nach langer zeit gibt es wieder eine ostgut vom berghain resident norman nodge. das warten hat sich gelohnt

the beating heart of our annual summer gathering, subsonic music festival, is the paradiso stage from which this ep takes its inspiration. with a soundtrack from some of our favourite underground international & local artists, this ep represents just a slice of that unique place. on the a-side is the always incredible and globally respected alexkid & the man of the moment who is making huge waves after an amazing year of releases, stephan bazbaz. on the b-side we go deeper with some of australia’s finest boy wonder retza and the sophisticated minimal grooves of katie drover.

&#8203,,&#8203,,introducing paris-based contemporary sculptor and music maker erwan sene joining the exponential unknown precept roster. gathering pieces thought of as little narratives for his debut release, not without a bit french irony around the concept of work, i heard you laughing wavers towards mechanical repetition and something more outdated at times. purposely slowing down the tempo to fit the apparent redundancy of an industrial environment and its steadily running engines. an eroded atmosphere of sorts, analogous to the smokestacks emanating from factory chimneys. accentuating the ambiguity of a wild thought which is hard to grasp. despite its machine-driven aspect, sene primary questions the difficulty to manage one s life stuck in a primitive mindset, making intuitive associations in a grid pattern. carbon copy music for the tangled minds out there, leaving room for nothing but sedated feelings.

slices of life celebrates the 10th release with a two-part vinyl compilation: sol10.1 and sol10.2! for the 10th release label owner barbara preisinger is gathering seven unreleased tracks on two seperate 12inches, by previous slices of life artists as well by producers who have a relationship to the label through frindship, events and personal support. each track presents the personal unique style of its producer, but all have a feeling for warm sounding organic house grooves in common, what slices of life stands for since the beginnings in 2009. on the first 12inch, sol10.1 the mole, baaz and john tejada excite us with an extension of their previous slices of life repertoire with 3 further timeless pieces of house music: trippy and soulful (come on kid), deep and percussive (fitzy), minimal and playful (how i used to). dana ruh celebrates her debut at slices of life with out of ada20: an upbuilding sunrise track carried by a driving beat and thrilling string lines. november 9th 2018 the 2nd part, sol10.2 will follow with exclusive tracks by dj deep, cab drivers und oscar schubaq.

2nd aku v/a gathering c.s.r, tripmastaz, nu zau and agar.

space-electronic beats from saint petersburg. please welcome lyosha nocow. dope! cryovac recordings is proud to release its 20th edition on random colored vinyl. cryovac is a gathering of minds that work together to create a physical record of their sound in this time. we go our own way in production and arrangement for our personal vision to endure. our goal is to add a new layer to the detroit soundscape. d.j. roach is a techno activist with a rhythm agenda of percussive techno. his banging and clanging romps rock through breakdowns and back again. conga and claps work together to form a shaky funk. what is needed for a healthy dancefloor. a.garcia s subtle drone rides waves of synth in an offering of minimal ease. his moody atmosphere turns tone in soulful harmony, while simple drumming builds to a nonchalant bop. the rise and fall of the elements allow you to examine the track on all sides. garcia smoothes out an early morning gem that is taylormade for a smoke.

12 months after the debut album of piotr bejnar was released, we achieved gathering 4 remixes from this album. piotr turned to the artists he most admired and who stated for him as great authorities. the record starts with a beautiful remix of the song “bagieta” made by ada from pampa records. second song on is a dance version of the “jellyfish” song made by piotr bejnar himself. the third artist on the records is piotr’s authority frivolous. to this one piotr’s stood up to since childhood as a long-term fan of frivolous, buying his albums and tracking his path. and now as for the crowning of the record - stands an artist closely related to otake records - kalipo.

a love project from the heart and mind of uk broken beat stalwart and iconic keyboard maestro kaidi tatham, alongside an outstanding group of danish musicians led by percussionist peter stenbæk. 12 senses debuts with the movement ep, a record drawing on jazz-funk, broken beat and disco, laced with the distinctive melodic progressions and boogie touches kaidi tatham is known for. recorded over an intensely productive three-day session, which produced 20 plus songs, this ep is a first taste of whats to come from this creative gathering.

