the first and most important of the four food groups is flapjacks. a great example of this is in bryan jones flapjackin jam low flow. the beats are as thick with butter milk and the bass is fluffy and melts in your ears. the second food group and a perfect complement to the first is syrup. czech republics arco gives us a sugery delight entitled first time, which can be poured or spread over just about everything from toast and flapjacks to spaghetti noodles. this tune has a nice and deep brown maple sound that like syrupy goodness, sweetens up every mix. the third basic food group is eggs, everyones favorite baby animal embryo treat. melbourne, australias house mopper d-t3ch, plucked the perfect egg from his prized chicken with his spoken word groove give & take. in this smooth bumpin scenario, the chicken gives the egg, and d-t3ch takes it and whips it up into a wonder house omelet. the last but certainly not the least of the 4 basic food groups is the bacon. bacon just makes everything better. oregons forrest avery & derty d definitely take the bacon with their super fried, crispy, salty smash hit the perfect beat. this tune does to a club what bacon does to your heart…it clogs dance floors

whether hes producing singalong house anthems (la mezcla) or hard edged tech house (red tape), michel cleis obsession with sound has seen him garner a reputation as one of electronic musics most exciting production forces. with recent remixes such as tracey thorns >why does the wind?< and harrison crumps >deep down inside< still rocking dance floors aplenty, cleis next solo move has understandably been an eagerly anticipated one.

gunnar stiller has always been known for producing dance floor >destroyers<, even if >far from okay< sounds a bit like a floor wax accident theres no need for the timid raver soul to get worried about slipping and falling. soft accords sedate the mind, the bass pumps in the adrenaline and a voice softly whispers that everything is going to be just fine…all you need to do is dance. when the janitor loko mops over the uy 038 floor with his remix you can even walk over it on the highest of high heels. it does in fact, get a bit rougher when the lights go out on >some kind of weird< and the smoke machine goes starts pumping. thats when its >black piste< time and thats no place for heidi klum or techno beginners…but who wants to be a model anyway, right?

mr white returns with a 3 track special. this is the follow up to the sun cant compare, the 2007 highlight - and once again this does not let you down. back with his mentor larry heard who brings the best out of the uplifting vocalist. side a - aeroplane lifts and drives on this tech-house journey. on the flip heard treats use to his deep world of house - larry at his best with mr whites twisted vocals on inside your mined. they round off the ep with you dont answer - a cross over tack of pure electronic pop simplicity.

mr white returns with a 3 track special. this is the follow up to the sun cant compare, the 2007 highlight - and once again this does not let you down. back with his mentor larry heard who brings the best out of the uplifting vocalist. side a - aeroplane lifts and drives on this tech-house journey. on the flip heard treats use to his deep world of house - larry at his best with mr whites twisted vocals on inside your mined. they round off the ep with you dont answer - a cross over tack of pure electronic pop simplicity.

>in alto mare< was on of the biggest italian hits of the 80s performed by loredana berte - member of the biggest artists of all time - made in italy know this song. in 2004 >in alto mare< gets revisted and retwisted in a new millennium version produced by 2black feat. wendy lewis, who transformed the song in a bilingual song with funky lyrics and original italian chorus. and once again it was one of the biggest hits in summer 2004 and licensed worldwide in almost all countries. now its time again to revamp the song but this time in a pure jamie lewis & purple music style in collaboration with the visualboys & stefano mattara. the song has just been tested, and believe us its still amazing when you hear the whole club singing the song. italian does it better? yesssss!!!

following on from his critically acclaimed third album basho basho, kidkanevil is back with a selection of remixes from his forthcoming basho basho remixed album. first up is a long-time friend of fw in the shape of eliphino. he provides a stunning sub-heavy mix of >the floating world<, fans of floating points, joy orbison & bukem need to check this out. next up is manchesters illum sphere, fresh from the release of his titan ep on martyns 3024 imprint (becoming only the second producer aside from 2562 to have a solo 12 inch on the label). his rebounce of >when doves bounce< does exactly that, adding spooky electronics and tougher drums to the original.

