after his successful remix of orions gravity johannes volk returns to polytone with his debut ep. two excellent techno tracks are in place and a spaced out ambient piece called it could happen describes the mysterious view from a spacecraft cockpit into the wideness of the universe. on the a-side volk blows the whistle of the ep s title -asteroid riding- with funky chords accompanied by a wide deep bassline, short samples, classic percussions and a cropped stomping kick-drum, that let you ride through the orbit. on the b-side -earthbound- pounds with a broad hollow kick, arpeggiated synths, alerting sounds and a harmonically settled type of string-line that eases the elements diversity like the blue planets gravity. within the tracks that have been built to transport the feel of time and space, johannes volk again pushes himself on the cutting edge of electronic music.

a1 nubian mindz - deep in raves: well known for his versatile and rich production, colin delivers once more. with a quite suitable name - deep in raves is just that. a deep plunge into dark and rave-like atmosphere. after a short intro layered with an ominous voice, massive bassline takes over and drives the track through the darkest curves. enriched with short percussions and a synth stab this is quite a stomper best experienced on a good club soundsystem, preferably in the dark. a2 volster - nebula: almost obsessed with audio purity, volster manages to combine new and modern sounds with old-school genre roots. nebula is all about complexity. although it is based on an electro foundations, it s so much more. space filled with an oscillatory synth motion perplexed with smooth pads that gives the impression of an interstellar properties. no detail is left unengaged, from the 808 that keeps everything in motion to the subtle amount of panning. this is a beautifully crafted story by a producer who is slowly but steadily growing into one of the best croatian artists. b1 lucretio - dracula: the most famed beard of cadoneghe/italy has pulled another magic gem from his music source. widely known for his relentless tendency to push the analogue spectrum to it s extreme, lucretio surprises once more with his ability to blend simple pieces into an effective sub storm with almost comic like features. dracula is not your conventional tune and it s pretty obvious why as soon as you put the needle on. broke down rhythm is heavily fueled by polished but enormous sub background with sparse and ¥in your face¥ shots. seemingly random notes take a gloomy and powerful form during the break and soon the lurky atmosphere comes into picture. this is truly brilliance in it s full simplicity. if only bram stoker could hear this, he would probably be both stunned and amused! b2 james booth - jxst do it: one of our goals on vakum is to be on a lookout for a new and promising talents. berlin based james booth surely fits the bill. jxst do it is a seriously crafted track with rich rhythmic section wrapped in a steady build up. after the initial break-beat intro sliced in short chunks, subtle 303 bassline takes over and the rhythmic game begins. booth delivers a perfectly timed cuts accompanied by a diverse palette of percussions. this is a perfect piece for those build up moments in the club..

this special release revisits classic brothers vibe tunes, edits and a never before released on vinyl track. kicking off proceedings is the 1989 gem i ain t gonna wait. an early brothers vibe piece and massive underground anthem! brothers vibe distinctive gritty style of groovy house takes us on a hypnotic journey into uncharted territory. melody and percussion interchange amongst a framework of zippy synths and sinuous kicks. released under the moniker silent rodgerz, the second track infractions saw the light of day back in 2008 solely in digital format on a mixxrecords compilation. low slung with an acid influence, the cut reveals a distinctly natural groove lead by the classic bassline. the final track is the definition of a house classic! featuring echoing words of the great maya angelou, words to a nation exudes a timeless quality, unveiling a masterpiece which stays firmly in your head

(vinyl part 1 of 2) slum jazz punk and full moon is the return by opsb (one piece session band) in two separate singles, remixes by tokyo black star and righteous (tadashi yabe of ufo & dj quietstorm).

(vinyl part 2 of 2) slum jazz punk and full moon is the return by opsb (one piece session band) in two separate singles, remixes by tokyo black star and righteous (tadashi yabe of ufo & dj quietstorm).

flight facilities, future classic and the melbourne symphony orchestra collaborate to bring you flight facilities - live at the sidney myer music bowl. set under the stars of the outdoor amphitheatre at sidney myer music bowl on saturday 17 october, 12 000 fans witnessed flight facilities recreate their five year journey from their first dj mix to the release of their acclaimed debut album down to earth. the 15-track performance was captured live and mixed by aria award-winning engineer eric j dubowsky features musical guests touch sensitive, surahn, kurt kristen, owl eyes, katie noonan, george maple, reggie watts & emma louise. one night, one album, 90 piece orchestra 12.000 tickets sold in 3 hours.

