as a longtime chicago and detroit house-head who spent hours listening to sets online, justin ramsey packed up his bags and jumped ship to berlin to get involved in its thriving music scene. the result - spacey pads, warm vocal samples, and driving drums which make up the backbone for each cut. don’t just keep me is a deep and trippy ep, dressed up with bouncing bass lines and breaks to dance to.

exzellenter sampler mit 16 massiven tracks aus der belgischen popcorn-Ära rund um den gleichnamigen club in vrasene (flandern) und seinem dj gilbert govaert. opener ist die vielgesuchte top-rarität “keelin kinda lonesome” von willie j charles, während die tunes von ki ki page und chance halladay hier zum ersten mal auf vinyl wiederveröffentlicht werden! ein schmuckstück für soul/r&b-vinylsammler.

2009 starteten eamon harkin und justin carter ihre partyreihe mister saturday night. diese entwickelte sich innerhalb kurzer zeit zu einer feierinstitution und ist aus dem nachtleben new york citys nicht mehr wegzudenken. mittlerweile sind die beiden bei der 250sten veranstaltung angelangt, was ü³r die zwei kreativköpfe ein willkommener anlass war, eine mix-kompilation zusammenzustellen, die einfach mal den moment festhõlt. so finden sich auf -mister saturday night, then & now- einerseits dance-tracks der letzten acht jahre, die für die partyreihe prägend waren, andererseits groovende entdeckungen der jüngeren vergangenheit, die für harkin und carter zum ausdruck bringen, wohin die ekstatische reise bei den nächsten 250 veranstaltungen führen könnte ... mit auf der kompilation vertreten sind bekannte namen wie faltydl, kerrier district und dennis ferrer sowie soul bros. inc, esb und mystic pleasure.
das 3fach vinyl erscheint inklusive downloadcode.

bomb after bomb! a new my rules records original coming straight from label boss justin van der volgen. fresh off the back of his latest ep which featured peak-time versions of shit robot s lose control and felix dickinson s burning flame , this one sees him on a whole other but no less floor-filling trip. coming in regular and dub mixes, no vacancy sounds like a lost brooklyn dub-soca-reggae-house classic. the a side charges with warped machine percussion, chanting vocals, a militant rhythm section and a seriously heavy bass line. flip to the b side and check justin s impressive dub skills. stripping the track back, he maintains complete propulsive energy, all the while adding plenty of psychedelic twists sure to melt minds. expect to hear your favourite leftfield, deep-digging, big room selector dj ripping the dance all year with this.

next up on the docket for acid camp records is a record created by duo john tejada and justin maxwell. the pair came together to make acr iii with two things in mind: creating sounds that put a smile on their face while possessing as much character as possible. the opening track, -i ve got acid (on my brain)- is a mind-bending wavetable freakout, the likes of which tejada and maxwell have been striving to do for years. using a vintage ems vocoder to create an original vocal sample, this track is bright, playful, & vivacious. -the name rolls in- is layered in an acid playground of sounds. a rhythmic track with a potent 303 bass line, prominent percussion, and that infamous vocoder back at it to create a distinctly groovy track. -field notes-, is a composition of celestial arrangements that is completely beatless. carried through by tiers of sounds, filters, and noisier elements, this track lulls the listener into an alluring sonic dreamscape.

2017 repress -- the latest my rules sees label boss, justin van der volgen apply his considerable sonic skills to the creams some classic 99 records / ze style early 80s nyc vibes afoot here! vinyl only.

a new my rules release from the always on-point justin van der volgen featuring two previously unreleased remixes that showcase his varied and unique style. the a-side sees him take both the original and spencer parker remixes found on the the 2016 shit robot single lose control and through editing, blending and layering of fx concocts one serious bomb of a mega mix. think classic dj bootleg remixes on legendary labels like razormaid, disconet and hot tracks. the b-side is an altogether different affair where justin dispenses with all of the original music and only keeps the vocal from felix dickinson s 2014 acid jam burning flame. what comes out the other end sounds like lee perry and murk made a tune once they got back from a sleazy ny after hours. early plays and support from gerd janson, john talabot, tim sweeney. vinyl only.

high pressure music finally start with this first vinyl release made from the english artist justin pak - this release include three awesome tracks with very house sound and a very solid groove, there is also a remix from the italian talent of moment supported from marco carola, stefano noferini, leon, neverdogs, joseph capriati and other - he is mr. vincenzo d amico - his remix will be very dynamic and energetic for the dancefloor... this ep is massive, dont miss it!

