tom demac tears down the gazelle twin original compositions and rebuilds them with feverish candor. *belly of the beast* pounds hard with rubbery percussion and rattling hats like chains, the gazelle twin chants her mantra *i ll beat them all at their own game…* demacs padded cell like production is most definitely some of the best work we have heard him do to date, and this dark sound aesthetic spills into his take on *guts*. like an electro take on a john carpenter score, demac carves out a futuristic and desolate take on gazelle twins celebration of urge resistance and taking pleasure in the complexity of the mind.

kalakuta soul records come with a series of releases and new gems that surely will keep this year quite busy. after al kents killer joint that went by the title love & care, its cuttlefish & asparagus who once again deliver a strong three tracker made to work the hell out of every imaginable sound system. mainly known for their unforgettable work on black suns self-titled epic track, atlantis cuttlefish & asparagus deliver an a side that coulnt work any hip harder.

yoruba records is proud to add glasgows vince watson to the family with his first release on the label. the techno heavyweight who has seen releases on planet e and poker flat, as well as his own bio imprint has departed from his previous work in this wonderfully crafted ep, which opens with the brilliantly ambient tune: a moment with lonnie. the more club friendly eminesence begins with a punchy, rolling bass line and then opens up with a hypnotic sweeping piano melody. the mid-track radiant breakdown is sure to capture the listener’s attention before coming full circle into a head-bob-inducing bass line driven groove. from there, the journey continues with the tribal-esque calypso, a melodic groove sure to get the floor moving. with its subtle keys and well-positioned claps this tune a friend of dance floors and home stereo systems alike. the release closes with under the skin, a well thought out afterhours track sure to bring any night to a smooth conclusion.

after unveiling their highly anticipated album 11 11 in july 2014, guy gerber & puff daddy s latest installment in their iconic collaborative project is a remix package of 11 11 track tourist trap . featuring four remixes which have been worked on since the tracks debut in 2011 - the package includes reworks from the likes of jamie jones, visionquest, soul clap, guy gerber & david k - and will be released via guy s explorative record label rumors. side a leads by unearthing jamie jones remarkable for ryan remix which enjoyed massive club rotations when it first appeared in 2011, and is followed by guy s very own collaboration with david k. the b side continues with a visionquest takeover - often played out by close affiliate seth troxler - whilst soul clap inject their signature funk sound to the record with an extended vocal cut that wraps up the package. with a host of exciting artist projects on the horizon, the tourist trap remixes feed into gerbers own, uniquely eclectic outlook and provides the perfect base to launch from in 2015

screen printed by house of traps * triple vinyl!
ah, yes! finally some real flavours to sink our teeth into. the nose is truly a work of art. first the classic peaty smoke but so distinctly understated. confident in it s maturity. the salty pineapple citrus is next coupled with a refined lemon- lime toffee tartness. and finally a whiff of fresh cucumber sprinkled with the loveliest of white pepper. oh, yes. this is what we’ve been waiting for! the creamy mouthfeel is laced with intense black peppers but then mellows out to give you honey, lemon and chocolate with a dash of tobacco. the long peppery finish is fruity with a hint of limestone. these are the classic flavours that made linkwood one of the top distilleries and expressions should be on your list of malts to try before you die.

a1 facade - tampa bay is tried and tested house weapon that we ve had since the label began waiting for the right fit, he comes with his garage beats, deep chords and infectious melodies - simple, driving, effective.
a2 prima - dont stop - lht label co partner delivers a twisted mutating late night tool that instructs you to dont stop dancing til the sun has well and truly risen or at least the smoke has cleared.
b1 jamie blanco - unknown reason (alphonse drum prequel) - jamie met alphonse in the studio again, they messed with his track and got the dub machine working overtime on the 808, look out for main mix on the next release.
b2 kruton - lagoon - the sleeping giant here on b2, kruton is not be messed with, he channels a certain mr atkins here and delivers a dream machine opus.

the second vinyl release to be taken from thema’s strength in numbers compilation finds the brooklyn label drawing on four master craftsmen of subliminal house music with equal amounts of soul and surprise in their arsenal. stealthy operator earl stine delivers get the curb, which balances the perfect amount of percussive energy and dreamlike synths, impeccably demonstrating the considerable body of work he has turned out under a more familiar name for smallville records, mule musiq and pampa in the past. pressing on transparent vinyl.

