limited nice price action
2 mysterious well known uk house producers get busy remixing ms jackson’s classic “when i think of you”. a chunky electro balearic mix in the shape of the vocal dub and a more commercial accessible old school vocal mix. fans of full intention will be pleased with this mix

the maghreban. i saw this name for the first time when ayman sent me afric, out on his own label zoot. i really got into this raw, percussion heavy stuff. asked him some new track for versatile and here is the result: smack, with his rave vs chicago vibe, and two deeper jams. more to come!

kool vibe s music today reflects the best of the 90s house music sounds that he manages to capture so well. after releasing on my love is underground & traxx underground in 2011 and 2012, the french producer launched his very own label kv records in 2013. here he comes back with a new solo project on his own label : the black & white project (pt.1 & pt.2) both records will be sold separately. these two eps invite you to a musical journey through 8 tracks which definitely prove mr. vibe s unconditional love for house music. every track is a dedication to the essential vibes of the 90s and a joyful reminder of those original days when house music was in the making.

hamburg-berlin duo hauke freer and matthias relling aka session victim return to delusions of grandeur with their second long player, see you when you get there .

two deep jams with a dashing black & white mystique around them. check the b-side: late night club appeal! what it felt like to be so wanted, so adored. no one had ever felt like that about me. it was all so dramatic. always in the wee small hours when it seemed to me that the world was ours - that we were the world.

marco shuttle and fellow italian techno legend donato dozzy team up for a duo project under the name anxur, a collaboration that combine two artits that certainly have a wide common ground when it comes to vision and musical aesthetics. the anxur takes vol.1 is the first instalment of the duos output, the release is a 2 tracker that have a strong esoteric feel as you could expect both from the label and from the artists involved but still maintaining quite a straight 4/4 dancefloor vibe

in 2011, julia thompson (dj black b1tch) gave me a tdk sa90 tape of a spontaneous live jam by insync recorded in her flat in forest hill, south london in march 1991. she had found it in a drawer when clearing out stuff. she gave it to me to listen to simply thinking i might be interested in hearing it. of course i was, particularly because the date on the tape immediately told me that the session was recorded more than a year before the release of insyncs debut, the seminal storm on irdial discs.

at once foreign and familiar, desert sound colony brilliantly scores a nostalgic journey through the proverbial looking glass. the plaintiff vibe of the way i began envelopes the listener in warm guitar licks and hushed vocals, transporting them to a time when innocence and insecurity gave way to transcendence. the road takes a turn with fire egg, a classic stomper that drives introspection with looping guitar melody and bouncy bass. and before we return to size, iris carries us further inward with scattered claps and a skipping kick, before releasing us into a deep and chugging, eyes-wide-shut, euphoric roller.

plastic love welcomes fellow angeleno michael walsh on board for the 2nd release on their budding label. walsh s debut ep showcases the producer s breadth and depth of all things rave with two distinct tracks aimed squarely at the dancefloor. before when it was new s unmistakeable melody act as a call to the dancefloor while a rumbling bassline underneath keeps you locked into a groove. strobe lights arpeggiated bassline and snappy disco drums showcase how versatile walsh can be. remixes come courtesy of label co-boss maheras as well as caravan boss and aus music stalwart dj october

the original, with a well-constructed bassline incorporates a warm up melody that begins to set the tone for the night ahead. each layer is distinct as the track begins to build itself right to its crescendo when each of those individual layers collectively come together. you can distinctly hear the 80 s like synths that are cleverly inserted into the track which are highlighted by the female vocal samples. the grittier elements add a touch of darkness and instantly transport you to a warehouse club with an intimate atmosphere. the remix, done by the widely loved tech-house duo pleasurekraft jack up the tempo a notch, and add a bouncy groove to the track. where the original brought out a darker side, the remix is more upbeat and settles in well for a peak hour set. bringing that crisp bassline to the fore, and tuning out the melodies to make them a tad subtler it showcases a more tech-house version of the original. there s an added element a slightly more haunted vibe which is coupled together with those gritty and harder elements. all i can conclude is what a tech-house bomb this is from the highly talented pleasurekraft. they always manage to bring something new and unique to every single track they ve ever remixed which truly shows their remarkability as consistently good producers.

ample play records release a heavy duty collection of richard norris recent time and space machine mixes on double vinyl, including download code. a man of many guises, he has operated as a duo - as the grid with dave ball, as beyond the wizards sleeve with erol alkan - but when it is time for some solo sonic action, he records and remixes as the time and space machine. we find him at it here: *the way out sound from in*, reworking the most cosmic beat combos around into hitherto unheard psychedelic shapes. warpaint, jagwar ma, temples, psychemagik, the sufis and more fall into the time and space machine and come out the other side with wider grins and shinier eyes. it is the way out sound from in ... all aboard.

