stars on 33 is a project by kris menace and his friends lawrence tompson & radical peterson. their track >something you can feel< got chosen by aeroplane to feature on his compilation >in flight entertainment<, and now we are releasing a whole ep of them on eskimo. fans of aeroplane should definitely check this out!

nico stojans last release on upon you was a collaboration with the cheapers. before that, he had his debut on uy together with pele. now, the former hip- hop producer, took the streets of spain all by himself and brought back an endotherm tech-house breeze to blow-dry our backstock catalogue and in wich we can preserve our summer memories in- for the cold days ahead. not only wants the namegiving a1 of the uy054 to dancingly dig itself into the sand-beach… eaven the b1 ttitle quiet now is wearing bikini-fashion. for those who like to withdrawel in the winter into steaming halls will be gratified by the remix from hektor. the born mexican which found his way through london into berlin is turning the focal point from quit now into the direction main stage and lets the base drop. for the digital delights in life: nicos track dusty fingers is ready to be downloaded- also a consequent techno-remix from meyerdierks.

rude audio are a south london based collective of vocalists, musicians, producers and engineers. their debut album >that dirty echo< sees the group exploring new sounds that transcend electronic and dance genres.

limited kanzleramt classics!

from the depts of basque county kastil (mario castillo) is back with bomb ep. after a few releases in the more disco sounding side of music, he is now entering his comfort zone in a sample heavy deep house release which is (although its house music) an ode to jazz music. beautiful yet nostalgic this is a record to cherish.
supported by: andy ash, james johnston, cottam, fulbert, fabio monesi, orlando b, marcin krupa, gitchell moore, shane linehan

after his ace remix for nicolas jaar s >space is only noise< here on circus company, our man dave aju is back with an appropriate dose of in-between original music for the fall season. taken from his upcoming album project that uses vintage inherited recordings as sound sources, >all together now< is a beautifully unique track that is guaranteed to move people with its irresistible groove. indeed, the aptly titled jam brings together and bridges gaps of various kinds, from lo-fi and hi-fi to under water and outer space, with classic-flavored dynamic percussive elements, spiraling futuristic leads, and melodic synth work sprinkled with aju s distinctive voice, encouraging us to join in on the live collective claps that accent the cut. the building bass pulses and warm instrumentation stack up toward the ceiling, until a fresh breakdown spreads things out to release the pressure. amsterdam don san proper brings an equally unique and refreshing remix to the table, with a rugged take on the track complete with cool guitar licks, modular effects, and contrasting additional vocal stylings. similarly dynamic in the drum workout department but with an extra rawness, it is a fantastic complement to the original that rounds out the release perfectly.

trust now is the keystone album of brooklyns prince rama. the album takes the kaleidoscopic mysticism of ancient devotional music and focuses it through the fierce urgency and archetypal language of pop, forming an environment that is both accessible and impenetrable. deep synths rise from a sparkling sea of gamelans and prayer bells as tribal drums pound the earth with the hypnotic power to heal or destroy. voices carry captivating and haunting melodies that shine like the diamond jewels of old bollywood soundtracks spilling over dark wave dance floors.
first conceived as a ritual to be performed live, the songs were fittingly recorded inside a 19th century church in seattle by scott colburn (sun city girls, animal collective, arcade fire). as their 5th full-length album, and first as a duo, trust now is perhaps prince ramas most focused, cohesive and powerful album to date.
comes with code for free digital download of this album.