after the success of >slow burn< as well as the licensing of >dirt< to mr. ben klocks berghain mix compilation, echologist returns with another slice of psychedelic dub techno with remixes by frances techno king terence fixmer and arguably moscows finest producer, anton zap. the original mix is a slowly builds into a blaze of cavernous chord changes and a 4/4 groove powered by an unelenting sub bass. the distinctive sound of this track is what seperates echologist from all the other dub techno composers out there. terence fixmer takes the elements and transforms them into his signature techno workout that packs as much punch as it does finesse while anton zap strips things down and builds a super spacious hypnotic house groove that has become a trademark of his ethereal sound. all round another essential release from echologist.

>the voices< is the debut 12 inch from bobby and annie. drawing on their experiences as residents at the mint club, uk, the pair have crafted a versatile ep that sits as comfortably in a peak time set as it does on a hazy 6am dance floor. taken from a collection of vocal out-takes the voices have been cleverly obscured through various production techniques and layered around drums and old school analogue synth lines to unique effect. the results are two haunting, hypnotic, yet upbeat dj tools. the title track, >voices<, uses deftly interwoven vocal samples as the focus and driving hook. shuffled percussion takes a back seat amidst a discordant, attention-grabbing synth interlude that harks back to the playful garage sound of90s chicago house. the outcome is dramatic, intense and functional. on the b-side, >loose ends<, is a more rugged affair that gives the bass and drums centre stage. the vocals are pitched and trippily float in and out of the track whilst the familiar sound of fairlight stabs punctuate the groove. the effect is eerie, yet accessible, and rounds off this stunning ep.

japanese based, dry-witted, multi-instrumentalist, max essa, docks his yacht to the good ship bearfunk once more. this time its the title track from his soon-come lp >white shoes blue dreams<. the original morphs things on from his pundit-pleasing beach and summer grooves onto an 80s tilt. the original mix is full of slick grooves and melodic musicality. maxs own >marbella< mix discos things up with a catchy keyboard riff that makes one think of a certain van mccoy, floor-filling stuff. fellow bearfunk sailor, roberto auser, is up for remix duties. his angular dutch grooves strip things back and make things refreshing and cool like he does with just about everything he touches. stay tuned for the second max essa album on bearfunk in the autumn.

bassbuero a.k.a. thomas ingold and his partner björn müller are long-year resident djs and promoters in our hive club and come around the corner with a smooth customer debut. the title could not be any more designative, as with this is not house music we have a knotless and outstanding 90s number with lots of pathos and - declaredly - they have looked over some shoulders of big protagonists from france. when the vocoder chords are crossing swords with this insane bassline, every ravers heart must beat at least one octave higher. this is the tune for a perfect sunrise and big feelings on the floor. on the flip we have gruber & nuernberg, some good pals of bassbuero that played in hive several times as well - they contribute a complete antipole to the the original. almost a bit trancey they spin the chords over a straight old school house groove, never let the basic spirit of the original out of sight and though don t forget to leave their very own traces on this remix. in addition we have - as with every release - a digital exclusive bonus track, that certainly does not deserve the rating house music - lets call it rather fidget than deep. but be sure, its all gone will blow your mind out.

finally label owner maurice aymard releases his debut ep in his own label. after releasing last year in einmusik label and sasses mood music imprint, moe how his friends call him has decided to show his art through galaktika. the ep has two strong remixes the first one comes from the brazilian s head quarters and old friend from the house called gui boratto. gui is a top five world techno producer, after remixing names like moby, massive attack and robin williams he finds times in his super busy schedule and delivers a massive tune. he changes the hole track, he stamps his sound on the remix and add and incredible rhodes to close up the track, and epic remix that will last for ever. garnica does completely the opposite as gui, he turns put some for jules in a techno tune for pick time hours, with groove and percussions as main course. garnica has find his formula to make great remixes and keep your head up cause will be more to come.

