deluxe 2x12” full artwork gatefold, shrink-wrapped double vinyl package with printed inner sleeves and download card.
the recording sessions for rastrumentals took place over seven years, between são paulo and brixton, but the roots of the project stretch back to the arrival of digistep’s father in 1970s bristol. aged 18 he had almost nothing to his name, apart from his treasured vinyl collection. these records are still in the family, and have been invaluable in shaping dubkasm’s unique sound. rastrumentals combines samba instruments such as the cavaquinho, pandeiro and cuica with the work of some of the uk’s greatest reggae musicians.

alright... special, super limited white label featuring remixes of raf rundell lp favourite sweet cheeks first up, we get uk disco royalty ray mang amping up the electronic disco vibe with an energetic romp making full use of the vocal and all manner of discoid devices. on the flip brooks (late 90 s / early 00 s deep house hero) applies some of his sonic magic to two deep, absorbing re-rubs... literally a handful of these - so first come first served.

the debut album of this young french producer is a sonic kaleidoscope ranging from laid back grooves and soundscapes to massive basslines and uplifting synths for your dancefloor pleasure. it reflects a time span of three years while he was traveling the world and meeting the right people at the right time. these ten tracks are like a postcard series of ideal moments he lived during that time. for the vinyl heads we compiled a four track ep as outlined here, including an edit by label honcho noema. the best thing, we got you covered! the vinyl edition comes with a download code for the complete album to enjoy this trip in its full length.

crazy 12 track library music style album on this ace italian label. all based around bumping live rhythms triggering an obscure japanese drum synth module recorded in 2018. it was november 2017 when i received a call from an old friend, hi fabrizio, i found a rare japanese drum machine, you should come and see it before i put this on ebay. i went to check it out and immediately realized it had more potential than just drum sounds generation, it was able to produce quirky and creepy sounds if triggered by any sound source. so i bought it and brought in the studio, where me and alex were laying down new beats and ideas. it took just three days of jams to get the skeleton of this record done: i programmed the module to receive alex s drum hits and the device started creating synth lines, almost as it was speaking its own language.i ve found a soul in this machine, and i wanted to bring it to life in these tracks, a mix of arranged compositions and improvised jams. no root keys, no grids, no clicks, everything came out in an instinctive and natural way as far as we know it s the first time this synthesizer/drum machine is been used in this improper and new way.

vinyl only! international man of mystery todh teri is back on his mission of sneaking in acid tinged bollywood cuts at clubs & festivals globally (by sneaking into the record bags of unsuspecting djs & selectors worldwide). with volume 4 of deep in india, he presents 4 new flavours with which he further cements these intentions. first up, a big slice of caribbean sunshine thats straight out of the silver screen, which guarantees to energise dance floors of all sizes. next up - an updated classic disco anthem, for the spanish hustlin / bell bottom peddlin disco freak inside of you. followed by oodles of dance floor intrigue & mystery, with a rolling acid stomper thats best suited for dark warehouses & basements. and finally, a slow burning slice of acid funk, chugging away on a bed of layered 303 basslines & suspense. with 4 new edits of various contrasts, deep in india volume 4 aims to be ‘that freaky record in your record bag this season.

poolside began as a recording project in a converted los angeles backyard pool house in early 2011, producing sunny tracks of subaquatic indie dance music in this makeshift recording studio. surfacing first in the form of a youtube video for the catchy track do you believe? poolside were soon gaining local and national attention, with djs like james murphy of lcd soundsystem, techno legend derrick may, and disco don todd terje spinning these tracks at events and a growing online following. throughout 2011 poolside continued making waves with a sound called daytime disco through tracks like their cover of neil youngs harvest moon and original tunes. in 2012 poolside worked on a remix for longtime disco punks the rapture and held fans over with a new single and video for a song called slow down as they prepared to release their debut album. that album, pacific standard time, was self-released in july of 2012. after the albums release, remixes for artists like matthew dear, little dragon and fools gold soon followed, as well as rehearsing and touring with a live band and doing dj sets around the world. as thoughts turned to a second album, poolside went on ice for a year to regroup, beginning to work in earnest on another album in the fall of 2016. while still revolving around the sunny, laid-back disco sound of pst, these sessions yielded the additions of up-tempo dance songs and more guitars, and generally more fleshed-out arrangements. poolside surprise released their second album heat in 2017. poolside have over 1.5 million monthly listeners on spotify and have fans all over the world. they are currently on tour as a live band.

