oberman knocks original version (white) is a laid-back affair housed within a glassy place of worship, echoing with monastic vocals, strings, wind instruments and field recordings, which are offset by synthetic beats, funk bass and entwined sleazy vocals.
in contrast autechres remix (black), panning out at just over 17 minutes long, is everything that you wouldd expect from the duo – a frantic, fractured and detailed to within an inch of its life piece, that has no need to build, but instead unravels and mutates into what is an unmistakable autechre crescendo.
whilst both versions play out at opposite ends of the tempo spectrum, what connects them is that they are both emotional machine music with guts and vigour.
repress in standard sleeve.

limited edition of 500 vinyl copies in special die-cut sleeves.
oberman knocks original version (white) is a laid-back affair housed within a glassy place of worship, echoing with monastic vocals, strings, wind instruments and field recordings, which are offset by synthetic beats, funk bass and entwined sleazy vocals.
in contrast autechres remix (black), panning out at just over 17 minutes long, is everything that you wouldd expect from the duo – a frantic, fractured and detailed to within an inch of its life piece, that has no need to build, but instead unravels and mutates into what is an unmistakable autechre crescendo.
whilst both versions play out at opposite ends of the tempo spectrum, what connects them is that they are both emotional machine music with guts and vigour.

nice price deal !!! new a made up sound! following up on the frantic start-stop action of the ahead/endgame whitelabel from earlier this year, number 6 in the series features two expansive semi-live trips. after hours offers a brooding alternative soundtrack to that most underrated of scorsese movies, while what preset sounds like a launch into stratospheric jazz territory by way of some restless broken hardcore shuffle. highly recommended!

having already released music on respected labels such as dolly, philpot, mathematics, mule electronic, versatile, ostgut ton, new kanada, creme organization, nonplus+, and still music, – basic soul unit delivers 3 tracks on the inaugural release of lab.our music, the label he has started with long time friend and dj partner jason ulrich. lab.our 01 sets the tone for the new label nicely with three slices of deep & raw techno. frack marries a frantic and bottom heavy beat to a delicate melody while innershell & earwerm are both raw, jacking dancefloor workouts

beatdisaster startet 2013 voll durch. nach clubhits wie tube techs the end, rushs my palazzo und eric sneos ciao bella haut es den naechsten track raus: der klaudia gawlas mix von papillon. die produktion des editors-songs wurde komplett neu eingesungen. als co-producer und arrangeur stand ihr eric sneo zur seite, um dem ganzen im hauseigenen beatdisaster-studio den letzten feinschliff zu geben. klaudias clubhit papillon ist seit zwei jahren in ihren sets zu hoeren, und ihre fans warten seitdem ungeduldig auf seine veroeffentlichung. beim voting zum besten remix 2012 im faze magazin hat der track die top 10 erreicht.

our leader unveils yet another facet of his production arsenal, this time turning a housey cheek, courtesy of sa ensual, yet chopped-to-bits vocal. the jacking rhythm section skips along in pure style, keeping the tight bassline in check while frantic edits help i need you to fully unfold. stefano noferini nods to the old school in this double outing, and furios blasts out with a nostalgic bassline and intense beeping action over a crackling rhythm section. the title track goes for more heady territory with a hypnotizing vocal seeping in and out of the cracks, while the trademarked noferini groove keeps the bubbling subs in check. the undisputed groove don, dj pp, graces 1605 with revolver amo & navas beef things up even more with their crunchy rhythm section, and opt for a dubbier vibe with their trademarked stomping groove and spacious, low-end percussive magic. dj fronter leads us into another bouncy ride with the percussion-led cntrl and next taking the lead and rolling out into action

inklusive cd-version des gesamten albums!

truss returns to sighas fantastic label ! twice hand-stamped, black label package with 24 x 12 inch folded poster in a poly jacket ! truss continues his recent run of form with a 12 inch on our circula sound that demonstrates the depth and breadth of his palate. audens slow burning groove and metallic dub call to mind silent servants historia y violencia imprint, while splots distorted kicks and frantic pace blur the lines between truss sound and his current mpia3 project. a huge mpia3 remix of beacon takes over the b side for maximum acid damage

wncl recordings enters the next phase of its release programme. having issued a neat collection of ten 10 inch singles, the label now launches a series of 4 track 12 inch eps. first up is a showcase featuring 4 new cuts by 4 of the labels cornerstone artists. l.a.s don froth comes out fighting with the hard-as-nails liftin weights, while milyoo from kentucky gets frantic on the raucous pancake. se27s own west norwood cassette library offers up what it is (mah vip), originally created for mz. hobbs radio 1 show. rounding things off from toronto, knowing looks gives us cytal fink, angular funk for all discerning discotheques. we hope you will enjoy our show.

