incl 2 bit crew, lgg, volta cab and rosenhaft. 2 bit crews just cant seem. taking a sound heavily influenced by the underground house music / garage sound of the 90s, this is a bumping groove with a driving bassline and hatswith a simple female vocal sample that will stick in your brain. the second track takes things deeper with bastien carrara aka lgg with let me, smooth rhodes chords with a love sensation sample underpinned by raw beats and sub-bass. on the second side things get a little tougher. the third track is from a producer who has had many releases already on labels such as balance alliance, seven music and undertones, konstantyn isaev, better known as volta cab. his track what is underground focuses primarily on a killer bassline, retro synth stabs and a cheeky hip-hop sample used to great effect. finally is haim rosenhaft, a young producer from israel with 1992, his homage consists of an old school organ sound with heavy kicks and snares influenced by the sound of labels like umm and cleveland city in the 90s. again this will be a vinyl only release

the organ grinder made a lot of noise with his sought-after obsession track late last year. his unique and raw blend of deep house and uncompromising beats perfectly fits 4lux catalogue so, here the grinder serves you with 4 mighty dancefloor bombs. smiley face is a tough ravey club track with catchy vocals and blunt stabs. project features a collab with jessy allen resulting in a mesmerizing tune. universe is another pumping track reminiscent of early belgium rave music but then in a true organ grinder club-vibe. heaven is a smooth nugget with delicate strings, simple organ notes and atmospherical vocals.

son: a highly percussive track that builds up from a simple hollow kick to something special that those on the dance floor will appreciate. on top is a dollop of filtered chords that move back and forth.
gate 5: razor sharp chords combined with a compressed drum beat and percussion.

paradise club is simply a place for music we believe in with a passion. unbound by tempo or genre the rules are simple, irresistible grooves, weighty lows and unflinching attention to sonic integrity, whatever the choice of audio aesthetic. strictly limited, hand stamped white vinyl.
support from: mary anne hobbs, t.williams, arkist, midland, lee burridge, matthew dekay,south london ordnance, happa, presk, outboxx, scrimshire, echo park, blacksmif, boomnoise, moxie, j.bevin, 2000f.

slowly building, soul-soothing, and disco-fuelled house with a nod to both the great masters from chicago and the new electronic breed. lisbon producer and lux resident ramboiage likes to take it slow to take things further. >del fuego< kicks off modestly with a simple beat and some light percussion, creating and eerie mood. but then some tasty, disco-fuelled heavy house kicks in, and the tune starts to roll unstoppable, riding on a horn hook. funky like a train, as the mighty equals would say. spanish om records darling al velilla steps up the pace a little bit and lets the original float over some tasty discohouse beats and eighties-flavoured synths.

die zweite single auskopplung aus dem aktuellen album >swing lo magellan< der dirty projectors. in >about to die< gibt ein markant-trockenes schlagzeug den rhythmus vor, an den sich sänger david longstreth aber scheinbar nicht halten will. selten klang existentielle angst so entzückend!
inklusive code für kostenfreien mp3-download aller titel.

following the great reception of hiverned 01 here is the second installment of hiverns edit series. in the a side, tbs >invitation to love<, a highly anticipated track that is finally released after becoming a fixture in john talabots sets. based on twin peaks osts >laura palmers theme<, the track rephrases angelo badalamentis clas- sic from an acid house perspective. adding analog rhythms and a crispy bassli- ne to the ethereal chords of the original composition, this refix manages to keep the dream-like atmospheres of the song while transforming it into dancefloor- ready groove. the idea is simple, the results are magic. on the flip, marc pinol repeats appearance on the series revamping some lost australian minimal-wave track. in the vein of his previous >wheels< edit, the track conjures gloomy atmospheres and sparse rhythms with gritty synth melodies. on the top of it, the barcelonian producer adds dialogues from spanish cult art-house film >arrebato< (hence the title) multiplying the obscure ambience of the tune. once again, the release comes in a limited edition 10 inch wrapped in a handmade silk-screened sleeve. no digital and no-repress.