what do you get when you cross a frenchman, a dane, two irishmen and a swede? the debut various artists compilation from kyoku records, of course. gathering the producers who make up their whole discography thus far, the melbourne-based imprint are welcoming back dorsi plantar, sune, long island sound and ethyene (alongside folamour and marc bianco). translating from japanese to a befitting -dancing birds-, the odoru tori ep is revitalizing the elegant origami series for one last spin. the orizuru, hachidori, oumu and hakucho, that is, the paper crane, the hummingbird, the parrot and the swan are bringing the handmade array to a suitable conclusion. on the a side, the scandinavian connection is responsible for bringing some summer heat. dorsi plantar sheds his usual wistfulness for a slightly moodier, more functional track with -senorita lolita-, although still incorporating some of that playful sampling he s now come to be known for. -californicate- from sune takes a more laidback approach and channels the breezy and carefree atmosphere of the coastal golden state. on the flip side, long island sound follow the same recipe that made -delusions- such a big hit with the intricate sampling and eloquent arrangement of -ease in-. to top things off, ethyene, with the help of folamour and marc bianco, close out the record with a groovy, vocal number that sees them employ their signature french touch formula to great effect on the simply titled -good-.

one of our humble imprint s closest allies and a longstanding pillar of philadelphia s electronic music community, billy werner has been a constant presence in the booth at parties throughout the northeast corridor since 1998. we debuted his m//r alias in 2014 with the gathering response data 12- . since he s been busy bringing the grit to points beyond the city of brotherly love, putting in work for the likes of detailssound, l.i.e.s. and jackdept. most recently, he turned out a remix of karen gwyer s -why does your father look so nervous- for the rembo remixes on don t be afraid, as well as another for chaperone s -grit neglect- on the aforementioned snapbackbalaclava ep. written, recorded, and mixed over a period of 15 months, among the methods is in no small part a reflection of the affinities and sensibilities billy holds as both selector and producer. referencing a variety of influences from jazz to dub to electro, the album s allure stems from his deft ability to recontextualize those genres disparate aspects into a familiar–yet fiercely idiosyncratic–musical context. the end result is at once wildly fractured and precision-focused as among the methods finds its own seductive rhythm within a matrix of dub echoes and modulated low-end. it s heady ground,to be sure,as well as the most declarative aesthetic statement fromm//r to date. presented without further comment. the music is the message

los angeles native based out of paris, onyvaa is one of europes newest techno imports. dj, producer and owner of her parisian based underground label passeport records. passeport is an outlet for her to release original productions with full creative musical freedom, gathering inspiration from around the globe. onyvaas sound consists of strong driving techno with dub influences along with an abundance of analog touches.

ground is an osaka native, but his soul is truly that of a nomad, traversing the planet, befriending the kindred spirits found in humans, animals and plants. he is exceptionally receptive to the beauty in all that surrounds him—the incidental music of a busy city street, the orchestrated chaos of a scrambling radio, the syncopated grace of a migrating flock of birds, the simplicity of an isolated hand clap—and as his map continuously unfolds, he accumulates a vast catalogue of visceral tools to complex musically recount his experiences. sunizm is a cross section of the artist’s process—an array of complex microcosms overlapping to comprise a thematic whole—gathering field recordings, found instrumentation, jagged electronics, and synthesized chanting, to be woven into a dense narrative that appears both obsessively constructed and divinely improvised. with each consecutive track, the artist gradually constructs hypnotic patterns that 1-up the mind as it struggles to break free from a seduction of loops, steadily intensifying until reaching an apex of sound collage so cerebral that the listener might consider a post-album shower. but alas, the fourth quarter releases a bit of pressure, our gobs still lay smacked but there is a warm confidence as the psychedelic trial delivers us home to nod out. dear humans, animals and plants, ground and the esp institute present, sunizm.

