here we are again. highlights, the second release from panea is ready. first stop, an amazing journey over the frequencies by the hand of primary perception. second stop, a deep beauty from aleexe and pepe. on the other side, the master s. moreira delights us with one of his gems, no more words need to be said. last but not least, the much talented guys from formas with a very personal groove.

sealed copy of this nice techno release by herwig maurer from 1996!

shamrock grew up in the township called ‘kwathema’, in the east of johannesburg. he has being crazy for music since he was a young child, and at primary school he sang as the soloist in the choir. everyone now knows that south africa is the house music capitol of the world! most young upcoming producers look up the american and european producers, but shamrock’s sound is standing out from the rest, as he’s been digging into his african roots to come up with his own style of music, working with mainly south african musicians, only using the computer to record the audio. on this album he’s also featured international musicians han litz,flutist from the netherlands, asali, vocalist from kenya, andy compton, from the uk, and jimmy gabriel on sax from nigeria.

realness: if there was one word you’d use to sum up parisian house dealer phil weeks that would definitely be it. he’s never kowtowed to trends or hype. he’s never compromised. he’s never lost focus of his primary goal: to make undiluted, straight-up house music that physically moves you.nearly 20 years deep as a dj, artist and founder starting the new year with a serious statement of groove intent, the eight track package is the follow up to his successful 2012 collection ‘raw instrumental’. his fifth studio album in total, the title says it all: rawness and full focus on both the dancefloor and the best creative djs. no messing around, each track is tailored for total mix and party pleasure and covers every shade of the night. it’s peaky business from the off as phil lights the fire with ‘the rhythm’ an incendiary burner that sp flexing a classic blaze sample, all the elements build with the bulldozer drums and subs pushing relentlessly. ‘oh baby’, meanwhile, slips us into a something slinkier with its bumping deep drum shuffle and optional instrumental.

zwei jahre nach seinem hochgelobtem debütalbum tremors legt der ehemalige wahlösterreicher sein zweites album vor. mittlerweile lebt sohn in los angeles und dem neuen album hört man die wärme seiner neuen heimat durchaus an. erneut hat er das album in reinen nachtschichten erarbeitet - dieses mal in einem studio im norden kaliforniens. die 10 songs sind zuversichtlich, direkt und fokussiert. vorsichtig lockert er die beschränkungen auf und baut in jeden track neue musikalische elemente ein, durch die gesang, melodien und rhythmen noch besser zur geltung kommen.
die vinyl-lp erscheint im klappcover inklusive downloadcode.

the kurl project started in the summer of 2014 where the primary concept was to sonically encompass the various influences of a twenty-year musical journey. the essence of kurls sound is mainly deep dub with hints of house groove that create a very unique sound environment connecting the listener to his lifestyle and movement. at the root of “sacred fire” is a very special love story. kurl started an emotional partnership, a genuine brotherhood with mj white, one of the pioneers of the soulful house music sound of the new york ’90s. marshall james white appeared on many hits in the nyc club scene including scandalous still irresistible just to name one. he tragically passed away in november 2015. mj white gives soul to sacred fire by writing the lyrics and interpreting it with so much passion that kurl was able to transform this track into an eternal love song. for kurl, mj white will remain the angel with a heavenly voice, and above all, a memory that will mark his internal and musical journey for the rest of his days in the words of mj white music has a huge heart that beats inside all of us.

natch elements debut with drone capacity ep by the uprising deep techno talent blndr. the french producer delivers 4 cuts delineating the primary label s aesthetics, additionally twisted up and remixed by label boss synthek and compatriot hydrangea.

die form is a french post-industrial and electronic band formed in 1977-1978. the name die form means (the) form/shape in german and is a play on the english homonym deformed and on the french homonym difforme (deformed). die form is the primary project of electronic musician and multimedia artist philippe fichot. he began by recording a number of experimental cassette releases in the late 1970s and formed the bain total label to release these early cassettes, as well as various side projects such as krylon hertz, camera obscura, eva-johanna reichstag, hurt and fine automatic.

reflections is the spectral sound debut of nautiluss, the primary project from torontos graham bertie. his career began, as many do, with practicing mixing records in his bedroom before cutting his teeth in warehouse raves in montreal. after many collaborations and heavy touring early in his career, bertie has chosen to stay in more than go out, leading to a new direction in his music. dont let this lead you to believe hes a slouch in the live department.

