known as pantaleon perez prado, was the younger brother of the famous king of mambo. pantaleon, who came to europe in the 1950s, recorded several albums with unifunk. a powerful big funk band sound featuring: tullio de piscopo, mario rusca, giancarlo barigozzi, pino prestipino and others. escandalo!, as perez prado states in the brief sleeve note, is named after a new rhythm created by himself. *a rhythm you can dance to in freedom, without specific steps*. in spite of this naive launching, the opening track chicago banana is a declaration of intent, with its sly stone-esque groove. 9 out of 12 tracks are originals credited to composers of the unifunk circle, but the track list is careful to preserve prados well-established latin appeal, by including three standards such as brazil, el manisero and tequila.
the deluxe vinyl edition comes in gatefold sleeve with a cd-copy of the album included.

• edinburghs c mantle presents his latest work on earwiggle
• features a barry leach remix and vocals from anastasia petrova
• early support from blawan, truss, randomer, and...

mannequin records is elated to present a 12inch ep with two unreleased 1986 tracks of the mexican new wave band casino shanghai, with a killer analog modular remix by in aeternam vale on the b side.

edition of 500 copies. remastered from the original tapes by rude 66, the netherlands, 2014. this edition under exclusive license to trumpett, 2014.

axe on wax return with it s third release welcoming on board speakdeep, stefano esposito (luca tuccillo piano mix), ciro de gais & kidmark all supplying raw old school sounding house bombs essential for real house music lovers that play quality wax!

rawax proudly presents ron maney aka dj skull. the second release by ron maney on chiwax is the remastered version of former relief records 761 called *2 entities*.

following on from her highly acclaimed ett lp on editions mego klara lewis presents 4 new works which further her signature explorations of field recordings, electronics, rhythm, sound and atmosphere. here lewis exemplifies her uncanny ability to harness the world outside in order to reconstruct and re-present this as amorphous musical matter. these 4 new tracks exude a certain ambiguity where standard signposts such as rhythm, ambience, texture, light and dark remain as elusive as they are present. whilst bypassing passive or photographic representation of the source material these works withhold a strong emotional quality resulting in a confident and at times brutal musical manifestation. as suggested by the title, msuic resides in a zone at once familiar and slightly off kilter, a world of lewis devising in which the listener is warmly encouraged to enter and explore. msuic is another superb collection of music as fantastic matter.

next hot anthony rother output

minimal wave presents a fourth 12inch single from the french in aeternam vale !

a lot of water has passed under the bridge since the release of etienne jaumet’s night music, dating from october 2009. his hypnotizing music and enchanting live performances put him directly on the map. it’s just him who is in control of his ship. he moves without complexes from his saxophone to his drum machine (his beloved tr 808) while turning knobs modulating synths, and sending his voice through an echo.la visite, etienne’s brand new album, more luminous and jazzy than its predecessor, has been composed and produced within a two month period in the versatile studio. it became a piece of introspection, mentally as well as physically. in the title track, for which flop wrote the text, we hear etienne travelling through the inside of a body, fantastic voyage style.it is always surprising to see a record taking shape. etienne would arrive at the studio without any precise idea in head, approaching his work rather intuitively. he works standing up, which brings a very different energy than being seated behind a computer polishing up every detail. he is in total mastery of his set-up, ready to capture that short-lived moment of true creation. the only use a computer has for him, is to record his experiments - afterwards being mixed by jerome caron (blackjoy).in between night music and la visite, etienne has not been lazy. not only has he done numerous collaborations (amongst others with joakim, richard pinhas, francois & the atlas mountain) and picked up djing, he has also recorded a new zombie zombie album (rituels d’un nouveau monde) with cosmic neman, as well as the soundtrack loubia hamra. and he worked with artist felicie d estienne d orves on the installation satori. at this very moment, etienne and his saxophone are still part of the tour of james holden.

stalwart label tsuba continues its journey into eclectic musical territory with its next full-length project, *buy the ticket, take the ride*, the outstanding debut lp by english dark and dirty disco champion craig bratley. the double vinyl lp comes in a jute tote bag with download code included.
dj support from ewan pearson, erol alkan, justin robertson, damian lazarus, severino (horse meat disco), matt walsh, jacques renault, headman, mugwump, pete herbert, brett johnson, nathan detroit ...