panacustica’s fourth release is amongst cosmic metal mother’s finest work. “time is now” the track in question, defies definition by mastering a style on it’s own, by fusing elements echoing from prog-rock drenched with emotional content into an adult and contemporary way of delivering which is unique to the cmm writing style. the original is melancholic bliss. a vocal line at the center of the piece whispers words about oscar wilde and mr. death accompanied by a cello melody that grows bigger and bigger into an angelic cascade of notes. the track begins and ends in the most bare way with just a drum beat leaving you with the feeling you have just entered a loop where time is irrelevant. commodity place has the second cut of the a side. the duo from rome, known in the global underground of the vinyl tribes for their signature guitar style, chooses to call their mix “experience”, clearly paying homage to the gods of rock, delivering a guitar solo that will fire up your speakers and fill your eyes with the brightest psychedelic colors that we all so desperately need in this age of grey anonymity. the b-side is a full eight-minute mix by the man who needs no introduction and made us all dance since day one, larry heard, a.k.a. mr. fingers. his version is a fast “four to the floor” track, where a shaker drives the house beat into the melodic lines and voice borrowed from the original, making it one hundred per cent dance floor efficient with the modernity and mastery of his touch

special double 12 inch gatefold edition of ella fitzgerald and louis armstrongs finest recordings. over 75 minutes of music on heavyweight 180 gram vinyl.

safeword is an exciting new act comprising of 2 dedicated us-based producers, clint stewart and marc smith. their low slung, warm and sexy sound already gave way to one ep on paso music and now we find them really hitting their stride with their debut for dessous. lead track >you can you will< introduces us to safeword s world, a sleazy, percussive and intricate gel of textures, flavours and audio fetishes. punchy, bright production characterises this modern house jam. the eventual arrival of a deep and spritual melody is surprising and instantly turns the snaking drum tool of the introductory minutes into an anthemic, autumnal beauty. leading dessous and poker flat man phonique turns his hand to the title track with a cheeky, energetic remix. aimed at the floor we find a more uptempo groove at the heart of his mesmerising tech-house re-work. the soft bell tones floating throughout >tangent< are perfectly melancholic, while tough driving beats urge us forward, making the perfect partnership bewteen cinematic sound design and bass-heavy floor dynamics.

after years, this vinyl-wielding 4-piece originating from brighton — the one and only soft rocks — have finally committed their collective wit to a slew of original tunes. >we hunt buffalo now< is a punky dub monster serving as the first single in a series surrounding their = imminent debut album, >the curse of soft rocks<. in an age where any laptop-savvy poseur can upload their bland nu-disco or faux-chi-house directly to the cesspool of digitally downloadable fodder, it is more than refreshing to hear this cheeky bunch blending a mixed bag of instrumentation and obscure influences so recklessly. guest vocals are provided by san francisco post-punk hero jorge socarras (vocalist of indoor life and songwriter for patrick cowley). in case that wasnt enough, flip her over for the genius remix by andrew weatherall, a bonafide glam stomper that slaps you across the face with a fuzzy bassline and greaseball guitar chords. pure class.

the big idea! ahoy sarp yilmaz and sinan kaya. after several eps on various labels now release their debut on simple as that records. the two guys from the big metropolis of istanbul bring us here, two beads which make the sun rise. the two men schaeufler & zovsky (acker records, 3000°) and andre kronert (ostwind, night drive music) each control still in a wonderful remix. even more diversity on this record is thus ensured.

in following up marcellus pittmans killer eastside story, seventh sign waste no time in bringing another red-hot act to the label. a member of the legendary underground resistance / los hermanos / galaxy 2 galaxy crew, santiago salazar has also enjoyed success as a member of the trinity (with mad mike banks and gerald mitchell) and more recently as ican, not to mention his many solo outings. his pedigree is unquestionable, a fact not lost on the many labels that have played host to his music, including submerge, planet e, motech and now seventh sign. santiagos sound is full of soul and warmth and is presented using state of the art production and a rich palette of modern sounds, as this e.p. demonstrates to devastating effect... hot!

killer-release from quinto on k-tv! vinyl only. no more infos necessary.