once again loeb hit you up with a truly unique and wonderful slice of dancefloor strangeness all the way from russia.id10ts (can be pronounced idiots) is a new experimental beats project that features andrei from alexandroid whose >short cuts< was one of the many overlooked masterpieces released on the lo recordings label some years ago, along with pavel who is art director of one of the best clubs in moscow and ilya who according to rolling stone (russian edition) is one of the top 5 guitar players in russia. so a whole heap of talent on one black disc.the original gold room track is an extended mystical meditation with a spoken intro courtesy of the legendary sun ra whose wise words lead you into a new musical world where skewed electronics glide over persistent beats and delicate guitars chime along with harmonic male vocals that recall brian eno, talking heads and maybe tarwater.on the flip the inimitable dj koze does his funky thing like only he can, turning the original into an essential piece of leftfield dance music that s perfect for summer.

i-f featuring fred ventura with a bizarre italo track. mat 101 does a more filmisch song and legowelt remixed space invaders are smoking grass ...

leave it up to nyc label on the prowl to score some authentic yet modern day latin freestlyle. hot latina corinne croons about love and nightlife while her partner brooklyn producer josh anzano does the dirty work. the result is a heart felt dancefloor banger that will sure to be thumping out of car trunks this summer. for this single we get the original, a dub mix which nods to 80s style tape edits, and of course the mighty runaway bomb of a remix. runaway takes the vocals and lays them across a hands in the air chicago-esque drum machine groove spiced with live bass and speaker blaring pads. very big indeed!

>our utopie< radiates this epic vitality, embodies the exhilarating feeling that something is just beginning here that affects us all: the sky, the taste... we count 1... 2... 3... and we’re still here. eyes closed, breathing in the birdsong and feeling the breeze tingling through your hair as it only ever does in the morning hours of a world-class rave.

nice price deal !!! andnotors fourth vinyl release sees rubadubs very own line idle laying down a hefty techno workout, which combines analogue crispness with distorted synths and a brooding vocal for maximum dancefloor devastation. mixing land cruising-era melodic bounce with a dirty electronic throb, tense slowly builds to a crescendo as the vocals rise up through the mix until the hook kicks in and it all gets messy. on the flipside, nu42Æs acid remix does exactly what it says on the tin, arpeggiating the synths, adding a healthy dose of squelch and fracturing the vocals to make a much more grinding long-player. whilst the original is a peak-time techno beast, the flip is pure warehouse material, nine-minutes of slowly-evolving drops and breakdowns designed for an early hours of the morning after-party. tense is andnotors fourth vinyl, after limited-edition releases from cledus snow, tj kong and aleksandr jurczyk, and each copy comes individually hand-stencilled. previous releases have gained them a substantial following from djs like tom middleton, kenny larkin, mark bell (lfo), mark moore (s express) and erwin van moll.

yes, stefano e bene are big fans of italo disco. in their >happy sunshine studio< they work on their own definition of this sound. actually, the two boys do not come from italy. but their friend hard ton does. together with this really big artist, who already released on dissident, gigolo and permanent vacation, they created >why your love<, the first stefano e bene single. a track for the disco, for the summer and for the love. for remixing duties, stefano e bene asked the jackers from snuff crew. also hard ton himself and katzbatz, the project of stefano and cologne based dj catweasel did a mix.

groove charts pos 1 (issue 126) its finally here! we are honoured to announce laid007 a colaboration with on of our favourite labels >workshop< initiated by our dear guest a&r dor levi. the house of workshop is powefully represented by kassem mosse & lowtec. it does not require a lot of words to introduce these two outstanding artists. lowtec and kassem mosse define since years how contemporary dance music can sound that locates its one foot in the future and the other one in a record collection filled with countless amounts of soul, disco, house, detroit, chicago, techno whatever you call it - its all there - enjoy!coming up laid 008 by marcello napoletano and laid 009 by lawrence.

time wave zero is the brand new concepot by christian wunsch. he remixes the timeless borovicka track from regis for the a-side and does it in style. pounding techno with a twist. for the flip christian invites funckarma and cane to do the work on his track called cohoba. while the first remix is straight up dub style, the second is made for the dancefloor.