two big tunes from the vault that go really well together. the a-side is taken from rubik records 023 and the b-side comes from fokuz 077. you can’t go wrong with these two calibre remixes, that’s for sure.

well crafted dark minimal bombs to be played during late mornings- are the perfect words to describe these nicely tailored tracks by up-and-comer nunes.
early support by: arpiar / mihigh

riot records deliver an almighty sermon of four gospel disco edits for the first in their take it to church series. channelling the divine goodness, spiritual choirs and godlike musicality of these choice gospel records, le visiteur, the soup dragons, jack tennis and alan dixon rework and rebeef with their own signature touch, producing four heavenly, dj friendly, dancefloor destroyers. dj support: unabombers - dimitri from paris - danny krivit - craig charles - horse meat disco - hifi sean - melvo baptiste

official repress on 12inch of these sought after charly kingson tunes. the label says: charly kingson, (ps. for charlie kingue soppo) is a legend of afro-funk who managed to shake the entire continent up with his infamous 1978 lp, born in africa. often forgotten when conversations turn to afro-dance, and the likes of tony allen or fela kuti, he has been an incredible source of inspiration to many musicians exploring the funkier side of jazz-dance, and this album itself goes way beyond any traditional notion of tropical discotheque. -born in african- itself is a funky groover for the dancefloor and here is the original 1982 remix, made by dutch legendary percussionist eddie conard available again, featuring nimele bolo on the flip-side. released in 1982 on ariola/fleet, but also pressed on the original fleet label. the latter (remarkably with identical catalog-number) never saw daylight. but, we got them all! all in all, this hard to find 12 inch (at discogs copies on the ariola/fleet label go for around 250 euro) was recently re-discovered, and now you can finally enjoy it again

another very special ep on al zanders a to z label teaming up this time with vocalist sheyi, for a one-off foray into broken beat territory. the story of its inspiration begins with a trip to notting hill record & tape exchange... after asking for some broken beat, the assistant ventured a withering opinion that -won t be monotonous enough, try the house music section instead- turns out it was phil asher of co-op fame - who, after establishing a genuine desire for said genre - sold al a bunch of west london music which became the influence for this ep. allowing sheyi to shine over a bare bones, syncopated rhythm track on the title cut and an equally stripped down satisfy al amps up the groove, with the g.i.t dub, which was made for ig culture s radio show. limited run on these - don t snooze !

that summer i developed somewhat of an obsession with tonto’s expanding head band after having seen them perform at the big chill festival that year. the music blew my mind. later upon my return to civilisation and the ensuing research which then began in earnest i became as much blown away by the enormous t.o.n.t.o. (the original new timbral orchestra) modular synthesizer that had created the music as i was by the music itself. built in the early 70s, it s still the largest synthesizer around today. with the live show still resonating in my head i tracked down everything tonto had ever recorded. one of these tracks was an obscure outtake from the time t.o.n.t.o.’s creators, malcolm cecil and robert margouleff, were producing and engineering for stevie wonder in the ‘70s(https://youtu.be/wuaszff7yq0). the track, bittersweet, only ever appeared on a highly limited self-released cd put together to coincide with their appearance at the big chill. consequently i featured it on a few mixes i did over the years and invariably i’d be asked “what’s that track?” by those with an ear for something unique. and invariably these same people, many of them djs, would turn away disgruntled when i informed them it was cd only. although i didn t know it at the time, the seed was definitely sown for this vinyl compilation that you now hold in your hands.