arttu returns on 4lux and he returns on form with two new cuts. summin bout drums is a dirty and sleazy house affair. the finnish producer now residing in berlin comes with two fat versions of his own while basic soul unit provides for a frantic remix with a crazy acid vibe. set you free is a bumping track with hard hitting drums cut up vocals and harsh synth elements. time to jack!

after the amazing view from above ep on frantic flowers we simply couldnt resist to do another project with this guy. detroit legend terrence dixon, the mastermind behind population one, is a genius in the field of minimalism and reduction. as a truly unique character from the early detroit techno era, always being true to his own style, this ep brings 4 new cuts in his typical and recognizable sound. minimalistic monotone rhythms and weird loop constructions, always with the right tension in place, sometimes topped off with spoken words. on the title track i program my computer right, a weird guitar loaded affair, terrence dixon is accompanied by ulandra & tiaria, supplying the vocals. again a very collectible release on frustrated funks harbour city sorrow!

after the amazing view from above ep on frantic flowers we simply couldnt resist to do another project with this guy. detroit legend terrence dixon, the mastermind behind population one, is a genius in the field of minimalism and reduction. as a truly unique character from the early detroit techno era, always being true to his own style, this ep brings 4 new cuts in his typical and recognizable sound. minimalistic monotone rhythms and weird loop constructions, always with the right tension in place, sometimes topped off with spoken words. on the title track i program my computer right, a weird guitar loaded affair, terrence dixon is accompanied by ulandra & tiaria, supplying the vocals. again a very collectible release on frustrated funks harbour city sorrow!

an uplifting, hopeful, and cheery as well as hard-edged, tight, fidgety, and frantic house release.

marius vareid revisists the title track of last years debut album in two version here and other than the connotation that telemark evokes, its perfect summer bizniss in the 12inch edit version thanks to its bobbing flanger chords, the unhurriedly striding bass melody and the carefree clattering percussion. the klubb version sticks to its promise, keeps the trademark chords but they sound way more athletic in its sparser environment of beefed up drums and frantic percussion. powered by a slightly moody feeling bassline and its buoyant, exuberant synth melodies the brand new il tempo gigante on the flip is a prime example of the scintillating, heady mixture of disco roots, house and dub antics. as an extra bonus prins thomas adds a tropical-sticky interpretation of villa farris (originall version on fp024)

san gabriel is the new forward-thinking beat project from the multi-instrumentalist/producer butchy fuego. his upcoming ep volfe is full of warped and pulsing pan-global club music, a signature marriage of tropical riddims, dubbed out soundscapes and modern r&b minimalism. striking the perfect balance of booming bass and tricky rhythms, our first taste from the upcoming ep >gore text< makes for some serious sideways heat. san gabriel has caught the attention of the press early on with signature frantic rhythms and twitchy hi-hat work. along with >gore text<, san gabriel offers up a b-side (not on volfe) called >nu boots< that evokes some aztec sun rave in the year 2040 vibes. just a fiery taste of whats to come on this upcoming debut ep volfe.

limited edition !!

ltd 2012 repress !!! the reclusive, enigmatic individualist and auteur of electronic music pepe bradock created with >intriguing feathered creatures< another intense masterpiece that is so unmistakably him, stomping, multi-layerd beats that sound so loose and funky as machine rhythms can possibly get, the bubbly walking bassline which could be an on-spot improvisation by some jazz great, moody loops running backwards topped by a grinding steel drum melody and frantic, psychedelic chirping sounds as made from mechanical windup birds. a mystical end of the night tune ending in animated birdsounds that accompany you from the dark club into the morning sun and inspire to spend a resting day out in the country