repress, including download coupon!
lover. fighter. prophet. freak magnet. time-traveler. musician, photographer and designer jimmy edgar is a wayward prodigy streaking across the cosmic dance-floor. in 2001 at the tender of 18, his hyper-sexed microchip stylings caught the ear of warp, where he cranked out his brand of amped-up laptop funk for the next eight years, culminating in the full-length classic >color strip< (2006). now 26, edgar is shaking things up at !k7. on new turf, edgars sonic prowess takes on a leaner, more radio-ready shine and what edgar does essentially and very well is make your body move.

sincopat label is the creative highway for the musical eclecticism of the artist known as affkt, a label to explore the borders of dance music, together with other likeminded artists. >once upon a time< is sincopats first release, a full energy track by affkt that searches perfection on every level, and that will please the most demanding of present musical lovers. >once upon a time< does not feature alone, in fact the first release will be compiled with four remixes of the most prominent artists in the scene. together with the original mix, 3 remixes will be on the vinyl, in the shape of john talabot, hermanez + uner & los suruba.

argy teams up with dj said and label boss jerome sydenham for his first solo 12 inch on ibadan. fresh off the heals of the exceptional collaboration from sandwell district man, function, and ibadan head honcho, jerome sydenham, the label turns its eyes right back to where the action is happening: the dance floor. here to help keep the party going is greeces quality house music ambassador, argy. when it comes to concocting hefty house beats, argy is no slouch. on, >thick and thin< he does just that, while wrapping them up in a blanket of comforting pads that will have you hugging yourself with closed eyes and swaying side to side

ahhhh, mr mark e. arguably the leading light in the resurgent obsession with all things disco and slo-mo, convincing über tastemakers like giles peterson, as well as countless weekend warriors with his sonic sorcery. conjuring up edits that were so much more than edits, dropping smash hits like the janet jackson rework on golf channel, and the magnificnet womack & womack re-do on jisco, and more recently becoming remixer du jour as well as crafting equally impressive original music, not to mention kickstarting this, his very own imprint! >special fx< weaves snatches of mid-eighties magic into a lengthy groove-out with that patented mark e throb, whereas >christo< drives us down a decidely more detroit bound freeway, sounding as it does like carl craig remixing prince, well. you dont need us to tell this is the real deal folks!

a few times a year, a label releases a single that rocks the industry and the upcoming release from hidden recordings does just that. gregory shiff, who has also released off of such high caliber labels as stewart walkers persona label in berlin, produced the original and the label enlisted techno luminaries adultnapper, tony rohr and pheek, along with deepak sharma and dieter krause to add remixes to put together a five track monster that will, and should be in the crates of djs around the world for the rest of this year and beyond. the best part about the release? the remixers brought their a-game and put forth effort that has helped make them some of technos most revered producers and artists. simply put, all five tracks rock and will pound the dancefloor

matt moroder - one half of the team that brought you the short-lived but no less notorious glossy series - unearthes his new ambitious -little leaf- project compiling other producers and his own reworks of songs that are not your usual disco/ boogie fare but demand a true diggers and imaginative djs mind to spot their dancefloor potential. matt moroder proves this ability right away with the blinding, hypnotizing >secret secret< - an interpretation of a cut by one the biggest, most avantgardistic 70s rock/ pop icons. he extends a short portion of the originals beat, loops the jagged guitar riff and throws in more layers of congas, shaker, handclaps etc before revealing the tracks secret by throwing in parts of the chorus sung by this totally distinctive, instantly recognizable voice. flip over for spanish producer nelues take on >porque te vas< - a one hit wonder song that had worldwide success after being the main theme in carlos saura cannes-winning movie >cria cuervos<. already an unusual mixture in its original form - breathy lolitaesque vocals gel ingeniously with a more 60s bubblegum orchestration of horns, big beats and folky guitar - nelue does a great job with sublte loops and additional bubbly synth overdubs while keeping the sing-a-long charm intact. both tracks already recieve well-desereved support from mark-e, gilb-r ( chateau flight ), beppe loda, tim sweeney and more main players. these two big cuts shouldnt need extra arguments, but since mr moroder is a generous guy he also throws in some extra special, lush artwork for this vinyl only release

this time its no less than fabio giannelli who does the honours, delivering a strong piano driven track true to the original chicago house feeling.
to keep that us house vibe in the loop, we asked brothers vibe to finish it off on the flipside, which resulted in a remix which speaks for itself!

