with a solid collection of productions and remixes to his name, arturos music has helped define the unique and emerging silicon valley sound. this approach blends the driving, beat-laden beauty of techno with the soulful, deep melodies of house.

both roberto and his own fossil archive label continue to go from strength to strength. roberto has consistently delivered at dj bookings that have seen him return time and again to the likes of tresor and fabric, while the label has fast become a favourite in dj boxes and amongst techno heads. the label closed 2016 on a high with its first set of remixes from two techno legends, sterac and rolando. and now for the first release of 2017 roberto is thrilled to draft in the refined skills of fachwerk�s roman lindau. roberto has of course released on fachwerk in the past and been featured on the bill on more than one occasion when the berlin label have taken over berghain, so roman is a fitting and very welcome addition to his uk imprint. teaming up for �nerinea trinodosa� on the a-side, roman and roberto�s production styles complement one another perfectly on this solid peak-time offering, bringing a depth and power that continues the fossil archive dedication to raw and unfaltering beats. roberto then goes it alone for �triage� on the b-side, a track which was already featured on alan fitzpatrick�s recent fabric mix cd. with its tough tribal sound and deep bass, there�s some serious funk in the groove, completing another essential release from the fossil archive camp.

it�s the forgotten place. lying between the mountains of northwest tunisia and the algerian border, the bargou valley and the village named after it lie isolated, away from the world. it�s poor, barren country, but standing apart, bargou has developed its own culture that had never been documented until nidhal yahyaoui began the task. born in the valley, he grew up hearing his parents and family sing the songs that belong to the region, and he was determined that the music and traditions shouldn�t slip away into obscurity. with targ, the album he�s made with his band bargou 08, yahyaoui has perfectly fused the past and the present to place bargou on the map.
the 180 gram vinyl comes in a gatefold sleeve with download code included.

its a well-known fact that total science are massive winners � or weiners, depending which sausage factory you bump into them at. and here with their brand new turn around ep, theyre now putting that into vinyl format with some of their nearest and dearest fellow victors. comprised of four killer cuts that combine a raft of their influences, the title track turn around takes you back to the early 90s jungle sound. they combine once again with symmetry label boss and all round drum and bass badman break for big time winners, summoning the ghost of rave past. the music master calibre steps into the cia fray once again to remix the beautiful ts classic walk the same lines with riya, and they also combine with fellow bristol resident and technical wizard dlr on too close for comfort, taking you down a deep rabbit hole. total sciences turn around ep signals their intent for 2017 � consider this your first warning!

following his recent releases on delsin and deep sound channel the prolific dutch artist conforce is back on his own transcendent imprint with some filmic and atmospheric tripping techno action. hypothetical future point sends you further into the more ominous and industrial spaces of his alias. spiritual techno with with a wink to the past. boris crafts music with attention to detail and blends influences from his silent harbour and hexagon monikers that seems inevitable.

voilaaa is one of the many projects led and produced by bruno �patchworks� hovart, who�s proven over the past 15 years, his place amongst the finest producers of groove music in all genres.
this time exploring the wide spectrum of the african and tropical disco scene, he received a massive international support for voilaaa�s first album, on te l�avait dit, released late 2015 on favorite recordings. with a second effort already planned for spring 2017, voilaaa has not finished to feed international dancefloors with heavy afro-disco vibes.
here comes the first single from voilaaa�s upcoming second efforts, made of 3 new killer tunes featuring doctor lass, sir jean, and pat kalla.

for our first release of 2017 and number 023 in the fina catalogue, we are super happy to welcome finnish producer saine to the family. saine has been on our hit list for a number of years and we are delighted to finally be releasing his aptly named mint ep saine delivers 3 classy cuts brimming with hip-hop fused, organic house sound that have always grabbed our attention in the past on labels such as sleazy beats, black ops, voyage, odd socks and quartet series. the mint ep continues in the saine vein(see what we did there) with obscure sample wizardry, thumping straight-to-the-bone beats & wavering analogue synth textures which do not disappoint. it is with great pleasure that we kick off 2017 with a bang & present saines mint ep � this ep is a must!