>candy red / hungry horse< is dro careys debut release for hum + buzz. this exciting newcomer from sydney has already made quite an impression, he was named as one of the top ten producers to watch in 2011 by fact magazine and has already collaborated with the former roll deep member trim. dro careys extraordinary music assimilates everything from classic techno and house to rnb, rap, juke and grime, to produce a peculiar skewed aesthetic. on side a, >candy red< places hypnotic other worldly vocals with interlocking melodies, stuttering percussion and subtle bass drops. on the other side, >hungry horse< begins by deploying a haunted female vocal, before morphing into snatches of different fragmented samples and frantic kicks and snares, for an intense narcotic affair.

one of the founding members of the ostgut ton family, marcel dettmann recorded his debut 12inch for the label alongside ben klock with >dawning< some five years ago. now after a string of highly praised releases, his debut album >dettmann<, and a handful of uncompromising records on his own mdr label, we arrive at this new ep for his home label. launching us into the space-race, >barrier< documents those tense moments of discovery as we reach into new territories. dettmanns unique textured sound design sets the scene before diving into >translation one< - a frantic, quivering and snaking snapshot into the kind of techno the producer stands for these days. metallic bass spins sideways, while ever-modulating percussion drives forward. the sinister sci-fi tones of >translation two< warble and jive in glorious syncopation as a systematic heavy kick and hat program works the bass frequencies and rhythmic zones. open and spacious, its meandering theme hangs deliciously between paranoia and positivity. in >planning< dettmann further explores his inclination for intricate, tripping synth patterns. a staggered, wonderfully immersive theme builds from delayed staccato notes in a classic analog sequence, underpinned by rumbling dub bass pressure

david moleon presents a very special release on his own moop up label. mr. moleon invites his friends iago de la vega, boriqua tribez, dj lukas and audiowarp for this doublepack album. the techno style is full of frantic paces, grooves incredible and deep melodies. david moleon is undoubtedly the producer mas prolifically and versatile of the south of spain. watch out for this!

black waves is 4 tracks of deep, dark club music. since the release of his critically acclaimed album >generation hexed<, drums of death has been obsessively developing a deeper and darker sound that is tailored for the dance-floor. black waves fuses frantic 808 drum patterns and dramatic synth lines with fresh, contemplative melodies. its music born out of its makers passion for techno and house.

delta funktionen delivers his third and final part of his setup series. more freaked, frantic and robotic as ever before.

shocks is a project by northern italian dj/producer wanmhope with his occasional partner-in-crime max dolphy. while fundamentally simple in approach, the dynamic maintains a deceivingly complex harmony and disharmony rendering a visceral, sometimes violent listening experience. waves of feedback, distortion, frantic guitar noodling, vocal collage and field recordings soar like an ominous cloud over primitive, hedonistic rhythms. this, the first of two shocks vinlys preceding the full-length, sets the tone, serving as your marinade before youre thrown to the lions

the 12-inch sampler for >panorama bar 03< could have hardly been better. hitherto unreleased, the tree tracks on ostgut ton 47 tick all the boxes that make prosumer such a unique dj: house in its various identities. soundstore starts the triptych with >take u<. greatness and frantic fever visions go hand in hand while hitting the core of chicagos second wave: dance mania, cajual, and relief with siren-like hooks in a feverish delirium. irresistible. prosumers panorama bar fellow steffi slows down the pace. >sadness< that surprisingly did not make it on her album debut is not only the opener of the actual panorama bar mix, but also a tribute to that kind of deep house that doesnt take its prefix lightly. in the end, berlins hunee teaches you a freestyle lesson. in a similar way to the young pal joey, he feeds his sampler a well-known dish, but throws in peculiarity, rascality and deviation to get new results. after all the time, this music is still not getting a bit long in the tooth. lets take a love break.

with a number of tracks already under his belt in 2011, including a remix of vector lovers on soma records, andreas returns to ideal audio with his latest work, >tenses<. the title track is a combination of bubbling synths and abrasive strings, yet these are kept at bay by the tracks innate underlying deepness. on the remix, another ideal artist - sebrok - keeps thing deep. his relentless beats are consistant throughout as he builds a frantic synth to its peak, before falling away into those beats once again.

hard progressive drum attack, deep fazed out bass, some diva adds & a super hard core (could be ja rule or even tupac) vocal >mothe f**kin name< cut up in-between the frantic beat montage on the a side, while the b side lives up to the san fran thing with erotic funk chords laid deep down over sub sf bass rolls and super tight percussion arrangements.