have three badder dudes ever appeared on one techno record? original uk techno soldier mark broom joins up with our favorite detroit bad boy kris wadsworth for a stunningly simple lesson in jacking techno, while butane lends his hot hand on remix duties and turns in a monster to complete the package.

nice price deal !!! to the previously uninitiated, welcome to the world of reso. for the familiar, welcome to >tangram<. since the latter half of the last decade, alex melia aka reso has been blending heightened technological futurism with dancefloor prowess to create a densely cinematic musical universe. >tangram< is the much anticipated release of resos debut long player, a landmark thirteen track odyssey that reaffirms the place of the album within modern electronic music.
double 12 inch vinyl release, includes code for free mp3 download of the full album.

with influences ranging from breakcore and jungle to techno and electronica, their sound is just as far-reaching with organic sample-based productions and synthetic, processed electronic beats. lakkers torann ep, their second release for blueprint, kick-starts with the dappling beats of summer rains, before moving onto the more experimental mustard crying. ciar takes us back to the dancefloor with ominous undertones, while static & amp is a simple but effective exercise. finally the diminutive but meticulous one note caps the ep off in fine lakker style.

supported by spirit soul, buzz compas, acos coolkas, the legendary 1979 orchestra, lou teti and more

4 tracks, taken from the cd album! in >shortcake strategy<, fairytale-like melodies are backed with thought provoking harmonies that pave the way for an explicitly visual experience. we have been introduced to a new face of the berlin-based producer. shortcake is a simple recipe. it doesnt take a lot of planning or much thought or attention when preparing it, and in the end, it will be light, fluffy, sweet, and perfectly satisfying. falko might say the same about his approach to the creation of >shortcake strategy<, yet the end product sees his most dynamic and emotional productions to date, leaving us with the feeling that this comes from a strategy that requires far more thought, and is far more complicated than that of a sugary dessert.

vinyl only release !! limited to 300 copies... after the previous four compilation releases, merkurs founder shingo suwa now announces his own ep. as first track never leave me / original mix is a smooth house track, which combines synthetic riffs and chords with a solid bass line. hm dub is a remix by house mannequin, this remix contains some of the vintage chicago style beat, including filtered pads with dubbed samples. it is an incessant groove of a mellow and simple dub edit. side b inhaled deeply / original is a profound production by shingo, created with a deep and raw groove. wild rhythms assist the techno flavor here as well. sei katsu acid mix was created by the mysterious newcomer sei katsu from miyazaki. this remix is a repetitive trip through hypnotic, sweeping synthesized lines and tricky drumming. its kind of a dj tool that is functional on the dance floor

sspt005 / inversions is the second outcome by plural on separate skills recordings. the new release by daytons mastermind james johnson is a clear statement to follow up with four powerful dance-floor oriented tracks. again made up of driven metallic chords, dub and detroit techno elements in the vein of the last release, this 300 copies limited 12inch vinyl record is refined to be a killer!
all tracks written and produced by james plural johnson, dayton ohio usa. masterings by christoph grote-beverborg at dubplates & masterings studios berlin.

butane continues to push his sound well beyond the frontiers of trendy dance music with >we are all cyborgs now<, his latest tour-de-force on his own alphahouse records imprint. apparently not interested in assimilation for the sake of popularity, he rather blazes his own wide-cut path towards artistry with two future-techno cuts rife with pointed commentary on the nature of todays dance music scene. >everybodys talkin< is a mutant hybrid of styles for the nostalgic types. latin percussion and bin-busting bass mingle with an ethereal voice lamenting the passing of the good old days. throw in one utterly twisted xylophone note that might just send a few partygoers over the edge for good, and you have an open air after-hours anthem in the making. >hey hipster< is a not-so-subtle jab at the newjack hipsters of the dance world who seem content to recycle old ideas, as long as they think they look cool doing it. deceptively simple, but carrying a heavy hook, the track features a grooving bassline, speaker busting synth stabs, and a brooding male voice admonishing these party parasites for their shallow ways. listen up kids, this is the sound of the underground. dont be fooled, this kind of music is best heard in big dark clubs where mirrors arent there for checking out your trendy haircut.