hotflush welcome lara wehbie aka blursome to the ranks with her debut ep �rendition of you�. raised in north carolina and currently residing in brooklyn, wehbie has come a long way since beginning to work on music in 2011 as a way of channeling her diagnosed depression and anxiety. she describes her work as a transitional darkness, something she says defined her sound even before she could manage the software she uses to make it. in her own words, �rendition of you ep signifies major transitions in my life over the past year and how my environment truly played a role in handling situations. it s a testament to how much happier i am now than i used to be. i still struggle but i m truly thankful for the influences i have around me that have made me a better individual and artist.� along the way she has attended the red bull music academy bass camp in 2015, and after an appearance on scuba s 2016 fabric mix, she debuts on the label with an experimental six track ep. side a of -rendition of you- introduces listeners to her experimental use of vocals and heavy percussive influences from the left field genre. side b dives straight into dance floor material with pounding kicks and and interjecting vocals, but then slowly winds down into a more melancholic ending with piercing synths rattling through to the last drop.

different shapes & sizes is a new, 3 part series of eps from berlin resident spencer parker forthcoming on his work them records imprint over the next few months. conceived as a neat way of showcasing parkers love for different shades of house and techno, different shapes & sizes takes a walk through the rekids artists love for the subtle differences in the genres he tends to focus on most in his sets. london-born parker has been in fine fettle this past few years with his its not over project riding high while work them records has been lauded for tracks and remixes from the likes of radio slave, rodhad, pittsburgh track authority, young male and dan beaumont. different shapes & sizes: part 1 a double a-side exercise in muscular, simplistic house workouts, drops on vinyl and digitally in february with parts 2 and 3 following in march and april respectively.

we are seemingly headed towards dark and confusing times. the tension inside of the people is rising so instead of putting more gasoline to the fire and fueling the rage i submit to you these sounds of peace. not black music or white music. not borders or class. just music. it�s time to stop labeling music, just as it is time to stop labeling humans as 1st class and 2nd class citizens. if you can ignore my broken voice and if you could only look past my music�s imperfections, you would feel me instead of hearing me and maybe then you could get a small glimpse of the hope that the people feel when they are at my concerts and understand the idea that many great men and women before me like bob marley and john lennon had, that we are all one. the idea that had brought hope and countless others. the hope that makes them scream: peace forever. (charles x)

super music for super people. lucky you! the universe must love you dearly because you are about to experience the various artists series from the fantastic ursl records. this record is jam packed with only the best tracks from all-time - past, present and future! original hits from original stars! play this record at any party anytime and you will be the undisputed hero of the night, a true master of ceremony. simply place the needle to the record and watch as the boys and girls instantly transform into crazy party monsters, smiling from ear to ear, exploding with love and and funk on your dance floor. each one of these body-rocking ursl superhits have been played by super famous superstars on dance floors across the galaxy and throughout the entire dimension of time to devastating effect. so grab this red hot compilation of solid-gold chart-topping ursl superhits today. it�s guaranteed fresh to infinity and beyond, yeah!

following two staggering contributions from the analogue roland orchestra and 2030 that illustrated to boundless sonic possibilities for the label, deep�a & biri return to their tel aviv-based black crow label with a pair of powerful, emotive techno cuts in the style for which the duo long since become admired. for a long time one of those admirers has been detroit techno founding father derrick may, who has been on a mission to push the new 12inches a-side, basic cycle, into instant classic territory through his unwavering commitment to making the track a highlight of his sets. may has been far from alone, with the track being one that d&b have been asked about, if not outright begged for, over the past year or so. it finally becomes available to techno fans worldwide in january 2017, backed by the pummelling rhythms of overdrum, which itself has the potential to turn heads and drop jaws all by itself.

asymmetrical code is the evolution of what is known as techno today. the -code- or song, takes you on a journey to the future of the past where you can find an alternate you through contemporary realities and soundwaves.
starting in 2013 as an underground label with no public releases, the main goal of fragmento & tracy (owners) was to find and collect the perfect sound, ambients, and grooves to carry you to the musical meaning of asymmetrical code. on this journey the listener is also accompanied by visual stimulants created by the label, to influence or facilitate the mind to wander and build a new creativity within you.
in this opportunity we have the pleasure to introduce in the a.c.r.002.v. artists such as endlec - fragmento - ryuji takeuchi - tracy & mtd. stay tuned for the a.c.r. 003 .v.