sasha carassi is back on his phobiq imprint with the fiberboard ep!with synths sounding like liquid tension, the original mix is a journey through tough beats and frantic electronics. the mighty slam are in charge of the first remix and they take the dark and dirty route, stripping the original down and adding some bleakness of their own, only to surprise us with an old school-sounding breakdown. the acid mix is slightly more rolling, featuring snappy drums and pulsating percussion, which takes us to the fourth track of the ep closing up is tom laws, who has been making his own unmistakable noise as of late. utilizing simple,yet solid drums he offers us a clearer picture of the tense synths while maintaining the vibe of the original.

produced in 2004, this ep marks an essential shift in the production of stefan goldmann to his modus operandi as a dedicated innovator. he had adapted the barricade guise to induce some serious deviations into the techno realm. yet, heads werent ready and he simply continued under his real name with his major breakthrough works: perlons blood ep and the legendary sleepy hollow tune. hidden from the public, aleko and frantic had built a prototypic aesthetic of rough, concrete-space sounds - reduced dark, metallic percussion grooves, spring reverbs and degraded post-acidic synths. you name it where you heard this sound years later. its revealing how far ahead these tunes were at the time of their creation. they sound more now than many current tracks. aleko is the 4/4 techno version of this soundset, locked-in clonk patterns built around a nitrous bassline. frantic could be a future development to todays dubstep, if it wasnt its actual historic predecessor. add the schizophrenic bass excursion heliotrope and you have a package of painstaking relevance. back then the a&rs simply didnt get it - thats why it took 6 years and the formation of victoriaville to finally bring these gems to light

new fresh vinyl only release from vidd based in stockholm - related to farden records. subliminal sounds by the italian marco shuttle who delivers an brilliant executed slice of dark basement techno. on the a-side a track that will creates a stir on the floor and that kills it on prime time with its hypnotic female vocal hookline. one of those tracks that stands out and gets people to the dj and ask what that track was that he just played! the b-side is a dark epic track with a phat metallic detroit-ish basslines and a frantic spaced out athmosphere... perfect material for a deep dark basement session. limited pressing of 300 copies.

david moleon and dito masats with the 6th releases on the incredible moop-up. full of frantic paces, grooves incredible and deep melodies. 4 powerful tracks that undoubtedly were placed in the first positions of charts of the whole world. david moleon is undoubtedly the producer mas prolifically and versatile of the south of spain. this time david teams up with iago de la vega and christian muller, whatch out for this

hot on the heels of our frantic summer release schedule and by way of (prematurely) welcoming the fall/winter season, we have prepared a little collection of our own. featuring established culprits from the label roster as well as exciting new additions and alliances we proudly present another defining moment in our auditory evolution: >wake me up at 16:05< is a snapshot, a landmark and a sure sign of bigger, harder, faster (maybe not that much) things to come from us. enjoy!

hot on the heels of our frantic summer release schedule and by way of (prematurely) welcoming the fall/winter season, we have prepared a little collection of our own. featuring established culprits from the label roster as well as exciting new additions and alliances we proudly present another defining moment in our auditory evolution: >wake me up at 16:05< is a snapshot, a landmark and a sure sign of bigger, harder, faster (maybe not that much) things to come from us. enjoy!

literon returns! after his release on frantic flowers 2 years ago it has been silent ... until now! rawer house tracks with a dirty groove. old schoolish house beats combined with phat production and deep sub bass. perfect tracks for dark clubs with a blazin sound system.

literon returns! after his release on frantic flowers 2 years ago it has been silent ... until now! rawer house tracks with a dirty groove. old schoolish house beats combined with phat production and deep sub bass. perfect tracks for dark clubs with a blazin sound system.

producer toby leeming is making quite a name for himself. after a year of sowing the seeds on the underground, this london-based artist makes his first high profile release on arts newly formed dance division series. >messier 66< contains all the classic elements of pure dancefloor techno. driving ur style beats merge with basic channel chord delays - all underpinned by a menacing acid line. techno doesnt get any more sci-fi than the alien soundscapes of >anadine< - its classic detroit-inspired string stabs and abstract vocal washes are highlights of a frantic, scattering track that will keep the feet busy on the dancefloor. >paucity< ends this no-filler ep with its majestic, sweeping pads and uplifting melodies. the beats are still tough and relentless - making a perfect finale to the second release on arts dance division series.