eeewalk. the same track will reappear on the first crystal bandito solo ep alongside three new productions, which label boss jimmy edgar has included on his forthcoming mix for the fabriclive compilation series

the super disco edit team have pulled out all the stops on this super un-issued 1979 disco dancer from the stable of world renowned musician stu gardner. here he teams up with the beautiful ms irene cathaway to bring you a unique slice of disco madness. pulling away from too much disco cheese and sleaze mr gardner kills it with some organ work like no other disco ‘12! a 6 minute party jam, with those lovely disco drum breaks towards the end. but hold on, flip it over to get another lovely un-issued feel good track called he can ring my bell, dropping like an emotions out take!. so two previously un-issued tracks, in a 350grm customized disco sleeve, with inner. this is limited once again,with a no repress policy.

every wph summer brings us…the wph summer special! well, some summer specials have been known to be released in the winter, with huge acclaim from the cold masses who had something to warm their hearts and souls to. so we figured we would release another summer special in the winter… the mysterious-but-not-really harry baldi kicks things off with ‘something for your mind’, a sample-ridden up tempo house workout that will also go down a treat on techno floors. solid yamaha bass anyone? up next we introduce a new belgian member to the wph family. dj miclem has quietly been working on his music and now it’s time to let some of it out of the studio and onto your decks. this is the vintage wph sound that got us on the map!

one copy per customer .... levon vincent returns with his most ambitious yet concise work to date: no less than a quadruple lp on his own imprint novel sound. the entire gamut of levon s unique talent is expressed in it s fullest here: stark minimalism adherent to the the groove - submerged industrial rhythms and flexing, dubbed-out basslines - shimmering leads and beautiful melody. set to be an instant classic, levon vincent s self-titled opus is finally upon us!!

brighton s ever-cultured black key label pushes on with another house connoisseur for its next release, namely the venerated scotland-based deep house producer brad peterson. opening up the ep is -monsoon- a nice and propulsive house jam that journeys through deep space with infectious drum hits and radiant synths fleshing out the rubbery groove. -sit back- is a more reflective and sombre cut, with wallowing, liquid chords draped over a ponderous, snaking bassline. the classy, cultured work continues on closer -cloud remedy- with its reverb coated hits, decisive drums and carefully spraying, ever shifting synth patterns. classic but not overly reverential of the past, it s a beautifully musical bit of deep house with gently tumbling, starry night sky melodies to die for.

caul is the new album from last harbour. based in the northern english city of manchester, last harbour play music with a dark, gothic heart yet their songs are always beautiful and transcendent. after working with producer richard formby (wild beasts, spacemen 3, ghostpoet) on two previous albums, the band took time out after touring to build their own studio in 2013. this new album was recorded in that self-created space over a year between 2013-4 and bears testament to a patient and detailed recording process that allowed time for experimentation and careful arrangement.
the vinyl lp includes a code for free download of the full album.

another rare nugget culled from west ends incredibly influential back catalog. theres never been someone like you is a smoothed out soulful disco jam and a paradise garage classic! produced by the mighty kenton nix whose credits include working on records for taana gardner, gwen mccrae and the treacherous three among many others and featuring the exceptional vocal talents of underground soul singer bobby youngblood.

opening up with the deep space atmospherics of quiet life the album immediately transports you to another world. the title track is then a melodically lush and uplifting affair with curious synth patterns ebbing and flowing beneath crisp percussion. tracks like we search for answers combine organic, wooden textures with more synthetic and trippy synth sounds that are as far away from your standard sample packs as can be imagined. across the course of the album there are dark, moody and emotive pieces like worship (previously released in extended form on the mdl02 single) featuring qzen who reads a poem by patience agbabi in tantalising fashion as well as heavyweight, dubbed out techno groovers like shadow theory. make it true (of which seth troxler will be releasing an extended edit on his play it say it label, complete with high profile remixes) is another great collab featuring the vocals of jojo de freq, and the track itself is a harmonious, radiant house jam that is humid and human in equal measure. the otherworldly, snaking feel free again showcases berkson & what s ability to coax alluring emotions out of their machines and closer logan five wraps things up in suitably spangled, textural fashion. despite the fact much of this album will work on a dancefloor in the hands of the right dj, there s an invention and musicality to it that renders the whole thing hugely listenable away from the club. a testament to berkson & what s analogue invention and fluid ideas, keep up appearances really is a master electronic oeuvre.

