for their first collaborative effort, the outside agency and n-vitral have teamed up to deliver an intense sonic barrage that can only be described as the sound of an entire fleet of jet fighters taking off with kickdrums playing on top of it. the first track, sams gospel, is fierce and relentless while the second track, the ultimate hunter, is relentless and fierce. in summary: this is the musical equivalent of airplanes taking off and you need it.

hailing from brussels, maoupa mazzocchetti debuts on mannequin records with a killer 3 tracks proto electro / industrial single, anticipating his debut full length planned for the beginning of 2016. deep, dark, stripped-down, mazzocchettis tracks regurgitate the lesson of the 80s belgian ebm/minimal synth legends in a new and fresh nervous musical urgency. tip!

original motion picture soundtrack. 12 new compositions by gesaffelstein. pressed on two 180gram heavyweight vinyl. screenprinted gold on black gatefold & inner sleeves. musical score art print on x-ray paper. limited to 1000 copies worldwide

rising british artist alexis raphael has come a long way over the past few years since initially stepping onto the scene via jamies jones hot creations in 2011, since then raphael s name has graced the catalogue of leftroom, culprit, lower east, moda black and of course madtech where he returns to here. with such an impressive list of affiliations and an already noteworthy back catalogue under his belt, alexis is undoubtedly a driving force in the world of contemporary house music out of the uk.

after debuting on rebirth with their new alias easy to remember (inspired by the famous song from st germain of the same name) niro and elia perrone release now on their own unclear label. the ep contains two originals backed by three remixes.royal rumbles obscure synth melody and obsessive pitch changes pave the way to sinister background noises and beats, whereas jazz cowboys free style drumming, syncopated rhythm and xylophones blur the line between house music and free improvisation. minimonos remix of royal rumble brings the kick drum to the fore and adds a staccato bass line coupled with some stop & gos that spice up the vibe of the track. giulio etiopes rendition of jazz cowboys adds some deep pads, flute sounds and a trumpet sample leading into a dreamy break, with def safaris dark rework turning it instead into a galloping percussive tool.

toby tobias has been responsible for some fine quality music over the past 10 years with labels such as rekids, nang, let’s play house and quintessentials all dropping his unique brand of raw, analogue house and techno. a dj’s dj who always seems to pull out a lesser known gem and make it sound like a classic, toby knows his music as well as his studio, inside out.<br /the 2x12 inch lp includes a cd-copy of the full album.>

rarest of the rare and holy grail are terms often thrown around all too easily. in this case both apply, incredibly rare and sought after as well as being a quality piece of music on both sides, you won t get higher up the disco food chain than this. a few weeks ago we brought you 2 unreleased track from the same band but these 2 might as well be unless you have $4000 sitting around for an o.g copy, if you can find one. strictly limited and no repress on this as per o...

next up to add his sounds to the ever impressive hotflush cannon is argentinas shall ocin. he serves up the cliff/the mist, a two track ep that showcases his knack for infectious groove in all its glory. the man born nicolas abalos has released music under a number of aliases over the last decade plus, but it is as shall ocin that he has had most success. putting out music on labels like culprit and ellum audio, he has established himself amongst contemporary tastemakers and here cements his reputation with a great debut on hotflush

a new four track ep by hexagon aka conforce on his own imprint. doing what he does best. making deep imaginary techno music with otherworldly authentic atmospheres without any concessions. the title track sucks you into desolate interstellar territories paying hommage to 606 rhythms with emotive strings on top that determine the total atmosphere of this killer advanced electro cut. human meets machine in it s purest form. pitch black leans on accurate programmed heavy broken percussive patterns and is the most functional track of the ep. functional but it s haunting atmosphere lifts this to a different dimension. continuum dives deeper into sonic territory with a mysterious stealth missional vibe caused by it s unpredictable sparkling crispy effects and mysterious pads. systematic repetition leans on pulsating modular bleeps and dubby basses and is the most techno orientated cut of the whole ep. it wouldn t be a conforce record if there weren t any strings and pads attached to it.

