das kanzleramt tagte wieder.. kowalski, diego und desantis in einem studio.. wahnsinn. .best techno!!

excellent afro house compilation !!

firm legt feinsten kuscheldancerock nach & ist mit wortautomat schad privat im vollen firm format am start

sweat (on the walls) is a slightly darker, powerful and minimal-acid-driven track. the spoken word give the track its special attitude - a sure shot for the dancefloor. steppaon b1 comes in a very reduced sound-outfit with abstract spoken word fragments and a slightly broken, cristal clear rhythm construction

et again ben sims manages to present a new artist straight into the fold onto his ingoma imprint and make an instant impact. this double pack is a classy mixture of original tribal grooves by atsushi himself and mixes by top flight artists - ben sims, cave, mark williams and daniel jacques

excellent selected tracks , comes as a limited 4 vinyl set edition !! … very rare

versatiles chateau flight with a midtempo builder featuring strong detroit references while maurice fulton rocks it in his typical own outerworldly style

3 clsssic house cuts , modjo - lady, mirwais - naive song, didier sinclair - lovely flight

excellent latin styled tribal tech !!!

brill minimal funky electro

brill flächige futuristic electro ep !!!

80s synthesizer music ! miami vice, terminator , top gun !!

symphonic music

jazz

best of 26 years technoclub 4cds!

headz / hip hop

full soundtrack from the the video game Òdemon turfÓ on double cd.

avawaves celebrate the magic of nature, imagination and the power of dreams on their second longplayer.

a showcase of current electronic artists, influenced by 70s and 80s cold wave.

feat from rick ross, freddie gibbs, big sean, lil wayne, dom kennedy, queen naija, conway the machine, and westside gunn

cd comp of those fire l.a. producer 10inches that came out a decade ago. photo art from b+.dope. tip!

mac-talla nan creag is channeling ancient rites, the mysteries of the scottish landscape and its elements through technologies both old and new for your listening pleasure.

der kanadische produzent bt schrieb den score zum bollywood-mystery-thriller ittefaq es geschah eines nachts von regisseur abhay chopra aus 2018. die 29 tracks bilden eine ausgezeichnete klangkulisse aus downtempo-electronica und orchestral-symphonischen, klassischen instrumentals. bt bewies sich bereits in der vergangenheit mit arbeiten fŸr go, the fast & the furious, monster und diverse pixar-kurzfilme als hervorragender soundtrack-komponist.

steiger are a piano trio trying to find a balance between composition and improvisation through the use of experimentation and electronics. the trios highly anticipated sophomore album give space was recorded at 7 different locations, with the music composed to fit and fight these locations within a dialogue of acoustics, atmospheres and appetition.

in the mid 90s, while playing in bands, max wŸrden started to record ideas on 4-track tapes. amongst other instruments the guitar was his favourite. since then the guitar is a steady constant during his sound production. predominantly he utilizes the intrument in experimental ways: he sticks screws and metal pieces between the strings or let s marbles run down the guitar neck, triggering a feedback, which becomes the foundation of a track. on his album momentum he went beyond the guitar, but he placed the intrument into focus of the production. max creates energyladen and experimental ambient music that always aims for what genre listeners looking for: the ultimate relaxation moment. the tracks are carried by slowly building string-generated sounds. live recordings and complex arrangements find a delicate symbiosis of ambient and strings.

the shadows is the new album from leeds-based six-piece tomorrow we sail. building on their debut release for those who caught the sun in flight (gizeh, 2014) over the course of three years, this new work combines perfectly the soaring atmospherics, gorgeously intertwined vocal harmonies and dramatic shifts in tone and dynamics that have come to characterise tomorrow we sailÕs sound. yet, there is a new sense of urgency here. very much an album of its time, the shadows draws upon the same sense of connection to both past and present that defined its precursor but features storytelling thatÕs even more defiant and deeply personal.
like its predecessor, the record features seven songs but from the chiming guitars of opening track side by side it is clear that the stately pace of for those who caught the sun in flight has made way for a far more dynamic and driving energy, perhaps best captured in the righteous anger of the ghost of john maynard keynes. tomorrow we sail still invoke a keen sense of measured grace in their songwriting - from the sweeping, elegiac title track, through to the sparse, restrained, yet haunting beauty of winifred and to sleep. urgent, yet assured, the shadows demands your attention.

at mule musiq, weÕve focused on shining light on the many aspects of what electronic music can be, putting out house, techno and ambient releases on our main label, while releasing alternative-leaning dance music through our endless flight imprint. but with the launch of our new label, studio mule, we are stepping away from electronic club music for a bit.

oliver schories features a killer tracklisting on 2 cds with darius syrossian, oliver deutschmann, ramon tapia, anja schneider and many more