new label from brooklyn s nathaniel jay, also known for his love revolution label, and his work as half of soho808. original music by casey tucker, whose recent releases on boe off-shoot, for those who knoe, inspired jay to seek him out. on remix duties, italys underground don, nick anothony simoncino, of l.i.e.s., echovolt, skywax, quintessentials, and his own label, hotmix, to name but a few. nathaniel is promising big things for his new love notes imprint: this is going to be the best thing ive ever done. we ll take him at his word until he gives us reason not to.

ltd warehouse found... the joubert singers – stand on the word remixes available 12inch, including larry levan mix and exclusive reworks by patchworks, panoptikum arkestra & walter mecca. originally recorded live in the first baptist church in crown heights, nyc, in 1982 under celestial choir and pressed only for the congregation, it was then enlighted by walter gibbons (owner of jus born studios and a new born christian at the time of the recording), who acquired a copy and played it out at the 7th av. rock and soul shop, where he worked. >stand on the word< was walters biggest record at the time, says colin gate, who visited the church in order to track down the origins of the song.

limited 12 inch on the tiny don pedros label from nigerian disco supremo bobby i.g featuring two of his best and most sought-after tracks on one slab of loud-pressed vinyl. originally out on the impossible-to-find *bomp* album in 1980 (i.g.s one and only release sadly), these cuts are top-class examples of early nigerian boogie, both heavy ass-shaking floorfillers boasting some phenomenal funky guitar work and ultra-groovy bass. first up is the awesome collectors favourite *disco power* while on the flip we have the equally desirable funk monster *funk ina ghetto*. totally brilliant - dont miss!

limited 2015 repress! 180 gram. vinyl only. special inside-out-cut (d.h. die platte wird von innen nach aussen abgespielt). gatefold cover.
- >finally i can show you our first release. we were working on it more than one year. i am happy to represent you this ep with 3 tracks of my good and talented friends yate which made me think about our own label. hello from ukraine! n.<

wph kicks off 2015 with a new e.p. by the mighty luv jam from wales. living in a universe that is entirely his own andrew cole has cooked up two more of his ‘especially for wph’-tracks. one here at wph hq can only be flattered! ‘californian freestyler’ is the more peak time burner of the two, but ‘bmx bandito’ will not disappoint the more discerning punters out there either. on remix duty we find the main artist from our friends at uncanny valley in dresden, jacob korn. any work by jacob is always a treat and this here is no exception. flexing our digging talents we have also licensed a luv jam remix from the good people at panta rhei that was only released on limited 7”. we feel it deserved to be on a 12”, so there.

finally. a taster of what we have been waiting for a long time, four tracks from motorcycle boys upcoming album - squalo. with a quad of dancefloor ready tracks at your disposal this 12 has something for everyone. need to kick your disco-dance party into touch? no problemo! mutant house and dischord disco sit alongside girl friendly drum workouts and emo disco. its disco, but not as we know it. look out for squalo in the later part of this year, but dont miss your chance to get in on the action early. this 12 is not to be missed. did we say essential?

see double is the new offshoot of luca cazal & brigantes highly acclaimed double drop label. *maya* see doubles debut release by luca cazal, is a live 909 workout combining other-worldly vocals with detroit inspired string stabs and was recently featured on richy ahmeds radio one essential mix. check out the killer dub on the flip as well.