acid fans may well be aware of dj arg (also known as faceless junkies deluxe) and know that the man is a machine, literally churning out hundreds of the nastiest and most purist 303 based techno and house tracks and uploading them with alarming regularity to his soundcloud pages. super rhythm trax is proud to present to you his first vinyl release, it was really hard to decide on just four tracks, but these ones were jumping out for a release. sick and twisted 303 abuse for lovers of the silver box.

a true japanese jazz holy grail album, this 1975 album was made solely as a business card for an influential businessman and only a few hundred were known to be pressed. the quartet comprises a group of students who never shared a stage with each other and only formed for this one album yet the album sounds as if they ve been playing together for decades. deep modal jazz, frenetic, fizzy and energetic, these five tracks are some of the most coveted and sought after songs from the japanese jazz golden age

there is some serious music coming out of nz right now and has been for a while and these tracks are of no exception. this ep has a very sonically pleasing sound about it all coated with an industrial vibe. from a main room club banger right through to the early morning dark twisted -i have had way too much of a good night- tracks this ep really does push the boundaries and brings something new and refreshing to the table.

the donna smith experience’s “desire ep” is the 2nd edit release from this is our time. also, it is the first time that the glittering part of imre kiss wonderful soul is materialising on vinyl. these lustful tracks are just like going for a walk on a sweaty summer night which eventually turns out to be the best time of your life filled with dancing, flirting effortlessly & after a kiss falling in love for the last time. it is our soundtrack for the warm months, let it be yours too.

time for another adventure down the east . . . disco hamam is back with their 4th presentation of turkish & oriental killer disco edits. this time, tokyo matt tells you a tale of the oriental with a fist full of dollars, whilst afacan soundsystem has a thing or two to tell about the disco.. east is east but these are the real deal yeast free dance floor beasts.

the first release from study records is a disco-infused ep from everyone’s favourite cop polisen. with these four tracks, the gothenburg raised producer, takes you on a trip consisting of fun, chugging sampling-work accompanied with groovy baselines and stabby pianos.

highly synergistic split from eleh/caterina barbieri featuring two sides of similar audio dimensions. these two electronic sound poems slowly unfurl rich timbre and harmonics with an austere stillness that is, somehow, ever-changing. it hardly matters whose side is whose.

in the third of the ‘phobiza trilogy’ we are invited through the ethereal haze that separates our world from ramzi’s flourishing kindom. guided always by the deity’s music, we are given passage through the arcane archipelago that ramzi calls home, a place where animals, children and wild spirits share territories and cooperate in harmony in their plight to protect these ancient islands from the ceaseless threat of the great grey invasion. with the night closely following us, we are welcomed to these lands in dusk’s light, with the warm tones of ‘bibwel’ (featuring asaël robitaille on synth) carrying us across 11 different islets, all with unique climates, flora and fauna. after travelling for many a sunrise and sunset we take pause at mid day on ‘det calash’ isle (with some beats provided by regular fantasy). we ending our journey with a final sunset, this time on the foggy island of ‘warhasu’ (recorded on vancouver island with hashman deejay). amor fati (meaning “love of fate” or “love of one’s fate” in latin) comes as the inaugural release on phoebé’s own fati records and is the new nesting place for ramzi and its’ extended family. the record ends the ‘phobiza’ story, following ‘phobiza dia’ on total stasis and ‘phobiza noite’ on moodhut.

bill browns super rare brownstone release is one for the deep heads, less well known than label mate everyday people but just as rare and collectable. shuffling sunshine soul its all about the groove and feeling. 500 copies only. one for the heads. bill brown and al hall jr met around 1971, they were both in south central l.a and shared the same apartment building, also in the same building was doug carn and brownstone singer billy wilson. these studio sessions were done at paramount studios hollywood where al hall jr was working for producer art smith a&c music. the main distributor for a&c was accent records.

kondi proudly welcomes reedale rise to the imprint with this beautiful 2x12- debut album by one of the most fascinating and talented electro producers around these days.