the latest release from the swiss duo larytta, entitled jura libre, is a chunky, massive, intelligent, colorful (in that full on tropical way) four-song collection of club bangers. to be exact the full set actually consists of two original songs with an in-house larytta remix a piece. the originals lean on pronounced inflections of playful, tricky, afro-tropical rhythms, while the reworks go for a more direct four-to-the-floor approach straight for the jugular. apart from the vibrant, tight production what unifies all of these tracks is a head nod towards that nineties club sound, especially that golden age acid rave material. this is music made not only by great producers, but heads that really know and love clubbing culture and history and know how to tastefully reference the past. the ep closes with bota mao pra encima which features brazilian emcee junior, and thats the point at which you start to question if this ep was truly cut in switzerland.

concepts and ideas come fast and furious to berlin trio brandt brauer frick. having turned heads from the groups inception with their classically-informed approach to creating techno compositions with acoustic instruments, bbfs output has been characterized by a restless creativity. the search for new sonic territory lead the group to record with a full 13-piece orchestra, and later to strip down their sound to sparse arrangements featuring more electronic textures, and to record an aggressively diverse dj-kicks mix on a legendary club sound system using only vinyl dubplates

with this new release best works records presents a new multi-talented dj and producer from georgia, gacha bakradze. this 4 track ep is not the typical club record but a mind stimulating piece of music. it opens with drift, a track where rhythm and beats are melting down in a pot full of warm flowing sound- scapes, then goes into more hypnotic lead sounds with the second track golshifteh. on the b-side youll find a techno infused remix from berghains resident norman nodge, elevating the original track drift to a real dancefloor bliss. the last track tiresome walk takes us on a sweet journey through playful melodies and laid-back rythmics, he delivers a majestic slow burn, crafting something that would serve well both as a stirring set opener or an emotional end.

from the depths of the dark net come telkhin, the latest addition to the shipwrec roster. following earth being recycled on detroit underground, the argentine project are debuting on vinyl with five tracks of off-world electronics. the chilling atmospherics of -body container- meet the needle before an electro iciness takes hold. spiking snares and echoed radiowaves orbit the moody walk in, that same frosted futurism central to level above human. telkhin melts man and machine, giving the computer age a humanoid form. processors whirr in the bassy bleeps and residues of brithomber before the final statement. leaving the human world behind flight 19 is a fast and future funk driven piece of 2050 music. forget the past, embrace the next step. limited run of 150 coloured copies.

the highly anticipated follow up to their 2013 dream of the walled city (ost) lp, samo dj and max stenerudh return with another far out record complete with backstory. originally composed as an accompanying piece for artist thomas jeppe s exhibition in tehran, iran the music contained on this release was originally pressed on extremely limited cdr s given out for free at the exhibition. as it stands it would have been a crime to keep this music in the private sector, thus now we see an official release in long playing format here on l.i.e.s. dream-like, full of drama, suspense and full of cinematic overtones, once again the duo of samo and max deliver beyond the full scope of psychedelic soundtrack madness.

custom leather construction: - dampens resonance from metal turntables - avoids static load - suitable for most turntables the mat improves performance by reducing vibration transfer to the playing surface, allowing your cartridge to deliver a more stable high-fidelity performance. the high-friction but smooth surface also allows for fluid record rotation with minimal slip. the mat is made from a single piece of high quality leather and the underside has been intentionally left with a rough and fluffy leather finish, whereas the top is a beautifully finished smooth surface. in use, the sound quality is enhanced giving a noticeably better-controlled sound overall and great imaging. due to the nature of the material, there may be instances of slight marking or deformation. as they are a feature of the material, items displaying marking, wrinkling, or deformation are not subject to exchange. diameter: 29.5 cm thickness: 2.0mm

custom leather construction: - dampens resonance from metal turntables - avoids static load - suitable for most turntables the mat improves performance by reducing vibration transfer to the playing surface, allowing your cartridge to deliver a more stable high-fidelity performance. the high-friction but smooth surface also allows for fluid record rotation with minimal slip. the mat is made from a single piece of high quality leather and the underside has been intentionally left with a rough and fluffy leather finish, whereas the top is a beautifully finished smooth surface. in use, the sound quality is enhanced giving a noticeably better-controlled sound overall and great imaging. due to the nature of the material, there may be instances of slight marking or deformation. as they are a feature of the material, items displaying marking, wrinkling, or deformation are not subject to exchange. diameter: 29.5 cm thickness: 1.8mm