gregor mcewan. a wake-up call for anyone who still refuses to take germanborn, english-language artists seriously. oh so simple, oh so moronic, oh so good.
pressing on grey marbled 7 inch vinyl.

following on from torquato and boghosians acclaimed debut on yoruba is this, a selection of remixes diverse and interesting enough to do justice to the original lp, which received praise for the rich tapestry of musical sources it drew influence from. first up, afefe iku delivers a much deeper, weightier version of paradice laden with heavy synth stabs and woody percussive elements. aybee takes when u touch me - probably the standout club track on the original lp – into much deeper realms, stripping back the original groove . its remarkably simple but flawlessly executed, the chord motif working effortlessly alongside the crisp hats. atone tackles zulu girl and in the process unravels a much more mechanical track, a massive mid-tempo thud dominating over delayed cymbal crashes and ghostly vocals. overall - a darker vibe and a truly timeless collection of remixes.

auf >breakthrough< verschmilzt kalifornisch-inspirierter psych mit einflüssen aus aller welt. durchdrungen von ominösen und verzerrten tönen sowie entfesselten drums ist >breakthrough< vielmehr als eine sammlung von beats - hier fusionieren elektronik, psychedelic-pop, funk/soul, hip hop und dubstep zu etwas eigenständigen und aufregendem neuen. gastaufritte von gonjasufi, adrian younge, dimlite, daedelus, samiyam oder computer jay machen >breakthrough< zu einer reise der kreativen verbundenheit und einer stammes-zeremonie mit einem gefühl von gemeinschaft, welches den stellenwert der kollektiven erfahrung für the gaslamp killer wiederspiegelt. mit >breakthrough< gelingt the gaslamp killer eines der spannendsten debütalben in 2012!
2 x 12 inch vinyl im klappcover, inklusive code für freien mp3-download des albums.

volume 1 in the compiled pleasures series. oliver deutschmanns >the truth< is a strong and angry oldschool flavoured piece of techno. markus suckut shows his immense talent in creating rough and simple techno bangers with punch. tres puntos comes around with an amazing deep trip. xdb does what he always does. delivering unique deep stuff. nothing more to say. support quality!

charted by audiojack, supported by dan ghenacia, sam russo, james fox, jon dasilva, norm tally, julian sandre, james johnson, sake shakir, michelle owen, jesus gonsev, audiofly, brothers vibe, davide squillace, m.a.n.d.y., dj terry.....deep edition recordings 2nd wax pressing welcomes a newcomer to the label in the form of acasual, a secretive producer, artist and designer originally from luxembourg and now based in germany, has been heavily influenced by the citys underground house & techno culture. acasual is a project focusing, among others, on music production without any limitations or specific genres, taking its inspiration from art in general. his sound is melodic and very expressive and always searching to keep it simple. the blue ep lays down 2 very cool deep house tracks with a great selection of vocals and grooves.

this time franconian tom shopper, who is well known for his collabs, worked together with alma gold, simple and max volkholz. the result are 3 dancefloor smasher at its best. in addition to that, there are 2 fantastic remixes from brise records head helmut dubnitzky and great stuff artist joseph disco.

ziros debut release aims squarely for the dark heart of the dancefloor. punishing 4x4 kicks ride thunderous, swollen basslines to devastating effect. its an astonishingly simple formula but it serves as a bold statement of intent from the young producer. early support from the likes of mosca and brackles on rinse fm and bbc radio 1 saw ziro invited to record a guest mix for mary anne hobbs xfm show back in january - a significant feat for a producer with no releases to his name. backing up the title tracks, a stunning, hypnotic remix from man of the moment om unit flips oni on its head, wrongspeed style.

