777 recordings with a 4-part various extravaganza, limited to 100 copies each - all with unique graffiti tagged artwork. 1 copy per customer.

a compilation of relaxed lo-fi beats & sounds.

repress

soiree records detroit with a new release with some house goodies! strong release.

10th anniversary 180 gram double vinyl reissue, including outtakes and etching on side d.

debut ep

vinyl in 3 colour effect, oxblood, bone, yellow

new album from eclectic pianist, vocalist, producer, and composer cole degenova.

versatile virtuosity from haider.

limited 200 pressing - handmade covers with beautiful risograph printed artwork

alle vier tracks mit acid, trance, techno und breakbeat einflüssen.

ltd red vinyl repress, max 1 per customer

limited 2 colored (gold/silver) edition - 1000 copies available worldwide. 2lp+cd limited colored edition in gatefold sleeve. one golden vinyl and one silver vinyl, both with printed inner-sleeves. cd included.

the new album from trippie redd on ultra clear double vinyl.

sean ts 1993 debut album back as limited edition of 250 copies on double vinyl.

third longplayer from diazpora on vinyl lp, limited to 400 copies.

comes with standard cover.

ltd to 300

unique and inventive club tracks from unknown mobile strongly recommended

madteo drops a genre-bending masterpiece on for demdike stare’s dds imprint. standard pressing on black double vinyl.

madteo drops a genre-bending masterpiece on for demdike stare’s dds imprint. limited pressing on yellow double vinyl.

killawatt in full effect on his first release for leyla.

alan silvestri’s soundtrack for the 1988 movie “who framed roger rabbit” back on black 180 gram vinyl.

the first solo album of one of the all time finest french jazz pianist on the scene, marc bianco.

a score by dan the automator on blue marbled vinyl.

original motion picture soundtrack from “the hate u give” on double vinyl, housed in a gatefold sleeve.

new york native david berrie makes a welcome return to the hot creations fold this april. the latest recruit to join as a resident for jamie jones’ paradise night in ibiza, berrie gifts us with three heavy hitting tracks, sure to set dance floors alight across the globe. airplane to madrid opens the ep with its steady groove and funk elements, underpinned by a tribal drum and old school vocal hook that culminate in a jazz influenced breakdown. on talkin’ bout, berrie utilises a fast-paced beat and bouncy, ghetto-house style vocals that lead into another intriguing breakdown. closing the ep, the bassline of acid souls gurgles beneath the female vocal building to an insatiable drop before plummeting back into the heady bass. raised in the musical melting pot of new york, david berrie draws influence from a variety of genres to create his signature style. he’s released on a number of prominent labels including cuttin’ headz, play it say it and hot creations. last year’s collaboration with jamie jones broke into the top 5 in the beatport charts and his music has been supported by some of the industry’s biggest names such as carl cox, marco carola, the martinez brothers and seth troxler. 2019 is set to be a big one for berrie, with a residency for paradise at dc10 and fresh music due to be released.

limited pressing on transparent red double vinyl, housed in a gatefold sleeve.

10 years of northern funk !

volume 4 - house music all life long

2lp+cd edition in gatefold sleeve with printed inner-sleeves. cd included.

big remix by diego kause ! ntfo now on organic music vinyl

lost in a big bag of cassette tapes in an attic in wales, this archive of works contains 11 original tracks recorded over a 25 year period by dj guy. taken from the original cassettes, remastered and cut to vinyl, they are finally given the release they deserve and are a testament to the talent of one of the uks most gifted producers, cardiff’s guy evans.
vinyl & limited run cassette only.
welcome to exotic robotics :)

the sixth release from solkyss is a real smorgasbord with influences from all over sweden. edvin wikner, head chef and local marathon dancer, serves us an original production accompanied by a collaboration with malmo-based per hammer. trauma tribe celebrates their shared love of extended morning sets—a passion ultimately manifested at emmabodafestivalen two years ago when they broke swedens record of the longest dj set to date, playing for 24 hours straight. the original kai saa comes with an outstanding remix from no other than arkajo.