john tejada and justin maxwell have been floating on top now for more than 10 years taking into account that an army of hungry music programmers have tried out every trick to motivate the masses and to become the new stars. john tejada and justin maxwell can afford the luxury of not needing to do that, since they have written techno history. their education which started with hardware in the earlier techno days ... gives them the privilege to accomplish also this release with machines only. so you will witness 3 raw and beautiful tracks that activate our minds.
played by: secret cinema, yousef, martin eyerer, agoria, laurent garnier, stephan bodzin, alexi delano, sian, umek, dj 3000, dave seaman/ steve parry, john digweed, igor tchkotoua/ pig and dan, jeff samuel, orde meikle/ slam, max cooper, ryan davis, phil kieran, microtrauma, mauro picotto, dixon, onionz, fabrice lig, phonique, philip sherburne, alland byallo, mihalis safras , maxime dangles, coyu, patrick pulsinger, goldfish, deepchild, tom leclercq, stefan gubatz, marcus sur, scott byrne, zidan, taster peter, freska, luca agnelli, toni d, andrew technique ...

2011 is going very well for shlomi aber, having started the year with his dj sneak collaboration on be as one, followed by his acclaimed double album-remixes pack on ovum which are still all over the charts and dj boxes. now shlomi is back on his own label and takes things into a summery mood with the opening track >coconuts<, which is built around an hypnotizing synth melody, and shlomis uplifting smooth drums . on the other side is >who said that<, a rare vocal cut from shlomi which is a proper groover on the floor, with its minimalistic architecture but effective elements, surely something that will be picked up by many

montreal imprint swing and skip drops its second 12 inch, featuring tracks from hotly tipped manchester producer damu, label head hgldt, and producer resketch on the remix duties. riding high from much media attention, serious dj support, and killer releases on local action and keysound approaching boiling point about now, damu grabs the headlines with >2010<, a deep funky roller combining the producers trademark mix of house, garage and eski influences. s&s captain hgldt delivers >knowing you< on the flip, a smooth and melodic house-x-garage jam supported by many, first on the list since months back being dusk & blackdown. finally, resketch follows up from his recent well rounded 12 inch with a remix of >knowing you<, going in for a deep and heavy garage-meets-dub techno hybrid.

rockabilly was the name given by american trade papers between 1956 and 1959 to describe a new kind of music.

a collection of classic songs from the highly influential blues & folk legend on double 180g vinyl in gatefold sleeve.

canadas cobblestone jazz have established themselves as one of the most unique and inspiring bands of the past decade. thanks to their exploration of house through the eyes of a jazz improv group, their music is derived from the organic energy of the groups jam sessions and their now legendary live performances. comprised of members tyger dhula, mathew jonson, danuel tate along with newest addition the mole, cobblestone jazz are as accomplished individually as musicians and performers as they are a band - united by long term friendship, respect and passion for writing music in the moment. their decade long history of releases on iswhatitis, !k7 and wagon repair have earned the praise and long time support from the likes of gilles peterson, carl craig, luciano and sven väth. >memories (from where we are)< celebrates the first of a series of 12 inch releases that will come out on wagon repair over the course of 2011/12. the outcome of a berlin jam session last fall, the band incorporated a fender rhodes, vocoder, and sh-101 to make up the core voicing of the tracks while a cs-20 provides the drive at the end of both. in typical cobblestone jazz fashion, the track was mixed live with no prior sequencing arrangement. the session was then cut by the mole into two sublime edits - the results could be their strongest release since >dump truck<.

the original track warp by the tripodz has been causing a stir in the drum & bass scene worldwide. the mp3 of the original mix was given away about 1 year ago to a handful people but it made a circuit all around the world. thats why we reserved this new remix of warp for our treasure chest and are proud to announce it to you now!
besides misanthrop, phace & neonlight, proktah is the hottest neuro producer in germany and always delivers the highest quality in sound. these tunes have all what it takes to make it an anthem: epic electro synth edits, a massive bassline, fat orchestral string sounds and rolling drums & percussions - one neuro remix on the a-side and the original jump-up anthem on the flip. drop this as intro and you can be sure to get everybody on the dancefloor ... say no more

onno is a highly dosed dancing pill, pop one and your rubber legs turn into those of fred astaire. his last release already proved that he knows how to make you put yo hands up in da air! now, heres his latest little treat >hablando loco ep< upon you number 048. the title track opens with some sweet vocals and then drills into your a1 memory banks with the spanish monolog from el commandante. on b2 hes quite content with the few words : >i like that beat<. but onno likes the repetetive use of vocals like a fitness trainer trying to squeeze that last drop of sweat out of you. gavin herlihy, who some of you know from cocoon, takes a subtler approach to the track with his remix that writhes in the scented oils that is house-deepness.

