sometimes a loop is more than a loop. patterns that appear repetitive arent that repetitive if you take a close listen. adding lopazzs voice to this epic track is the ingredient that injects that next level of energy, the mystic touch, the it. that voice seems to dance with and around the music. and with every twist, the listener is drawn deeper into mr raoul ks world build of warm bass and cautious beats. a place in which someone would easily get lost if there wasnt the voice to lead him throughout the long journey...

since his last release on circus company (fleurette ccs033), djulz add been quite busy in the sutdio. he did a lot of remixes for slam on soma, matthew dear on get physical, 2000 & one on 100%, arnaud le texier on 20:20 vision and spencer parker on rekids. hes now back with a freshly baked 3 tracker called rotondo. thats also the track title of the a side. rotondo is techy and slightly dark. there you feel a constant pressure that will leeds you to euphoric pad which is just a simple saxophone screaming sample. on the b side we are getting into some naïve and housy feeling with on the road. then ideas are fishes is closing down the record on catchy vocal hook. that king of track to keep the party rolling. once again d julz delivers some great cuts that should be soon on rotondo everywhere

the second half of the great lengths remixes package offers 3 more vividly contrasting interpretations of album tracks. almost a year on from the release of his debut album >one< and with >saviour of techno< plaudits still bouncing off concrete walls, berghain lynchpin ben klock turns in a remix of is this insanity that distills everything inspirational about both the club and city he calls home. spaceapes cracked vocal is welded to a sort of cavernous piston driven groove while traces of the originals melody fractured into the briefest of shards fight their way to the surface only to sink back into the percussive smog. located well outside of the heavily scrutinised uk hype centres, manchesters rising star illum sphere continues to hone his already distinct sound on the flipsides brilliant orange reworking. a clanking off kilter groove rubs up against an extended mutation of the original melody that pushes the track towards a poignant climax, evoking all the ache of reaching for the stars and landing squarely on ones face.

dirt crew, hot from their recent 5 years compilation and the >blow< album on moodmusic, is again on the wall with another hot remixpack ...
>deep cover< was the standout track on the album and gets the remix treatment from 2 of the brightest stars on the deep house scene.
roberto rodriguez builds up a massive groover with similarities to mid 90s deep dish sound but injects a slice of analog funk to it, showing the talent and nourishment in his music.
vincenzo takes a deeper road, teasing the groove to slowly evolve into a tastemakers choice as we know him. deep, yet driving his mix fits perfect those early morning hands-in-da-air moments.

nice price deal !!! official release !
mind-blowing singles, eps, remixes (for the likes of simian mobile disco, little boots, royksopp, lykke li, au revoir simone…), a quickly-growing label (fondation records), and the night is his in most of the worlds major cities: danton eeprom had it all, to the exception of a long-playing record. after making a name for himself with hits like confessions of an english opium-eater, grindhouse or face control, it was time to go off the beaten path and show the way once again. would he go for a fairly logical sweat-ridden dancefloor riot? not precisely. not only. danton would make a revolution of his own, in dandy mode.
three words that will soon be on everyones lips: yes is more. in a cloud of smoke, over a tight booty beat and keys delving deep into thirty years of electronic music, the french londoner sings for good and is all axes out on >thanks for nothing<, making things clear from the very start.

it was in november 2009 when professor dr. geiger presented his epoch-making invention to the public. of course, everyone was really excited, because this invention was said to shake the music industry to its very foundations. from now on, billions of mp3, cd, music cassette as well as ordinary record players should just be scrap, and completely out-of-date. todays dj, one could read in the manual, no longer needs all this. from now on, everything he needs is a 69 bux.
- just fill up to 11.5 liters of liquid vinyl into the vinylator
- internet on
- select track
- press the bum bum button
as soon as the record has been finished and cooled down, the techno-mkx-arm will put it on automatically. you do not need any additional player. we recommend to use an oak wood table. for the next generation, more functions such as autosurf or automix are being planned. 3-phase, variable control: warm-up, party, go home.

position your television antennas correctly and adjust the tracking on your beta player, because the new ep from college is making its way through high frequency airwaves and into our living rooms. college, valeries main man, with a five track episode into 80s nostalgia which plays like a pseudo soundtrack - featuring the airy vocals of electric youth on the title track. limited edition of 300, hand numbered copies.