2nd full length album by gavin guthrie aka tx connect (previous releases on ceme organization and l.i.e.s.). influenced by a diverse background of italo, acid, horror soundtracks, industrial and ebm, gavin crafts dance floor stompers using analog tools and tape. not only a producer, he s also a reputed dj and head honcho at texas recordings underground (tru) record label. spread over 2 lps, these 10 tracks will be atomic bombs in your next dj set but could just as easily be the soundtrack to your next cerebral vacation. all tracks carefully mastered by martin bowes. limited edition.

which guys? - - - - - >these guys! slamming dub-house and techno excursions from stockholm. tip!

2018 repress of this timeless classic. the desired by many and sought after ‘the time’ by vizar is getting a re-release. the hypnotic and sweeping track originally released in 2011 is still being featured in numerous dj sets to this day thus proving the ‘timelessness’ contrary to its title. besides these it appeared as one of the soundtracks in anatoly ivanov’s 2013 documentary ’kvadrat’ that is about the realities of techno djing exemplified by the life of andrey pushkarev. b-side is reserved for yet another worthy vizar masterpiece, ‘in between’.

nathan micay (formerly bwana) steps out under his own name for the first time with a pair of glistening panoramas well-primed for those exultant hours of the early morning. the 12inch opens with first casualty, aka that track played by avalon in her printworks set last year, before heading into deeper territories with beginning ballads on the flip. in nathans words: these are without a doubt the most personal tracks i have written to date. i made them as a sort of exercise in self-therapy during my first few months in berlin. as time has gone on, more meanings have unfolded with each listen. for me, these tracks are a rebuttal to the endless churn of negativity in the news and online. they have become my battle cry in the club, something to mobilize while also offering a chance to escape it all, even briefly.

the 4th edition in the acclaimed sterns edits series sees curator ben gomori open up the sterns music catalogue to other keen re-editors with brownswood / worldwide genius smbd (aka simbad) the first to step up to the plate. nigeria s segun adewale is sometimes referred to as the crown prince of jùjú music, but in the 1980s he developed a sound all of his own, which he called yo-pop. a mixture of jùjú, funk, reggae, afrobeat and jazz, its vibrant melange can be heard on his 1986 record ojo je , where both these originals are taken from. smbd delivers too superb flips of the title track a gritty funk-fuelled disco version with live bass, and a deliciously deep dub-house version. gomori, meanwhile, takes the haunting atewo-lara ka tepa mo se for an extended hypnotic, tribal trip. the stunning artwork comes from kofi ankobra, the son of radical white south africans who grew up in ghana and studied art at oshogbo, nigeria the place adewale himself was born. sterns edits is an official collaboration between african music stalwarts sterns music and londons ben gomori.

its coming out on best italy, so you know you re in for a rarified treat from the dusty archives of pan european music. on this occasion the unstoppable reissue label has its disco hat on, serving up the raw cosmic funk of oro, recorded in naples and originally released in 1977. back then, this crucial cut was confined to a short 7inch edit, but best have pulled the stops out to track down the master tapes and execute a thorough remastering job on the full-length versions, now pressed to 12inch for your long-playing, disc-spinning pleasure. its a good thing these tracks came back into circulation they capture the best of the late 70s era in a cool, downright funky style that never gets old.

attention long-time inner sunset recordings fans, collectors, newcomers, and anyone who might have missed getting their hands on these tracks the first time around! in response to ongoing public interest and demand, inner sunset recordings is proud to announce a special 4-track e.p. that features classic works and underground dance club favorites from the earliest years of the label s existence nearly a decade and a half ago! -i.s.r. classics: a reflection on the s.f. aughts- is a 12- record that fiercely epitomizes the inner sunset recordings sound and showcases some of the most loved and most highly sought after works (all remastered!) from releases: isr1201, isr1202, isr1204, and isr1205. from the dreamy and cosmic atmosphere of the attendant s -star gazing- (a1), to the uplifting and introspective ride that is low top s -hold me (original mix)- (a2), to the bold grassroots garage house sound of homero g. s -shoo be do anna- (b1), to the dark and ominous ambiance of homero g. s -manos lujosos- (b2) – this e.p. is the truest heart and soul of the inner sunset recordings crew, imprint, and sound.