following an acclaimed release on ancient monarchy and ahead of his debut for blackest ever black, rhythmic theory returns to idle hands for the third time. ‘future tense’ channels the spirit of era defining mid-90s dnb but twists it with a contemporary techno feel. a contemporary of livity sound and hodge, rhythmic theory’s music sits closely to theirs but with a distinct sound palette all of his own.

b-stock! one corner is broken. bolstered by the unshakable body of work behind it, brooklyn-born berlin-based techno label chronicle reaches its milestone tenth release with its gaze fixed dead ahead. ten releases in, it pays to make a strong, defiant statement of intent, toasting to what the label has been about so far. more important though is to remind those tuned in to take heed, because the next step is always the most significant. from the artists crafting the music at its beating heart to the all-important design that packages the records, chronicle is a label that pulls no punches in its creative vision. given that the vision in question matches unbridled futurism with elegance and intensity, consider this a warning is a fitting title for a salvo of sounds that set the tone for where chronicle will head in its coming chapters.
the double 12 inch includes a cd, featuring all traks from the vinyl plus 6 bonus tracks.

do we know that jacques canetti recorded jacques higelins first disc in 1965? their meeting dates back to 1954, while jacques higelin was 14 years old and was already singing trénet. canetti used to refuse working with teenagers, whatever their talent. to celebrate his 50 years career, the release of his new album, and a residency to the philharmonie de paris, jacques canettis productions reissue his first album in cd and vinyl format. this edition contains two exclusive duos with the famous french talented singer brigitte fontaine and jimmy walter. the vinyl release comes in gatefold sleeve and includes the album on cd.

we never let go: more hip edits - this time provided by edit piafra & johannes albert. starring unlimited vinyl only with music to make you dance. these tunes were rediscovered in a lonesome backyard in monza, italy. straight recorded from original cheese plates and abletoned up for todays dj needs. now stop the talking please. play it, say it!

the odd music camp is ready to take you further down the rabbit hole with its latest music imprint tapes of old. always in the studio creating new recordings the odd boys danny and damian don’t often get all their music out to the public. tapes of old is a new outlet for the boys to release their most prized treasures from tape into tasty white labeled wax. the latest concept looks to bring you more of the funky, tripped out, and odd music you’ve come to expect from the powerhouse duo. it’s time to dust off the tapes of the past and bring them onto the dance floors of today.

cold colors was born in bordeaux, france, in the mid 70s. his passion for music, particularly new wave and melancholic atmospheres, started early and strongly influenced his own creations years later. the first records he ever bought were the cure, depeche mode and soft cell. in the 90s, frederick bought his first guitar and composed songs under the name agent orange. in 2002, the cold colors project was born, with a release on the excellent lux records, as well as many live performances. fred loves working with machines. his music mixes warmth and melancholia, an obvious homage to cold wave and new wave, by blending todays electronic music with the melodic sounds of yesterday.

firmly at the forefront of a new wave of underground music, robert dietz truth be told records aims to pioneer innovating new sounds from artists across the spectrum. now, the second release from dietz imprint comes from the label boss himself and swiss born producer alci.

a highly regarded producer and musician who used to be in the midst of the ny metro breeding reactor that spectatuclarely revived and modernized disco and italo disco since the turn of the century and added some hotliped live brass to their platters and whose sought after releases under his own appear appear much to rarely dons his house cloak and dagger for 3 sneaky new chapters on story. not wasting any time on unnecessary nicety the a-side track will send up a whole colony of ants right up your pants riding on a steamrolling percussive disco groove garnished with cut up vocals and fx trickery. b2 is another chicago style wedding of disco and house with a jubilant, string backed female vocal snippet tweaked over a heavy groove while the first track on the flip is a subterrenean, groaning dub house affair that reminds of a slowed down john ciaffone banger. no matter which chapter you jump to here it puts you right into the action.