the eleventh release of tiefenrausch sets the start for the third cycle of five deep techno releases. coming up with a four track ep by upwellings who contributes his duby �tales from the underworld� to the tiefenrausch catalogue. with �echoes from the past� upwellings brings the entrance into this musical journey. the immersive groove of �stones lullaby� takes us into the deepness of this laid-back dubtechno sound. �when the lights fade away� is the dancefloor focused tune on the b-side of the vinyl while �hearing the solar wind� covers the ambient side of the genre and brings us back to the shore. the release is designed by alex ketzer who joins in for a collaboration with the illustrators magdalena paz and florian gassmann for the next five releases of the tiefenrausch label. the audio is mastered by salz music and the ep comes shrink wrapped.

sometimes you can tell from the first listen of a recording that its creator has a totalizing vision that transcends time and genre. you will experience this rare sensation when you play panoram�s �a doom with a view�. the italian producer has tapped into a vein of surrealist sonic collage that s at once allusive and elusive. the album parades baffling micro-movements past your ears like a secret history of misunderstood musical remnants heard on damaged media formats, 50 years after a catastrophic disaster. it exposes continuity and logic as specious myths, jettisoning these vestigial elements in order to make space for a higher form of aural alchemy.

after blessing wolf with a fantastic remix of mr. fries on wolfep033, hodini steps up for a full ep on the label. having started out producing hip hop alongside retrogott, the mpc addict has been turning his hand to more uptempo grooves in the past few years having released music on max graef & glenn astro s money $ex records & damiano von erckert s ava. the hip hop influences can be heard throughout the ep with the two a side cuts primed for the dance with their heavy soul and jazz sampled grooves. the flip features the hip hop beat, represent right here & the ep rounds off with the mid tempo collab with hade, parashutes.

like a memory you can�t remember having, surely lost to the past but resurfacing at the hit of the first steady note. so sudden and unexpected it curiously scratches the shell of your inner self. as he himself states: kerala dust makes music for a desert he�s never been to. once again, we have a new addition to the family, once again, like finding the piece of a puzzle you didn�t know was missing - three pieces to be more precise. carefully crafted music from the head and hands of this one plus two project, completed by a mesmerizing remix from the walking understatement dwig. welcome home, kerala dust.

for the past four decades, a growing cult of soul music collectors have sought two obscure lps and a handful of extremely rare 45s released on the vanity record label lad productions, inc. between the late seventies and the mid eighties by the mysterious south side chicago singer/song writer larry dixon. larry s raw songs capture the transition from r&b to boogie-down as disco was rapidly becoming extinct. they also perfectly illustrate larry�s ability to overcome his environment and discrimination, transcended by his determination to write and produce music. with the support of his faithful musicians, larry s success was only hindered by lack of airplay and promotion, but his talent shines through. this is the story of larry dixon, his label lad productions, inc., and his friends and family throughout four decades of music in chicagos toughest neighborhoods. jerome derradji is proud to reactivate past due records the boogie funk division of still music to release this fantastic archive what many consider to be the holy grail of chicago funk, boogie and soul.

baricentro is an italian funk-rock band founded in 1976 by two brothers francesco and vanni boccuzzi, after the release of two albums in mid seventies (sconcerto and trusciant) for the major record company emi they recorded in 1983 the single tittle tattle representing a clear innovation in sound from their past, without believing that would receive a positive response in the new york city underground music scene and soon becoming a paradise garage and loft classic. best record italy today came out with this special reissue-project as a limited edition ep, remastered from the original master tapes and containing for the first time all the versions from 1983 and 84 including the unreleased dub that was previously available as an acetate cut only for deejay play.

brazillian-born daniela caldellas returns to hotflush recordings with misantropicalia, a three track ep, with each one showing different facets of her influences, further enriching her identity as terr. picking up where last aprils burn the past ep left off, terr continues to develop what is becoming her retro-futurist signature. the unmistakable footprint of electro, as well as a palpable nostalgia for the early 80s, is present throughout. the title track perhaps even betrays a whiff of italo or hi-nrg with its moroder-esque bass and silky guitar licks, before moving into pure body-popping, linoleum dancefloor territory on the b-side. outrun is an invitation to do the robot worm best heard on a portable ghetto blaster, while dont look around rounds off the 12inch in galvanizing style with hints of electroclash in fractured, fleeting vocals and beats of the fat variety. misantropicalia shows terr with her influences on her sleeve, and her gaze fixed firmly forwards

substrato records features techno veteran edit select on its most recent release, points of contact. the ep is in line with substrato�s signature sound � stripped down hypnotic percussion with deep ties to techno�s past. at the ep�s outset, edit select layers straightforward loops into complex textures, weaving careening synth lines through skittering hi hats and driving kicks. faction 1.1 brings the composition to a subdued close with warm, thrumming percussion that evokes a propulsive ethereality. at its fourth release, substrato has firmly established itself as a techno label adept at driving techno with psychedelic, shamanistic impulses.