work them records begins 2015 with a remix package of radio slaves 2014 release, werk, that takes in versions from dj richard, dan beaumont and s:vt. white materials man dj richard takes the cut into trippy, technoid house territory while dance tunnel impresario and london institution dan beaumont cracks out his 909 and servers up a strident pumper. work them artist s:vt closes the package with a powerful rework that channels the originals tone perfectly. with a release schedule that includes tracks and remixes from mr ties, adrianna lopez, young male and newcomer caiazzo from queens for 2015, work them records is looking sharp

ltd 2015 repress !! moodymanns >its 2 late 4 u and me< was one of our favourite songs last year and therefore its a great pleasure for us to get the official permission from mr.dixon to publish this nice remix. what can you do with a perfect song as remixer? youandme take this challenge and try to transform it a little bit more to the dancefloor and work out a lot of details carefully with much respect for the great original

funk you quickly established itself through the italian scene, since it formed as a djs and party promoters collective, as one of the biggest techno parties in the country. funk you is now coming out with a limited series of vinyls. the first wax -the continuous body - is an outstanding work from oniks, raised in milano and residing now in the well famous dude club, with three originals tracks and one remix from max m, the label manager of m rec ltd. the tracks draw upon ideas from various points, forms and transform it on a physical object.

florian kupfer is back. this time he shows a glimpse into his diversity and depth. starting in the familiar territory with his trade marked, blue eyed freaky soul vocals and rough beats before meandering his way through strangely sad blown out drum workouts and hip hop styled new beat tracks... comes with full color sleeve.

with the bizarre feeling ep laying the sound for the subsequent fist year of the label, it is right jamie returns with ep#2 to move things forward with another twisted take on his unique mutoid-protoid-machine-funk-groove. starting with mad obsession you would be forgiven for thinking you ll have bizarre feeling part 2, with warped vocals - taken from late night, half asleep scribbled notes - and space echo haze, but let the percussion work-out trip you up and the stars in and before you know it things start going leftfild and then deeper with the free party sound system bass line shuffl of time nearly time. what he is on (about), no one knows. it is on the flp however that things take a darker turn. beyond the confession booth, down sharp stairs and dripping ceiling to a red light lit room of latter day late night blues.

the occasional (but always excellent) street edits series returns, this time with a trio of high-grade scalpel works from chicago re-edit hero rahaan. as usual, the source material is dusty and obscure, and the reworks revelatory. -city of disco- is in many ways typical of rahaan s work, with carefully cuts and loops being used to create a thumping, house style groove (admittedly one that pays due reverence to the source material). there s more of a celebratory, soulful feel about the impeccable -strung out-, which turns a little-known disco-soul gem into a huggable dancefloor classic. best of all, though, is -brighten you up-, which sits somewhere between later electrofunk and early house, a proto-proto gem, perhaps. either way, it s a killer.

8th vinyl from gilesku series delivers another talent on display. a very intelligent work from one of the most promising slovenian producers you should pay attention to in the future - vid vai. a three track ep opens with an intelligent minimalistic track somewhere out there - this catchy bassline, wicked and smart game of beats will definitely open your mind and take you on a ride. eleos is uncompromising dancefloor bomb with strong acid line, accompanied with warm synth theme which will take you back in time. to conclude this amazing ep, here is hidden projections track, another acidish gem that proves how talented vid vai is.

the index expands into its fourth chapter with a rich collection of tracks from key label artists marcel fengler, thomas hessler, echoplex and vril. label co-ordinator marcel fengler drops scion on the a1, a non-typical, deeper house-influenced jam with a floating, mind-melting soft-focus. abstract, crafty techno meets classic sunday-afternoon vibes in this unique offering. after his wonderful 4-tracker on imf003 promising talent thomas hessler continues his run with the melodic and stark journey track, the escaper. what is initially shrouded in mystery and melancholy opens up into a funky, us vs. uk-styled workout, snapping snares and reduced percussion driving the meandering synth theme. echoplex, who graced imf002, also returns with a suitably trippy and percussive number, entitled the relapse. building into a bleepy, freaky, acidic killer, complete with some cleverly deployed rave vocal samples, filtering in and out of the fluffy aesthetic, the long-serving polish master is still on top form. going for impact and stand-out sound design, vril offers thronwagen, a mesmerising arrangement of synth layers, classic techno stabs and overlapping themes. already well-known for his powerful drums and bottom end control, this more musical piece goes a long way to showcase some of the german producers many other talents.