here is the first release from ryan davis on stereo seven plus, coming on strong with two superb quality techno tracks like cocoon and primary instincts. on the flipside andrea roma and alter breed deliver their versions of cocoon, the former exploring harder territories, the latter turning it into a refined house groove

for our 3rd release, we are proud to present an important fixture and compatriot of the underground elec-tronic scene of milan, the inimitable luca doobie. while his recent, groove oriented brand of house has been well documented and received on labels such as freerange and safari electronique (among many others), we are happy to have secured a veritable bomb of an ep, entitled _south america_. comprised of 3 original productions, it perfectly showcases luca_s abilities as a producer and arranger, whether he is rocking the dense tribal-esque beats on the titular _south america_ or utilizing driving, swinging basslines such as the one in _backward_ or even venturing into heads down, hypnotic techno territories as he so effortlessly does in _nepture_. already supported by ellen allien, ivan smagghe, mistress barbara, mark knight, cristian varela, onionz, simon & shaker, technasia, gel abril, eric entrena, terry francis, omid 16, desyn masiello

this lost bet is a sure win for everyone into darker, harder techno. with artists involved like darkrow, fatima hajji, a.paul, david moleon and dave most you just cant do no wrong!

nope, this man is not a legend, yet! however he is in fact legendary already for his notorious live sets as well as a wide range of groundbreaking styles and sound he designed apart of the consensus way in the last 15 years.with his now presented astrodymics part1, richard bartz deals similar to the subway concept again with his past and transfers these late nineties space-disco drafts into the wonderful here and now. he delivers vivid funk-supercharged house which is at the same light as a feather and for sure a very sudatory matter.
space-disco rules!

okains dj career kicked off back in 1999, when at the tender age of 15 he began spinning regularly at parties. influenced by french legend laurent garnier, it wasnt long before he was offered his first residency. since then, he has gone on to play at the hottest of paris nightspots, including the rex club and social club. through playing at the now famous dimuschi parties he teamed up with paul ritch. after some time studying in sound engineering, the pair released their first ep under their handycraft alias on kickboxer. since the success of that >le bal masque< ep, okain has gone on to release on labels including robotronic, bpitch control, four twenty, tsuba, quartz and of course jetaime, and has been fully blooded in the art of touring. gigs have flooded in, and his travels have seen play many of europe s finest nightspots. his >blackrock< ep on quartz earlier this year found fantastic success with so many of you, and today our good friend is back, with the awesome >acrobat<.
the original sees okain take the warm, techy path. a lo-slung groove leads us into the melodic strings. matched with sharp efx, strong beats and a demonic laugh, this is a sure fire winner. first on remix duty is label head alex dee. toughening proceedings, alex creates a driving, somewhat tribal work out. relentless beats work brilliantly with the now chopped vocal, to create dramatic tension that builds to a crescendo in the break. a fantastic mix. a great package already, and one that just got even better with the edition of daniel mehlharts incredible rework. the frankfurt producer is hot property right now, and this mix showcases perfectly just why. deep, warm and moody, with huge helpings of classic detroit touches, the originals strings are accompanied by weighty synth stabs, to stunning effect. essential.

a unique opener for haknams first vinyl release by emad parandian.
the tripping a-side >marangai waikawa< leads into archaic vaults - a dark spatial pattern of droning synth atmospheres all maintained at a decisively bass oriented centre. a ceremonial dance, refined with self-played kanjira percussion. mysterious choirs invoke a rainfall of tribal metal percussion.
out of the dust of >marangai waikawa< grows >scud< on the flip. part two of a thrilling journey, pulsing straight forward with pushing noise elements, astute shuffly percussion combined with scattered vocals >changes are gradual<.

luis flores enters the world of hidden agenda. once home to just productions from label boss dietrich schoenemann and tony rohr, the label has added the likes of misc, shokh+star, bau and metalogic. veteran of mexicos techno scene and years of pushing innovating and non-conforming concepts, luis has developed his own production style that is precise and hypnotic with a healthy degree of dance floor groove. his first release on droid recordings was enthusiastically lauded and in put into heavy rotation by the likes of chris liebing and speedy j. already he is gaining momentum with interest from dj heavyweights and international tours in europe, china, the u.s. and elsewhere.