limited repress of 500 copies on blue colore / black marbled 180 gram vinyl in gatefold sleeve plus download code.
the debut album by this important new british artist. exploring mystic and occult audio space with cello, field recordings, violins, hand made percussion and the human voice, this is barely conceivable as an artist s first album. the depth and quality is tangible in every hair-raising moment, at every crescendo when one is left teetering above the abyss...

taken from the forthcoming album *when the music s over*. pressing on transparent green 7 inch vinyl, download code included.

ibiza dc10, circoloco resident dj w!ld returns with this hypnotizing 3 tracker when you feel me - a meandering, spellbinding example of beat driven songwriting, peaking and flowing through its 12-minute journey.

here s something to stir the loins of any discerning disco dj: a studio hook-up between veteran producer felix dickinson (fresh from his much-loved outing on futureboogie recordings), horse meat disco and one-time dfa man (and renowned multi-instrumentalist) marcus marr. there s an additional contributor, too: a mystery (presumably big-name) vocalist whose talk-box heavy delivery sits somewhere between prince, george clinton and pharrell. the track itself is something of a summer anthem in the making - an immaculately produced p-funk jam with the additional benefit of a shuffling, house-friendly groove. no details on how many copies have been pressed, either way, you d be well advised to snap up a copy while you still can.

when global house player m.in takes things to the max, fans of his energetic trademark style know what time it is. its time for lowest depths, quirky synth sounds, jackin rhythms and heavy percussive drive, fueled with original vocals - for an allover feverish, addictive vibe.

pop music rarely comes as honest and heartfelt as when delivered by molly nilsson. ltd to 500 8 track ep. having traveled around the world singing to the romantic and the doomed, nilsson found herself in the late summer of 2014 in buenos aires. inspired by the crumbling andscape and the heavy hearts that populate it, sólo paraíso is not only an ode to a specific time and space but a musical novella that meditates on youth, idealism and belonging. the soundtrack to a summer you thought you had when looking over bleached out old photo albums.

the new roots album as vinyl lp in gatefold sleeve.

180 gr vinyl! currently going for silly money on discogs both records in their original incarnations caused a riot amongst disco vinyl junkies. notably an actual riot in a japanese store when the 30 ltd and hand pressed copies of parada 88 went on sale!

die soul band the revelations aus brooklyn, new york, präsentiert mit -the cost of living- ihr neuestes album. die hauptstimme auf diesem album stammt von rell gaddis, der den part von tre williams übernommen hat. rell gehört schon von anfang an zu den songschreibern der band und tritt mit der band seit jahren auf. rell wurde 1997 bei jay zs roc-a-fella label unter vertrag genommen und schrieb seitdem songs und kollaborierte mit größen wie usher, jay z, kanye west, mary j.blige, u.v.a. als band arbeiteten the revelations mit wu-tang clan, lee -scratch- perry, otis clay, willie clayton, benny latimore oder swamp dogg zusammen. für fans von sharon jones, charles bradley, aloe blacc!

groove line records completes the summer schedule with the third 12” in our series of properly licensed rare disco / funk reissues. next up is another title from the collector’s holy grail, the brothers’ promo 12” for the 1976 album don t stop now. this features one of the most sought after instrumental tracks of the 1970 s, under the skin. a luscious disco orchestration with full horn and string sections playing alongside an infectious conga groove played and arranged by warren schatz and his band, the brothers. the second side has long versions of two tracks from the album, brothers theme and make love. both tracks have the same hallmark of luxurious string and brass sections as under the skin with the brothers providing the driving grooves and bhen lanzaroni coming to the fore with his keyboard skills. all groove line records releases are fully licensed and taken from the original master tapes, remastered by nick robbins at sound mastering, and cut by matt colton at alchemy (mastering engineer of the year 2013). all vinyl is heavy weight 180g manufactured optimal media in germany, one of the world’s finest pressing plants. groove line records cut no corners when making sure that each and every one of our releases has the highest quality performance possible. the next three 12s are due in the autumn. groove line records’ deluxe reissue of under the skin is an essential purchase for any serious disco, jazz or funk vinyl collector who demands the very best in quality vinyl pressings

on a mission records is the new label runned by jef k and rhythm&soul. focused on keeping alive the spirit of house music that inspires their own musical background. the first release comes with their project: the groove brothers. a classic flavoured house package that shows the label identity. the a side starts with -soul food café-. a strong 4x4 beat, house chords, some vocal hits and catchy piano melody. an everlasting groove. -everyday- is a track made to shake girls on the dancefloor. a funky bassline and a r n b vocal sample that slowly goes warmer and warmer. a summer tune that shows that both producers really like it when things goes sexy. on the b side a remix of -soul food café- by nottingham house legend, nail. a powefull remix that brings his extraordinary touch. floating chords a boundless groovy pad and a pumpy bassline that drives the original track into a timeless uk house anthem.