madrids synth alien returns with a fresh ep out on cyber dance records entitled *stellar walker* that shows off his spaced-out and italofied influences in just the manner we have now come to expect from that label - slow-motion chugging synth workouts that are rich in atmosphere, confident in pace and arrangement and most importantly jam-packed with heavy riffing and piercing melodies from start to finish.

as we like eclectic sounds from different genres within electronic music, our upcoming release leads us into more deeper and dubbed out grooves. to this occasion we have invited a new project to our roster, novio dub tribe who delivers some slow and warm sounding grooves to us, or as we call it, an >old school dream< the man behind the project is no other than roger gerressen and friends, who has already convinced many listeners with his works in recent years and we are really proud to welcome him to the label family. the track -boundary dub- is coproduced with ivano tetelepta. we continue our journey to deliver quality, timeless music, as always on vinyl!

the enigma that is black swan has emerged from the shadows to deliver its second work. awash with chilling ambience, found sounds and haunting samples, the quiet divide reins in the phantasmagoria, examining the blurred in-between, the darkness that lies at the divide. creeping ever so slowly out of the confined spaces of its previous work, in 8 movements, black swan moves further into the crevice, mining territory unbefitting to most composers. upon surfacing from the muck and grime, the resulting work is disquieting and poignant, exposing the listener to the inner workings of the desolate in hope that they will never have to plunge themselves into it.
12 inch vinyl lp only limited to 500 copies worlwide.

legworks 2nd single comes from another one of our texas compatriates, the indelible brett johnson, fresh off some amazing work on classic, get physical, rawax and other killer imprints. the mission harks back to some of our favourite dub-techno moments, but keeps its own flare with bretts signature robo-rhythms and chopped and screwed vocal cuts. on the remix tip, its label head lance desardi & convextion bringing their own flavour to the table respectively, with lance stepping to the chord memory, deep bass, and over sampled drums, and convextion going all the way out into hyper space with his usual sub-aquatic space funk.

franck s wanderlust is a no-nonsense kinetic house cut with an old-school male vox sublimely worked over bubbly bass, weighty percussion, and resonating intonations. up for remix duty is rouge scoiety label head and uk-house stalwart jordan peak who strips things back to deliver a dark and brooding cut, cultivated over pulsating bass, stabbing synths & shifting percussion. on the b-side alex s microsociety bubbles into life over warm bass, soft pads and whirring intonations to deliver a beautifully basic slow-grooving house cut. meanwhile visionquest & cadenza affiliate cesar merveille punches out a robust re-imagining over rolling bass, subtle tones and fluctuating drums to supply a raw and dynamic techno cut. two superb digital bonuses come from danse club records head honchos brodanse and torino native and carnival records boss marcelo tag to round off the fine six-track ep in style.

marco shuttle releasing his first solo album visione on his eerie label. having since released on clone, the bunker and time to express, this year has seen shuttle hard at work at his first entry into the lp format

the third album from public enemy - originally released in 1990 - back on heavyweight 180 gram

copenhagens tartelet records reach their 30th release in style! this va birthday party features label regulars like uffe alongside a whos who of modern german house heads. tito wun & damiano von erckert from the cult ava imprint, cosy up alongside mpc wielding giants like max graef & glenn astro (alongside regular sidekick inmyrmind) submerged funk loops, off kilter chord work and sharp disco percussion share a packed dancefloor with heavily delayed hip shakers (swing set to the high 70s) elsewhere gritty, tightened up 4/4 sample house rocks out alongside neck snapping mid-tempo cuts, all concocted from a wholesome melting pot of four decades of black american music. its raw & for the floor, you couldnt ask for more

the second of the three vinyl eps featuring tracks from perc trax’s ‘slowly exploding’ compilation groups together three of the label’s main artists and closes with a producer making his perc trax debut. the a1 slot goes to label boss perc, whose ‘hyperlink’ builds on the sound of the dancefloor tracks of his last album with a huge kick giving way to swooping 8-bit chords whilst sawf’s ‘goves’, already tried and tested by perc over the last few months is an unrelenting breakbeat monster. on the b-side truss delivers one of the stand-out tracks of this series, with the surgeon supported analogue juggernaut that is ‘brockweir. closing things off is drvg cvltvre, who lowers the tempo but not the intensity with one of his trademark 303 workouts.