reissue part. 1 is the first release of our new series where we select some of our past tracks, released in the beginning only in digital format on sonntag morgen and now available also on vinyl. enjoy this 4 tracks ep with kwartz, rommek, phara and mental resonance.

foureal records start vinly series in the past release japanese artist only release 1st release artist miruga released ethereal sound,blance, aesthetic audio, rawthenticity 3tracks of characteristic of his atomospheric&emotinal this tracks use from morning of open air party to club in early time.modan japanese techno

dj loser kicks off his vinyl debut with your eyes were telling me that you really cared, a soothing and sun-bleached late night downbeat driver, which gives way to a2s untitled menacing and jacking tone that is sure to bang the dingiest of darkrooms. b1s i ve got dis (but i can t do it) is a bona fide slammer made to liquify whatever is left of one s mind way past the midnight hour, while seixlack s rendition of the latter brings more paranoid and percussive-led assaults to the table.

hailing from the city of bucharest, nice n trick have been earning their stripes over the past couple of years, which includes having works on labels such as mulen, heisenberg, arupa, baile musik, tzinah and many more. their track adiacent delivers the vibrant sounds we love, brought together with tight percussion and warm soundscape

making a welcome return to wavereform after last years effe ep, qindek is back with the kind of distinctive dancefloor alchemy that promises to get under your skin and create an unforgettable experience. hailing from deventer in the netherlands, thomas lauren has already issued some essential releases over the past few years for labels as respected as wolfskuil and sneji, and now he comes back to wavereform with one of his most potent creations to date.

statue is a live percussion based dance project, the brainchild of melbourne drummer tom gould. over the past five years he has honed his craft in cult melbourne bands no zu and worlds end press but now greets the dance world under the moniker statue. after featuring in last years beats in space - best of the year list with his debut 12-, his second ep �monument is a reflection of the human and a testament to dance floors both indoor and out. monument further establishes statue as a fixture in melbourne�s dance music culture, constructed for both warm afternoons and the sweaty early hours of australian summer. the ep traverses multiple tempos, between techno, house and tribal percussion, creating a world of warm percussive dance floor odysseys arriving parched and thirsty for more at it�s aural peak, monument. the expedition ends with an expansive remix by disco halal king pin and recent esp institute alumni, moscoman

cubicolor present their debut album �brainsugar� as a double vinyl edition.
having launched in 2014 with two members, dutch producers ariaan olieroock and peter kriek, cubicolor now welcome british vocalist and former duologue front-man tim digby-bell into the band as their third member, following much loved collaborations on �falling� and �mirror play� over the past 12 months. in his time with duologue, tim produced, co-wrote and sang on two records acclaimed by the likes of the guardian, nme, diy mag and the line of best fit.

outcast oddity returns for their first full artist ep. who better to ask than sebastian voigt? his contribution to the label s v/a 003 compilation called lux aeterna�, was a transcending techno trip that turned heads earlier this year. just as the ep s title, or rather the lack thereof leaves room for interpretation, this music refuses to be categorised too easily. rough around the edges but effortlessly elegant, one foot in the past and one in the present, sebastian delivers three mature tracks that evoke memories of acid house, uk rave, sweaty basements, strobe lights and euphoric moments.

hotmood dropped one of the beatdowns biggest records this past summer. out of no where, in the shops one day, gone the next. highly anticipated volume 2 courtesy of tim zawada�s tugboat edits picks up where vol 1 left off. not a weak track amongst the bunch, diverse selection can turn any mood to hot.