lost and sound …
a1. fenin: black screen (w+p lars fenin) - raw mixed tech stomper for lovers of early techno vibes / simple pattern works.
b1. lars hemmerling: vektor (w+p lars hemmerling) - drowning down the river with moments of noises and shapes lost in echoes and reverbs lars hemmerling delivers a pieceof haunting grounds.

turquoise blue operates from near newcastle upon tyne in the uk and has been founded by neil harker with the simple aim of releasing house music which is deep, sometimes dark but always groovy and underground.

chicago house producer craig loftis aka grand high priest, began his production career engineering for frankie knuckles, as well as working as the in house producer/engineer at legendary chicago house label dj international. he came back onto the scene in 2006 with a release under his grand high priest alias, with the underground dance smash that is “mary mary”, a simple and infectious house groove featuring the sublime vocal talents of legendary chicago songstress dajae, supported by djs such as kenny dope, phil asher and karizma. we have here new remixes for 2011 courtesy of altered natives (eye4eye), bok bok (night slugs) and yannah valdevit.

freeze dried is the brand new label from the one and only grant nelson, with this new venture focusing on a deeper shade of beats... although refusing to be pigeon-holed, the labels brief is kept quite simple, fitting between a fusion of disco & deep house, the music quality is as you would expect the very highest quality! the opening release is a perfect snapshot of this, with the infectious nu-disco flavour of >time ties< kicking off the package, on the flip >not that same< goes a little deeper in the mix, with a melodic yet uplifting hook that has already been getting some serious exposure out in the ibiza sunshine.
plenty of high profile dj support has surrounded this release: giom, richard earnshaw, miguel migs, graeme park, soulmagic, tedd patterson, danny j lewis, kiko navarro, charles spencer, roog (hardsoul), ricky morrison, gavin mills (copyright), deepcitysoul, scott wozniak, dj jask, martin ikin (soul purpose), cj macintosh, random soul, andy ward, shane d, gilbert le funk, danism, dj mfr

in the context of shigetos debut lp lineage, >huron river drive< functions as a respite of sorts, a brief stop on the roadside of a very personal into the past. but as this single release proves, it also stands alone as a pleasantly understated piece of electronic beauty. the track swells slowly from the simple chord sequence of the intro into a lushly textured slice of late-night atmospherics – with more than a hint of jazz to be found in the brushed percussion and quietly tinkling electronic piano – and then receding back into the same sequence as the track draws to a close.

highlive are introducing themselves with an interesting mixture of musical visions thru their first ep accurately titled >a thing called fusion<. its title track is an elegant melting of bass lines, easy highs and simple melody conduction. yet you never get annoyed nor are you expecting jim morrison to open a door, but it happens. there is a psychedelic touch when you least expect it.
enjoy a musical high in your life, enjoy highlive – a thing called fusion ep!

after ushering in a raft of releases from top talent over the last year that turned quite a few heads, we over here at thema thought it was time to assert our own opinions a bit more forcefully. we certainly appreciate all the support we garnered from the detroit drops courtesy of norm and terrence, and sliding over to the smallville end of the spectrum with rau and suburb certainly didnt lose the thread either. sometimes its easy to build a vibe on the backs of others rather than on simple merit though… with that in mind we have taken our own path since then, and the recent successes from beaner and laurine frost stand alone as the accolades keep rolling in. continuing on our outbound trajectory, we present the solo vinyl debut of gathaspar, the mysterious polish producer who has been making noise mostly in berlin and to the east.

two new suprawax releases by eduardo de la calle. the four tracks on offer here bear testimony to de la calles search for the perfect loop. they are hypnotic grooves, almost entirely devoid of arrangement in a classical sense. but the tracks are not static. they suck you in by means of constant modulations, build free flowing structures of their own, hints of peaks emerging at the mercy of the low frequency oscillators cleverly set phase relationships. these tracks do not need the in-your-face kick drums and squashed dynamics of the brickwall generation. by leaving space, they work on a different level than solely sound pressure emanated. the simple, repetitive structure coupled with the unhasty development find their way into the dancer’s brain. moving your mind—your ass to follow suit. all records have been pressed in a run of 400 copies and come in inside-out natural cardboard sleeves. no represses are planned at present.