max essa is a producer who has been shipping over his extremely coveted brand of disco and balearica from the land of the rising sun for some time now. having had a long running string of sought after releases on labels such as bear funk, nang, to is it balearic, max is now making his needwant debut with >how do you feel?< which includes an awesome remix from kim ann foxman

summer anthem from mathias kaden, daniel stefanik & bornschein ... official sonne mond sterne festival track ... big summer feelin

summer anthem! this is anthony collins fourth release on curle already. the surprise on this release is without a doubt the 9+ remix from roman flügel (robert johnson, playhouse, dial)

a1 volta cab & the legendary 1979 orchestra -­ the ideal now: this track planted the idea for a collaborative release. a superb house track for the summer months, what a bomb! the track has an amazing groove, melodic keys and heavy percussion. feel good stuff!.
a2 volta cab -­ sakura: volta cab at his best, a chilled out deep house. huge atmosphere on this one, deep bass and gentle percussion gives a slow groove.
b1 the legendary 1979 orchestra ­- juicy warmth: this is the track that attracted us to 1979. chopped samples, nice atmosphere and a killer bass ­ just how we like it!
b2 volta cab - in the middle of the night: volta rounds up the release with a slow and sexy, deep house beat. a big vocal sample, beautiful brass and tender percussion. killer!

damian lazarus finally imparts his own musical overtones for his mothership crosstown rebels with a special two-part ep >different now< on limited edition 500 only coloured, hand stamped vinyl, featuring remixes from men of the moment art department, enigmatic genius portable aka bodycode and up-and-coming hot new talent dead seal.

this latest lovebirds ep on winding road records is another absolute masterpiece of chilled house soul and deep rave. a really excellent package and a must-have lovebirds release. on the a-side track, >want you in my soul<, lovebirds teams up with vocalist stee downes. stees acclaimed debut album >all in a day< was released on sonar kollektiv in 2008, and who has worked and performed alongside the likes of motor city drum ensemble, amp fiddler, dj spinna, and bugz in the attic. their collaboration for winding road is a driving vocal house bomb that will rock your world. the b-side kicks off with the dirty tech tune >give me a dubf*ck<, an injection of dark rave that has been causing serious explosions on dancefloors for a few months now. perfect chemical material for the harder floors. the b2 track is hot toddys remix of >want you in my soul< - a chrome-plated disco dimension to the track by crazy p man chris todd, which was licensed to tensnakes >in the house< compilation before it even saw the light of day. hot stuff indeed.

mehr northern soul-rarit§ten auf 7 inch vinyl! marvin smiths feinster moment: >who will do your running now<!

shadow ray is best known in house music circles as the co-producer of the oasis 1, 13, 13 1/2 and 14 releases with omar s, although he is also well known to the ryan correctional facility for more nefarious reasons. the detroit-based producer has spent the past four years at ryan earning not only a hard knocked life but a trade in sound engineering. that was until alex smith (aka omar s) made a presentation to the facility s parole board to commission a remix of his recent hit >heres your trance now dance< as part of rays work release program! rumour has it the parole board was inhabited by at least one old school house head, and we re delighted to see alexs idea come to fruition, with shadow ray really nailing it with this remix. staying true to original s shimmering melody, ray opts to bolster the bottom end with a raw bassline that creates a nice, fat rolling groove

all the original songs by the most influential bluesman on 180g vinyl.