ltd 2015 repress
new out for the label balance recordings now called balance alliance born under the banner of prescription underground co founder and producer chez damier brings to you a series of collected gems of productions new and old. the concept is to introduce new sounds while keeping some underground cuts alive. the first three releases will be a mix and match of different versions while always having a collectable song on the ep. this 4 cut tracker brings together different producers with different styles and background in dance music.

more abstract, forward thinking house music courtesy of transatlantyk. mondo hehe is the fifth ep in a growing catalogue of the label and is one of its most adventurous offerings yet. lutto lento (real name lubomir grzelak) is an experimental musician from warsaw, poland, who specialises in dark, spooky, uneasy music that s hard to categorise. apart from running two experimental cassette only labels (sangoplasmo and dunno recordings), lutto lento records music for contemporary theatre and forward thinking european labels like ftd and where to now? he is equally inspired by avant-garde and surreal sounds from the bygone eras as well as raw house and techno music of today. his music tends to absorb the listener into a parallel, imaginary world, where sounds of a lamenting cry of a trumpet (b2) and a voice counting numbers on top of the rolling exotica style bongos (a2) are as important as jacking chicago house drums (b1) and energetic basslines (a3). from the jumping beats of the title track, to the late night deep roller casino , the * mondo hehe ep* is a superb collection of non-generic house music that sounds as good at a club, as it does at home.

very few artists have influenced the sound of house and techno as much as roman flügel. having been active since the early 90s under various aliases, few have been revered so widely as a dj, live performer, producer, remixer, intellectual and record label owner. the record labels he helped found, ongaku, klang and playhouse, are pivotal imprints in the electronic music scene, and his ability to gracefully incorporate and master most styles of 4/4 has seen him create a range of genres from techno, house, electro, ambient, idm, downtempo, and acid house.

adam x is back with his third album release under his industrial guise, admx-71. following releases with the legendary label hands and his own imprint, sonic groove experiments, adam paired up with l.i.e.s records in 2014 for redacted files, a 12 inch single of slowed-down and tense ebm wizardry. adam returns to the l.i.e.s. front with coherent abstractions, a brand new album of singular experiments that pull from every corner of electronic musics landscape into a comprehensive and propulsive full-length.

444/5/6 is the first four-track ep signed by unc on the very recently born techno label aiia recordings based in lyon, france. unc (also known as dubit) means « uncompromise » (unc0mpr0m153), even by laws and habits of techno, for a free production and a free interpretation of this music composed by this berlin based techno producer. 444/5/6 is blending different ways of sound creation, as if every element in life might be used in unc s music. some industrial samples are combined with dark techno basslines and ambient synths, attesting of the experimental side of the artist. in his work, unc is giving a true estheticism to sounds normally cold and impersonal in the context of daily life. 444 blends a kind of dark and deep samples which reverberate on an almost acid but hypnotic rythm.sloven s re-interpretation of 444 puts in this track, keeping the original samples, some digital sounds on a evolving rythm... like an heart, beating and racing along this track. 445 is the most electronic, rythmically speaking, track of this ep. still gathering techno, with adding industrial samples, which makes 445 the kind of experimental track by unc. 446 is the track which most refers to techno as it s known and produced nowadays. when soft and really high synths meets agressive and speedy rythms.

*better days* is tink! records return to amazing form, a collection of three perfect mixes that stand on their own, against a timeless original of 1990 that is sure to please the widest possible audience. get it while supplies last, this will fly off shelves.

after recording various psych soul and funk tracks on the whiz record label the real thing carried on after leaving the label to record more studio cuts with musician and producer stu gardner. here they let it rip with an incredible fast version of james browns *give it up, turnit loose* ... and they left in that all important secret ingredient of a lovely long drum break. stu gardner himself took to the microphone on this track, with various background vocals and screams, and did the vocals for the amazing b-side *it s a family thang*!

three eps from purepuremusic and acid tube records for one special price:
- ppm006: 1125x & sven hanke - strichcode
- ppm007: håkan ludvigson - style
- atr001: v/a - dancing sheep

bajo armada consists of raul dahm cardo and mike burion, who met as they started sharing a room for musical purpose. since, it was clear that they both wont longer make music just by their own and they shortly started making music as a duo benefiting from experiences in producing a broad range of musical genres,djing and sound engineering. the outcome combines deep house and techno with world and melodic elements. bajo armada is part of suspected cologne extremely limited as always!