two new suprawax releases by eduardo de la calle. the four tracks on offer here bear testimony to de la calles search for the perfect loop. they are hypnotic grooves, almost entirely devoid of arrangement in a classical sense. but the tracks are not static. they suck you in by means of constant modulations, build free flowing structures of their own, hints of peaks emerging at the mercy of the low frequency oscillators cleverly set phase relationships. these tracks do not need the in-your-face kick drums and squashed dynamics of the brickwall generation. by leaving space, they work on a different level than solely sound pressure emanated. the simple, repetitive structure coupled with the unhasty development find their way into the dancer’s brain. moving your mind—your ass to follow suit. all records have been pressed in a run of 400 copies and come in inside-out natural cardboard sleeves. no represses are planned at present.

3 fine eps from 7 musicfor 1 special price in this limited salespack! contains these releases:
- 7m013 : volta cab - caribbean undercover (mark e rmx)
- 7m012 : robotalco - baby 3000 (cottam remix)
- 7m016 : kastil - keep it simple ep

after his first stomp in 2012 its time for the true first single astral projection out of his upcoming debut album micro mega (out in june)! for the new single strip steve is teaming up with the lucid and wild eyed dream-pop band puro instinct, young protégées of living legend ariel pink, straight outta sunny southern california. unlike his more dancefloor tunes stomp/mother circuit (bnr078), strip steve is taking us here on a trip painting lingering psychedelic-noir disco pop. astral projection goes more to the root and encapsulates musical influences from the beach boys, chic, and modern disco like amplified orchestra, highlighting the fact how versatile and multi faceted strip steves musical approaching can be. its the flirtyness with fragile lucency and the infantile embracement of the simple and still undiscovered popformula which leaves the song grow and breathe on its own. this cocktail is best served by the beauty of your own imagination. so relax & leave your soul wonder, cause astral projection will take you to a new dimension until youll have the pleasure to discover >micro mega< - strip steves debut album.

deep house mestro nacho marco joins forces with sais and fabiani and together they are dropping a balearic house stormer (with a certain jan hammer influence). although they keep the things simple the track relentlessly grows during its whole length to full effect. ooft! is on the remix duties. he speeds up the track, so the purist can call it house without suffering, and he does a great job while doing it, taking the whole thing into deeper territories.
all that on a very limited 12 inch with screen-printed artwork and download coupon. with amazing silk screened artwork by graphic genius pepe medina. includes code for free mp3 download of this release.

killekill herewith announces the start of a sub label focussing the housier side of what we like. killekill house trax starts with the release of a great track by alex cortex. quite uptempo but groovy as hell oh yeah comes along with a strong reminiscence to classic chicago house with its strong bassline and the catchy vocal sample. tyree cooper added a simple but well working piano and packed the original into an even more classic outfit. oh yeah!

searle comes back to mowar for his second release. while his mind transfer ep was a darker workout, his new she moves ep show a deeper dubbed side of his productions. the title track perfectly combines the dub aesthetics and simple basic channel effectiveness with sweet infatuating stabs and scapes. this ones for the deeper and more sensual moments on the dancefloor. melancholy goes even deeper emotionally layering a steady slightly jacking rhythm with edgy melancholic atmospherics and melodies. on the flipside russ gabriel, who remixed on the very first mowar release back in 2008, reworks she moves in a stripped hypnotic mover, slightly more thumping for those sexy hips. last track tunneling is what searle would call a 5 am groover for the die-hards who want to be embraced by the sensuality of deep emotional techno.

if you like the sound of cheap analog synthesizers from the mid 80s, drum machines and strangely pitched human voices this might be the record for you. a small warning about the quite melodic and poppy arrangement, it is not minimal, nor pure drones. sorry. estelle ep has nothing to do with the car Škoda estelle, even though some instruments used on the songs were produced during the same years. estelle ep is more or less a result of the new kranglan broadcast hardware studio environment. the plan was simple: to get rid of the machines that were not being used and to make the rest communicate with each other. this resulted in some very fine jams where realtime feelings and spontaneous ideas were converted into music. each track is its own moment in time.