queeste emerges with the nocturnal sounds of haron s wandelaar, an album exploring his long-term interest in music s talent for inducing and affecting dreams, successfully turning listening into an act of transport, leaving you in the midst of falling asleep, at a junction of dislocation, hazily arriving in a liminal world. in wandelaar we hear haron s playful reaction against the confines of dance music, gathering energy from his estrangement from the scene and using it as a means to reorder and interrogate sound. the modest piano takes centre stage, allowing each solo note to becoming fertile and full, suspended and considered, guided by the principles of minimal composers such as john cage and ryuichi sakamoto. haron delicately translates sparse chords into a cinematic narrative of ascension, conjuring up a moony landscape, grey and desolate from afar, intricately detailed on approach. haron s wandelaar is available 6 july 2018 on lp. the vinyl release includes an art print by fallon does, who is also responsible for the graphic design of wandelaar. all tracks written and produced by haron aumaj, mastered by wouter for brandenburg mastering. words by jo kali.

ground is an osaka native, but his soul is truly that of a nomad, traversing the planet, befriending kindred spirits found in humans, animals and plants. he is exceptionally receptive to the beauty in everything that surrounds him the incidental music of a city street, the orchestral chaos of a scrambling radio, the syncopated grace of migrating birds, the simplicity of an isolated hand clap—and as his roadmap continuously unfolds, he accumulates a vast catalogue of visceral tools to musically recount his experiences. sunizm is a cross section of the artist’s process—an array of complex microcosms overlapping to comprise a thematic whole—gathering field recordings, found instruments, jagged electronics, synthesized chanting, and weaving all into a dense narrative that appears obsessively constructed yet divinely improvised. logos is the first of two singles surrounding the album and is complimented with a monster remix by bartellow (a fellow esp artist, collaborator and good friend of ground) as well as a secret weapon b-side entitled discopazzle, which is exclusive to this single release. attention all humans, animals and plants, ground and the esp institute present, sunizm.

a producer, dj, nts radio host and label head, finn has come of age representing manchesters underground dance music scene over the last four years. showing up with a timely debut for defected that will stop you in your tracks, hes now turning heads way further afield from the north west. this 7inch features an exclusive instrumental. the formula for sometimes the going gets a little tough is beautifully simple, exposing an intuition beyond the producers years. at 135bpm its a straight pumper in theory, playing directly into the hands of festival sets over the summer, with its vocal loop and heartfelt lyrics it becomes so much more. gathering over 2m spotify streams on its initial release via tom leas london imprint local action, the track also received radio support from the likes of annie mac, skream and monki and support from djs as diverse as tqd, diplo and martin garrix. the appeal is universal and the execution is perfect, making this the kind of life affirming record that 2018 needs.

unless you re too young to know or have been living under a rock for the past twenty years, there s little chance that you haven t come across marc romboy s music in one way or another. the systematic recordings boss has had many irons on the fire since establishing his first imprint, the now defunct le petit prince - gathering an untold number of releases on labels as diverse as ovum, innervisions, rebirth or 20:20 vision in his two decades of intense activity. tracing back to 1994, when he used to rummage through the crates of delirium - the primitive incarnation of kompakt (closed and revived under its new name in 1998), the friendship between romboy and the kompakt family has largely withstood the test of time. after losing touch for a few years, romboy and michael mayer would resume contact during a festival in the south of france - a reunion that eventually led to systematic joining kompakt s distribution catalogue a couple months later.

unità psicofisica isn’t just an ordinary label, it is the coming together of passionate and inspired artists. with the aim of gathering young and rising artists, the label unites various forms of art, from producers and photographers to illustrators and video makers. the purpose is to create a platform where artists can express true emotion and creativity by concocting an artistic “unity”, mainly focused on generating a new form of art by combining music and all sorts of art.
the first act of the label - assioma - was created by the founder and owner manent, the release contains two of his original tracks and two remixed versions. the first remix was composed by the spanish refracted, the other from the italian mod21.
four tracks that fall into the genre of techno, each perfectly represents the main elements of the label: hypnosis, minimalism and aesthetic of sound.