remastered & reissued , original released 1981 , goth rock at it best

the time has come for another artful something vinyl. influenced by strong orbital gravity forces, stl aka stephan laubner transmits deep and moody generated soundwaves once again from his headquarter place out into the world. these 12 inches are able to maneuver eventful emotional vibrations from out of morphic fields and active surroundings, steep surely and on-target, straight home and interior. with three dimension-bending tracks, this release lifts off and comes in queue with, and on top of the existing vast beauty of the something catalog - which in abstract channels actually and already can give soulfood possibly forever. svs29 continues to hold on functional proven techniques and sense-intensities and includes besides genuine new never heard reality checking digs, some well known rare energy loaded twists, remastered today. it shouldn’t be unmentioned that this vinyl comes in limited quantities, and as usual in good shape with an unmistakable drowned tonal aesthetic, that will resonate deep & low till the edge of imagination. with a far visionated flair and an awareness for primary instincts, something vinyl series 29 is taking you through the hatch of space and time in order to make you feel, dance and excite your sweeping senses. now please enjoy and groove in!

in the follow up to their recent 10 year celebrations - aus music present another landmark signing for the label as they triumphantly welcome long term friend paul woolford into the fold. few artists can boast of a catalogue as consistent and as evolutionary as woolford and his latest offering for aus - as ever - lands right on the mark in delivering a beguiling trip split over two sides of vinyl. ‘heaven & earth’ is a rich and elongated house record that contrasts bright orchestral melodies with thick, tearing bass tones. together - these two primary elements create a fervent sense of tension that no doubt will soundtrack countless memorable dance floor moments over the festival period.

panea records, is a concept based on sharing their lifestyles with all who share a passion for music. and aspiration to provide talented musicians, producers and djs with valuable opportunities within this label. four spanish friends came together in berlin sharing their love of music. each of them influenced by the berlin music scene.

welcome to round 4 of the stardub various series.

the berlin collective take things to the next level here. a double lp of outstanding deep electronic music featuring seafoam, a², mick welsh, primary perception, luis malon as well as regular slow life producers savario celestri and s.moreira. comes beautifully wrapped in a full picture sleeve.

six years after his mila ep, uk techno artist lee renance, better known as 100hz with james chapman, is finally back on bosconi with another strong 3 tracker release called -circles-, a combination of very sought-after gems and reworks of old tunes: the record begins with the gentleness of the groovy and jazzy vibe of that mega rare undergound deep anthem named -shoot the bar-, a track originally out in 1998 on pacific records which many people have been probably waiting since long time for a repress, while on b side the artist presents himself under one of his more obscure aliases as mr format, going trough more voodooish and hypnotic dub techno territories with a pitched down version of primary colours track, an undiscovered and carefully crafted secret weapon previously released on his own imprint format records. last cut of the record is a totally renovated version of the track oliva out in 2009 on the greatest french logistic records. in this new version , “oliva funk” epic strings and pads merge with compelling and engaging beats creating a levitating effect which drive the mind and the mood of the dancefloor into dreamy soundscapes. you ll make it yours.

close to the days of the days, when the maya calendar will come to an end and somthing special is waiting for human beeing, two smart fellas from berlin are contrebuting this happening with the so called popocatepetl ep. popocatepetl is a yet sleeping massive vulcano in mexico, who just recently rumbled to life. it looks like this ep will come up with the same energy and power. four tracks with many statements and diversity and still homogeneous in their substance. to find an own style and esspecialy an own sound is what the two try to push to the fore. if we compare this release to their last successful released track on tonkind schmalwild, we hear this major line, where a transperent empathy is to find. kotelett & zadak, showing on this ep their ability to creat dance music with a certain flow and groove which makes you feel aloof and hot but still laid-back and relaxed. it just shows their own temper and shows us why, this two guys are one of the most beloved djs in berlins underground scene. its their personal spirit what comes up in the music, that makes this release sound so authentic. hopefully people will notice, yet even without any dramatic fireworks, popo has the power to wreak havoc.

after a 3 year hiatus making techno for various labels, orlando b returns to his deep house sound which gained him recognition with ep’s on yore, undertones and seven music. this time he brings us three contrasting house cuts on his new label contemplate recordings which will now be the primary output for his deeper productions.

london producer kit grill returns fro his first outing on vase after a series of unique recordings for the likes of getme! and primary colours in the past year.