insects crawl out of the fog along a branch down to the throat of the witch. 4 slow rolling morbid rhythms. yellow herb ambient.

at the end of 2013 huxley surprised everyone when he dropped his debut aus ep, inkwell. marking his return to the label, the seasoned remixer and prolific producer is likely to turn more heads again as he announces both his forthcoming ep, the machine, and his debut album, >blurred< slated for an october release on aus

when leeds duo galaxians formed in 2012, their mission was clear, to bring back beat, and at a breakneck pace, including releases on rotating souls (atlanta) and leedss own stargaze, plus stages shared with the likes of tom tom club, golden teacher, zombie zombie, and ultramagnetic mcs, galaxians are here to bring back visceral funk. with their latest release on brooklyns dither down records, galaxians have found the perfect home for a duo inspired by nyc boogie labels like west end and sam. giving them the perfect opportunity to showcase the sounds that have made them such a hit with festival crowds. it is their inherent love of nycs hard attack, that makes the bounce of ducket$z through the slippery glide of skydive all the more visceral and exciting. say hello to your new favorite gang of two, galaxians.

>when you look long into an abyss, the abyss also looks into you.<
(friedrich nietzsche)

vinyl only – no repress!
double 12 inch gatefold cover with 1x white vinyl 12 inch + 1x transparent vinyl 12 inch, art photography by stephen hitchell.

new release by craig smith for teng records, including remixes by phlash and fabio della torre.

in 1988 krs one made the poignant declaration of never trusting a big butt and a smile on boogie down productions song *jimmy*. truer words have never been spoken. fast forward 2 years later, bell biv devoe are smashing the charts (urban to pop) with their debut single *poison*, and in taking krss words of wisdom the exact phrase - never trusting a big butt and a smile has a major part of the chorus. the world over was singing it.

mike wall has become a regular guest at the our club, the suicide circus, and this is for a reason. his sets are banging, and so are his productions. when rain falls on a1 is a techno monster with a daf-influenced bassline ripping it. the black chamber on a2 comes along as a dark and spooky tune with lots of playful sounds in it. on the b-side the black chamber is being turned into a superfunctional and effective dancefloor weapon by samuel l. session in his remix.

limited picture cover! the belgian stereo express joins forces with aka aka & thalstroem as well as vocalist timmy shimmy to increase the anticipation of the long-player with the first single >when im with you<.

it is a two heads job. parisians producers pawn heart and fareed (also half of the techno duo society of silence) deliver a first split ep. for over a year, influenced by the raw sound of detroit and chicago, they were exchanging tips and compositions, catching each other, when possible, in the cold but intense urban landscape, drawn between northern paris neighbourhoods and banlieue.

yes, melodymathics will be treating all vinyl lovers with a very rare collectors item on record store day 2014.

gradus records is an unique music journey running by eskuche and nu sky. the history beginning from the moment when two great friends decided collaborate they music into something special. they left the country where they lived and moved to new york. inspired by this crazy city they built their studio, produced new music far away from day-in day-out madness of the life they left behind for a while. this imprint is oriented to deliver underground sound in originally native way - vinyl. the sound concept of gradus records integrates from the most ground-breaking house and techno through dark and deep organic grooves.

we are so excited to present you *the infamous*, the collaborative project between bülent gürler aka butch and c. vogt! out in april on a limited light-blue coloured vinyl 10 inch, the full release will follow later in the year. when we have heard it for the first time at the rebirth office we jumped on the table saying -wooow- this is an amazing piece of music!

techno-legends oliver bondzio and ramon zenker aka hardfloor are back in style this season! with their beloved machine music that is free from seasonal flares, and artificial flavours. hardfloor are still true to the core of their 303 platine circuit boards. electronic music production is nothing less than a bare necessity to these pioneers of the acid groove. hailed and namedropped by many a young producer’s today, revamped or sampled... acid lines emerge anew in quite a few tracks. but when hardfloor put acid in their tank - it is sooo much more and way bigger than a marketable gimmick or the fuel to an otherwise exchangeable battery of loops. it is the motor, the lifeline and the heartbeat to a whole organism offering a whole world of expression and – first and foremost - emotions!