*** decks tipp *** osunlade mixes !!! upon ourselves, the first single off argys critically acclaimed fundamentals album, has been immortalized with 2 exemplary remixes from no other than osunlade. the stripped mix speaks for itself. a heavy pumping relentless groove layered with simple yet sophisticated percussion and synth lines. bajka sums it up with her sumptuous vocal expressions. the yoruba soul mix stays true to the traditional movements of osunlades musical finesse. that leaves one in a state of breathless euphoria. the path is clear, the journey continues

first up is 92, a straight up jacking deep house number with, as the title suggests, a retro flavour. the deep repetitive pads are jacked up with amen break style drums that were used so widely in electronic music back in the 90s. some quirky synth lines and vocal licks here and there give the track its touch of soul and then a fat bass line to bring in the bottom end. high quality simple yet effective house music...

hands of time continues its run as one of the most excellent and dependable labels on the market with this, social disco clubs new unknown sea ep. the release features three killer tracks. >lilt< is a deep and driving house banger with some soulful diva vocals. simple dreams is a return to the sort of leftfield disco sensibility that weve come to expect from the label with some groovy organ work and a beat that wont stop. finally, unknown sea has a straight-up jackin, minimalistic feel coupled with a sense of ethereal beauty that should do wonders both on your home stereo and on the dancefloor. with the label investing in a new cover design and quality releases like this, hands of time is definitely ready for 2012

as hot as ever the new ep from our siberian disco friends is finally landing into theomatic’s catalogue. the title track solar wind is a rhodes driven hands-in-the-air early night anthem: simple yet powerful, just the way we like it! the flipside features an offbeat cosmic number “planetarium” which sounds like a perfect soundtrack for some colourful sci-fi cartoon about the early years of space exploration, with all those rockets, flying saucers, stars and comets with long tails. the bonus track (available as a digital download only) is named after the soviet moon exploration robot vehicle lunokhod 2 (’moon walker’ in russian) which was sent to the moon in 1973. being rather minimalistic at the begining it slowly evolves and reaches its apogee closer to the end with calm and beautiful melody which leaves the listener in a peaceful mood

first intercontinental flight for etchetta nera, destination chicago... we are proud to have on board for this release a real techno legend, one of our 90s hero, mike dearborn. well known for his releases on top label as djax up beats, majesty recordings, tresor and bush just to name a few mike can be considered a major figure of the chicagoan scene, without a doubt. he give us a remix of classic techno, simple and rockin...thats how we know mike and his sound, unique and groovy....we just love it... mainthread original version is a pumping track well done by francesco & mirko with synth and stab in pure u.s. techno style. play it, love it

vinyl only !! big with: paul woolford, deetron, tazz, terrence fixmer, brendon moeller, anthony shake shakir, john osborn, chris duckenfield, dj deep, joel alter, nick hoeppner, nyra, cedric maison, eric cloutier, ed davenport, harri, ernie, milton jackson, a sagittariun, jonas kopp, huxley, danny howells,... never learnt follows up the superb nyra >best of< release with this superb two-tracker from october & borai, who have previously teamed up for the shadowing brstl imprint, october as a solo artist is currently winning many a plaudit for his unique take on house and techno, with releases on skudge, simple, applepips and his own taanstafl imprint all causing a stir. in this release, we see two dubbed out, cosmic housers with >level abstain< being a skewed peak time cut and >vital ital rub< heading for the deeper floors. stay tuned…

bristols elastic dreams present its third release, with label owner a sagittariun taking a back seat on this one and introducing sheffield based dj/producer, nyra, to the fold. hot off the heels of his ep for never learnt, nyra keeps on track with two new cuts of basement techno and deep, murky dancefloor tracks. the release is bolstered by a remix from skudge on lead track >uno 10<. skudge really need no introduction, but to the uninitiated, the swedish duo have been plying their simple, raw yet powerful sound since 2009 with releases and remixes for echocord, drumcode, fear of flying, rush hour and of course their own skudge imprint.