due rent is a collaborative double album by solo artists lojii & swarvy. written & recorded in the summer of 2016 in l.a. by the two philadelphian transplants, lojii says this tape is a score to being a broke nxgga in amerikkka (emphasis on the kkk) – full of dreams and hustlin to make em happen, but dealing with the everyday pressures of making ends meet. a.k.a trying to pay rent. the 22 tracks, many of which barely break the two-minute mark, make for a vast voyage through remarkable contemporary hip-hop. the grooves and beats that skip and flutter are smooth and mellow, with nods to the old-school but entirely void of nostalgia. this is a sophisticated, thoughtful, and inventive modern hip-hop record that understands anger doesnt have to be loud. daniel dylan wray, bandcamp (best 100 albums of 2017)

ayuune sule brings the soul into kologo power. in kumasi, the second city of ghana and capitol of the ashanti region, ayuune sule is the main kologo star. the most famous kologo player these days in the whole of ghana and abroad is king ayisoba. together with king ayisoba, guy one, atongo zimba and sambo, he represents the generation that broke kologo music outside of the north east region of ghana. in europe we know ayuune sule as a member of king ayisoba’s band and as a solo artist who often opens up for his shows.

following up on melodymathics’ latest 12”, demuir’s vibe is back on a limited 10” with a rather unique track called “howz your body?”. on the flipside label boss melodymann delivers the track “disco switch” and 4 groovy, hypnotic loops. the straightforward house sound of the record exudes funky and sexy beats that are consistently recognized and sought by artists and dance music fans around the world.

great return of the classic and pioneer band of the french funk scene! after a long absence, malka family reformed, burned some scenes and composed a new album without changing anything to its magic formula. recomposed with almost all original musicians, they come back today with a new album, le retour du kif. at the heart of a still popular and multicultural marais area in paris, young musicians gather to jam. this is where malka family is formed. their first self-produced album, malka on the beach, was released in 1991, and gigs were immediately chaining up all over france and europe, famous for their eccentric costumed performance and after-parties. in 1992, warner france signs them for a second album tous des oufs, a real p-funk space opera with guests such as sidney, dee nasty, marco prince (fff), or juan rozoff. they will then traveled france, switzerland, italy, holland, denmark, namibia, japan ... and in 1994, the band becomes independent again and records an ep for big cheese records, titled fricassee de funk. after a final tour for the third album, fotoukonkass (bmg) recorded with renaud létang the band finally broke up. at a time when daft punk is using funk artists to support their performance, when bruno mars & mark ronsons uptown funk continues to make the crowds dance, it s time for the original funkateers families to come back and teach a lesson to new generations. after the band reformed and started touring again since 2015, they quickly decided to record a new album and to leave on the roads again

this is essential tremor’s second and final album of all time. the band broke up after the recording of this record but still managed to play one final show before fully breaking up. the show was one of the most brutal things nashville, tn has ever witnessed and lead singer cole k was banished from nashville forever following the performance. essential tremor’s work never quite fit in with the rest of what was occurring in nashville around the time these tracks were recorded, but we re sure that this tape will fit right in with the rest of your collection.

privately pressed to lp in 1978 under the name j. jasmine and made especially for the ann arbor film festival, with artistic collaboration from the festival’s founder and once group artist, george manupelli, my new music is the debut album by jacqueline humbert and david rosenboom. featuring a cast of mills college personalities like david behrman and sam ashley on backup vocal duties, this song cycle is at every turn boundary-pushing and gender-busting, yet still hilarious, sweet, and genuine, all delivered in a post-genre, art-song, cabaret musical style that happens to boast some serious avant-garde chops, courtesy of rosenboom. if it weren’t so spot on, you’d swear it was a guilty pleasure. as j. jasmine writes, my new music is a collection of personal stories and private desires, exposed, articulated, performed and dedicated to the hope that one person’s fantasies can contribute to another person’s freedom. get lost in j. jasmine’s world for a little long while, and be free.