right on the heels of aux-records enthusiastically received 1st release featuring very contemporary revisits of the 1950s classic >fever< by franco cinelli and club rayo, this 2nd chapter of the aux-rec project travels to different eras, into different styles. and this is precisely what we had set to do: zig-zag through dance music history in search of personal favorites and classics to be revisited or refreshed. for the present release, we travel to two distinct dates: 1989 for the a-side, and 1979 for the b-side. two tracks that are 10 years apart, but that both share a fiercely upbeat and affirmative musical profile, as well as a certain ageless, core, compositional quality.

time for the next release of the mojuba-labelboss don williams to continue his detroit-series on a.r.t.less after sven weisemanns >shove ep<. the main title >vector dance< takes a different way to approach things than its predecessors on the black and red ep! witness the funk and groove that brought us the city from the d combined with a scifi-feel which embodies the vision of techno for many of us! the second track is a soulful ride into deep glimmering field of hi-tech emotions! detroit-lovers check it out!

alex smoke returns to the fore with his new single lux+ in advance of his third album >lux< which will be released feb 2010. the new album is the result of his hard work and delves into more abstract and experimental territory whilst retaining the melancholic musicality and cohesion of its predecessors.

hailing from sao paulo, wehbba is one of the latest additions to brazils techno ambassadors. having contributed heavily to tronic in 2009 with an ep and his acclaimed rework of jim rivers full tilt track, wehbba is headlining the inaugural tronic treatment compilation to be released in february. wehbbas talent as a dj / producer have taken him on a worldwide journey that has seen his powerful, rhythmical and emotive productions appear on some of the scenes most influential labels including global underground, get physical, great stuff, audio therapy and urbr.
sweet spot sees wehbba push a housier sound from previous work, focusing on swaying beats and a deep-edged ambience. the sweeter mix toughens the groove and takes the track into more late-night territory.
brother keeps the vibe of the ep on a deeper tip to complete this fresh sounding ep. centered on an epic groove of building chords and sweeping vocal refrain the dancefloor punch comes from a heavy pulsing bassline.

highly praised by dubfire, alan fitzpatrick, stephan bodzin, daniel steinberg, oliver huntemann, oxia, luetzenkirchen, pan pot, and many, many more.. andreas henneberg, the man of the hundred projects is back on voltage musique records and comes with a mind blowing single release. the well known bass line machine ramon tapia and the austrian globetrotter florian meindl are chipping in two monster remixes. lets get into 2010!

with five beat pharmacy albums and almost a dozen vinyl releases on francois ks deep space imprint, this dubby and eclectic project of brendon moeller needs no introduction.
chugging along at 120bpm, underpinned by a thick sub-dub bassline and a modulating maurizio-style synth cord arpeggio, pump is a hypnotic slap of deep smoky house with some memorable hooks to boot. swirling rhodes keyboards and a slick piano riff serve as a lovely counterpoint to the swinging funk of the hi-hat groove. forever morphing and evolving, the stready and unrelenting groove are guaranteed to keep heads bobbing and toes tapping!
the first remix here is by echospace head honcho, stephen hitchell under his intrusion guise. stripping away and re-contextualizing the key elements in the track, hitchell crafts a warehouse-style dj-tool that subtlely weaves its way into ones subconscious via a delightful psychedelic keyboard hook.
londons bearweasel takes a similar approach, except with a much more pronounced beat track superbly trippy atmosphere. a top notch dj tool thats likely to be spun worldwide.
all round a quality release with enough sensibility and character to be played for years to come.

will eastman has been holding down dcs clubs for the better part of a decade with his sensationally successful bliss dance parties. his remixes have received critical praise, along with his dj sets in dc, across the u.s. and in europe. his first foray into original dance music, feelin to be released as a 12inch on plant, is a groovy house/disco/rave tune that gets reworked by his good pals nadastrom, tittsworth & nakassis, and dmerit. he and jesse tittsworth are opening a new club in dc, u street music hall, slated for early 2010. wherever eastman goes, insane dancing follows.

three electroid monsters by lowkey & kardinal on one wax - made to shred any dancefloor into pieces!