aria rostami and daniel blomquist are from san francisco, ca, though rostami has recently moved to brooklyn, ny. rostami and blomquist s work occurs in two stages: the gathering/preparation of source material and the live performance.

acupressurist and electronic composer sam mcclellan s music of the five elements is a work of perfectly tuned healing music. originally released in 1982. tip! . a deeply felt distillation minimalism (in the tony conrad / la monte young school), american primitive guitar (fahey & basho) and even psychedelia. the album is a continuous sound voyage for voice, synthesizer, guitar, bowed bass, piano, effects and ciao (chinese flute) all played by mcclellan himself. although divided into sections, the journey is best undertaken as a whole, without distraction

the two versatile record labels banlieue and peur bleue are joining forces for a very special occasion: psyop, the outstanding debut album by watching airplanes, a production duo breaking through in 2018. psyop opens up an alternate reality where dance music is freed from the yoke of genre-based distinctions and is no longer tied to any dancefloor norms. by exploring different moods with smooth sailing and rough patches, psyop is an intense journey in the murky world of psychological mass conspiracy. this lp could very well be the soundtrack for an cutting-edge orwellian sci-fi movie or an imagined futuristic venue where music and dance of a new kind are performed. forward-thinking dance music from the future seems like the most accurate description for this album devoid of any tropes or nostalgia.

los angeles native based out of paris, onyvaa is one of europes newest techno imports. dj, producer and owner of her parisian based underground label passeport records. passeport is an outlet for her to release original productions with full creative musical freedom, gathering inspiration from around the globe. onyvaas sound consists of strong driving techno with dub influences along with an abundance of analog touches.

this is music that comes from playing records. dj fiskars have done it for 15 years, subconsciously gathering an assortment of ideas, vibes and moments on the job. it’s only now as he’s starting his career as a recording artist those ideas start to materialize in an accessible form on wax. it’s fair to suggest that the record has a day side and a night side. “filippa” is a somewhat balearic piece: on the shelf it lands somewhere between your omar s records and a mario kart disc. on the flip, “key largo’s” mellow yet banging house grooves drop especially well at the after hours party. the release also marks the dawn of fiskars’ new vinyl-first imprint leave the man in peace with his kit – be on the lookout for more releases in 2018.

by day he guides lasers into position using precision equipment, at night he crafts raw house music. welcome to the unusual world of reflection port assembly. we got to know one another through a few brief, slurred encounters in the smoking area during the fabled forza italo night or at the aptly named gary’s gang. pretty soon it was clear that he had impeccable taste, like that record that featured coil and ice t. one sunny friday afternoon in june, he tore himself away from guiding the lasers and we met up in the city centre. the light breeze did nothing to dissuade the office workers from gathering outside the pub for sneaky post-work pints. surrounded a sea of grey and blue business attire, we agreed to make ‘retribution’ the second release on first cut. featuring three cuts, it spans house, electro, boogie and even some detroit techno influences. but ’retribution’ is more than the sum of these parts. unlike his precision-based day job it’s rough and imperfect, flawed but warm, messy and charming - like a snapshot of every day life in dublin.

following a trio of instantly sold out 45s on polytechnic youth, between 2015 and 2017, the home current finally channels a full length album through this bounteous and blossoming uk imprint for select experimental and diy electronic music.
“another way of falling apart” aims to build a wider audience for singular music adorer, martin jensen, a cosmopolitan copenhagen-born artist whose music follows an emotional route that meanders back ultimately to analogue and electronica inspirations of myriad treasurable kinds. this incursion into lp territory follows a decade or more of jensen s passionate engagement with music as the creative force behind singles on static caravan, and as the co-founder of the label second language (until 2014), for which he was the wings behind the celebrated “music and migration” series in support of “birdlife international”. he has also remixed colleen, dollboy, and ellis island sound.