so it was a massive pleasure that maya chose 2020vision for her next full single release. when we discussed the project with her we agreed it was vital to put together a single that truly reflected her diverse tastes and skills. the title track >focus now< is a unique work that will be hard to even categorise. reminiscent of early matthew jonson records >focus now< features delicate synth sequences weaving in and out of intricate rhythms. it sounds amazing on big systems, like at fabric, where it was road tested by ralph lawson at the recent 2020vision party. it is one to drop at the right time to make a real change in mood and set direction. we then have >little one< which is a solid deep house groove, simple but effective. vocal snippets are added by mjc herself on both tracks but her true vocal talents are shown on >senseless<...

a stunning introduction to the new album and a perfect way to launch the year for green. on the remix green are honored to welcome swedish duo, minilogue.

i just woke and its pretty cold outside. i havent opened the window yet, but i somehow know it and im listening to these six tracks again and try to make an approximation of why and how i have done this ep. they are pretty different from each other but tell the same story or at least are part of the same one as a matter of fact. maybe they were done as an excuse for my overdue album which is scheduled again for this year or maybe just because i was going through some odd times and needed to immerse myself in doing something. in this case music. more the latter i guess. ok so, the opening track is in a way the end of an era and the last one the opening of a fresher one. and the rest fills in the gaps in between those two moments i guess. i hate conceptual things anyways. i never know or want to know why i do certain things. concepts define something before it already begins its existence and trying to explain why is pretty useless. so here it is. the recording of a certain period of time in my tiny existence. with collaborations with jaw (dop), my brother atilla, who is also responsible for the artwork, and jonny cruz. by the time its out itll be a distant memory for me but hope it lasts a bit longer for anyone that listens to it

morphosis has been cooking. friends, nwaq & just for one day got on the re-whisk. these productions live up to all expectations from two of the most awe inspiring out there. turn them up. big tip! when this idea came about, there was some speculation here if it was a going to be plausible prospect. throughout all the deliberation one fact remained: re-workings from these artists would make the perfect precursor 12” to a full morphosis album, and it just had to happen. then it did. nwaq turns in one hell of a dub! an almost relentless 7.5 minute float, that’s underpinned with thriftily placed percussion, and a true beast of a kick drum. no build-ups. no break-downs. so, now… let’s all bow towards to the master. just for one day’s rudeboy drum palette is going to be familiar to more than a few people. let’s just say that this is the new guise of a veteran german producer who’s uncompromising music has graced some of the world’s most exciting record labels over the past 15 years. for this remix he hijacks the ‘android’s among us’ and throws them right into a sound system shootout somehow leaving the core elements from the original track in tact. seriously killer. for fans of 2 step, jungle & dr who(?). please note: this will be a vinyl only affair.

the classic iconic album from the master pianist digitally remastered on 180 gram vinyl.

>now about how< is an album that fuses diverse styles, tipping its cap to a world of sounds absorbed over the course of a lifetime. it is the sound of fudges childhood spent learning from his record loving family about the many wonders of 20th century recorded music, filtered through the classic house and techno template which was the soundtrack to his formative years. fudge fingas is a man very much immersed in his music. as well as producing he manages edinburghs best dance music record shop >underground solu shn< whilst also lending his musicianship to tracks by other artists on prime numbers such as linkwood & trus me.

souvenirs kid-brother, re.you - is all grown up & showing of his muscle. having previously worked with his brother phillipp with remixes under their belts for &me, turntablerockers and m.in. - now under his own guise he brings a new danceable creepiness to the label as he partners up with hometown hero, rampa of souvenir & keine music - well-rounded producer & dj extraordinaire, versed in the sways of shake - for the >our thing ep<. re.you grabs the a side on his own…with a rework of >ghost< by hamburg duo phantom/ghost - with a haunting vocal that is foggy & vague >relax…its only the ghost…< - matched with excellent guitar underpinnings, and a strong percussive sway…distant & smoky, >ghost< does the trick. the b side brings rampa & re.you together for >awareness< a deep, dark track with a chugging bassline and a heavy, syrup-soaked vocal