for the past 15 years the tanzanian megalopolis of dar es salaam has had one of the most exciting underground electronic music scenes in east africa. a constellation of micro-scenes from mchiriku, sebene and segere all the way to its latest mutation of singeli that finally after years of lurking in the underground has exploded into the mainstream and taken over bongo flava as the music of choice amongst tanzania s youth. born in the sprawling working class neighborhoods of tandale and manzese, singeli s signature sound consists of fast paced frantic loops interlocking with each other, with influences from zanzibars tarab music all the way to south african afro-house coupled with mc s who often spit satirical lyrics about the challenges facing tanzania s youth, from police corruption to the complications of dating girls when you are broke. if there is one studio that stands out amongst the hundreds that dot dar es salaam s musical landscape it is sisso records. centered around producers, bwax, sisso, bampa pana and yung keyz morento and mc s dogo niga and makavelli, they were early pioneers of the singeli sound. whilst some singeli artists have begun fusing their music with more traditional tanzanian hip hop, sisso have remained uncompromising in their sound, always raw, fast with a punk diy aesthetic that can at times verge on noise and gabber, to produce a spell binding music that is like no other sound system culture in the region.

the debut ep from aussie producers turner street sound has finally blossomed! the duo comprised of rory mcpike (aka rings around saturn) and ryan hunter (aka midnighttenderness) first collaborated on stoned mix for domestic documents vol.1 in 2016, shaking bass bins in its path. the collection of tracks on bunsen vol.1 recorded between 2014 and 2017 encapsulate the boys influences with a turner street twist

the enigmatic tennessee-raised, turin-based yves tumor presents a poignant new album, recorded between miami, leipzig, los angeles and berlin over the past three years.
evolved from a diverse and prolific creative history under an expansive plethora of covert aliases via various forward-thinking labels, ‘yves tumor’ emerges as his most personal and matured incarnation to date.
with involvement across various artistic outlets expanding to fashion such as a visceral live performance for la’s hood by air earlier this year, the global artist has built a distinctly bold personal aesthetic both musically and visually as a performer.

the debut album from khalid as double vinyl in gatefold sleeve.

exploring the hidden crevices between the hardcore continuum, muscular house and vintage techno, hugo massien delivers four tracks that crackle with energy and intensity on the ghost note ep - released december 5 on duskys 17 steps.

house music broke through in 1987, at the same time when aids arrived in france with the first contamination peak in gay and drug addict circles. in 1989, the founders of act-up paris knew that both the fight against aids and triumphant house music should be joined together. from 1992 to 1995, the period covered by “120 bpm-, house reached its most beautiful plateau even though techno was becoming dominant. “120 bpm” is a get-together moment through clubbing, this moment where fears are forgotten by dancing with one’s friends, what we called “the chosen family” at act-up. boys and girls dancing in a club where the walls cannot be seen, flooded with simple light. this is their activist recess. arnaud rebotini, composing the soundtrack of robin campillo’s previous film, “eastern boys-, is a recognized dj, a composer and a kind man, which is for me the most important quality. here, his work is marked by restraint of his love for house and after techno. i believe he deliberately withdrew himself in relation to the film’s power and the aids theme

bombastisches 6. album der white stripes - ein modernes rock’n’roll meisterwerk! das doppel-vinyl erscheint im klappcover.

we are bringing together the creative might of our residents to bring the sound of renate on a double release ep. over the years renate has grown from a impetuous party to a glorious club. the people who came together under her roof and played beats that made bodies pulsate with ecstasy have become benchmarks in the music industry of today. we want to share with you that talent. the first ep hosts tracks from peak & swift the colourful techno duo that inadvertently become the face of renate today. sebastian voigt, the dark techno horse of the renate tribe, adds a little mystic depth. samanta fox & oliver klostermann bring their high styled brand of cosmic music to the wax in a epic track and lastly johannes albert the wunderkid who broke free of the berlinÆs shackles and taken over the global stage with influences from none other the wilde renate.