nice ambient sounds

justin zerbst is back on eklo with his 2nd ep, 2 unreleased tracks from 98. deep & fast for a classy journey. essential 12 inch

pavement und preston school of industry gründungsmitglied scott kanneberg aka spiral stairs veröffentlicht ein neues album auf domino records! es sind nun acht jahre vergangen, seit scott kannberg, seines zeichens gründungsmitglied der legendären pavement, sein solo-album the real feel veröffentlichte. in der zwischenzeit ist vieles passiert. von einer gefeierten pavement reunion bis hin zum ausbau seines familienlebens in australien war alles dabei. jetzt meldet sich der gitarrist als spiral stairs mit einem neuen album zurück. “doris & the daggers” wird es heißen und zehn rock songs enthalten. am schlagzeug sitzt justin peroff (broken social scene), am bass hat sich matt harris eingefunden, der schon seit der gemeinsamen band preston school of industry mit kannberg musiziert. als gastsänger sind matt berninger (the national) und kevin drew (broken social scene) mit dabei. scott kannberg über sein zweites album: “i guess i’ve been writing songs for a while now. i like hearing echoes of things i love in the music that i make. writing music doesn’t come easy to me - it’s hard to write a song that’s good. but our memories slowly escape us as we get older, and in songs you kind of relive those moments, the things that matter.”

perth, capital of western australia, sits where the swan river meets the southwest coast. sandy beaches line its suburbs giving purpose to hot summer days, but after sundown, the city is where its at if you know where to look. its possible that this double-life is what inspired the deep, melodic, futuristic sounds of one of australia s most mysterious electronic dance music labels of the 90s - red ember records.

meditative einblicke in eine parallelwelt: das songwriter-debüt von mister saturday night.
die vinyl-lp erscheint inkluisive downloadcode.

justin martin looks to the skies on hello clouds, his second full length album on dirtybird. building on the formidable foundation he established with 2012s ghettos & gardens, justin invites listeners on a high-flying journey through a rich musical landscape. one of the label s most beloved characters, martin lets his effervescent personality shine through on these 13 tracks along with an unexpected range of emotions.

rotten city records welcomes a new citizen, but not a newcomer tothe scene. he is luca rocca atagliati, best known as dj rocca, a veteran dj and producer from italy, half ajello, half supersonic lovers, half from crimea, a third of electric tree and regular contributor with legendary dj’s like daniele baldelli or dimitri from paris. after his multiple releases on labels like is it balearic?, nang or futureboogie, luca joins to our beloved rotten city with two original tracks showing his darker, narcotic and narrative side, concocting a bizarre and labyrinthine disco, which develops a spiral shaped staircase from the inside.

limited rsd 2016 picture vinyl release.

schwarzes doppel-vinyl im klappcover, downloadcode inklusive.
die entstehung von “and the anonymous nobody” hat einige jahre gedauert. es war der wunsch der band ein sample-basiertes album aufzunehmen im stile von “3 feet high and rising”. um zum ziel zu gelangen, nahmen de la soul über 300 stunden musik in den verschiedensten stilen auf - von bossa nova über soul, hiphop, funk, disco bis zu reggae - und erschufen so ihr eigenes arsenal an instrumental-alben, aus denen sie samplen konnten.
ein weiteres wichtiges merkmal von “and the anonymous nobody” sind die zahlreichen gast-feature, die dem album noch mal eine enorme vielschichtigkeit geben. die liste der gastmusiker auf “and the anonymous nobody” ist entsprechend illuster wie spannend: damon albarn, david byrne, snoop dogg, usher, 2chainz, pete rock, justin hawkins, jill scott, estelle und roc marciano - sie alle leisten ihren beitrag zum neuen album von de la soul.

nice price deal !!! brill pumpin vocal funky styled house…hit the floor

double vinyl release with download code for the full album included.

volume two of a two-volume twelve-inch set featuring tunes from eamon harkin and justin carters mix cd,weekends and beginnings. this volume features a neo-chicago house masterpiece from ike release, a slice of classic mister sunday gospel house from jasper street company, and motor city drum ensembles hypnotic rework of caribous leave house. the twelve was mastered by the ever extraordinary matt colton, and it sounds great!

justin robertson’s deadstock 33s released an acclaimed album in 2015, ‘everything is turbulence’, picking up plaudits from leading press, djs and music fans alike. now the label behind the lp, skint records, offers up the first batch of fascinating remixes from a broad array of dance music talents. running back boss gerd jansen, techno titan oliver deutschmann and argentinian house heroes (& vocal collaborators) dj pareja take on ‘metal taste’ and ‘bajo la luna’ with stunning results.

crystal is cudmores debut 12inch single. raw, rough and ready to rumble, crystal marries snaking acid lines and bouncy grooves to a sample from cult underground film classic the queen.on the flip is detroit-bred and bunker resident dj mike servitos 730 reshape, that gives the wiggly worm vibe harkening back to the early days of transmat, warp and the minimalism of dan bell s dbx project. l.i.e.s. mainstay gunnar haslam provides his dekalb avenue remix made while living in new york, a modular synth cruise with the top down. all tracks have been mastered and eqed for vinyl by george horn at fantasy studios in berkeley and labels are as pink as crystals lipstick.