spencer parkers *rights for men* drops on his work them records this december with an instrumental & dub version in tow. 2014 has seen material from radio slave, concrete (paris) crew the outsiders, pittsburgh track authority and young male all grace parkers work them label, turning more than a few heads in the progress. closing the year out with his own 12 inch seems a fitting end to 2014 and in typical work them style, parker has turned an in unabashed club work out which is the berlin-based producers toughest work to date, evoking some of the aesthetics of his work as its not over.

that future starts right here with the release of the check point ep and a title track that thunders straight out of the blocks with its steamroller kick drum and mighty bass synth. wade then strips things back, rolling out pulsing bass and percussive vibes on dark shadows before dropping more imperious drum work as he closes the ep with sunday in the sky.

the opening track on this double sided gynltd series comes from hironori takahashi. speclaz displays sharp panned cymbals and sonics, underpinned by a pulsey rhythm and modulated organesque synths. the takaaki itoh remix is a deeper and more moody affair, albeit with a similar syncopated rhythm structure and some tasty modulated acidic synth stabs with filtered atmospherics. on the flip-side, myk derill s crossroads takes a turn for a more broken industrial rhythm with looped vocal chants holding it all together before breaking down into a washed out synth breakdown, then returning to the pre-emnent fat rhythm and vocalised stabs. finally track 4 sees philippe petit remix, with the artist opting for a very stripped back 4-4 hi-hats/percussive workout underpinning minimalistic modulated synth and gentle bassy offsets. the most tooled-up track of this ep.

for much of the brooklyn duos career, beacon has worked with a kind of effervescent, forward-looking r&b that evokes out-of-body experiences, but with their new l1 ep, the music is anchored assuredly to your flesh, bone, and physical senses.

low lit mini album from willie burns & florian kupfer. recorded together in brooklyn, new york 2014. reptilians beware.. tip!

nice price deal !!! eric copeland is an american born experimental musician and a member of the band black dice since its inception in 1998. as a solo artist he has written and produced six albums as well as countless singles through as many years, and has forged his own path creating an intimate and deranged space which his music exists in. logo my ego is his debut record for the l.i.e.s. record label out of brooklyn, new york.

jack vanzet is a melbourne-based multi-instrumentalist, producer and visual artist who records under the alias thrupence. his debut ep voyages was released independently on the thrupence bandcamp. he has played outsidein festival the same year alongside flume, shigeto, smoke dza to name a few, supported chet faker at revolt in melbourne, sold out his voyages ep launch at workers club in melbourne and played alongside oliver tank, mitzi, lost animal at melbourne music week. pressing on translucent blue, multi-color splattered 180 gram vinyl, download code included.

ltd nice price action !!
sound exists to be stolen, cut up, re-arranged, and turned on its head. good sound, once produced, should be preserved for proper arrangement. docile #21 is a collection of elements that have been captured from unique sources and fused into fluid creations. environment and progress of time are catalysts for a creation to form a process. dociles nameless and faceless process works to liberate a new sound and describe its’ own natural pattern. docile connects to the random to pull out patterns, those patterns can be honed down to construct a logical but abstract funk. mistakes are made and processed and reworked into a melody. nonsensical, indiscriminant, drunkin funk turns to soulful harmony with presence and conviction. immature tantrums and rambunchous crunching mask a bi-polar need for smooth rides with snacks and naps.

cosmic disco ensemble midnight magic find their way on to the ever adaptive soul clap imprint for their next release. -viscous love- is a 5 track ep which see the magic ones explore the more spaced out corners of the disco universe. the ep starts with the funked out, slap-bass heavy, night flight before weaving its way to the more slo-mo pitched down viscous love and pick up , the later showcasing some synth work that parliment would be proud of. trouble t and electic shock finish the ep with aplomb, electric shock being one of the stand outs of the release with its driving italo-disco bass line.

san proper vocalising.....comes with a jacques renault remix the label say: - some think freedom comes with a price, others say freedom is a prize. then you have people who claim -the best things in life are free- . it takes up quite some time and effort, or better yet- work , to sort out answers to these questions. one might feel cornered by such issues...