supported by: loco dice, luciano, richie hawtin, seth troxler, m.a.n.d.y., joris voorn, hernan cattaneo, satoshi tomiie, nick curly, reboot, audiofly, tania vulcano, robert owens, matthias meyer, trickski a.m.m
the soulfooled crew once again show their talent in bringing in hot newtalent to their roster and are proud to welcome mexicans balcazar & sordo. first heard on dirt crew records and coming up with other releases on soulclaps no.19 music and leftroom, >these guys are that close to writing a huge hit< (maceo plex). >dont ask< shows their quality productions once again. a brilliantgroove, combined with vocals from dana bergquist, will definitely make itto your head and stay there. on the remix duty, there is none other than italian nico lahs (ovum, culprit), interpreting this song in his very own & epic way. on the flip-side soulfooleds partner in crime and hannovers hottest dj, mario aureo who steps up to show us his ability to create a warm, trippingsong, perfectly fitting to early morning sets. light vocal toppings, willmake your trip through this simple, but effective track very special. mario definitely knows how to create a perfect djtune. deep house mastermind gorge, remixes marios >keep on waiting< in a more peak-time way, still remaining deep, the outstanding clubby groove will make you dance, dance ... dance!

following releases on mathematics, boxfade and vuzkid, chris moss acid returns with an extraterrestrial four tracker on holland’s 030303. the a-side features bay of cadiz, an eleven minute cut built around an hypnotic bass line and a simple hitchcockian synth that would do well in a horror movie featuring zombies with smiley faces. on the flip, lynchette matravers is an energetic, crystal clear banger reminding of early 808 state. the big freeze sounds a lot warmer than the title suggests and should please anyone into afx’s later output. the rhythm, the fourth and last track on the ep, continues on that vibe with beautiful synth work. chris moss may look like a nutter, this sure is serious sonic pleasure

ly sander & michael j. collins join forces to bring you raoul06 via raoul, a deep, soothing ep. no response is a laid back and haunting piece, featuring warm bass and soaring pads. percussion is kept simple here, with the focus on the bass groove and introspective wording. home listening and chill out sessions arent complete without this air-y number. to bring it up a bit, the >deep space orchestra remix< lays a beat and a groove under the track and takes us to galactic depths. a cool energy is spread throughout and saucy percussion takes the levels higher. this is a late night dance track that gives goose bumps. it will certainly help to reconnect senses in the early morning. >russian roulette< displays nice use of delay and relaxed percussion. this hasnt got the boom of techno, but it does have the space-y synths and ambience to bring you up to your feet. when everything is in place, it feels right an afterparty delight.

vinyl only! synths glittering through the night are pierced by metallic percussion and crushed by bass frequencies from a deep abyss! many times have ricardo esposito and micheal nadjé demonstrated their tight dj skills all over europe and now these two brothers have stepped up their game yet again to craft two tracks in a most simple and efficient way that only early chi house is capable of. claps, toms and tambourines rushing fiercely through arped hooks bring back that 87 feeling! the flip transports us back to the present day in the form of two remixes, but wont betray the a-sides spirit. for b1 john spring trades arpeggios for chords and introduces a thump you will surely be able to feel on the floor. kyle, on the other hand, hooks up his analog gear and pulls out synth lines that will get everyone on the dance floor dizzy – but only until the bass line crushes their chests.

the man with a hand in hypercolour, hypeltd, glass table, losing suki and sneaker social club has such an inexhaustible enthusiasm for all forms of electronic music that he is starting a new label! space hardware is jamie russells latest project and comes to fruition with the inaugural sounds of placeholder, an artist russell unearthed one afternoon on soundcloud. the labels mo is simple: to release spaced-out headphone music for the rave generation, where this debut ep consists of two original tracks from the mysterious placeholder, plus a tidy remix from uncanny valleys jacob korn.