right on the heels of our previous bass/electro smasher, we hit you with the most anticipated house/disco record of recent times. helsinki 78-82 is a project by top billin team members flipper & koobra, whove always been active and always been down to bring something new to the label. while flipper is part of the top billin dj team and has always been the most high-flying of us, so no wonder the the new 12inch is some musical bliss thatll leave you feeling that good good. this is what we call big city house music, when youre cruising the streets at night with the top down - no words needed. in a manner michael mann would be proud of. so lifelike is a sort of remake of lifelikes great so electric (under permission), although this time it comes with vocals from our great helsinki new wave partners villa nah. if you are in need of a new end-nighter, this is it. cruising is a tune full of that pumping big city feel with driving drums and great synth work that will get them ladies on the floor and will fit into those funky house / modern disco sets. we even have a video for it, but its a different kind of cruising than you think (no al pacino)…

nice price deal !!! back from the dark streets of manhattans west side scndl comes creeping back into the picture. reminiscent and inspired by old chicago house from the likes of master c&j, need to know asks you, what gets you in. this time around theres a devastating set of mixes from across the atlantic. the uks lee mortimer takes the main riffs and raves it up with his turbulent basslines while markus lange & sterofunk keep it on the deeper side of dark electro. fukkk offf wraps up the package with a simple yet effective edit that fattens things up on the bottom while keeping it glued to the floor. what gets you in?

coming from germany, rampa is surely one of the hottest up and coming producers around at the moment. he has a history of producing acts that found their way directly into the charts. his keinemusik label is on a roll at the moment and he is also behind some turntables between berlin and new york, representing his own definition of music

here comes a highgrade split ep. marcus homm and ludwig coenen share the honours on one record, and instead of competing for the glory, both producers compliment each other perfectly. markus homm, the global player, starts off as assured as ever with another great track. golden glow rolls towards a dramatic stage for hysteria. homm takes the listener in with a heavy and richly sweet narrative style. matches brings even more excitement, pushing forward with brilliantly entangled sounds that hit you more in the hips than the stomach, telling a tale of promise in the early morning hours. ludwig coenen, the man from infamous frankfurt, brings dancing into the realms of the zoo! with its not a zoo he manages to combine various sounds into a funky and functional harmony. the 2nd track mind your head breaks the standard mould and uses a broad sound palette to construct a new and unique field of maximum funk.

electric city (original) is a classic industrial techno track combining the driving force of relentless beats and bass with the huge rooms the that roland drum machines open up when you put massive reverb on them. its hypnotic and psychotic sounds appeal to the primal side, driving you to forget about coolness and unconditionally express yourself to the beat. uplifiting and dark at the same time, electric city echoes the high tech metropolitain dystopia we live in today. >echoes< presents itself with a forward marching industrial beat, piercing synth lines, and sweat inducing rhtymic patterns. its psycho bleeps are pure industrial funk. when the vocal sets in youll feel the relief on the dancefloor as the straight forward groove brings out the primal need to put your energy and emotion into expression: dance. function s remix of electric city is dark !!

the 2nd release from detroits emerging techno label, asrx, is sure to keep the late-night dance floor flexing! this release takes the listener on a journey through space and time with its hypnotic / psychedelic grooves and driving / pounding bio-mechanical rhythms. drop one of these tracks into a serious techno mix and watch the dance floor erupt

tonbaumeister’s love for electronic music roots deep in the late eighties when he got his first computer, a commodore c-64, and when he instantly fell for the distinctive sounds of its sid chip. always driven by this passion he since then devoted himself to producing electronic music on various computing platforms and with multiple different programs to discover and soon constantly reinvent his own style. growing up in hessen, in the very heart of germany, he was deeply influenced by the endlessly evolving styles of house music and techno, which shaped the face of the vibrant club culture in cities like frankfurt and kassel. although tonbaumeister’s style might prematurely be declared as house music, the diversity of his productions makes it almost impossible to put them in a box and label them. his energetic tracks range from straight house to tech house to almost dark technoid characteristics, but suddenly one finds oneself surpr ised by the aforementioned sounds of late eighties computer games embedded in a psychedelic landscape with rough sawtoothy baselines. as hard as it is to pin down his production style, it is even harder to label his dj sets, which, as well as his productions, constantly evolve and morph while mirroring all of tonbaumeister’s influences. since 1999 he developed a passion for djing and he has had the chance to transport his enthusiasm into a number of clubs, infecting many clubbers with his verve. at the moment he is about to launch his own label subclinical

r.i.p. hollertronix series, that club staple borne in philly by diplo and low b that, in its lifetime, has seen the pair rise from small time basement collaborators and underground party hustlers to major label players and arena rockers. it helped introduced the world to bmore and balie funk music and let djs know it was okay to embrace a pluralistic club experience where its more than okay to crunch up a set with indie, hip hop and dance music. the seeds of hollertronix are sown, but now they ve grown, with the departure of low b, diplo has nursed the growth into the full fledged mad decent label under universals downtown records umbrella. the last word from hollertronix is this, a four track banger from amsterdams the partysquad, which is the hollertronix 10 12inch. it includes potential future classics: pull up, crazyfunkystyle, murderer & rage.