with its first 4 singles the spanish label apersonal music made its way rapidly into the highlights of the modern nudisco scene. on its 5th effort they release their first all original tracks ep betting hard on the dynamic and innovative melodies of volta cab, a young producer from the russian city of ulyanovsk. volta cabs music pieces have been gaining attention in the underground music scene through out the internet for some time now, a sound strongly influenced by the 80s sound and pop-culture which will finally hit the stores shelves this year. for apersonal s 5th volta cab delivers 4 original & unique tracks which gives form to this very musical and personal ep. standing out is the main single of the ep >why you come back here< on which volta cabs original vocals play along with catchy elements of disco and soul wich he masters with his unique style. feels like starsky & hutch on acid. >volta cab comes from mother russia and brings us into the neon future. into the times when the war is over and everyone in the universe loves one another in the interstellar dance to synth pop music.<

denis horvat is a 26 year old dj and producer from frederiksvaerk, north of copenhagen his musical career has been pretty short up until now, but he has been scooped up by the label great stuff. his roots are the drums which you can see when you listen to his tracks. whether its the title track >lost fuse< with its dub elements or the more melodic >the vintage< or the deeper b2 number >satisfashion<

over the last couple of years, christopher rau has built a reputation as the finest ear canal masseuse in the contemporary house music scene, catching the attention of fellow hamburger dj koze who has recruited him for this new three-track ep. raus debut full-length asper clouds, released in the fall, was noted for straddling the line between >club< and >headphone< music, earning 4 out of 5 stars from resident advisor along the way, and now, with the how are you ep, he follows up to further explore his sonic approach: an assault of subtlety. >pervading animal< is built upon a solid foundation of familiar rhythm box elements, but like vines and moss, the sedating sounds of strings and keys envelop the empty spaces, showing christopher raus ability to combine the artificial and the organic into something transcendent. then, on the flip side, he lets his weirdness factor shine. at first, >c f r< sounds like by-the-numbers muppet new age, but graduates with distinction as the meowing synth squiggles saunter over the basketball beat. the ep denouements with >how are you today<, marked by a toasty chord progression thats playfully trying to compose itself as the track moves forward, turning science fiction into science fact. you want to believe

a new star formation has appeared in the upon you family! nico stojan long time producer of cool savas, berlin buddy and bar 25 artist has teamed up with the young munich producer pele and next to releasing on connaisseur rec. is now releasing on our star system. you dont have to be an astrologist to take a peek into the future and to see that the title track >belladonna< is going to light up the berlin skies, and >fall in< and >the question< are definitely going to light up the dance floors too. deep, pushing tunes made especially for the uy solar system.

we kick off 2011 with the latest collaborative plate of bristol-based build badness – label boss baobinga cooking up two what-do-you-call-it tracks with one of 2010s breakthrough producers, the man they call hyetal. starting 2010 with a huge punch drunk release alongside shortstuff, hyetal further refined his sound through collaborations with peverelist, and the massive prince-tastic anthem >phoenix< on orca – which can be found sitting proudly at number 36 in fact magazines tracks of the year run-down. with some big releases due in 2011, and more velour beats (with julio bashmore) on the way, we are very excited to have him involved in a build release.

with the release of ruede hagelsteins >emergerncy< souvenir released one of the floorfillers of 2010: >emergency< has been hailed as one of the best singles of the year in the reader polls of groove, de:bug, resident advisor and many more. no wonder why! ruede hagelstein knows how to treat an after-party stomper. >emergency< is the perfect early morning pick, the sun shines on his bongos, the nonsense raves with his lyrics, the horns roar with delight, and a plane flies over a crowd of happy, sleepless dancers. due to popular demand for this record souvenir now brings you this fabulous tune once again, remixed super flu and re.you. re.you once again proves why souvenir loves his music with his outstanding remix and super flu who are feliks thielemann & mathias schwarz perfectly proove their philosophy: >lots of herzblut and a great traum behind, nothing can harm you anymore….!<

jazz masterpiece, digitally remastered on 180gr vinyl