the second release on modern cathedrals includes an original mix by altstadt echo supplemented with remixes crafted by donor, luigi tozzi, and asop. the inclusion of donor’s remix represents a continued effort to link together the detroit and brooklyn scenes, while the luigi tozzi remix connects modern cathedrals to the ghastly, dark styles of techno that italian artists have become so respected for. as a core member of the modern cathedrals team and a primary force behind the label’s event series, asop’s remix is the very first public release of work by this incredible new detroit-based artist. but while the artist names change from record to record, the philosophy does not. we continue in a desperate attempt to generate meaning during the short spasm of a lifetime we are given in a world that seems to conspire to prevent this effort’s realization. this situation might be inescapable, but through the rejection of complacency and dogma, we can approach our end with the bitter comfort that we were at least willing to be honest about our situation.

strange happenings are going on down at scrutton street, ec1. with release after release cementing the names of those based or working out of the studio bunker, a desire for pushing the boundaries of electronic music is primary with little concern for whats hip. so if anyone can tim can and here with his newly birthed pseudonym comes junior fairplay. with a one-sided release and remix to his name on crimes of the future a glimpse has been offered of whats in store, but how do you like me now? gives it straight.

10 track 12- on collectable japanese label -snaker-. leaving signature fm synthesis work arcade game, blends with soft reggae feelings, his programming make more minimalismic, polyrhythmic and even funky approach through eerie,vertiginous,glistering and ominous without long dramatic notes. this primary sound make us mad, it has something common to lo-fi feeling or row house groove.

part 1 of the first true language of the universe on mathematics. limited edition reissues of back catalog and out of stock label classics from the labels primary artists. 8 tracks from echo 106, les aeroplanes, kuba sojka, ifm, joe drive, takeshi kouzuki, john heckle, and marcello napoletano.

part 2 the of the first true language of the universe. limited edition reissues of back catalog of hot, out of stock label classics from the labels primary artists. this one includes tracks from andreas gehm, deviere, ra thout and the brigante’s orchestra, and john heckle.

we are well into 2015 already, so it is time for our second release of this year. this time we have the pleasure to present you the excellent duo i/y to make their debute on dr, backed up with 2 remixes from acronym. pressing on light blue colored & marbled vinyl.

killawatt debuts on run out run with four of his signature journeys into electronic music. brutal drums meet paranoid synths and cavernous atmospheres to create four cuts ready for the soundsystem.

the debut album by synthek & audiolouis can be seen like a precious gathering of different approaches to techno, made in order to create a meaningful and elaborate piece of work. the opening tracks miasma and intro:spection are just a glimpse into the atmospheres which costantly surround the whole album. strong rhythmics and overwhelming soundscapes never abandon the ears, modulating intensity and brightness along the journey through a sea full of dark acid waves. unwise is a bold sequence of powerful tracks devotedly written for the dancefloor, but still keeps a certain emotional aspect made of few melodic detroit-rooted cuts, standing as a tribute to the authors primary inspirations.

the debut album by redredred, a contemporary artist from san francisco. michael wood, formerly of duo primary colors, began this project in 2012, taking inspiration from front 242, einsturzende neubauten, throbbing gristle, nietzsche and sartre. wood utilizes a simple setup of vintage analog synthesizers and drum machines, and records them on reel-to-reel

ivan aka u-more is back with a new ep offering his innovative sound on 4 powerful tracks. great support from raresh, primary, julietta, faster, hozoc and many others.

poker flat recordings welcomes back the ever-prolific alex niggemann for another speaker-troubling dispatch.

finally, the pender street steppers are back with more sounds guaranteed to elevate your community. influenced by an interesting variety of music, >the steppers< are well liked by an equally interesting variety of fans (in their region). this is music for cruising around the riviera in your primary mode of transportation, made with care in the tradition of cdn underground classics. shouts 2 golden garden!

new years deal - sweating it out in a basement on saturday night, teaching primary school on monday morning. better to be a part time freak than not to freak at all.

khandoits hypnotic 100 bpm stomp does not adhere to genre or fickle trends, it simply bangs. the track begins with a sturdy kick and piano glissandos which recall alice coltranes most transportative work. as the beat picks up, a creeping, filtered arpeggio enters its journey between rhythmic and downright nasty serving as the track s primary drama. its a stunning intro to the new label grimy trax, a musical chameleon that can be dropped at the beginning, middle or end of the night. to complement the epic a-side, grimy returns to the endlessly talented midwest and emerges with lulu, an original track by deejay/edit ace bruce ivery. the track seamlessly combines the chicago acid sound with the clever vocal sampling of early 90s nyc house. the result is pure peak-time heat. towards the end of the track, ivery arranges brief melodic elements into a propulsive disco facsimile. this unexpected turn summarizes the philosophy of the new label and the way this small group of artists selects and makes records. it doesnt matter if its house, disco, or techno, just make it grimy!