italian producer reekee has laid down soulful grooves for roots underground and wrong notes over the past year, and now he surfaces once again with this sumptuous turn for uzuri. bal-era is the perfect lead track, cultivating a classic deep house mood with passionate keys and synth lines, setting the scene for glenn underground to swoop in for an invigorating remix rich with saxophone goodness. black tobacco on the flip is a more subdued affair, but no less refined in its use of piano at the forefront of the mix, and then quartal ramps up the synth work without losing that infectious, soulful mood.

fall of 2016 sees midnight magic ready to enchant us once more with the much-anticipated birth of their 2nd studio album, the wondrously eclectic free from your spell. going back to their roots in los angeles, morgan wiley, and tiffany roth, alongside the rest of the boogie nonet, have prepared a refined feast of genre-bending songs. the ever so diverse moods of free from your spell make it a seductive journey. with each song mixed seamlessly into the next, the record coalesces into one long disco odyssey, reminiscing giorgio moroder and donna summer s concept albums four seasons of love and a love trilogy. moods, genres, and styles intertwine like an aural kaleidoscope, the album electrifying with its striking harmony. whilst exuberantly borrowing from past decades, free from your spell more than holds its own as a self-assured, innovative body of work. midnight magics free from your spell is an offer one can t refuse. an attractive deal in the form of disco escapism, traveling through its various shades, emotions, and incarnations, a comprehensive revival of the genre for modern ears. it s studio 54, it s moroder,amanda lear, gino soccio, and grace jones. its a whole palette of 1980 s r n b and cosmic funk. despite all the music references of past eras free from your spell is very much a current album, a mature demonstration of genuine skills in songwriting, a multi-instrumental banquet of sounds, a coherent collection of ambitious dance tracks and a beautiful celebration of eclecticism. add to this some of tiffany roth s most memorable vocals to date and you arrive at one of the year s most exciting releases. there is a strong reason for both midnight and magic in the name of the band after all.

nostalgic, soulful and, of course, boogie-woogie. thats how belgian dj producer boogie belgique (aka oswald cromheecke) describes the enticing combination of styles and sources from different decades that make up his music. taking vintage inspirations, most notably from swing and jazz eras, and merging them with contemporary beats and textures is the young producers forte. this is pleasingly evident on volta, the latest boogie belgique album for the cold busted label. jungle law gives a glimpse into boogie belgiques sonic palette. tough hip hop beats and funky live guitar follow an intro of jungle ambience as a trumpet presents the melody. soon some swingy big band jazz enters the song in an almost ghostly manner, while the insistent beat keeps the dance floor moving. album opener go slow shows a different side to the coin giving the listener an uptempo broken beat rhythm, some bouncy bass guitar, snippets of string loops, and a lovely, forlorn vocal line that echoes the past. its a beautiful concoction, and boogie belgique delivers on many aspects of this style throughout his eleven track album. volta is a satisfying trip in an aural time machine.

long awaited repress of this amazing masterpiece as very limited white vinyl edition. what happens when scales and patterns of contradicting emotional imprints combine? when light and darkness, bitter and sweet, frost and blaze collide? those are the questions that johannes heil chooses to address on his upcoming album, opening up a vast grey-scaled area for the listener to traverse with techno as a blindfold. �black light� sees the german techno mainstay return to the album format for an intimate ten track odyssey of close-curtained introspection. heil chooses the words of fellow futurist nikola tesla to set the stage of the black light story >black is the true face of light, only we do not see this<. track names are dropped in favor of a chronology of scenes, better adapted to the seemingly polar opposition of the forces that the figure and cocoon regular conjures throughout the album. everything that we perceive is processed and set into relation with past memories, digested emotions and iron-branded impressions. battling the current, johannes heil chooses to challenge certitudes by forcing us out of our comfort zones into the absence of light. if the pictures painted on >black light< are dark, they are also far from monochromatic. the machine-driven sonic prism acts both as the heavy cloud and the burst of light that shoots through to guide us. its the aggressor and the victim, the clenched teeth and the jubilant, the paranoia and the sanity of the mind. its pure heads-down driving techno with volumes of grandiose. provoking our senses, extending his art onto our personal canvases, the exile boss gives the listener the freedom to interpret the emotional context of each piece, to write the scripts of the individual scenes. the impression that >black light< leaves upon first listen testifies that 20 years down the road, johannes heil shows no sign of slowing down.