klasse co-boss mr. ho steps up to the plate and knocks it out of the park with a new ep of brand new and original material. inspired by listening to various library music and funk records found whilst digging in asia, the hong kong based artist lays down three tracks of boogie-disco and funk inspired house music. funky walking basslines, eerie 1980 s synthetics and spacey snares make for a total tip!

tiefenrausch returns with a various artist ep. gathering three unique dub techno musicians linked through deep chords and driving basslines. while biodub and upwellings already contributed their part to the label, the new member star dub joins in with his raw vision of dub techno.

open s 5th release invites japan s sasaki hiroaki from yotsume music. sasaki s smooth blend of thoughful tech house has been presented in 2 original pieces as key ingredients for any after hours gathering expressing tripped out broken piano excursions with subtle driving drums. frazer campbell pulls his version back from the after party to the daytime with a version that raises the heartrate with bold 101 synth leads and chicago influenced percusion. finest hours pablo tarno joins the release with his signature sound of garage meets early techno providing a classy envelope of silk like power for the peak time floor.

various artists from the four corners of france, the project great raw 001 is the first vinyl release of the label grand cru paris.4 tracks , 4 artists, coming from differents horizons, gathering under the banner of house sampling.

2018 repress incoming!
dispatch recordings is proud to count the manchester legend among its ranks from now on. you cant have missed one of the numerous top notch sounds he’s been providing throughout his long career. he is now gathering a forward thinking and historically self conscious music that we could easily define as pretty unique in its genre. the soul:r boss offers us this time a really valuable glimpse of what d&b should be nowadays: inventive, energetic and technically perfect. when all these elements meet the great sense of groove of the big soul master, you have a result you can genuinely be happy with. so are we.
dj support from: ant tc1, rob da bank, calibre, artificial intelligence, doc scott, fabio, marky, dbridge, rockwell, octane & dlr, need for mirrors, dabs, lenzman, survival, youngsta, skeptical, to name a few.

philipp boss is a new cat to the scene but he is most definitely here to stay. we re really happy to present his first long player titled -boss-. expect nothing less then a future classic in house music history.

first release on trevor jacksons new unreleased archive recordings label pre- is a timeless collection of twisted techno, militant ebm and filthy electro produced by jackson himself and featuring vocals from douglas (nitzer ebb) mcarthy & chloe from c.a.r. originally produced in 2003 as a playgroup side project, pinklunch made its debut with a demo track on a dj hell international deejay gigolo compilation, tracks also appeared on compilations for the exclusive parisian department store collette and the berlin club f.u.n. the album lay in hibernation for nearly 15 years, gathering digital dust, rediscovered in 2014 trevor lovingly re-edited and remastered the original mixes as well as getting guest vocalists douglas mcarthy from nitzer ebb and chloe from c.a.r to appear on two tracks.

at the movies is very proud to present this epic soundtrack on vinyl for the first time!
james horner knew when he took on the scoring of avatar that it would be the challenge of a lifetime. the music is both classic in its orchestral power, but also connects us to the soul of the na vi through the use of indigenous rhythms and vocals.
pressing on 180 gram audiophile vinyl.

detroit chicago crossover housetracks originally released on terry housemaster baldwins future sound records in 1988. now remastered on clone classic cuts with a fierce gerd edit!

seven years into its celebrated journey, life and death assembles its third and most adventurous compilation to date - displaced soundtracks. for the first instalment in a new series, dj tennis has given free rein to some of his most trusted contemporaries, enabling many of todays most respected dance music producers to display their hidden talents as composers. gathering music from a long-aborted film, the collection stands as another bastion of life and deaths perpetual evolution. duncan gray embraces dissonance, black merlin, appleblim and artefakt go interstellar and fango channels post-punk squat music. hades rocket showcases the expertly-sequenced synth work that has graced simian mobile discos illustrious career, while redshape revisits all the right sides of 80s wave and library music. danny daze and synth-savant kink embrace non-standard tempi with great success, while axel boman delivers sitar-laced gospelhouse without a bass drum. elsewhere, your favourite producers favourite producer, stimming, teams up with pianist lambert and the pair learn to fly. inspired and challenging, life and death ventures into their eighth year confidently, constantly evolving without compromise.