his music since, mostly on teal, has kept the tempo high but made 80s-style synth work its primary focus.

andres zaccos very own greener imprint is back with a brand new 12 inch release. as you can already tell from the labels frequency in output (the last 12 inch, andres zacco & franco cinellis the secret mission ep came out in may 2011), greener places its primary focus on quality, not quantity. for this fourth outing, greener is glad to welcome j.c. – a young, up-andcoming producer from madrid, who presents here his personal take on techno. both titles on the m-theory ep put forward a fine mixture of unyielding, grounding rhythmic structures and mesmerizing synths, building into grand momentums.

innercity records is the new label from mark horsfall (horsey brothers/amenti music/kaluki) and danny stott (aka roland nights - amenti music/lost my dog). the label, based in manchester and launching in early april, will release a series of various artist eps. volume 1 features 6 artists that represent the very best of what the deep house scene has to offer right now - the well established giom features on the vinyl release with dale howard , leigh d oliver and roland nights, while young brazilian star gutto serta and welshman casey lee jones complete the digital release which will follow a month later. mark and danny state, innercity is born out of a raw passion for proper house music. remaining true to the spirit of house music is our primary aim, which does not involve trying to strictly emulate the music of days gone by but finding house music made out of love for the dance floor.

to mark its 11th release ce launches a new v/a compilation series featuring exclusive material from some of the hottest names in electro from across the globe right now. the world electronix series will be strictly limited to 4 x single press 12”s with no re issue. the first instalment of world electronix aims to showcase the darker dance floor side of the genre. the series kicks off with parisian resident carl a finlow aka silicon scally who turns in a signature style machine tech roller reminiscent of his early scsi av works. the duty then shifts to spain s number one electro export boris divider with a clinical, tight, rother-esque groove. on the flip we see london based ce label head sync 24 join forces with australia s abstract forms label owner deixis. the debut release for these 2 artists is a spooky,spacey affair with haunting vocals and a killer sub!rounding off the ep are finnish duo morphology, who alter the proceedings with a freaky 4/4 electro piece. the following editions of world electronix will include tracks from e.r.p, versalife, gosub, the exaltics, crc, dynarec, fastrgraph, plant43, defekt, steve allman, sync 24 & deixis. watch this space!

continuing the success of ben sims and kirk degiorgios joint project machine - a clubnight which focuses on new, unreleased, & upfront music its primary home in london, but with editions all across europe each year - ben & kirk set out their stall with the debut release of their new imprint of the same name.kirks machine theme slips into deep & melodic grounds,while bens metalworks brings a harder, dead-of-night techno feel. sims also lends his remixing skills and provides a tougher examination of machine theme

reflecting real tones penchant for picking up on new talent, our latest release comes courtesy of canadian producer paolo rocco. having grown up in a cosmopolitan neighbourhood, paolos influences come from a diverse melting pot of sonic soundscapes and muscial genres. the raw beats of hip-hop one of his primary sources of inspiration. the highly-anticipated comeback of the legend point g (dj gregory) makes this ep even more special. famous in the nineties for his raw house spirit and coveted works such as underwater, chicken coma, sous pression,hands, point g is back and in full effect, remixing paolos title track in his own inimitable fashion

first record for a label that is part of a long project, which began with the radio program the-zone. after numerous releases in the digital label, the project confirms the primary concept: the techno sound. an original version of the well known logotech (darknet, nachtstrom schallplatten, etc) with remixes signed by three major icons of techno: audio injection (truncate, electric deluxe, droid, etc), samuli kemppi (mote evolver, perc trax, m_rec ltd, etc) and the duo space djz (kombination research, soma, fine audio, etc)each word is useless, only techno!