psychemagiks danny mclewin has been quietly cooking up some choice edits under the skyrager alias lately, and here he is launching a new label magic wand special editions with four finely thought-out groovers for those who like their balearic business smooth and silky. there s a hefty dose of soul pouring out of these cuts, leading in with the synth-tastic sweep of dream merchant before hawaiian love song slides in with some seductive rhodes licks and romantic vocals. magik mountain is blue-eyed boogie of the highest calibre, and yeah yeah yeah edges a little understated disco into the mix for long, balmy nights dancing under the moon with your beloved.

tabernacle aren t as known for their reissue work, but here they ve made an exception to shine a light on a truly astounding hidden gem lost in the dry ice haze of the early 90s. phuture classical appendix a originally came out on cassette in 1992 on drome tapes in the netherlands, showcasing a low key selection of artists exploring the limits of deep, dark techno and house. now spread across three 12inch releases, these treasured curios now get the widespread release they deserve, leading in with the haunting self-titled track from paradize disowned before the gritty techno throb of gee lee by dj zero one. considered in their execution and immensely evocative of the underbelly of early rave culture, these releases are ones that discerning old-skool heads will not want to miss.

ambien baby is an emergent project from the increasingly prolific d. tiffany and dan rincon, both luminaries of the vancouver scene. after a first official appearance on normals welcome last year, the pair are back with some deft and delightful adventures through rugged breaks, playful synth touches and a healthy dose of 90s attitude. somehow these ingredients are deployed with that distinctive laid back west coast vibe that makes for such compelling listening as well as potent dancefloor weapons - take nada (live at sweep up) as a case in point. rolling breaks and nasty acid lines there may be, but the mood still has a heads down quality to it that just gets under your skin.

on our tenth belters outing, we re borrowing the mighty fine bostro pesopeo from permanent vacation.. we ve been big admirers of his music for many years now and he contributed to our mix series back in the day. these particular tracks were actually ones he gave away on soundcloud and we immediately messaged him saying we d release them. took a while, but here there are. dj support from barnt, midland, erol alkan, etc.

contemporary disco remix guru moplen steps up to the salsoul archive and turns in 2 absolutely stellar reworks of some solid evergreens. always remixing and reworking with the utmost respect and understanding moplen takes these classics into a new direction, working from the stems and retaining the funk, soul and grooves of the og s. the disco mix market is a busy one these days with lots of people taking a shot at the classics in their bedrooms, but not these, these are legit, heavyweight mixes created by someone who knows! candido s jingo sounds completely fresh, beginning with a totally unheard first few bars, rearranged piano motifs and dubby sounds bristle up against the percussion, all with an even heavier focus on the cuban, latin roots of candido camero s sound, amazing! you ve heard this one before, but not like this. on the flip is first choice s all-out anthem let no man put asunder - again a truly original reimagining of a stone-cold classic, using the percussions and infamous vocal vamps to devastating effect, absolutely essential versions here. moplen has truly done the business. this limited reissue has been made in conjunction with above board distribution and salsoul records, 100% sanctioned and lovingly re-presented for your dancing pleasure. this one is hot. sleep at your peril!

b stock - covers are broken on the border
ahead of melé stepping up to deliver his coveted in the house compilation, defected presents a four-track vinyl taster showcasing his standout percussive, tribal sound. from 13-year-old bedroom dj growing up in the wirral to his breakout anthem ‘ambience’ in 2015, melé has now fully honed his skills in production and mixing, culminating in two mixes for ‘defected presents melé in the house’ and three brand new productions. all three of these original productions are included in this vinyl sampler along with an exclusive from joe corti, demonstrating what’s to come from the compilation.