its been a while since i:cube hasnt deliver some fresh cuts! was he lost in a software??? hes back (a new album is also scheduled) to his early naive, deep and twisted spirit, but with a super tight modern production... falling is a sleazy funk track, a slow burner, which contains all the elements who made i:cube one of the most respected and innovative producers around since more than a decade!! heavy groove, hypno bassline, references to the early disco-dub music. un dimanche sans fin (neverending sunday) was done (as its name says) a sunday night, one shot, at the versatile studio. cube reconnects with his seminal dub-techno love, a track full of space and emotion. i would describe operation hypnosis as sheffield house. a solid beat and some bleeps will bring the dancer into a mental spiral...

the voyage continues. after dropping his debut album voyage direct, tom trago now drops two favorites from his live set. side a is an extended disco version of use me, morphing in to and out of the original like butter. clocking over 8 minutes use me again becomes somewhat a modern take on the original disco version. its got enough drive to make a dance floor go crazy. side b meanwhile is an exclusive from his live set. here he strips the classic >over & over< to the minimum before sliding into the original groove only for a moment, only to continue to ride the rhythm again. proper club business

dollkraut aka pascal pinkert is back with another great ep after his previously successful release >cheveux noir< on sound architecture. once again he shows his ability to produce a unique blend of house influenced by soul and jazz. loaded with warm and analogue sounds paired with his intuition for solid vocals and sampling.
the remixes featured on this record are done by two swinging tag-teams. first of all the well known krause duo (freude am tanzen / musik krause) with an edgy sharp jacking remix. on the b-side scott (the gym / my best friend / fluid ounce) turn the downbeat track precious fool with their jazzy twist into a dancefloor anthem. outstanding record!

liquid blasted, russias most famous hardcore producer, delivers a bad ass industrial tekno ep sure to twist your head and crash your speakers. these 4 tracks deliver great production and fierce beats to mix into hardcore & tekno so dont miss out on this underground gem.

after a break of 3 years, fear of flying resurrect their limited label to give an airing to a track that has been getting some serious attention at londons uber club fabric, having been a staple in the sets of supa resident craig richards for some months now. tiger tiger is all about the tension as the 3 minute intro builds and builds with the an arpeggiated synth, deep bass and a spanish female vocal hook before dropping, no doubt, to dance floor pandemonium as the kick is introduced. its anthemic qualities are brought to the fore later on with a string breakdown and more lashings of the ultra catchy spanish female vocal. ekkohaus provides two excellent mixes on the flip – the main remix shimmers along in fine dance floor fashion. super slick percussion and snippets of the main vocal keep pushing the tracks along, occasionally dropping into the full vocal hook to get hands in the air and smiles on faces.

another double vinyl of amazingly well crafted detroit techno, from the master of dark, mysterious & sci fi-edged techno tracks, a vintage mills with his imaginative forays into the future. 4 long tracks: medium gray, resonate: the seduction of decaying expectations, filters a/b: the urge to swirl alone in a pool of ridicule, simple degrading devices of reflectivity.

traversable wormhole has become one of the hottest mystery artist projects/series in the techno scene in 2009. crossing the spectrum from deep techno to hard techno, tw has even found its way into the dubstep scene. traversable wormhole has been played from a huge array of djs from many scenes. reports through the wormhole have heard tracks from tw played by world famous djs such as chris liebing, ben klock, marcel dettmann, mathew herbert, andrew galluzi, surgeon, function, frankie bones, luke slater, surgeon, dj deep and a whole lot more... tw has many years experience in performing both as a live act and or djing with turntables under his his/she/there well known projects names. will tw reveal their identity on the upcoming worldwide tour that question remains unknown.