seems like somethings going on across the pond at the moment with seemingly blossoming, or at least rejuvenated scenes in the united states and canada. our last handful of releases on freerange have included artists from montreal, tujuana, pittsburgh and chicago and were about to add los angeles to the list with this new one from justin jay and ulf bonde. the young producers have been steadily building steam with a number of fine releases the last couple of years and we welcome them to freerange for their debut ep entitled indecision. the title track sets the mood with a low-slung, super-deep house groove complete with an intimate vocal and a charming simplicity which contributes to the powerful end result. elements come into focus then disappear in a fog of reverb whilst playful guitar picks add a live jammed feel to the loping groove giving things a bob moses/francis harris kind of vibe

justin bieber’s 2009 debut album “my world” for the first time on vinyl! comes with download code included.

the new justin bieber album on double 12 inch vinyl.

justin harris, half of freaks with luke solomon, and label manager of music for freaks, arrives to musex industries with a new vinyl release, titled -beach life ep- 2 original tracks by justin, who comes accompained by an excellent producer like lil mark, remixing -i wanna go on- the second cut of this pure house release.

having championed underground dance sounds for many years now, dj/producer felix dickinson really seems to be hitting his stride now, and on a days reality, his second full length single for futureboogie, felix serves up perhaps his most accomplished works to date. collaborating with legendary chicago vocalist, robert owens (fingers inc/frankie knuckles), the pair produce a standout song that pulls on the very best of influences and delivers a modern day classic in the making.

eklo 032 is really proud to present you justin zerbst. he had released music between 97 & 99 onthe australian label red ember records from ewan jansen . some unreleased tracks from 98 & 99 in here, plus a track repressed from red ember, old school deep shit, lets rave.

arranged by godin, taurelle the original trakc was written by georg christian lehms, composed by bach and adapted from bach cantata widerstehe doch der sünde bwv 54. here bach’s church cantata for solo voice meets languid gainsbourg & birkin, albeit in german, with exquisite choir and strings. nicolas godin says i wanted songs on contrepoint, to act like poles that hold up a tent. this piece starts with a very strange chord, which was avant garde for its day. bach’s scores are outside any rules, which i wanted to exploit. i also wanted the lyric in german because no one expects german to sound sexy and cool. the main singer is gordon tracks. the other voice is dorothée de koon, a friend of a french artist i know - they both have german blood.

one sided, vinyl only. fresh off the release of his monster selling todd terje remixes, justin van der volgen is back on his own my rules imprint. sketch 2 is filled with some koo koo brooklyn beats made for people to cut angles, jerk joints, and chop shapes. simple and direct to turn heads and move feet.

boogiefuturo presents another essential edits disc, ransacking the record boxes for those trippy disco oddities, crucial boogie joints and new-wave gems, to be given the once over by a trusted master of ceremonies. justin van der volgen has always delivered the goods, be it his edit work for labels like golf channel or eric duncan’s keep it cheap label, or his truly special dj sets, and on bf005, the brooklyn based maestro gets suitably hallucinatory with his brace of edits here. two vocal cuts, steeped in that decadent 80s production flair and bombastic groove, grandiose songs for heroes, saints & sinners, edited with love by one of the scene’s most respected aficionados.

two of ny s finest collaborate as happy family ! we re going back to strobe-lit, day-glo, warehouse territory for these extra large portions of acid soaked dancefloor abandon. limited us import - one press only get on it!

originally released on richie hawtins minus label a decade ago, restore stands alone as houles very first long-player and helped to establish his penchant for the quirkier side of techno and his superlative production skills. spread across three 12inches & 11 tracks it encapsulated the dark, minimal, groove-driven sound purveyed by hawtin and the rest of the minus crew, while retaining a strong sense of houles unique character and identity. now its the perfect time to breath new life into an album that has stood the test of time, still utterly infectious and absorbing - a collection of music that captures an era of stripped back, yet captivating sounds. 10 years since its release, the album is getting the remix treatment and marc has called in some of the very best in techno talent to give restore a fresh makeover.

oblack faces a fascinating and new stage in which vinyl calls back to play the main role within his record releases. in this new series, only vinyl, los pastores own label, will put all the energy on the best sound from the underground dance music, slightly derived from house, and its essence will be offered in the best ever format: 12inch wax. it is worth highlighting the album cover for oblack 016 as well -illustrated and designed by hector omkara and alberto vidal - which becomes the first of a graphic series for album covers where biomechanical animals will be the protagonists. justin harris, brett johnson, oblack and moreover: only vinyl.. what else do you need?