we love the way of leeks experimenting with sounds, some are quite edgy others are electronic sounding and not necessarily pleasing sounds as we get them in nearly every production these days. >qwerty< for example does not subdue to the daily routine of >todays techno< but moves upright and proudly. ever listened to jeff mills? you will then understand a bit about whats going on here.&#8232,,,,,

side a: temper d >level checking< - this tune does some stuff, then it changes, and does some other stuff. its wicked.
side b: temper d - >gangbanger< this track has an intro, then it drops. after a while it finishes. its even better than the other side.
>loving the vibes on this< ? shy fx
>temper d has definitely stepped up his game with this one< ? raiden
>yes yes yesssssssssss. been playing temper d tunes< ? laurent garnier

big support by d.sanchez, karotte, luciano, p.osuna, r. hawtin, ricardo....... the new be real split ep. it’s a perfect combination that really rocks the dancefloor. the french johnny depp look alike alex dee does a real nice housey a side with deeconepa and fat bastard. and the dutch formation el mundo and satori adds another two groovers for the b side groove the night and my way.

yore returns with the 3rd release on the yore limited series. 300 limited copies in green transparent vinyl. a beauty musically and for the eye. orlando b. favours the kind of funky and raw-sounding techno that flourished during the late-’90s and early-’00s and so naturally invests his maiden voyage on the yore imprint with the same kind of classic soul that renders that earlier era’s sound so appealing. ” beneath the surface ep ” largely focuses on warm house grooves. “a feeling” dishes out eight minutes of classic deep house that’s also as funky as hell. a subtle latin percussion vibe sneaks in at the beginning but quickly enough the tune rolls out a warm house strut that dominates thereafter, piano sprinkles, lush strings, and a crisp, hi-hat-spun groove give the tune added style and flair, as does the insistence of the titular vocal sample. “esoteric” digs into a steamy, bass-driven house beat that’s both raw and funky, then slathers it with a synth solo that squeals with delight, while “new york tale” smoothens its techno core with warm chords and delicious house swing. “mj12&#8243,,,, is the coolest and most techy cut on this diverse four cut ep. orlando b. sprinkling billowing dub chords and a spoken voice sample over a rock-solid tech-house base that will go straight under your skin, when it hits you on the dancefloor. 300 copies left still. go grab yours before it’s too late

it is no secret that the 1980s was probably one of the best decades. 1986 was in particular a very memorable and historic year across the world. it also happens to be the year delete was born and the name of the groove laden a-side. >1986< does not boast any sci-fi effects or other worldly sounds, it does however have one of the catchiest bass lines out there. >our generation< pours a real telltale chicago house vibe, complete with derrick carter style vocals and a bone-chillingly infectious four-note pad melody. this is eyes closed, hands in the air euphoric house. the 12 inch rounds out with delete still showcasing his knack for creating funky bass lines with, >lunchbox<. this number runs a bit deeper than the first two tracks, as it is rolled along by little percussion edits and snippets that evoke a more subtle laid-back vibe.

house gift is a very energic house track with a spike of old school tone that does not leave you indifferent, all this with a set of very very efficient voices.
the remix >hierbas e acidos< is equally successful with a fat groove that w!ld made for us à and he knows how to please us!
watch out folks these are two dancefloor bomb track!
get them quick!