bryan kessler is not a musician, he is a force of nature. the young talent’s refreshing perspective on electronic club music shows a love for powerful sounds that so many other producers are lacking these days. something that he was already able to proof on releases for get physical (remixed by dj hell), coméme, low hanging fruit and like records. the release starts with you look like trunks, a heavily driving, desert inspired piece that makes clear that kessler grew up in rock music. his second track vegeta charges up with a red-glowing synth lead that eventually explodes in a wave of youngster mayhem. teens are still doing it! the b side is dedicated to ludwig zibell’s remixes of both tracks that continue kessler’s energy with precision and warmth. his b1 remix releases a flock of tarantulas that set the clock to peak time, while b2 adds psychedelic loops to the drive of the original. this is the fourth vinyl release of supermoll from köln. rooted somewhere between a sound of cologne legacy, german experimental kraut attitudes and dirty acid vibes from oversea. 150 hand numbered copies w/ illustration by paula prandini

deto & gleam is back with a massive piece of modern dub techno. the 180 g limited transparent vinyl comes with 2 tracks. eerie sounds cutting through the dense atmosphere and the instruments are detecting signals… (hint: side b is especially laid back at 33 rpm)

dj support: archie hamilton, enzo siragusa, seb zito, rossko....
next up on moss co. is a 3 tracker from long-time moscow records artists dan farserelli, remixed by the supremely talented tom ellis. the record opens with lemons and limes, a catchy roller that bumps and grinds its way into the soul, each revolution of the bassline giving the body a sense of fulfilment, while jazzy musical elements entertain the mind. on the flip that time is a classic piece of micro house perfect for the early hours. a sparse, but groovy bassline is complemented by catchy hooks, percussion and a creative arrangement. the tom ellis remix on the b2 completes the record with a particularly trippy, but incredibly catchy, afterhours interpretation.

seb zito is an essential piece of the fuse jigsaw and his flat 1 ep sees the london based producer continue his ascent with his most dance floor focused tracks yet, harnessing the spirit of london s halcyon tech-house days. the vinyl only burnaby kicks things off a blissed out wiggler of a groove, the tracks b-line undulating throughout the track to give a real sense of character whilst holywell slams hard with its thudding kick and rampant percussion

aether series is home for bass heavy and dj-friendly experimental music and sound art. the first release of the series is ikolas mini-lp titled *core*, originally recorded for *machine soul - the documentary film* soundtrack. the film focuses on pioneering finnish electronic music artists such as mika vainio, jori hulkkonen and jimi tenor. the score is composed as a tribute to their work and is now released as an independent piece on vinyl.

good things come to those who wait. the long-anticipated land of light debut, a masterpiece of an album and pillar of the esp institute, was unveiled in late 2012, slowly followed by the gorgeous remixed ii. since then, many have longed for the missing first half of this two-part package, the universe is kind and has finally delivered remixed i. on side a, kuniyuki takahashi (mastering engineer behind seminal esp releases, and legend in his own right) took the bull by the horns remixing flares—a piece of music so entrenched in melancholy, with such fluid performance and production, its hard to imagine anyone taking it deeper—he has unarguably triumphed. on side b, esp institute veterans tambien rose to the same challenge with flares, the bavarians taking a refreshing uptempo approach, a contrast to the swells of guitar and synth. closing the release is the seahawks blissful re-imagination of bell rock outpost, slowly and steadily setting sail into a dusky vision of the scottish lighthouse after which the song was named.

two generations of italian music history come together on this split 7inch. milan meets rome, fred ventura meets alessandro adriani. for this occasion adriani and ventura covered the 82 evergreen changing by bill bruce. the perfect combination to pay homage to this monumental piece of music. on the flip side fred s early 80s new wave band state of art got the remix treatment by alessandro s moniker newclear waves. another unique match of these two key figures preserving the 80s underground sound of italy.