der englische produzent lädt zu einer unglaublichen klangreise. die doppel-lp erscheint inklusive downloadcode.

cut copy presents: oceans apart - vol 2, is the second of two vinyl 12inch eps that compile a selection of un-mixed highlights from the dj mix compilation, for djs, vinyl collectors and home listeners.

die doppel-lp plus cd im großartigen klappcover mit den produktionen für die künstler anthony b, kabaka pyramid, konshens, luciano, junior kelly, exco levi, gappy ranks uvm. mit acht komplett unveröffentlichten songs und fünf erstmalig auf vinyl!

*one hand in the air* bezieht sich beispielsweise auf *so appalled* von kanye west - manfred mann hat dessen original nun neu arrangiert. mit the prodigy und disco boys verfährt manfred mann genauso. zudem liest sich die gästeliste beeindruckend: till brönner spielt auf jedem zweiten stück trompete, kris kristofferson leiht einem stück seine stimme und kanye west ist natürlich auch zu vernehmen. zudem wagt sich manfred mann an neuinterpretationen von klassikern wie *light my fire* oder *we will rock you* - absichtlich stücke, die weltweit hinlänglich bekannt sind. manfred mann erklärt: *gerade weil jeder die stücke in- und auswendig kennt, habe ich in meinen interpretationen die optimale freiheit. wenn ich passagen weglasse oder neu arrangiere, denkt der hörer diese ja trotzdem mit*. neuinterpretationen - von bob dylan bis bruce springsteen - haben manfred manns gesamte karriere geprägt, *lone arranger* führt diese tradition somit fort. und keine frage: das album bleibt bei aller konzeption typisch manfred mann, nicht zuletzt weil die spielfreude am keyboard vernehmbar ist.

1. crom & thanh - these walls feat. ann saunderson the partnership of andre crom & chi thanh has already proven to be extremely productive, with a number of chartstorming originals and remixes.

raphael rundell und hot chips joe goddard with their fresh sounding project

dedicated purveyors of fine house music, system of survival are pietro bingo de lisi and alex carpentieri, resident djs at the bastion of underground ibiza, circo loco, since the party first began over decade ago. s.o.ss musical output has been particularly prolific of late, releasing on labels such as bpitch, freaknchic, tenax and akbal, however it is this their debut release on ibiza imprint vitalik recordings that has perhaps been the most anticipated.

the pride of northern sweden, varg, is back with his new moniker, grav. this mini album features 6 brand new songs of his unique electronic darkness & melancholy. limited 300 copies, vinyl only.

slamming dimitri from paris disco mixes

the mandar project, produced by lazare hoche, malin genie & s.a.m. announcing a series of 12inch for this fall/winter. after the powerful 12 marabouda ep, oscillat music is back to provid you a endless deep & wide record: shrim ep.

these days house music is often about a 4/4 beat and a catchy groove. the idea is to do something simple to which you can get your groove and, and not so much about listening. the borders of electronic dance music makes room for the hypnotic beats, the driving grooves, but not always the melodic universes. leman & dieckmann have been making music for several years, both together and apart, but almost all of their music was driven mainly by the beat. but both having an urge to discover the dynamics of melodic synths and melodic percussion they decided to make an album. they agreed that the album had to tell a story, and like so many times before in music the topic became love. the story they try to tell through the music on the album *takes two* is the story of a breakup, the denial of the need of love, and the discover of the fact that often in life it takes two, to be happy.

the past two years without a jozif release have felt like an eternity at culprit headquarters. imagine the collective relief and delight, when one of the labels core artists had a veritable musical outpouring, delivering five delicious originals. too rich with originality and some of jozifs best ideas to be contained within one collection, waikiki will be released in two parts, accompanied by exciting reworks coming from some of the labels favorite artists

two years ago the 2 bears dropped a debut album that re-invigorated a genre and gathered music fans in the open embrace of house music.