spring theory alumni sage caswell returns to the san francisco-based label to deliver his debut album hoop earring. it s an enigmatic record that comes from the producer s own movement through personal transformation. it follows 2015�s sleep quarters , caswell s introspective label debut, and offers 10 tracks spread out across two 12-s. hoop earring is heavily informed by surrealist visions and archetypal images from caswell�s past that have crystallized within the context of this longplay album. hoop earring successfully paints images with broad brushstrokes and allegorical song titles that allows one to fill in fine details of a landscape built within the framework ten songs. �ray of light 95�� alludes to a moment in time that smartly places you alongside an adolescent caswell while songs like �here we guard upon the soul� land locks squarely in the middle with a poignant, nail-on-the-head statement. -zora scales (step 1)- provides a focal reference to the fantasy world that this album might be the soundtrack to.

frigio is beyond proud to release the first album from alessandro parisi s sepulchral dwelling pseudonym hesperius draco. donning the ceremonial robes, the conventions of house, techno and horror soundtracks are blurred as past, present and future merge. stalking darkness and light, bordering the divine and profane, -actus tragicus- pulls the dancefloor into the murky shadows of rome. ritualistic chants, chilling choirs and hissing beats are brewed across two slabs of vinyl. bpms dip and rise as hesperius draco takes you on a winding journey through the catacombs of his world.

oh! my god recordings presents its 13th launch before this christmas. this time at the expense of tobsen graale, known by his collabs with artists as christian burkhardt, in labels like tanzbar musik or trenton records. an ep loaded with old school techno and a high dose of groove that comes along with 2 incredible remixes. the first side of the disc gives name to itself, monitoring state and daso ( espectral sound / still vor talent) give a touch of techno-house with a taste of the german producer style to their remix. the side b belongs to the original track the universe next door. a travel into the past of the most pure electronic, along with the remix from human halo and the new member of the omgr family, jos vogel, giving it a fresh touch of sound. howard the duck is back!

kidnap kid kickstarts his new label with an anthemic and emotive production that is arguably his best to date.&#8203,,birds that fly &#8203,,is an indelible cut thats timeless in nature. its accelerated by an equally moving and slick production, moments feat leo stannard&#8203,,, a captivating classic in original form as well as the paired instrumental mix. after releasing on a number of great labels over the past few years, i m excited to have one to call my own. birds that fly was born of the need for a home that felt in harmony with my musical aesthetic. im looking forward to releasing the music i love over th&#8203,,e years to come. kidnap kid kidnap kids versatility is what shines here. treading a winding path, he originally made his home on the black butter label, but has since spread his wings to encompass a more underground aesthetic. this journey has led to the conception of &#8203,,birds that fly a home for his own and other likeminded producers and a platform that will no doubt be a compellingforceinthecomingmonths.th&#8203,,e&#8203,, vocalson moments belongtosingerandsongwriter&#8203,,leostannard&#8203,,,&#8203,,who at only 20 years old is also part of the black butter family, and was recently supported by bbc introducing.

the tree, a symbol of union between past present and future, holds within itself the four primordial elements born out of chaos to create order. eklero is a project that aims to disseminate and promote music outside the classical schemes. it is a timeless space where you can experience all kinds of abstract ideas.

these songs were made over the past 2 and a half years by uchi: luna (january 2016), was named after a talking cat. it s kind of a sad story. you will find some synth sounds, three different kick drums, and a couple hi-hats. it s kind of moody. you can take it as it is, or not. pride is poison (july 2014) ironically, it s titled after experiencing dosages of unhealthy relationships, though it might be the one people like the most. it s sad-ish, noisy, bouncie, and bassie? that about sums it up. inc (february 2016) is titled after the international noise conference, where it was recorded. actually it s a 3 part spliced zoom room recording of a 25min long improvisation, made in a punk bar. the argument here holds, is it really worth it to make perfect music? where is the concept of -live- in techno anyways? it doesn t matter. it s just a semi-distorted recording of a moment that meant nothing to almost no one, and yet it lives.

vinyl only. terrence parker and detroit. the legend and the iconic city. side by side they are history. �deep detroit heat re-edits� vol. 1 and 2 document part of the strong 90�s legacy, offering new versions and unreleased material with edgy contemporary production. vol 2 follows the heat from previous release. from house to disco, from past to future this is a piece of musical history written by the hand of terrence parker, producer and dj extraordinaire. essential piece of vinyl.