fresh from his recent outing as hesperius draco, alessandro parisi is casting off for his debut on charlois. the italian is setting out his stall with a five tracker. honeyed bars are cut by sharp percussion as the brooding -meduna waves- opens. space soaked synthlines coil around a pulsing drum for the slow burning -cosmica 1999.- the flip sees a wave edge enter. cascading chords and a bolstered beats form the pain streaked beauty of -fear and money never had.- -exhibition of love- is brimming with meaty snares biting into thick strings combined in a power filled piece. parisi illustrates his enviable talent throughout, a talent that comes to the fore with the arpeggiated intensity of -virtualand.-

curated from the heart of new york city and the uk, is lit level 001. a selection of choice tracks from around the world: russia, canada, netherlands, and france. four tracks that bring the essence of unpolished, raw sound.

park and ride records announce the first release in 2016 . american influences take part of this master piece, detroit

josefine hellstrom hanssons debut track -water cave- on hmwla received adj support from ailario alicante, robert babicz, piemont, slam, paco osuna, horse meat disco, nick warren, gabriel ananda and ame. now the malmo-based producer and dj readies a three track techno / house ep on hmwl s vinyl sublabel heartbreak records. on a-side alongside -water cave- josefine offers a peak hour techno weapon called -sensus-. on b-side we find the smooth melodic -volcanics- at 118 bpm while fellow swede martinez deconstructs sensus into a jazzy, mellow piece of minimal tech.

momentform is the musical project of ianis lallemand, a multitalented artist from paris. after three cassettes and two twelve inches, momentform has landed on the electronic emergencies platform. -lapse- is a four track 12 inch that is best described as a dark and melodic piece of neo synth wave. the sound is unmistakably analogue. the atmosphere is emotionally charged, haunting and dreamy.

this piece was originally released on french label apricot records circa 1997. it now includes an extended mix of the title track, and a previously unreleased song serving as a dub on the b side... repress

primulus ep, brought to you by secret factory a hungarian based duo. the two tracks on the release introduce their unique, dancefloor-shaking definition of house. all in all this ep is a haunting piece which travels through a rich landscape of fine textures. comes as a 12“ vinyl with personalized sleeve design.

mirko takes his vision to the next level, producing two tracks that defy any convention in todays often monotonous and stagnating music market: * undo* minimalistic intro leads on to a bunch of spooky vocals looped throughout the whole piece, squelchy synth melodies and percussive stabs all around, while * solaris* atmospheric, bright and ethereal pads make for a more than 12 minutes long trip of blissed out magic.

technosoul .03 comes from blazej malinowski, who has previously released on swedish phorma and canadian silent season amongst others. “mika” and “open closed open” might serve as blazej s sound signature – deeply rooted, hypnotic techno with a trance edge, which works both on the dancefloor and in comfort of one s home. remix number one comes from the legendary british dj and producer steve bicknell, whose take on “mika” is raw and very dense at once – it serves as the most brutal piece of music on the release. remix number two comes from “the mad ukrainian” stanislav tolkachev, whose vision strikes as a real surprise. instead of his usual beats stampede, he has provided the record with a beautiful, ethereal offbeat techno: this won t probably work as a peak time monster, but with a proper audience, it will have a mesmerizing effect!

ltd warehouse found! played by raresh and steffi! vinyl only.. after collecting good feedback from rick wilhite, marcellus pittman and others to the “flying with you” ep, sai finally delivers a new 4 track release named “goes into space”. a fine techno record that will expose his music to wider audience. sai has been sculpting a distinctive sound through a number of quality releases and reaches now to maybe his most accomplished work. deep hypnotic and highly infectious this is a timeless piece of vinyl. * goes into space ep* is japans cutting edge answer to the global electronic music scene.

fat dog records continues its quest to deliver timeless electronic music with this polished four track ep by mark hand. deeply personal and reflective peripherals is a milestone for mark whose previous releases have been championed by the likes of prosumer, soulphiction, session victim, russ gabriel and hunee.-jaded- and -another broken sunday- draw inspiration from detroit capturing the beauty of cosmic techno perfectly. assumptions features samples of marks late father playing saxophone alongside sun ra resulting in a profound and meaningful example of modern jazz fusion whilst the title track peripherals draws the ep to a close with a delicate piece of poignant ambience

in 1972 francois de roubaix and bernard maitre composed together the music of a tv series for children presented by puppets, called the onix. the musical oddity here released by weme records is a part of this ost. this piece of music demonstrates once again that francois de roubaix was in touch with all kinds of music of his time, including contemporary music. in this experimental track we can feel the influences of the composer pierre henry, an other explorer of unknown sounds. on the b side jodey kendrick makes his own interpretation of this music with current tech and sounds while keeping the atmosphere and fantasy of the original sound. attention non music !