the waiting is finally over! after all the ups and downs of the past year, we can happily report that joshua eustis now firmly intends to continue telefon tel aviv as a solo project. in order to mark his decision with a bang, thewonderful title track >immolate yourself< is being released as the second single from the current lp. the song has been entrusted to highly acclaimed and diverse remix artists who have skilfully stripped down the epic album track to more club-friendly formats.
the a side is delivered by label-mate thomas muller, whose finely detailed techno soundscapes can now be enjoyed on five bpc 12 inch releases. his >immolate< remix takes a much more direct approach. he reduces the lush arrangement of the original to a powerful basic framework, leaves out the vocals almost entirely, and creates a surprise when the track crumbles into sonic chaos towards the end.
miss fitz aka maayan nidam has had singles released on labels including raum musik and freak n chic, and these have been remixed by renowned artists such as ricardo villalobos. her version of >immolate< also makes a clear break from the album track and serves up her very own brand of abstract, dancefloor-friendly house. once again, all the opulence of the original is thrown overboard, a dry beat is placed at the centre of the arrangement and enriched with sinuous vocals.
ben klock needs no further introduction - he is the epitome of the bleak, hard minimal sound. his album >one< is currently available on ostgut ton, and as a remixer he has earned the highest acclaim for his version of depeche modes >peace<. bens >jack mix< is fittingly titled and lives up to all the expectations of the name. the track is stripped back to a resounding, hammer-like beat framework - minimised for maximum effect.
bpitch legend sascha funke delivers a surprise with another astoundingly reduced remix, at least by his standards. he turns away from the melodic richness of his current album >mango< in favour of repetitive fragments and an extended arc of tension which will surely make his >immolate< remix a massive after-hour hit.

alejandro the argentinian fellow, also known for his monikas >funzion< and >e bridge<, released on lomidhigh, alphahouse and sushitech among others, presents us two energetic musical journeys for the meander imprint. this is warm and funky music, simply pure and rich in its dynamic, drive and groove. stunning and very ajejandros own style. the track selva introduces itsself with a temper didgeridoo eclecticism. followed by lush heavy sub basses with a dash of acid and wandering crispy sounds, his tricky rhythm programmings are blowing us away into dramatic dancefloorbliss. spiced up toms between high frequent synthesizers underline its constant presence. a melodic, organic and crafty piece of house music. on the flipside we have >pampa<. the obviously traditional south american influences of our talent merge with modernism, fluxion and frequency precision. an emotional trip that let somehow emerge images of dreamy landscapes while being still a dance orientated killer tune. with this record alejandro emphasizes his creativity as a standout producer for dense and powerfull creations

supported by adam beyer, john digweed, dominik eulberg, ewan pearson, perc, danny tenaglia, dave tarrida. roland m. dill is a passionate dj, trained musician as well as bit of a scientist. this release tells a story of psycho acoustics. so expect >low go< to be something special for your ears and for your soul. roland likes chicagomusic and this track has the chicagoesque feeling in it from the beginning. those who remember green velvet will get a hang also on this powerhouse-techno production! this track will be easily fitted in to every berghain dj set and rock the shit out of everyone on the dance floor. dont expect dubbed out lushness, this is serious dance or die action .
the remixes come from prominent producers around europe, so starting chronological from a2 to b2: sian has appeared on a lot on raves and parties with his surf board. he is an international traveller who loves to be reminded of the times when surfing farmers left their houses with door frames and no doors. his remix works in a way a countdown functions. building up tension at an incredible speed, this track is set out to explode... but sian would not be sian if he had not developed a club friendly torture . sian rides the wave of superfatt basslines and adds a sequence that sounds as if someone had replaced his teeth with thin pieces of metal, creating a humming voice comparable to one of a jaws harp. sian keeps the tension going with very few elements and shows he is a true masterof techno.
secret cinema has been accompanying us since his first releases mid of the 90ies and we truly believe quality prevails, not to mention his mayor chart hit just 3 months ago with “shake ur tech-ass”. well secret cinema is unbelievably massive in his production. we dont see how anyone can fatten up the sound more than he can. but it is not only about tuning and pimping and pimping and tuning... his remix is a masters piece of perfectionbecause it creates something rare... deep emotional hydraulic strength. this is like diving head on into a pool of silicone and getting sucked into it. this track has an hypnotic feel to it that is comparable to radiohead.
darko esser is an icon in the techno scene of the netherlands. his remix takes the track in to a direction you would not expect it could go to. starting rather minimal darkos remix soon takes a turn and brings in jack elements and cool nostalgic melodies that will warm the heart of every detroit techno lover. was it derrick may who played chords like this... these strings are looked up in the back of our heads like childhood memories of having your first popcycle exploding in your mouth. this is soulful music with just enough analogue imperfection and warmth to it.