limited edition, reissue, remastered, remix by ricardo villalobos 12inch deluxe sleeve with 3mm spine, custom inner-sleeve, ink stamp application, 180g vinyl. artwork: art direction by plusyes graphic design by plusyes illustration by luca zamoc. the first release of secondhand series on autum records: vinyl reissues of iconic tracks from the past, brought back to life through contemporary remixes signed by the most influential artists of the electronic scene. ricardo lends a hand for the first one.

ltd green vinyl 2016 repress re:issue
mannequin records is really proud to present the 12 inch reissue of no more - suicide commando, one of the most influential singles that ever reach the underground surface in the past 35 years. originally released in 1981 as a 7 inch single, and subsequently reprinted in 1984 as a 12 inch single with a different tracklist on the b-side, the single was in the following years spreading internationally regardless of genres and scenes.

the cd included in this vinyl edition features the 15 tracks in the same order. mr oizo (aka quentin dupieux), the french producer and pioneer of modern electro alongside daft punk, air and cassius simply can�t and won�t stop working. having released 5 studio albums, 4 osts, a multitude of eps and directed 6 movies over the past 20 years, the �godfather� is back with a new album. and this time, he is not alone as the tracklist features an impressive selection of quality guests: peaches, boys noize, skrillex and charli xcx among others. this new release will be a new occasion to further explore the mind of one of the most fantastically uncommon artist today.

outplay s newest project is a special 10 inch vinyl release with 2 tracks by artist new franklin theory.
the name was inspired by a past in midwestern usa. as to who is behind the project, some ears might pick up the resemblance to another artist you all know well. digging into his past is the main inspiration behind new franklin theorys two-tracker. expect two uptempo percussion filled melodic tracks with a slight afro-inspired tropical vibe. comes with a full colour sleeve design by joosprintsandpatterns!

spain s javi bora has been steadily carving out a name for himself over the past few years holding up a residency at the infamous, now late space ibiza and its kehakuma parties, as well as racking up releases for elrow music, suara, robsoul, 2020 vision and moda black. here though we see him paired with fellow spaniard for a new ep set to be released via london s fledgling spilt milk recordings which has played host to material from the likes of italoboyz, alexi delano and of course its founders tred benedict and st. bernard. title-track bounze takes the lead on the record, laying the foundations with snaking synth sequences, voice atmospherics and robust rhythms before hector moralez and katal step in on the remix. the pair reshape bounze with their own stripped-back distinctive style, opting for floating pads, heavily swung percussion and snippets from the originals spoken parts. ritual rights follows and lays focus on arpeggio 303 tinged bass hits, crunchy drums and subtly unfolding synth leads that ebb and flow throughout the record. the 002 then rounds out the package with dubby stab sequences, soaring pad swells and gritty, energetic rhythms

after spending the past three years cutting acclaimed records for such esteemed imprints as innervisions, hotflush, and acid test, recondite has rejoined the ghostly international fold with an ep that builds on the robust field recordings and pale, moonlit melodies of the berlin producer�s breakthrough lp �hinterland�.

joel grind (sole member of toxic holocaust) takes time out from delivering bone crunching extreme metal and has hot-wired a battery of analog synths for his debut release on death waltz originals.
alongside pentagram home video and slasher film festival strategy, this record represents the very best of the new wave of synth artists inspired by a love for cheap horror films of the 80�s and their unique synth soundtracks. the record pulses with chugging aggressive keyboards and layers of sound helping create a fully immersive listening experience that, although based in the past, has its sights very firmly set in the future.
pressing on black 180 gram vinyl.

something from nothing is a four tracker that fuses techno sensibility with house swagger, a voice calling to detroits second wave while a hand beckons the shadowy waters of house. hearts of darkness are immersed in late nights and smoke-filled basements, with past form seeing them play fabric and bugged out! an unhealthy loyalty to vintage hardware and long forgotten code means their music is analogue, not for fashion, but because it feels right. on the a,sequential circus is purest machine funk as a driving bass bubbles into self-oscillation. next, just on for the ride bounces to a millennial deep house swing. flip it for a dense future dub workout in charlie don t surf, then hotshot closes with a pad soaked vibe for the discerning warm up. a melting pot ep with all the right ingredients. something from nothing opens the door to hearts of darkness. step inside