volume one of a two-volume twelve-inch set featuring tunes from eamon harkin and justin carters mix cd, weekends and beginnings. this volume features a beatless ambient acid journey from bass clef, an obscure gem from nebraska, and a long sought after maurice fulton remix of alice smiths love endeavor. maurices remix is cut to a full side of vinyl at 45rpm, and both sides were mastered by the ever extraordinary matt colton. it sounds phenomenal!

in the wake of youandewans spiral arms ep, will sauls aus turn their attention from the established to the auspicious and present a brand new artist from the camp: escape. based in glasgow, escape is a fledgling talent whose cultivation amongst the ranks sees him now ready to drop the first of several eps on aus.

special mixes by justin van der volgen of two of todd terjes biggest hits! commissioned by the man terje himself to take on inspector norse and strandbar, van der volgen strips back and extends the originals in a classic remix style creating powerful alternative takes on these already much loved records you wont find any filters or cheesy gimmicks here, just strong, direct, minimal versions designed to turn heads and move feet vinyl released through justins new my rules imprint

nach zwei jahren im studio veröffentlicht der münchener justin faust endlich sein erstes album auf dem portugiesischen discotexas label! das album zeigt die gesamte bandbreite seine könnens, von clubfreundlichen klassikern wie girl talk über nu disco und pop ausflüge bis zu langsamen nummern, ist das abum wie eine sommerbrise voll guter stimmung. für na sowas konnte er sogar den legendären gitarristen mts björklund gewinnen, der viele aufnahmen unter anderem mit boney m. und giorgio moroder tätigte. das album enthält auch seine hit-single space rhumba sowie eine neue version seines klassikers high hopes und des titeltracks seiner ersten discotexas ep holdin on names slowin down. der titeltrack spellbound ist die erste singleauskopplung und weist mit einem pumpendem mix aus nu disco und house den weg auf die tanzfläche.

holy ghost! release their second twelve this month, more fantastic work from a/jus/ted - the pairing of fellow dj & producer justin strauss also part of whatever whatever and teddy stuart/eddie mars (unonyc).

the second release from canal auditif confronts an original track made by english artist robot needs oil to its alternative versions remixed by patrice baumel, resident dj for the trouw in amsterdam, the italian duet discodromo, in charge of the cocktail d’amore parties in berlin, the parisian dj and producer timid boy, founder of the french label time has changed records, the wankers from nîmes, aka seb genre & freaky justin, synthetic jacques, our resident dj already known for his collaboration with kollektive turmstrasse, and canal auditif founder dj yohm.

first they had a feather fight. then they did whats known in the industry as the gettup and proceeded to tear a hole into 2013. now san fran / bristols finest dynamic duo return with two more beastly jams.

excellent rmxs from ashley beedle & moddymanc, max essa...

the experience continues - on double 12 inch vinyl with downloadcode included.

up steps the prodigiously talented 20­year old justin jay, a true california golden child, born, raised and nourished within the la city limits for his culprit debut with the jaguar. the three track ep has been the result of organically built relationship with the la­based imprint, with songs inspired by la and the labels sound and credo.

fresh from his tour around the globe alongside damian lazarus on the 10 years of crosstown world tour, subb-an has also been playing at the likes on panorama bar and dc10. he too is working on a single and album which is due to be released on crosstown soon

1st pressing of 500 copies in limited embossed sleeve & 180g vinyl! collaboration pushes us through conflict and pulls us back together balancing somewhere in between.

ms. smooth socal soul meets mr. nocal dirtybird swagger and they have a baby together. that baby is justin jay and at 19 years old he is already making his 3rd appearance on dirtybird. i have a feeling this is justin jays breakout record. the a-side static is at 119 bpm and will sweep you up then rip your pants off. but even when you get hit with the massive bassline, an old school anchor stays intact. waves b-side has a classic deep dirtybird feeling, with tuned 808s and a surprising melodic element showing off the sweeter side of this up and coming young gun. justin jay has more potential than anyone i have heard in a while and if he continues to play like he has been lately, he has a long dj career ahead of him as well.

sieben jahre war es musiklisch sehr still um megastar justin timberlake. mitte januar meldete er sich mit einem paukenschlag zurück und lieferte uns mit seiner street-single suit & tie featuring jay z einen ersten vorgeschmack auf sein neues album the 20/20 experience.

2013 is the debut album from justin velor, a vibrant technicolor collision of styles (you might call it a musical dr. frankenstein, he says) incorporating everything from vangelis-inspired synth drones and nocturnal acid house rhythms to tender folk melodies and psychedelic flourishes. >i wanted to make a fantastical soundscape with colourful dynamics and a soul,< he explains.