following a busy year of stylistically varied releases under various guises on his own magic + dreams label, ralph cumbers delivers his first long-player for punch drunk. with a title lifted from the lysergic prose of a brian aldiss novel and grooves informed by the loopier, more martian aspects of chi-town jack and detroit techno-soul, >reeling skullways< marks a subtle, but highly alluring development in the evolution of cumbers primary recording project. long-term bass clef fans may be surprised by the lack of samples on this album, and in many ways it follows a similar creative process to his recent work as some truths, with most rhythms and textures sculpted from the raw, elemental waveforms of modular analogue synthesis. but with tighter editing, contagious melodies and perfectly positioned drum patterns, the end results reveal bass clef simultaneously at his most stripped-back, focused, playful, complicated, emotional and irresistibly groovy. unfettered by fashionable production tricks, imbued with a timeless machine-soul heart, >reeling skullways< is one of those albums you will be reaching for again and again.

now is the time for aitor etxebarria, better known as el_txef_a to expose his innermost feelings, as hes already begun to on releases from labels like hypercolour,suol and wazi wazi.this time,he is undoubtedly on his best of form.aitor, born and raised in the basque country,is in that group of artists sparingly measuring their output,always searching for the new, aiming for high quality instead of constant,monotonous releases. after years of dedicated work,el_txef_a announces his debut album slow dancing in a burning room. el_txef_a stands for a specific and complex sound signature. his primary concern to develop a sound that people can identify with as well as just simply enjoy freely.continuing in the bilbao tradition, he is building a base of pure sampled sounds with studio sessions, live musicians and vocals to complement his production. collaborations with vocalist bisconti and hannot supplies added depth to tracks like rise and fall,and previous single lovely minds or save the world.a true milestone in this young basque artists career, we are proud to present the fruits of his labours, slow dancing in a burning room.

the newbies s100 had a strong year in 2011 with their self-titled debut ep on stockholm ltd. an ep that generated a great deal of buzz before its release with support and plays coming from artists like dvs1, marcel dettmann, ben klock, james ruskin, inigo kennedy, shifted and peter van hoesen. s100s kalibrator and murphy tracks sit on the a-side, with a classic techno formula that includes both an intro and a main track. once again s100 leaves us with nothing else to wish for. staffan linzatti is a stockholm ltd veteran and has been one of the label owner par grindviks favourite artists for years. in 2011 staffan started his own imprint, searchlights, with the first release assembler heading straight to the hearts of the techno purists. searchlights is a label to keep an eye on and will be staffans primary focus for the future. staffans contribution to sthlm ltd 023 prophet of regret comes in three parts, one main track and two interludes which all are wrapped with emotions and strength.

all tracks written by mika vainio, except open up and bleed by iggy pop / james williamson. whereas previous works by mika vainio have utilized guitar life (… it eats you up) is the first to use the instrument as its primary sound source. a fascinating, sometimes disturbing and deeply personal work this new 10 track set bears all the hallmarks (exacting attention to detail of tone, rhythm and texture) of vainios previous works with some stunning surprises, such as his cover version of the stooges open up and bleed. tracks such as mining hark bark to the banging beat excesses of pan sonic, with crashed and and give us our daily humiliation and the opening in silence a scream takes a heart reveal a new intensity to vainios work and is yet another superb addition to his already brilliant catalogue

hailing from ireland, wicklow and dublin to be precise, solar bears are john kowalski and rian trench, the sole producers and musicians on the album >she was coloured in<. they met and formed at pulse sound engineering school, started recording and were swiftly picked up by planet mu. the album follows in the wake of expectation laid down by their recent >inner sunshine ep< and a series of remixes.

with his latest album >saturn drama< on harthouse techno primary rock miro pajic, who has records out there on labels like proper nyc, kiddaz.fm, tic tac toe or tora tora tora and collaborated with artists like chroma or the horrorist, crossed the border of minimal techno with his tight and powerful arrangements full of black romantic rooms and intelligent sound design. now we have the first single >do it< out on vinyl, together with the album tracks >alien angels< and >sexy beast<!

created by the musical partnership of maurizio vitiello and gianni pellecchia, bauns is the primary vehicle for the duos work. having worked separately for many years, cutting their teeth on the italian techno circuit, the pair came together in 2007 to form the label as a response to the desire to have complete creative control of their work.

here is the first release from ryan davis on stereo seven plus, coming on strong with two superb quality techno tracks like cocoon and primary instincts. on the flipside andrea roma and alter breed deliver their versions of cocoon, the former exploring harder territories, the latter turning it into a refined house groove

at warp we believe clark is a primary torch bearer amongst a new generation of artists who continue the vision that warp was built on, making innovative and boundary pushing electronic music that is difficult to replicate. with every release this belief strengthens.