(2x180g gold colored vinyl + dl code) charmer is the debut artist album from claptone. in the last few years, claptone has become known for releasing big tracks primed for late nights and packed clubs all over the world.

environ boss morgan geist returns to his love for detroit techno, chicago tracks and generally exceptional dancefloor music with the first in a new series of eps: megaprojects 1

zimbru is just one of the new additions to our label roster. focused on a more housy approach this outlet is looking for sounds that cross the boundaries between techno and house, collaborations between artist friends and nonetheless eternal dance music.
that being said zimbru debuts with a double tracker by sahau, the brainchild of dan andrei, kozo and paul agripa, entitled montreal ep.
side a is a pure house gem with breaks attitude, suitable for both night and day, indoor or outdoor. a new jersey influence can be clearly heard in those synths, hence probably the name nj breaks.
montreal, on side b, seems to be a different beast. with powerful swing and a catchy theme this track means business.
vinyl only release !

fuelled by a rediscovery of the music and artists that originally inspired their formation, the four walls of their studio were ablaze with a soundtrack of bill withers, isaac hayes and the isley brothers throughout the songwriting process for their new album. from the swagger of symphonic opener wanderlust to heartfelt ballad lose that way to the thunderous blues of the closing title track, the milks confidence in these songs and their execution is clearly audible. captured in a tireless outburst of creativity at the end of 2014, favourite worry is the milk at their soulful, honest and engaging best.

we welcome an absolute institution of the frankfurt am main music scene. mr. bernd maus is sensationally joining the ptx family, delivering 3 highly efficient, raw and live recorded cuts. bernd is known among other projects like gadgets, parallel, maus & stolle, innervision or rho. be prepared for some straight ahead dub techno stuff on his *patterns of war ep*. pressing on transparent 180 gram vinyl.

park recordings is the musical brainchild of german producers florian and sebastian albrecht. their mission from the start has been simple and dance floor orientated. “parkplatz” (by sebastian albrecht/florian). this release offers their take on a deeper and more straight forward version of modern club music. park 01 is hand stamped and limited to 100 copies. be quick to pick up yours!

he is back. twenty years after boulevard, fifteen years after the multi-platinum album tourist (over 3 million copies sold worldwide) and a world tour spanning several continents, ludovic navarre, alias st germain, finally found his way back into the studio. an uncontested and respected figure in the world of electronic music for the past two decades, a pioneer of the * french touch* and a creator of intelligent and sensual deep house, st germain has always stood out. his consummate art thrives on a subtle mixture of machines and instruments, of authentic roots and modern influences.

arranged by godin, taurelle the original trakc was written by georg christian lehms, composed by bach and adapted from bach cantata widerstehe doch der sünde bwv 54. here bach’s church cantata for solo voice meets languid gainsbourg & birkin, albeit in german, with exquisite choir and strings. nicolas godin says i wanted songs on contrepoint, to act like poles that hold up a tent. this piece starts with a very strange chord, which was avant garde for its day. bach’s scores are outside any rules, which i wanted to exploit. i also wanted the lyric in german because no one expects german to sound sexy and cool. the main singer is gordon tracks. the other voice is dorothée de koon, a friend of a french artist i know - they both have german blood.

amsterdam native mr mendel continues to churn out top notch edits at a steady pace in between crate digging and gigs around the world. this second 12 inch for basic fingers is a welcome follow up to his previous release which featured fela & gil. on release no.28 he s dug even deeper than last time and found not one, two or three but four absolute killer songs to take his razor sharp blade to. no messing around, mr mendel aims straight for the top with these joyful disco cuts.