3xcd mit remixen (cd1), roots &einflŸssen (cd2), und nu disco scene (cd3)

pilocka krach still means nothing but pilocka noise. sheÕs the charming queen of berlins post techno underground and a true recording & perfoming artist. her new release on her very own imprint greatest hits international is a conceptional framed double vinyl album and a journey diary of her last two years on tour around the globe, with mexico, detroit and her hometown roots in berlin as fixpoints on her neverending agenda. pilocka krach is ãsugar caneÒ & ãthe lost amigosÒ, her band and all at once. her style is pure electro post rave simplicity, where each single sound is either raw sampling cuts or deep growling synthesis. big basslines meet funky grooves and surprising hooks, grooving along with her own voice and a lot of other vocal features, whereever you go. each Ôn everthing gets the room it deserves and mingles alltogether to so much more, than just another stereo sum. never heard an album that dry and that wet at the same time, with an overall fun and jam factor, that is truly touching. she took her original style more than just a few steps further and sharpened her skills in an impressive and real straight forward way of raw funkyness and true storytelling. you canÕt listen to it without moving. pilocka is always surfing the right balance of how much, or better how less it needs, to keep it going, get down to the point of no return and beyond the miracle of repetition.

das new yorker dj/produzenten-duo soul clap vermag es, hip hop, funk, soul und disco-elemente in einen modernen house-sound einzubetten und entsprechend futuristisch und visionŠr, aber gleichzeitig funky as hell, klingt ihr neuer fabric-mix. der spirit des house wird transportiert durch soul-sounds von ancient deep, ken gill und daev martian Ÿber afro-styles von den sol power all-stars und maajo bis zu klassischen vertretern wie barbara tucker, indian ocean und storm & herman.

two years ago i played at studio 9 in vilnius, lithuania. the following day i missed my flight home and ended up spending an extra day, which gave me a chance to explore the city with my friend linus, who took me to the contemporary art centre. it was there i spotted a book named ÔrojusÕ, that linus told me translated as ÔparadiseÕ. the word and striking cover of the book stuck in my mind. a few days after returning home, i turned on to a national geographic documentary named Ôdesigned to danceÕ, explaining the courtship rituals of birds of paradise. as i watched, i jokingly began drawing similarities between these birdsÕ attempts to captivate and impress the opposite sex with dance, and the way strangers try to attract one another in clubs and interact on the dance floor. this gave me the idea of creating a record of functional club music, sequenced as if it were a club night, from doors to closing, using samples of these birds of paradise and their habitat. thus, rojus. leon vynehall 2016

im anschluss an ihre zwei Šu§erst gut aufgenommenen singles auf nang, veršffentlicht das aus st.petersburg stammende duo kim & buran sein albumdebŸt mit dem titel orbita. die gruppe gibt es schon seit fast zwšlf jahren, und jetzt kommt ihr album als ein kaleidoskop von verschiedenen stilen wie disco, soul, funk und elektronischen klŠngen. die gruppe scheint eine vorliebe fŸr reisen zu haben. es ist nicht nur der albumtitel, der dieses widerspiegelt, sondern auch die stŠndige dynamik und der eskapismus in der musik selbst. 70s funk frequenzweichen, kosmische pads, arpeggio glŸhwŸrmchen synths, alle ergŠnzt mit sanften gitarrenriffs.

the explosion ist ein neues projekt des versatile labelmachers gilbert cohen aka dj gilb r, eine hŠlfte von chateau flight, zusammen mit fabrizio rat (piano, synthesizer) und giani caserotto (gitarre) von cabaret contemporain. de einflŸsse auf dem experimentell gehaltenen album reichen von duke ellington Ÿber brian eno, terry riley zu godspeed you! black emperor, enio morricone oder francois de roubaix.

joseph capriati, italiens bester techno-export, prŠsentiert ein satt groovendes, schnell sŸchtig machendes techno-set auf fabric 80. capriati, der heute in barcelona lebt, legt seit 2012 regelmŠ§ig auf marco carolas music on clubnŠchten im amnesia ibiza auf und veršffentlichte sein letztes album self portrait auf adam beyers drumcode-label

exzellente retrospektive des kleinen, aber feinen tirk-labels mit 13 perlen seiner historie, darunter tracks und remixes von sugardaddy (aka tom findlay/groove armada), chaz jankel (blockhead-veteran mit seiner hymne im tollen todd terje-remix), space (den franzšsischen space-disco-heroen der 1970 er), the time and space machine (aka richard norris), greg wilson, richard sen, u.v.a. mit ausfŸhrlichen linernotes von rob wood (ex-jockey slut).

one of larry heards most under-rated albums finally remastered !!

jim coles has spent the past three years refining a unique sound as om unit via collaborations with machinedrum on planet mu, releases on goldies metalheadz, dbridges exit records and civil music, his own cosmic bridge label and the short-lived phillip d. kick alias that fleshed out the links between chicagos footwork, jungle and slow/fast. the confluence of all this work takes full flight on threads.

andy pain & z connection, the production duo from st. petersburg, russia come correct with their exciting new album for hustle audio. with their refined sound they are already carving their way into the drum & bass world and have turned heads with tracks on demand records, im:ltd and more.

2 cd compilation! cd 1 mixed, cd2 unmixed !! incl.tracks by miguel champell, groove armada, mario basanov, crazy p, maco plex and more!

huge double cd pack - mixed by paul woolford! incl. tracks by roman fluegel, lazor sword, chateau flight and more

brill dubstep album !! check

16 of the biggest dub police tracks all times, complied on to one un-mixed cd. all the key dub police producers feature, with anthems and club bangers from the likes of: d1, matty g, subscape, trolley snatcha, caspa, the others & emalkay.