official deluxe gatefold sleeve edition, made with full approval of the original compilers. the original 1979 greensleeves “original rockers” compilation was instrumental in bringing the music of augustus pablo to an international audience and with this 2lp set greensleeves pay tribute to that landmark release with a second disc of further cuts of the original albums classic rhythms including some rare sides making their album debut.

shining bird frontman dane taylor serves up a beautiful piece of mellow beach pop, drenched in antipodean sunshine. this is made for sipping cold drinks under palm tree shade or swinging hammock dreams. the flip sees balearic commander in chief leo mas and his ever present colonel fabrice deliver a truly stunning piece of balearic chug. deep ambient textures capturing the essence of a smiley sunset. happy happy. uber hitting the balearic nail on the head once more.

the lddlm edition of the original recordings documents the enduring legacy of this iconic piece of audio history, including the long lost ron hardy edit and a reshape of the edit of ivan smagghe for the first time on vinyl.

for our 9th instalment, holdie gawn takes the lead and is delivering his first solo ep for sylphe, while micawber takes a break. on the a-side, holdie gawns natural habitat, we find yborg, a 12 minute long piece of darker, glitched-up techno which moves slowly yet forcefully. expanding into a terrain of bleeps and dissonant harmonies, ‘’yborg’’ number remains loyal to the twisted sylphe electronics we have been used to. on the b side we have t & t, a rolling, broken beat swingy techno-house jam which grooves effortlessly and shows a different of holdie. wonky, bubbling basslines and stretched voices complete the mosaic of holdie’s the first b side. our 9th release will be out in time for our 3rd birthday, around mid-late february

***** big support from raresh !
elliot sindall and oswaldo nicoletti are jäfar, a duo split between paris and london. their first record on fragil musique may be single sided, as so often with the label, but quality is not at stake. marzsia is an amazingly well produced dance trip. the broken drum line is playing around the loop, slightly messing with the heavy feet taping feel. meanwhile, the vocal and instrumental samples subtly come in and out, giving a depth and spirituality to the piece. the record comes with an engravement artwork on its b side and a debut collaboration with louise ernandez photographies for the cover artwork

mark e last delivered on futureboogie back in november 2014, so it’s a welcome return to the label for the birmingham based dj & producer. with his merc imprint running on full steam, and previous releases on revered labels like spectral sound and running back, mark is becoming an ever dependent exponent of the real and raw house music vibe, and no more so than on the basement trax ep. basement trax 1, distorted synths wander over a low-slung beat, the marching hi-hats and filter work are tweaked to perfection. it’s a track of basic elements, but done so well, the arrangement building steadily and bags of warmth and soul deep at the heart of this track. the gnarly bass and classic string sounds of basement trax 2 make an ideal companion piece to the a side. delivered in the finest wild-pitch tradition, the raw sounding production packs a punch as the stomping drums and repetitive keys ramp up the heat for a real blazer of an underground club cut.

classic miami funk nugget from henry stones glades records. produced by clarence reid, this is an epic piece of sunshine soul. re mastered and re issued in conjunction with henry stone music 2016.

french veteran dj w!ld delivers the third release on uk imprint vessel records, which features two originals plus remixes from argentinean producer franco cinelli and label founder james barnsley. plus loin is a thudding piece of robust house featuring heady toms, suspenseful drum rolls and spectral keys whilst whats up men is a more rhythmic cut containing a subtle bassline and echoing synths. on the flip, leeds producer james barnsley s version of what s up men alters the original into a peaktime-focused number with crunchy snares, until franco cinelli concludes the package with an animated rendition of plus loin.

cristi cons and vlad caia aka sit conclude their sideways trilogy with three dancefloor oriented tracks, meant to awake different feelings in each one of us. the sample embroidery molded into the pure acid form of angels will leave us smiling in wonder. the fast paced scratch theme from reconnect may satisfy our dancing hunger, or we can just lose ourselves into the myriad filtered bits of shadow, with its breaks sequence as our only guiding path. this is the last piece of the sideways’ puzzle, when the last droplets of energy left inside our bodies, after this 15 tracks long analog ride, are spent for seizing the present. the closing moment, when the curtain falls and our minds are still trying to decipher the hidden message. a message that points out to the diversity of electronic music envisioned through sit s creative touch.