its been a long summer without the infectious draw of the triple-s voodoo guiding you towards the dance. when any sane individual should be nestling into furs and sheltering from the climatic downturn, we return with an urgent need for everyone to throw everything to the floor and make out with the music like the sun still beats down on your skull.

red laser conductor general il bosco once again turns his beam on 8 tracks of mind melding italo. providing a another superb double vinyl release of tracks that have been inspirational to red laser records and the labels releases. this isn t by any means your run of the mill italo selection. il bosco knowingly selects a set that shows the true girth of style and fashion in the genre. face grillers are ramped up next to sleazy pop sensibilities. goth-synth disco frottages with 8-bit machine gun bass lines. chugger masterpieces salivate on crystalline new romantics. as the compiler says truth is, loads of italo is shite but when its good it s up there with the best electronic disco music you will ever hear check this album and you ll agree. for maximum disco potential several red laser protagonists have suitably revamped and edited some of the selections with kid machine & il bosco uniting in the cut, flemming dalum sprinkling his magic dust over a bonafide classic & parisian romain bezzina repairing an old banger. as always red laser pay close attention to detail with all tracks carefully restored & remastered whilst the vinyl comes in full colour heavy card inners with two riso print poster sleeves & a gatefold pvc cover. limited to 500 & no repress !

nearly two years after his debut album, bosq y orquestra de madera, burst onto the scene with its varied rhythms and moods, bosq is unleashing another batch of music for the dancefloor. his new album celestial strut is extending summer well past the autumnal equinox. the double vinyl lp includes a download code.

ultra limited, one copy per customer! in an absurd world, full of unwanted auditory sensations, sometimes we have to escape back to the basement - back to the beats. that feeling, that need, paved the way for blint to release his very first solo ep – blint001. the record is a two-tracker: on side a you’ll find „silent movements“, a bassline-driven broken beat with a dark twist in the end. on the flipside there is „road to ioannina“ which is based on an 808 drum pattern, accompanied by a smooth synth-odyssee. the record comes along with a fine art print of the cover, drawn by graffitiartist rookie the weird, handsigned and numbred on 300gr. paper. a special gadget, that is connecting blint s musical output to his roots in graffiti and hip-hop culture. a true underground-package from germanys ruhr-area!

with growing support from technos finest selectors, this uk label is fast becoming one-to-watch if sci-fi-laden machine music is your bag. dark arts 06 rolls out with ‘gallery’, a crafty slab of organ-burning techno. to follow, rugged detuned bass throbs throughout the raw but funky as hell stealth-houser ‘spare groove’. the aquatic electro of ‘opaline’ is a delicate, percussion-driven ride until the chest-caving bottom end hits.to finish, ‘atrium’ is a deadly, percussion packed minimal groove - heads down and eyes closed for this tense space jam. highly recommended!

re-issue of the 3rd album by the weeknd, originally released in 2011. the double 12 inch vinyl comes in a gatefold sleeve.

oltrarno is an ancient neighborhood of florence where merchants, artisans and artists were struggling against the sleepiness for centuries. the first release of oltrarno recordings is called *worlds*, produced by the florence - berlin based o.r. crew and dedicated to explore the different shades of clubbing music.

for the last 50 years, american popular music has been filled with the timeless songs of jimmy webb and here, flannelgraph records helps to continue that legacy with still on the line: a tribute to jimmy webb.