>double rainbow< is the first 12 inch single by dcs protect-u partnership. a dripping bell loop drops over 707 patterns and deep bass as the a side twists, turns, and grows into a highlife house dream. the b side toughen up is tropical electro-funk gyrating in and out of itself, a 90 bpm churner for all the people out there (like us) living in that nu pangaea where the genres fall apart

aston martinez brings a star into the club with this clubfriendly release!

played by loco dice, juju & jordash, k-soul, anton zap ... ferrispark records continues to release quality underground music that moves emotions, dance-floors, and brain waves. the 12 inch release of scott fergusons >evolution of a revolutionay ep< is raw, soulful, dance music for the deepest dancers and freethinkingminds…
a1: revolution – main mix (7:51)
mix dirty heavy beats, a somber sax solo, deep chords, and malcom x and you have a deadly combination for dance-floors and the authorities. >theres freedom for everybody or freedom for nobody!<
b1: revolution - dub (4:49)
this mix leaves only the dance-floor elements, play it for your deepest crowds…
b2: evolution of a revolutionary (4:32)
in this deep house burner, intermingled loops and voices evolve and transform into a story of revolution.

as the third single released in anticipation of scott hansen’s long-awaited full-length as tycho, “coastal brake” may be the best yet—a sweet slice of dream-beat that glides over the ocean surface like a high-speed waverider. “coastal brake”’s vintage synthesizers set the pointillistic scene, blipping and popping around a near-balearic rhythm like melancholy drops in a river, rising and falling and building to a shimmering climax. it’s not quite dance music—more like tycho’s soft-focus take on the escapist beauty of house music. the single’s three remixes do the original ample justice. danish producer (and syntaks collaborator) manual takes “coastal brake” at half-time and shoots it full of feedback, bringing a scorched-earth weight to the proceedings, while hatchback’s “cosmic caviar dub version” turns down the contrast and places the song in a cave full of drugged-out pianos. lusine hacks up “coastal brake” and repurposes the bits for his own stutter-stepping, downbeat funk. listen closely, and you’ll hear shards of “coastal brake” sparkling in between the beats. limited edition (1000 copies) of tychos >coastal brake< on 180 gram vinyl including alternate artwork poster. tycho is the music project of san francisco artist and producer scott hansen. as tycho, hansen blends swirling melodies into vaguely triumphant arcs that crisscross between stuttering beats and vocal samples, creating rolling sonic landscapes that extend into the horizon. known in the design world as iso50, hansen is famed for his bucolic, sun-drenched design style, which serves as a backdrop and mirror for his musical output.

things are really moving at dumb-unit, the new year is about to hit and we are ready to bring on another superb artist to the roster. this time in the form of ahmet sisman, the turkish / german sensation who is already makinginternational waves with his strong batch of recent releases. flagged by sven väth and mathias kaden as one to watch in 2010 ahmet has been on the radar of jeremy p caulfield for sometime. his slash, lessizmore and stock 5 eps were in high rotation through the summer and were a perfect fit to jeremys high energy sets. with a dense impact of heady efx and speaker rattling low-end ahmet is the perfect match for dumb-unit as the label bumps and thumps deep into the unwritten future ... stay tuned …

run for cover, cause the cannibals are unleashed! big bassheavy digustingly hard techno to damage your brain and turn you into a human flesh eating freak!
big big tunes by the labels favourites. from the hardest kicks ever by fl-x to the fast rolling beats of the motormorfoses ... check!

another peak into the mind of the young and very talented producer kyle hall. 5 tracks ranging from house to boogie, all warped by halls freeform style. especially that dunk jiggla is fun ... reminds of the good old dance mania days! this is the third release on his own imprint, wild oats. check!

danish synth-rock band turboweekends first release in the uk is an atmospheric yet heartfelt cry of regret on the a-side and a jumpy celebration of the end of work obligations (with an ironic twist) on the b-side, featuring the royal company of bristols finest, joker, and indie prince russell lissack from bloc party.
- i am tipping them for very, very big things here in uk. the lead singers voice is amazing.(?)this is huge. -mista jam (live on bbc1 and 1 extra)
- natty danes turboweekends angsty single >trouble is< is like one republics >apologize< as seen through the bass lens of blank dogs (?) its an excursion into the dark crevices of your feelings, but dont even try and tell us youre not at least a little emo. ? the fader.com (julianne shepherd)
- wow. most remixes dont do justice to the original song, but this is from another world. this bass heavy remix is the reason i love british music. ? man movement.com (lsr)