dusty archives, the backrooms of record stores, private reel to reel stashes, master tapes - these are the environs of the dynamic range experience. dynamic range is a new label focused on unearthing deep soul, funk and disco jams that continue to resonate with todays dancers and dj’s. time spent scouring the bowels of the majors and independents has unsurprisingly resulted in numerous gems being added to the dr wants list. high quality, fully licensed reissues are the order of the day, always taken from the correct master source and re-presented to hungry record heads the world over. to repeat, this is a fully legit operation avoid the sharks at all costs! the debut release on the label is a real doozy new birth, the mighty detroit funk outfit who operated from 1970 onwards are first up to bat. their late 70s rarity deeper is a real monster lifted from their killer behold the mighty army lp. produced by legendary motown stalwart frank wilson this is some straight-up disco-fied funk for sure! one of those solid, mid-tempo groovers that just ignites a dance-floor at any time, any place. side-a is the glorious full-side disco mix and were treated to the full instrumental version on the flip. no lazy edits here, just the full funk and nothing but the funk, just as the group intended! this is one of many soulful treats that dynamic range will be presenting in the coming months, stay tuned for more - aint it something?.

sorcery, witchcraft, wizardry, necromancy, enchantment, the supernatural, occultism, black magic,voodoo, hoodoo, mojo, shamanism, these are just a few words that can describe the power of our home duo simple symmetry’s new ep, titled “beginners guide to magic”. sit back relax and let sasha & sergey to take you on a captivating trip to the temple of doom!

exciting compilation featuring some of the best 45s, released 1974-77, by anadolu pop singer gulden karabocek. on these tracks, originally released 1972-77, youll find a mix of traditional anatolian melodies and instruments like ba&#287,,lama and zurna mixed with synthesizers, wah-wah guitars and psych-funk arrangements.

your new shit. four new faces, four new sounds. artists from edinburgh, glasgow, dundee and london on one record. basically, it s a quadruple a side bbz. j wax provides a classy african vocal laced rhythmic work out, a bold statement in loopy hip movement. ted jasper follows with a beautiful instrumental double bass led playful house experience. think house meets mpc meets nu-jazz (*tip*). on the flip gavinco comes powering through with a deep guitar riff over some strong drums. this has made it into a few sets recently around town and really turns heads. finally, swayed drops a tune that is as exciting as having your bday at wimpy. a new york paradise garage vocal laced with fine horns and a baseline made to shake. these tunes make people not want to go for a fag break.

bacao rhythm & steel band return with another instantly classic 45 guaranteed to be all over djs set lists. with their sophomore full length coming in september, they treat us to another bomb of a two sider.
side a is a cover of the dr dre hit “xxplosive” done up in proper brsb fashion, smashing drums and steel pans playing the lead and bass lines. they take this one into new territory by adding synth parts and dubbed out horn lines playing nate dogg’s infamous vocal hook melodies.
side b takes on one of nycity’s grimiest hip hop club anthems, mobb deep’s “burn”. we decided to do this tune and demoed it out long before the unfortunate passing of prodigy. unfortunately, he will never get to hear this cover, and that has been one of the nicest things in covering some of these more current hip hop tunes. rest in peace p.
brsb manages to do it again ... a version equally as raw and punchy as the original. pans bang out the iconic riff from the original, theremin ushers in the changes, and the low rubble of the synth bass is sure to crush the subwoofers.

framework recordings is back with a very special, limited run vinyl ep that features five fantastic artists in oliv, o’hana, blurred, fred and ground16, and deep house doesn’t come much finer. first up is the low key oliv, part of the heady party collective bedford crew. his ‘submarine cruise’ is an effortlessly atmospheric dub house track. sandy shakers, balmy pads and an astral lead synth line all ooze underground class. o’hana is another emerging producer with an already well formed sound. his gorgeous ‘lune’ is another prime bit of deep house with analogue kicks and hits, subtle vocal samples and cavernous pads that melt into the horizon.
blurred are a young italian pair from labels like lapsus, safe music and hotfingers and keep up the cultured dub house vibe with more deeply enveloping grooves and dusty hits. the chords here are smeared in the background and sure to find favour with the more intimate dance floors out there. then it’s to impressive new swiss artist fred for ‘mw.’ it’s deep and house-y again, but this time it drives forward on huge kicks, with acid lines and icy hi hats bringing the energy while yawning synths soften the edges. closing out a tasteful package are swiss pair ground16 with ‘3rd street.’ cosmic in nature and with wide open pads, this house groove is another analogue beauty with warmth, smart vocal snippets and dreamscape pads. these are timeless deep house cuts that are deceptively simple and superbly executed.