newtonns history started in 1985. in a retrospective, his musical career looks like a frantic puzzle. there were influences of pop, rock and electronic sounds from the early seventies, so in fact, newtonns - better known by his alter ego cut a kaos - reputation and success could be traced back to all these music styles. since 2 years alexander friedlhuemer (so his registered name) has straighten and oriented his label bacteria records towards house and tech-house. the current and most important, new release >the cursor< is remixed by lars eckmann. catchy tech-house tunes with a flawor of real techno influences. as a result, 2010 is newtonns year and his spectacular productions will break all limits!

bristol-born and london-based producer rekordah takes charge of lo fi funk records second instalment. as well as running the independent label pollen, rekordah also promotes a series of parties of the same name with efa (which have hosted artists of the caliber of mike slott and slugabed among others), and crafts his own brand of cosmic, dismembered hip hop, in that wonky style everyone is raving about.
>cherry coke< on the a side, is full of bubbling sounds that evoke the soda drink your nephew drinks while he plays with that atari you found in the attic, played over a dilla style beat, whilst in the flip side we find >butternut<, in which p-funk synthesisers rise side to side with space age special effects, frantic syncopated drums and 22nd century boom bap.

deepart returns with his snapshots concept. deepart is andi hart, and if theres one man out there which keeps true to his own sounds its andi hart. hes been pushing his sounds for almost ten years now, ever without doing any concessions. this double 12 inch brings eight new typical deepart tracks, they come in his typical minimal lo-fi style, but with the soul deep within. sometimes warm, frantic some other time.

all the tracks on this double vinyl demonstrate his innovative approach to music, running the full spectrum from soft ambient interludes to the more uptempo beat trickery. accept manages to combine both extremes and is an apt opening track, demonstrating the two faced nature of aardvarcks productions, highly constructed beats and beautiful melodies. taa baa sounds like it emerged straight out of londons co op, though aardvarck has not been to this broken beat mecca. th #1 is pure ambient bliss and followed by the deep spacious beats of dim. steps is based around a seriously crunched up hip- hop break, think domu scrapping with the funkstorung boys. the original version of zom is track 7 (ignore the tracklisting on the cd) whilst the stunning remix by attica blues tony nwachukwu is actually track no. 17. upset is based around deep raw bass, the structure of the track is created with pin point beat work. flight simulator is a silky smooth journey, proving that aardvarcks beats dont have to be broken. the stuttered synchopated bass stabs of th#3 combined with its fearsome breaks push the edge of the nu jazz envelope and gentle is an uptempo number combining the skip of 2 step with smooth german jazz styles - one for the quirky jerky types on the dancefloor. th#6 is another deep ambient soundscape helping to ease the pressure after the frantic percussion of knet. stampot shows aardvarcks ability to counter fearsome rhythms with melancholy chords, the forward flowing synths float the listener over the near chaotic drum programming. finally, the album closes with the weeping strings and treated piano of anders, bizarrely twisted and warped sonics. one beautiful voyage!

its been almost a year since the release of efdemins fantastic two-tracker >america/the pulse<. >america<, that was also used on his curle mix-cd >carry on...<, became quite a big tune and even ended up on the number one spot in groove magazines chart. therefor efdemin preferred that no-one touched that track anymore, and we decided to give >the pulse< a remix treatment. john beltran is a highly respected artist that has been around since the early nineties - r&s! peacefrog! styrax! - and when we heard the ultra-funky mega-bomb he made from >the pulse<, we knew we made the right decision to ask him. another one of our long time favourites from accross the ocean is convextion aka e.r.p. he did some ground-breaking stuff on matrix, down low and frantic flowers. we asked him to do a remix of crcs amazing take on detroit techno, >vaskitsaherra<, originally on curle 009. the result ended up being nothing else than a timeless piece of art.

solo debut by hollands best kept techosecret bas ror, who as kubra already released on frantic flowers and aw records ... and what a little treasure this is! four highly sophisticated & dedicately crafted technotracks capturing various ror moods. pressed on clear blue vinyl and packed in an eco-friendly outer sleeve. check!

david moleon and dito masats with the 5th releases on the incredible moop-up. full of frantic paces, grooves incredible and deep melodies. 4 powerful tracks that undoubtedly were placed in the first positions of charts of the whole world. david moleon is undoubtedly the producer mas prolifically and versatile of the south of spain. with two big remixes by the superstars borique tribez and killians, the cobra labelboss!