full body workouts sixth installment arrives as the fresh effervescence of spring hits the northern hemisphere. once again, the get physical head honchos of dj t. and m.a.n.d.y., selected some of their favorite artists to be apart of the playground that introduces relatively new artists in the form of collaborations as well as solo material. spains wonder hit crew of coyu, uner & edu imbernon elbowed their way onto the international scene with coyu and edus mega bomb >el baile aleman<. a quick follow up with uner and coyus, >raw sweat< on diynamic solidified their legitimacy as three new producers to keep a look out for. >tres es three< is the first of what we hope will be a consistent run of tunes from this iberian trilogy of upcoming talents. it is no secret that leeds is one of the uks biggest party cities. two champions of leeds well-known afterhour enthusiasts - gavin herlihy & james barnsley - team up to deliver >right here<. if this one does not get you moving than your feet must be glued to the floor. unflappable percussion and a butter-like smooth synth workout, make this suitable for peak time and of course, the after-party.

the next generation has arrived... 19 yr old space dimension controller with his take on music history! the best ingredients from big inspirators innocently mixed together with a natural cool that gives him a own unique sound! dr dre s sexy funk combined with deep drexciya and the other peoples place vibes, early uk house and techno melodies from people such as plaid and boards of canada all stisiness. actually its not very fair coming with all these names since here since nobody sounds like sdc and sdc sounds like no one else! and thats what the people at clone like... artists with their own unique finger print. oh and did we already mention the remix of that other young bloke? 18 yr old kyle hall does a hell of a remix job here! two natural talents dropping a release that will be one of 2010 s hottest records for sure. the next generation is taking control!

>privilege< deals with the fortune of living out a dream in a world that does not grant all people with the same opportunities. over the last year i had the fortune to visit places around the globe in which i felt the obscene wealth of opportunities i have in life. its hard to bear that the majority of humanity will never have the chance to even dream of who and what they could have been. (glitterbug about his new album)

five tracks in pic sleeve on textured paper w/inner bag listing track details. recordings from late 90s to 2009 in a variety of styles encompassing the things he does. mostly typical kdj house, with some nice analogue synth work, an analogue >noise< track, and a jazz piece. contains extra vinyl crackle between the tracks to go with the title. check!

now techno has its own fair trade. basmati, the new label by gabriel ananda (artist direction) and marcel janovsky (management), does not indulge in pretentious bragging. epic tracks are rarely seen in such a light-footed mood: gabriel ananda shakes his hairdo again, this time in cooperation with floor hope daniel mehlhart and the pioneers from superstitions quazar. the results are two genre-bending tracks, whose friendliness makes them look like 10 minute long wolves in sheeps clothing. pinpoint funk with panoramic view, coming from true masters of all classes.

weapon x strikes back with 4 brand new high quality hardcore tracks on the mighty enzyme records imprint!!where my party people at is mainstream hardcore at its best and will definitely get the party started with its uplifting melody and slammin kicks.for the haterz uses the same ingredients as where my party people at, so no further explanation needed.the flipside starts off with i come for blood which is bit rougher than the tracks on the a-side.distorted kicks, cool arrangement, spooky vocals and it s non-stop energetic drive make this track one off the highlights on this release.finally bad boy, another mainstream bomb which already receives full dj-support by all the hardcore jocks in the scene. enzyme records does it again!!

that juan maclean is just a bundle of contradictions. here he has created one of the years best mix cds — and not just a proper party mix, which it certainly is, but even what you might call an important mix, a timely lesson in the enduring spirit of house music — and how does he choose to describe the process of putting it together? as an >existential tailspin<.

stilove4music does once again what they always did best - delivering high quality house music. this one is made by label boss jerome derradji and house-hero rahaan.

who is maetrik and just how does he get his beats and bleeps to sound so good? we cant be the only ones asking this question as recently eric comes on a string of big hits for audiomatique and mothership. erics been banging out stormers of late, but with dumb-unit its different. here we do our typical du magic and present something a little bit slankier, a wee bit dirtier, and a tad more tripped out. something that dancers and freaks can equally get their head around, something that will blast through the sound systems straight through the summer! and so without further ado we suggest you dig in ... and get ready ...