you know when the dj drops something so special you’re mentally forced to ask for the track and the reply you get is ”its my own unreleased track”. that’s how i (art alfie) stumbled upon all three of these. about ten years ago i witnessed van rivers & the subliminal kid (peder mannerfelt) turn berghain upside-down with the dark techno epos ”mars attacks”. around the same time i had the luck to see nils westerlund boogle minds with the broken beat psychedelics of ”suspiria” at a stockholm open air. last but not least, a couple of years ago i heard ”thicker than blood” for the first time, like the sirens in greek mythology, it lured people on to the dance floor at stockholms classic summer hot spot f12. i’ve been playing these tracks ever since and im beyond happy i get to share them with the world at this point. //art alfie

ploy returns for his third solo timedance record, the 14th release on the label. the london producer is in absolute banger mode for this one, finding his stride with these frenetic gunfinga-ready assaults, both as fun and playful as they are playful and rude. artwork by danielle doobay.

in the studio prototype 909 was a group that rarely agreed on a clear idea of exactly what they were trying to accomplish. the entire project was an experiment, and every time they hit record there was nothing better for them to do than to just try stuff. whenever it came time to put together an album they would go through what they had recently done and nd the tracks that seemed to fit together well, or that at least sounded like they were made by the same group. that left on the cutting room foor some really amazing worst that somehow just didnt fit their goals at the time. at schmer, we remember. p-909 leftovers have schmer written all over them. these four tracks were all recorded live in the studio in between their three studio albums 93-97. brenecki ( half of ontal ) provided his remix inspired by one of them. hyperdrive and -datafash- were recorded shortly after acid technology was released in 93. they come from the -lets make acid technology vol 2 approach-. that would have made a really cool record had they done it but they decided on making transistor rhythm instead. anoisenyc aka the tracs that dietrich hates is what you get when you let jason go nuts on a doepfer maq-16 ( they never made that mistake again ). bobo is possibly the most prototypical p-909 tracks ever: it took three guys making their own tracks simultaneously almost ignoring what the others were doing but somehow mixing them into a flow to make this one, but it all comes together nicely in the end. its amazing that they never released it before. you ve enjoyed the wait, now enjoy your new prototype 909 while it still is new!

it’s been a while since we put out the last keinemusik solo ep. but here we are. after -you are safe-, the longplay joint venture of all the keinemusik fellas and a whole lot of people remixing that very material, here’s a new two-tracker showcasing what’s going on these days in adam port’s sphere of interest.

third roots united ep called “kisko kisko” comes from one of the finest electro producers from finland, mesak (tatu metsatahti), who is also known from his legendary projects like mr velcro fastener and harmonia skweee label.
this 4-tracker features another finnish underground hero mono junk (vocals on b2 track) and includes a real ghetto-remix by grand master dj overdose straight outta the hague.
all of these tracks were produced in 2018 especially for roots united in a true hardware style.

you’ll fall in love with slum village all over again with these collectible 45 issues of the j dilla produced cut “fall in love” first issued on the group’s fantastic volume ii.

you’ll fall in love with slum village all over again with these collectible 45 issues of the j dilla produced cut “fall in love” first issued on the group’s fantastic volume ii.

ghori from d-operation drop is a driving soundsystem roller with a low swung beat crushed through 80’s sci-fi algorithms and burnt onto analog tape. on the flip is natty coil, one of the crew’s most requested tracks, a masterful mix of organic bass and robotic shuffled hi hats from these mix scientists. d-operation drop are a crew from italy who gravitated around their love of bass, releasing music on labels such as artikal, lion charge, zam zam and moonshine, gaining support from the likes of j:kenzo, n type, bukez finezt, and dj madd.