moscow label grow continues in fine creative form, seemingly not sticking to a motive or trend but rather concentrating on the strength of character within the music it releases. for the labels eighth release the artist is berlin based the marx trukker, who over the last 10 years has been developing his very distinct sound and recent output on labels like pluie/noir, the untold stories, and most recently noorden, have all been especially impressive. now on grow comes the 4 track vinyl * heavens crackling*, from the title one is expecting something awesome, and the album does not disappoint, right from the off, the first track: * a time well spent*, begins with celestial tones ringing out and the performance develops with great synth work, enlightened and very enlivening, spring is in step and something is beginning. the record continues at such a level throughout, overflowing with rich tones, warmth, and raw sounding percussion. in the second track, * all the boating still a tide to go*, deep warm bass and strings reverberate, as if amidst a hot harbours summer, then the ethereal synths return as magical breezes of cooling wind on a june day. on the bside comes the title track * heavens crackling*, the tone has cooled, there is an autumnal vibe, extended tones of an eerie but reassuring nature provide the ground, from under which a molten bass flows playfully. the final track, * i do anything but its so cold*, as the title would suggest, again time has passed, gone are the warm relaxed echoes of the the opening tracks, winter has come, and a strong percussive energy becomes the driving force of an especially deep and more introverted last track. in heavens crackling there is an uncanny understanding of time passing and representation of being, its present in the patience and performance within every track, and the effect of the album, which seems, like the seasons, to naturally come full circle, is for the listener indeed to experience a time well spent. top marks for the marx trukker!

martin buttrich - two new projects born simultaneously. his new label, rhythm assault, is intended to be an outlet for impulsive releases of his own music, free from the constraints of rigorously organised and planned imprints. the labels first project gives birth to collaborator - a two volume project seeing martin release a continuous stream of brilliant collaborations with the likes of carl craig, guti, dj tennis, loco dice, timo maas, the martinez brothers, guy gerber to name but a few. the first collaboration titled synchronicity, with mathew jonson.

powell unveils his brand new single ‘insomniac / should’ve been a drummer’.. his second release on xl recordings. following on from the acerbic ‘sylvester stallone / smut’ double a-side released earlier this year, the new single continues to blur the lines between contemporary club music, punk and forward-thinking computer acid. describing the music is a challenging prospect… but dancing to it isn’t. both as an artist in his own right and through the music released on his own label diagonal, oscar powell has established himself among this decade s most singular, exciting artists. the music is tough, but always playful.

this release is a collection of big names of the electronic music history, some of them are legends: pete tong & john monkman lead the list of big artists in this ep, they had produced the bumps a few months ago and now we can see the remixes of that track.
for the remix duties, suara is proud to have on board one of the biggest names of electronic music movement with more than 20 million albums sold, 8 songs in the uk singles chart, masterpieces like play or 18. the name of the remixer is moby, whom did a delicate and sophisticated deep house track for his debut on suara.
coyu is in the package too with a dancefloor, melodic, powerful interpretation of the original and julien jeweil did a really cool revision of the track in a techno way.

same procedure, different music! again the imprint’s limited serie steps up with a one-sided vinyl. limitation to 50 transparent vinyls only! this time the music is contributed by no other than snuffo, one half of the infamous snuff crew. well known through releases on labels like bpitch control, rush hour or their very own imprint snuff trax the boys are no stranger to the scene. „one of those nights“ is a good example for snuffo’s versatile musical approach as he delivers a pretty technoid piece of music. the track is all about the hypnotic vocal-sample that makes you wanna go mad. paired with a heavy-ass baseline this track is exactly what you need to have one of those nights.

singapore-based producer eddie niguel drops two remixes of electro-pop group riot !n magenta on 8ko&#772,,,,, records. niguel s past releases has seen industry wide support with reviews in publications such as groove, resident advisor, xlr8r and ibiza voice, as well as support in the likes of heidi’s radio 1 show and on both kink s and disclosure’s debut essential mix. available on very limited (100) exclusive hand stamped and numbered vinyl copies, niguel’s remixes of ‘voices’ strips off the organic elements of the original to transform it into a enthralling house cut. marking the debut release on 8ko&#772,,,,, records these two remixes are a testament to the producer’s talent and creativity when adapting an existing piece of music and a forecast of positive things to come from the imprint. early support coming from ewan pearson, dubfire, danny howells, clive henry, chris fortier, adriatique, villanova, tini tun and many more.