love letters from oslo starts with the 013 in the year 2010 and presented us with johnny d and sascha dive two producers of the special kind. after his sexy and playful house track >point of no return< released by oslo does johnny submitted us a title that fascinate the listener completely through his extraordinary percussive and impulsive composition, and it granted a look behind the scenes in the literal sense. kamkama by sascha dive follows on the b side, a no less to underestimated title. this track is distinguished by its deep bass line, intensified by atmospheric chords.so one can only say an ep, which let you be full of pleasant anticipation for the next spring season.

italys marco donnarumma indicated some of the potential of his kuoyah project with last aprils digital release for frijsfo, earning enthusiastic tips from the likes of boomkat. nonetheless, theres no doubt that his debut on wax ups the game ? even in the face of a mix from sully ? by applying a focus capable of working magic in 2010s open-ended dubstep dance. its an overused comparison that probably deserves to be buried, but angel dub does reek of horsepower productions, or more precisely the ducking 2-step and basic channel steals of benny ills classic tempa ep with hatcha.

ross alexander payne has always been interested in the earth and its relationship to all in its vicinity, this includes earths place within the universe, and the presence upon earth of both natural and manmade systems and processes. drift and expansion are tracks designed to represent a view of earth from space. it was previously believed that the earth was expanding and thus the continental land masses were moving as a result of this process. modern scientific evidence does not support this idea, and the theory of plate tectonics is now almost universally accepted. this ep represents a view of the idea of these two disparate theories as if taken from the direct space around earth. ross explains in his words >everything i do, be it music related or otherwise, is driven by this fascination with the universe around me, the quest to discover this universe and the desire to expand my knowledge of all within it<

esperanza strikes back and does it deep! on this release we have rosarios icon franco cinelli. establishing himself more and more as one of the most respected artists in argentina, francos response to the praising is nothing but better music every second. on the a side cinelli brings us >the sound of the city<, a trippy dubby affair with a perfect balance between modern sounds and oldschool drums. while on the flip, >joint non stop< honours its title with its super driving bass and groovy almost tribalish beat programming but still keeping the dubby flavour of the a-side. enjoy your martini and, of course, another classy affair from mr cinelli

the voyage continues. with this out takes release tom trago delivers two new dance floor tracks that were created during his voyage direct project.
not sure if they would have grooved to 200 b.c. two hundred years before the holy mans birth, but some two thousand years later its a sure shot peak-time disco-tech banger. lots of suspense and drive to keep to rock the party.
dekmantel anthem is created late night after a legendary night at one of the dekmantel parties in amsterdam. as a homage to deep late night sets its called dekmantel anthem… easy does it. a deep late night groove, but with enough swing to last until way after the party is over...

this man cant currently be stopped. following his releases through the 2nd season 2009 (>marvin” on compost, >smaul 06< & >smaul 07<) in january 2010 acid paulis >riverboat tour< came out. now, it seems he opens this years summer season with these two psychedelic thrilling tracks. even though he had been touring a lot with the notwist last year, acid pauli was pretty often an invited, musically refreshing guest in berlins minimal techno (what ever) scene. den mahlstrom rauf leaves no doubts about. great build up he does by keeping tension over five minutes to unlash finally the madness charge with a levitating reverse-ducking-compressed melody. den mahlstrom runter (a play on words of travelling on a boat and getting milled…) seems to be the return from the trip he gives on side a. it is the same track reworked. his musical drama goes faster but deeper under the cortex – but >how lucky a fate< deliverance comes at right time taking the track over to a known housy and deep realm.

classic alert! the first official repress and this time on 2lp. a dream come true! full info soon... this is a very special record. our favourite contender for best house album ever made. this album does not have one filler, all tracks are essential pieces of house music. of course, it includes the more known do you know who you are and in a vision. but check out ride and school hall for instance. originally released under m.e., and much overlooked. this album will be released with new artwork and re-mastered tracks. the vinyl will be available as 2x12, 2 tracks per side loud pressing !! virgo are merwyn sanders and eric lewis. they also recorded as ace & the sandman and m.e. and shouldn-t be confused with the other virgo of vince lawrence and co.