seit fast 20 jahren bereichert der brite james holden die electronic-szene mit innovativen, prägnanten und stilbildenden ideen. für sein drittes album versammelt er die liveband the animals spirits um sich herum, um seinem elektronischen sound organische liveinstrumente wie saxofon, kornett oder cosmic-percussion hinzuzufügen. so entsteht ein neuartiger, synthbasierter folk-trance, der elemente wie psychedelia, krautrock, weltmusik und spiritual-jazz mit holdens melodischer stärke kombiniert. damit kreiert holden eine neue genreprõgende form universeller musik, die gleichzeitig flüssig wie lebendig klingt.
schwarzes 180g doppelvinyl im gatefold inklusive downloadcode.

on loop marks its third year with the volume 3 compilation curated by moxie, due for release this autumn. sampler 1 of 2 provides 4 tracks from the main compilation, featuring exclusive productions from shanti celeste, traxxploitation, benedikt and admin. compiled of music from artists she continues to support on her bi-weekly nts show, moxies selection know-how is apparent throughout. opening up sampler 3.1 is bristol dj shanti celeste, kicking off the compilation with deep bongo cut moved, followed by traxxploitations exploration of jazzy chicago house in ‘honey pot. on the flip, benedikt switches things up with high-octane track ‘mnemonic, before admin winds things down with dreamy percussive number ‘space cadet. with 2016s volume 2 gathering support from names like gilles peterson, benji b and annie mac - this years release is set to meet a similar reception. in addition to moxies label, the on loop party series has just celebrated its 1st birthday with korne?l kovacs and lk at on loops london home the pickle factory. the on loop family has been growing all year, with moxie inviting guests like avalon emerson, damiano von erckert, alexander nut and many many more, to over 20 parties at venues like manchesters soup kitchen, edinburghs sneaky petes and lyons le sucre. with more parties to be announced this year, an ade showcase lined up, and a festival stage curation under her belt - moxies on loop imprint is set to continue on its upward trajectory.

on loop marks its third year with the volume 3 compilation curated by moxie, due for release this autumn. sampler 2 of 2 provides 4 tracks from the main compilation, featuring exclusive productions from throwing shade, sandboards, addison groove and fotomachine. compiled of music from artists she continues to support on her bi-weekly nts show, moxies selection know-how is apparent throughout. throwing shade kicks off the a side of sampler 3.2, laying down celestial melodics and a dark low-end on ‘floors, before new zealand duo sandboards provide pad- drive top ‘miss brimstone dub. addison grooves jazz-soaked chugger ‘soma opens the b side, leaving fotomachine to close proceedings with hazy groove-filled cut ‘ibidun. with 2016s volume 2 gathering support from names like gilles peterson, benji b and annie mac - this years release is set to meet a similar reception. in addition to moxies label, the on loop party series has just celebrated its 1st birthday with korne?l kovacs and lk at on loops london home the pickle factory. the on loop family has been growing all year, with moxie inviting guests like avalon emerson, damiano von erckert, alexander nut and many many more, to over 20 parties at venues like manchesters soup kitchen, edinburghs sneaky petes and lyons le sucre. with more parties to be announced this year, an ade showcase lined up, and a festival stage curation under her belt - moxies on loop imprint is set to continue on its upward trajectory.

reissue of a very rare 1965 album, gathering sonia potiinger’s earliest productions with 12 tracks including baba brooks and the techniques!

original motion picture soundtrack from the 1995 movie “braveheart”, available on vinyl for the first time. the 180 gram double vinyl is housed in a gatefold sleeve