ein blick auf einen teil von bob dylans repertoire, der lange als vergessen und ignoriert galt. ein teil der einkünfte geht an die wohltätigkeitsorganisation pencils of promise.
doppel-vinyl im klappcover

just when you thought sleng teng could go no further, it is back with this booming version for the dancehalls of today. dem stylee on the flip side is a perfect compliment to this limited edition white label for all rub a dub bass technicians.

in a world where the internet overflows with the bedroom edits of thousands of would-bes and never-haves, it is worth remembering that there was a time, not so very long ago, when the edit block was an exclusive territory that only true disciples could enter.

hardmoon london is a new independent platform solely focused to release music by the analog militants who are struggling against the loudness war of digital industry and want to spread the love of that warm, distorted sound exclusively through vinyl or special tapes. the tracks we are going to release are recorded directly on tape without the help of computers, so that interference, mistakes, and noise are all going to be apart of whatis pressed straight onto the 180 grams of throttling hammers grinding away. it is all enclosed within in a special printed sleeve! the first release comes by way of courtesy from the mysterious hissman who captures, with his name, the vey essense of the tapes sound: hissssss... that is the sound you hear when a tape starts rolling.

124 recordings return in 2014 with the link-up ep-four tracks split between london producer stevie b and nycs doug gomez,both delivering their own interpretation of house music recalling the heady days of the 90s without relying on the same tired and over used formulas

from the tropics comes whiskey disco, a sneaky re-edit label bent on dredging the decanter for diffident dancefloor genius from latent disco perpetrators. it is loosely connected to sleazy mcqueen and his assorted cohorts.
whiskey disco #26 dreams of the future. we went searching in outer space and found disco. whiskey disco alum, osmose, is joined by newcomers terrence pearce, mr mython and falcon punch on this 4 song compilation of standup, get down disco and boogie edits.

boston label get on down can always be counted on to produce high quality reissues of hip-hop gems, and of course this album is no exception. lord willin was the acclaimed breakthrough release by virginia duo clipse, featuring rappers pusha t and no malice, backed by the eccentric production of the neptunes. both mcs had past connections to the underground drug world, which influenced the gritty, hard-hitting street rap within. the album also featured guest spots from jadakiss, styles p, nore, fabolous, faith evans, and early-in-their career appearances from sean paul, kelis, and lil wayne. get on down now presents the album, fully re-mastered and re-constructed on double vinyl, after long being out of print in the format.

when the aquaplano records were first released in 2008 and 2009, emerging out of hardwax with little fanfare, they were distinctly out of step with the way techno appeared to be heading. the minimal detour was reaching its logical endpoint, and producers were returning to the 1990s for inspiration, with berghain and sandwell district at the vanguard of a new techno movement. what the aquaplano sessions shared in common were slower bpms and finding inspiration in the 1990s, but there they parted ways. the influences these italians were drawing on were rather different, returning to tribal rhythms and ambient textures to sketch out a much more heady, psychedelic form of techno.

deadbeat. tikiman. infinity. dub. a quadrangle of such obvious statement and perfect musical inference may very well never have been uttered for those of the wholly weeded out persuasion. indeed, when the great book of dub music is written the names scott monteith and paul st hilaire will undoubtedly figure highly in its chapters devoted to recent years. monteith, the last great prodigal son of the doctrine handed down from the blue mount of lord scratch and king tubby, st hilaire the undisputed voice of a generation, those fanatical warrior monks, followers of the most holy house of ernestus and von oswald incarnate.

genial welcomes 2014 with a new release and at the same time a new member in its roster. it is the italy based dj and producer leon who already has an impressive discography on labels like cecille, saved, defected and many many more. on genial he debuts with a track that has caused havoc every single time it got played for the past 6 months in clubs all over the world. king of the jungle takes us back to the past with its old school break beat, while the robot-esque vocal sample brings a flavour from the future. on the remix duties, the label favourite egal 3 provides a deep atmospheric version full of haunting synths and fxs, totally written for those late mornings when you just want to get lost in the music. on the b side, danish producer martinez is taking us to an almost 14 minutes trip with his concealed dub mix, with a deep but very groovy bass and a special arrangement which will keep you going from the start to end.

from the tropics comes whiskey disco, a sneaky re-edit label bent on dredging the decanter for diffident dancefloor genius from latent disco perpetrators. it is loosely connected to sleazy mcqueen and his assorted cohorts.
whiskey disco #25: it started in 2009 when a friend rang sleazy mcqueen and asked to *press some of those edits he has been making* and has now reached its 25th vinyl release. time flies when you are having fun - and fun has always been the cornerstone of whiskey disco. back to the roots ep exemplifies the label mission and the disco hippies who cherish it. loops filtered, space rocked and jam band, whiskey disco has made a mark on the edit scene that few can dispute and we have only just begun.

full 80s disco slammer