the stealth triple vinyl series presents six tracks taken from peter van hoesens stealth mix compilation. the same philosophy is carried across: it marries peters music with the sounds he is influenced by. the result is a powerful selection of vibrant techno, with a warm, almost spiritual, feel to it. the last instalment of the stealth vinyls focuses on the productions of the time to express founder. reflecting the themes of the series, van hoesen offers his own vision of hypnotic techno on shadows & concern, a powerful and expansive piece. the series is completed in appropriate fashion with unicorn, an emotive track that displays van hoesens more melodic side.

spanish dj & producer, eduardo de la calle, has continued to explore the outer limits of the electronic palette since his cadenza records debut back in 2013, clocking up stellar releases for the likes of mule musiq, hivern discs, be as one and nonplus over the last couple of years. eduardo returns to cadenza in february with the ‘anima animus’ single, coupling two tracks of refined techno for your listening pleasure. taking inspiration from the psychologist/philosopher carl jung’s concept of anima and animus (and do take the time to explore this), eduardo marries arpeggiated synths and melodic chords with a soft kick and tantalizing hats, producing a slick piece of reflective techno that’s alive with melody and groove. on ‘north pole’, we get more of the signature ‘de la calle’ sound, subaquatic bass and searing, melancholic strings play out over a steady mechanical beat, nodding its head not only to the detroit masters but also to the european new wave sounds that influenced the motor city artists in the first instance. another assured single release from eduardo that will further solidify his place in the current electronic music landscape.

alan abrahams returns with a fragile and romantic piece of house music i reflect thee under the portable alias.

for our next release we joint forces with our friends from the 31337 crew. the three tracks from echoton unite drifty grooves and organic minimal accents. the second and third piece are collabo tracks with sven laux and pachyderme and they focus on laid back hypnotic groove - like a trippy somnambul session through badlands. keep an ear on the creative output of these great guys! yarn records’ third release comes hand stamped in a recycled paper bag with a sticker and a length of 27 minutes. strictly limited to 300 copies.

blood is thicker than water and eventually long time friends bordello a parigi and knekelhuis pageant a solid piece of music together. alessandro parisi also known as hesperius draco from portenone - italy - and london based timothy j fairplay found themselves in the middle of an ice cold world, opening their wintery project with the -romance- soundtrack. the warm synth lines will single handedly set moscow s frozen red square on fire. the italian soundtrack synthesisers will touch the trans-siberian world and end with a slow burner named -what is to be done-.

willie burns (the trilogy tapes/wt records/ l.i.e.s. records) complements this unusual walk in the woods by absorbing it into his warehouse banger signature. burns rework focuses on micro events of the original to create a sort of granular house version out of them. the adventure continues on a somewhat melancholic turn with we have been here before and sometimes as the b side. while we have been before is a more dancefloor-oriented take to krautrocks signature synthline layering, sometimes is norwells venture into a more techno universe than he’s mostly associated with to come out with a soothing, yet banging work. as digital bonuses, norwell offers glimpse a short but catchy synth jam riddled with different layers of complexity. this piece is then taken into obscurity by farbwechsel records boss s olbricht for a ride into a 80s-cyberpunk club where people are trying to dance their problems away in a dystopian world.

the second installment is brought to you by simple symmetry. we can try to explain to you what this xxx002 is all about, but we wont. only thing we will tell you, is that this piece of art has travelled the world. born in the heart of moscow with a pit stop in italy to get the final make over in kiev.

le tchadien, originally released in 2008 on mr raoul ks critically acclaimed 12inch himalaya, gets the doublek (mr raoul k & kaito) treatment. while the original track was a rather short and lush piece of afro-funk fuelled house, the reprise explores some whole new territories. soon after the relaxing intro the track takes a sharp turn that leads listeners and dancers into foggy darkness. but instead losing itself and all hope, doublek show that there is light and hope even behind the darkest shadows. its all about keeping your composure and keeping your head up. as a special gift for the creative djs out there, the flipside contains a beatless reprise, ready to be blended with your favorite beats. enjoy your vinyl.