its been almost a year since the release of efdemins fantastic two-tracker >america/the pulse<. >america<, that was also used on his curle mix-cd >carry on...<, became quite a big tune and even ended up on the number one spot in groove magazines chart. therefor efdemin preferred that no-one touched that track anymore, and we decided to give >the pulse< a remix treatment. john beltran is a highly respected artist that has been around since the early nineties - r&s! peacefrog! styrax! - and when we heard the ultra-funky mega-bomb he made from >the pulse<, we knew we made the right decision to ask him. another one of our long time favourites from accross the ocean is convextion aka e.r.p. he did some ground-breaking stuff on matrix, down low and frantic flowers. we asked him to do a remix of crcs amazing take on detroit techno, >vaskitsaherra<, originally on curle 009. the result ended up being nothing else than a timeless piece of art. this record comes as a beautifully marbled coloured vinyl, limited to 500 pieces.

that cheeky chap diamond geezer is back with another banging jungle single on his very own self titled label. featuring the vocals of dancehall veteran spragga ben, sound good is a frantic amen led jungle roller that incorperates old skool edits and some classic soundclash effects and bleeps for good measure making this a dirty little dancefloor number indeed!

the chile house connection continues to sling the dopest stuff to our floors, barely satisfying the constant craving of dancers and punters worldwide for the highly addictive mixture of salacious latin polyrhythmics and organic afro inspired drum sounds with universal electronic 4/4 beats. cut and wraped up neatly by chile born and fastly rising don felipe valenzuela and swiss expat dani casarano, this duo continues with this heated 3 tracker to further cement their reputation from earlier releases on fumalab as a highly combustible combination: elastic compulsively grooving house beats are intervowen with latin-american call and response vocals in >otra vida<, the fittingly titled >push< constantly builds up the pressure even in the breakdowns with frantic, flamenco style hand clapping and >the little house< with its disco style bassline and the conga driven beat hints at the fruitful marriage of latin, soul and dance music in the melting pot of 70s new york. muy rico!!

a frantic machine workout that simulates the pelvis whilst intermittently prodding the hypothalamus

after the well received dvk remixes subsitenz thought its only fitting to pair up one of dnbs hardest and bulgarias biggest export cooh with the two south london stow aways dvk. there fruits of their labor as you would expect is fooking insane. off the leash is not for the faint hearted or pregnant a relentless driver of a track with beats that mutate and evolve constantly over subs fatter than dawn frenchs ass. with the signature dvk rolling percs and pumping side chained filth matched with coohs lethal arrangements and movement of beats off the leash is one pissed pit bull in a poodle parlor. once bitten twice shy is a techy affair still relentless to the core with all the twist and turns that are synonymous to the likes of cooh and dvk. filthy stabs and hits are thrown manically around like a poltergeist having an epileptic fit in a china shop adding chaos to the already frantic bass and grooves. the main heart to his puppy is banged home half way through of its unnatural life were it warps from chilled pads to a nodders delight. dvk and cooh have started the fire and will be back to fuel it very soon!

reissue of album from 1975/a satisfying dramatics collection that includes their revised, campy version of me and mrs. jones, which had remained a staple of their live shows. astrology was riding high in the mid 70s, and (i m going by) the stars in your eyes provided fodder for astrological discussions as the guys poo poohed the differences in personality traits associated with the signs. a good balance of fast and slow tunes helps make this album a winner. good things dont come easy and never let you go are two frantic dancers that chug along faster than a speeding locomotive, while trying to get over losing you succeeds in treating losing your lover in a positive, uplifting way. the guys must have been loaded with material to keep this one off a 45. likewise for the aching, painful i cried all the way home, one of tony hesters best compositions, and easily the best ballad on the album.

the first twelve from johannes volk gained support keith worthy, mike huckaby, mills, etc. on this second release johannes drops a mighty techno stomper called internal structure reminiscent of some classic robert hood productions from way back. inspired by a severe an damaging tornado storm in volk?s hometown, this incredibly good, yet frantic piece of dance music is build from layer upon layer: static beats, grooving bassline, sweeping synths and a warm rhodes-esque sound make this a apocalyptic but colourful banger. on the flip we have gerd bringing home the potatoes for sure. his take on volk?s internal structure is a mighty acid stomper reminiscent of those warehouse parties, yet it is done in a very contemporary way. check!