give it higher praise than that. this is in my top 5 records of all time dont think, buy it.

in part 2 of the laffer ep marco bernardi is going head down, straight ahead and striving for energy. attack of the dessert stormers is an overload of dark electro power, six minutes of squirming bassline-driven movement with surges of intensity from analogue bleeps and subtle drum pattern shifts. theres no let up on the flip side where two sliders brings equal force but in a more techno style. right from the start youll be grabbed by the bassline, but this one rewards extended listening as the track develops progressively with new melodies and metallic touches taking you deeper and deeper.

(mark e remix) strictly limited to 300 copies. iron blu displays shades of chicago house, machine funk, krautrock, and detroit techno in equal measure.

from the tropics comes whiskey disco, a sneaky re-edit label bent on dredging the decanter for diffident dancefloor genius from latent disco perpetrators. it is loosely connected to sleazy mcqueen and his assorted cohorts.
wd37 broadway kiss showcases the hair-split-contrast in our disco genre. 4 songs so good, they all deserve equal attention, pontchartrain delivers, lifesaver, an immaculate distillation of house and disco fused, buffed and polished. on the inside, osmose has bottled pure disco fire with broadway kiss, a perfect party starter for any warehouse with disco leanings.
flipping to the aa, seasoned jock, derek kaye has reworked holding on and in the process landed it (and a few others!) in greg wilsons top edits of 2014 chart. by now, you must know that we are very fond of a bit of cheese in our whiskey… rulefinn sidesteps the usual elements of la biondas i got your number to focus on the slick guitar, while retaining the vocals until the end for optimal impact.
after listening to this ep, you will feel like you have been kissed all over.

the mainz based label klamauk° are very proud to announce the upcoming release of the debut lp by roman rauch, which will be dropping on vinyl and digital in march 2015. romans pedigree as a producer is second to none and he has enjoyed long term collaborations with labels such as philpot, endless flight and also klamauk°. his focus has always been on dusty samples, slowed down grooves and weighty rhythm sections and his first excursion into the longplayer format is a tour de force. the 7 track (+ 3 fx shorts) mini lp draws on romans influences ranging from cut­up hip hop, years of digging for samples and also more dancefloor tendencies. roman weaves his way from slow­mo, broken beat excursions to more heads down deep house music that has equal levels of groove and intensity.

the second vinyl release to be taken from thema’s strength in numbers compilation finds the brooklyn label drawing on four master craftsmen of subliminal house music with equal amounts of soul and surprise in their arsenal. stealthy operator earl stine delivers get the curb, which balances the perfect amount of percussive energy and dreamlike synths, impeccably demonstrating the considerable body of work he has turned out under a more familiar name for smallville records, mule musiq and pampa in the past. pressing on transparent vinyl.

opening up with the deep space atmospherics of quiet life the album immediately transports you to another world. the title track is then a melodically lush and uplifting affair with curious synth patterns ebbing and flowing beneath crisp percussion. tracks like we search for answers combine organic, wooden textures with more synthetic and trippy synth sounds that are as far away from your standard sample packs as can be imagined. across the course of the album there are dark, moody and emotive pieces like worship (previously released in extended form on the mdl02 single) featuring qzen who reads a poem by patience agbabi in tantalising fashion as well as heavyweight, dubbed out techno groovers like shadow theory. make it true (of which seth troxler will be releasing an extended edit on his play it say it label, complete with high profile remixes) is another great collab featuring the vocals of jojo de freq, and the track itself is a harmonious, radiant house jam that is humid and human in equal measure. the otherworldly, snaking feel free again showcases berkson & what s ability to coax alluring emotions out of their machines and closer logan five wraps things up in suitably spangled, textural fashion. despite the fact much of this album will work on a dancefloor in the hands of the right dj, there s an invention and musicality to it that renders the whole thing hugely listenable away from the club. a testament to berkson & what s analogue invention and fluid ideas, keep up appearances really is a master electronic oeuvre.

three is the number between two and four. three pulses that occur at equal time intervals, make the third pulse predictable. mike published therefore his third album under the title -drei- on his own label wall music limited as two separate vinyl releases.

svengalisghost makes his eagerly anticipated return to wax after spending the better part of last year, crushing gigs throughout europe with his high impact live set. on this slab we get four tracks of industrial strength machine electronics put through the filter of the chicago native.... equal parts ebm and dare we say half time techno. this ep drives and hits hard as only the energy king knows how.

our friends in moscow come through with a very special debut release on their new label! a various artists selection of esoteric but dancefloor assured edits, pieced together by passionate music lovers, champions of rarities and party starters in equal measure. all are part of a loose collective of moscow based music lovers, venue and record store owners. after digging deep to conjure up the bounty here, these enthusiastic diggers behind thats a steal are ready to roll out their debut - as ever, limited and ludicrously good. another all ears sureshot

three is the number between two and four. three pulses that occur at equal time intervals, make the third pulse predictable. mike published therefore his third album under the title -drei- on his own label wall music limited as two separate vinyl releases.

emotional rescue starts a series of reissues from the carribean that will move minds and feet in equal measure. first up is the mento / ska star laurel aitken, here turning out 2 killer disco reggae jams with the crazily-sought after sexy boogie and a re-edit of hoochie coochie man.

2015 repress ... willie burns and entro senestre team up for their second release on l.i.e.s. under the daywalker + cf moniker. big things on here! picking up right where last year s release left off, the title track supersonic transport turns out to be their most dancefloor driven effort to date. doing exactly what the title states, it moves in beautifully epic territories throughout its almost 8 minutes long course, taking you where you need to go. the b-side turns the floor vibes down a notch, as both tracks are left alone to breath in their own worlds, each with equal space and unique sonic character. ace release from these guys.

with his voyage direct label, tom trago has always championed dutch talent – djs and producers from the tightknit local scene whose music moves and inspires him in equal measure. he’s at it again on this 19th release, handing a debut 12inch to fastrising, amsterdambased dj/producer elias mazian. the 25 yearold is a muchloved figure on the amsterdam scene, and has gained a reputation as one of the citys true underground heroes. his dj sets are rooted in contemporary deep house and techno, but also take inspiration from 80s electro, stevie wonder, pfunk, disco, and the surging, snareheavy pulse of early chicago ghettohouse

inspired in equal measure by analog synthesizer technology and the lush swedish countryside, genome marks the first collaboration between veteran techno producers patrick siech and minilogues sebastian mullaert, with part one of the three-ep series appearing on richie hawtins minus label. recorded live to tape last spring, the four tracks that comprise genome 1 make for a transformative dancefloor experience that morphs and swoops its way through soulful, sweaty analog techno with flourishes of 303-style acid. pressing on heavyweight 180 gram vinyl.

gallic cynosure agoria debuts on the hotflush roster with helice – a compelling, propelling record that envelopes and encompasses. blending an ambience of eerie sci-fi over suspense-laden peaks and troughs, it goes after body and mind in equal measure. its b-side counterpart is make it real, a jacking house number cut through with a classic rhodes bounce. the latent garage disposition is brought to the fore by ess, whose remix nods to the east coast glory days of yore.

second press! for the first release on austin boogie crew records, the label presents a heavy instrumental two-sider from austins own solar shield. well recommended! reesis is an electronic boogie-funk banger. beeturia is equal parts beach boogie and jazz-fusion, propelled by the virtuosic soloing of solar shield producer chris mcdowell.