70% deal , last copies left.... sascha braemer s first record on dirtybird was a very big success gathering support from a wide array of djs. as our very first german artist, we were very happy when he sent over this super hot follow-up ep. true to dirtybird style both tracks on the ep are thematic, but these also show some restraint, not getting too silly or gimmicky with the themes. grounded in heavy funk kick drum grooves, sascha has delivered another set of bombs for sure. the train grows from a simple solid groove to a massive whistling peak, then back to the deep rooted funk. fly flip is a play on bug sounds, bringing a more laid back vibe to the table. both of the tracks are the kind of thing that could be played in any set from techno to deep house which really says a lot for the universal appeal of sascha s solid beats. we hope you enjoy them as much as we do.

thallulah, william medagli & jose maria ramon join together to produce an ep of three tracks released on vinyl by the italian petra beat records. gathering soul is an hypnotic journey through different kicks, grooves and melodies. the three tracks, gathering for love , 47 raw 34 and soul jacker , make you move and leave your troubles behind. it s not a bad result at all, when it comes to electronic music.

lost desert and lee burridge return to get weird with an ep aimed squarely at the dance floor. k bug’ is a steam train slowly gathering pace as it moves forward. the chugging groove and fat bassline has been whipping the crowd in to a frenzy everywhere it s dropped. hinduma’ is a tracks that causes the mouth to contort while mouthing out the wonky synth line. and ‚reply to sender’ is a slow burner with a trippy ethnic melody and a drop that goes all mystical. three tracks for the clubs

greetings fellow lovers of abstract truth. how s living in a dystopian now working out for you? here s hoping a new birdscare release can help take the edge off... it s by zu dobson. and who s zu dobson? i honestly wish i could tell you. she approached me at an a.l.f.o.s. gathering of the faithful and gave me a cd of her work with nothing on it but a po address written on it. after corresponding by letter for a while we agreed that -apple knife- and -wisdom of rumi- would be the first release (of hopefullly many). i only met ms. dobson fleetingly and she has no on-line presence so her identity is vague even to me. so next time you re on the dancefloor that young woman dancing next to you could well be zu dobson. fondant regards... andrew weatherall

valioso016 - “koi fish ep” comes along with the two heidelberg talents jan golly (be9) and durrred (the gathering). the ep includes two trippy and straight minimal tracks. first track “koi fish” can be played within a peak time set, while “quotes” fits more to an after hour environment. both tracks will be completed by a virtous and flowing remix of romanian dj & producer cristi cons.

understate:ment s debut on yydistribution opens up a new chapter within the notorious mannheim-paris connection, as berlin based label head, tolga top, steps up for his first solo ep. state003 , is a dancefloor dazzeling three track journey, influenced by grooving acid-house and hip hop inspired breakbeats. being backed by a slamming remix from the gathering affilate, nick beringer, makes this a must have for all the dancefloor twirlers.

rising young talent, elliot adamson, has been on the edible radar for a couple of years already, so it’s fitting that his debut for the eats everything curated imprint marks the label’s tenth release. the newcastle born producer has been gathering an arsenal of some of the freshest and inventive house music for some time now, and two of these cuts are ripe and ready for consumption on this tasty edible release. with its insatiable jackin’ vibe, “still workin” has already become a firm favourite in the dj sets of eats everything, the dj deeon sampling track keeps pumping pure energy and classic chi- town house troupes from start to finish, with a rasping bassline riff worming its way around the solid kicks and clattering hats. the fantastically named “where the fucks my flanger at?” clearly represents his love of raw and undiluted house music. coming from the cajual/relief school of trax, this is another crafty and playful club cut from the house of adamson. having built up a strong following already, and support for his music from djs like jackmaster, skream and patrick topping,

the second release on obas nenors label nenorion is a gathering of friends and like minded musical misfits from the brooding tel aviv underground.

rebus records’ proprietor, dj / producer haldo presents rebus crew ep # 1 gathering 4 tracks from some of rebus records’ shining italian producers and giving them new gain, a proper home on one fantastic deep/house music release. the project try to mix together tracks that interpretate the deep house world in multiple ways…

exciting project gathering 4 different artists of the label paying tribute to the same king. one inspiration, 4 different styles, amazing output !