erstklassiger new yorker future-retro disco house mit 80er jahre proto disco- und garage-anleihen

die serie der greensleeves lp-wiederveröffentlichungen geht weiter: hier ist das album des sängers linval thomspon aus dem jahre 1983 im originalartwork. *baby father* wurde mit den roots radics und dem bläsersatz bestehend aus dean fraser und nambo robinson im channel one studio aufgenommen. am mischpult saßen dabei soldgie hamilton und der sänger als produzent in eigenregie. linval thompson (geboren als phillip alphonso im jahr 1954) hatte seinen ersten karrierehöhepunkt mit dem kultalbum *dont cut off your dreadlocks* im jahre 1976 für bunny lee. zu diesem zeitpunkt hatte er bereits das studium zum toningenieur in new york abgeschlossen und später begann eine erfolgreiche produzentenkarriere, u.a. dennis brown, cornell campbell, the wailing souls, barrington levy, eek-a-mouse, sowie die zwei scientist alben *meets the space invaders* und *encounters pac man*.

good morning children, welcome to school ! what might be known from ipoly mate 003, got a very different context here in the title track. heavy club food, flavoured by alec troniqs love for the energy of the early 90s. the chain was originally induced by old man trouble and then impulsively got the blues by alec troniq. it has a special place in their hearts and continues alec s series of crossovercollaborations in 2014.

as pathway traxx finds itself embarking on a dawn of maturity the now familiar colourful label welcomes in its 4th vinyl only release. this bright yellow vinyl 4th installment welcomes on board relative newcomer on the house scene, amir maglajlija a.k.a. espada.

im gatefold . das meisterwerk smokers delight aus dem jahr 1995 mit seiner innovativen fusion aus jazz, dub, soul und hip hop definierte als post-club-comedown-trip das genre des instrumental-hip hop/downbeat/trip-hop.

indeed, everything is permissible if god does not exist, and man is consequently abandoned, for he cannot find anything to rely on - neither within nor without. first, he finds there are no excuses. for if it is true that existence precedes essence, we can never explain our actions by reference to a given and immutable human nature. in other words, there is no determinism - man is free, man is freedom. if, however, god does not exist, we will encounter no values or orders that can legitimize our conduct. thus, we have neither behind us, nor before us, in the luminous realm of values, any means of justification or excuse. we are left alone and without excuse. that is what i mean when i say that man is condemned to be free: condemned, because he did not create himself, yet nonetheless free, because once cast in to the world, he is responsible for everything he does.

ed sheeran hat nun, nach seinem beeindruckenden debütalbum *+*, sein zweites album *x* veröffentlicht. der zweite longplayer bietet, ebenso wie der vorgänger, seichten singer/songwriter-pop, klingt dabei aber etwas urbaner. der brite verarbeitet allgemeine wie persönliche gefühle sehr schön in seinen songs – *afire love* ist da ein gutes beispiel. *x* ist eine schön runde platte geworden und genau das was ed sheerans fans gerne von ihm hören.
das doppel-vinyl erscheint im klappcover

our new release has been a long time coming and is the first collaboration between those evil twins that are lddlm and kill the dj, two labels joined at the hips. the ep has already been getting great support from dixon, dan avery, erol alkan, ten walls, and ivan smagghe

side 1 features italo disco classic takin it straight, giorgio moroder label mate meco space sentry and man this is my girl by kikrokos (made famous for ron hardys jungle dj edit). side 2 features 2 unreleased ny boogie disco edits by dubbed version. limited white label!

after the critically acclaimed miracles ep on fokuz, russian wunderchild intelligent manners returns to celsius recordings. still being able to elevate his sound and production he now presents us the special night ep.

14 killer cuts from jamaicas finest duo.

neueheimat is joinig the cirque du minimaliste family on its sublabel manege with his debut release *quartier3*. neueheimat was founded near hamburg in 2012 by dennis grell. after working for many years as a commissioned producer and remixer for publishers and labels, dennis wished to start his own, new project and truly realise his creativity. conceptually, the aim is for the music to blend seamlessly with his photographs of urban architecture and to document the anonymity of life within city walls. influenced by artists such as anders trentemøller, jon hopkins, trent reznor and the earlier einstürzende neubauten, dennis began creating his own definition of electronic music. neueheimat and subsequently *quartier3 ep* are characterised by dennis clear style of production: a few lighter passages, but primarily creating a deep and murky impression. large spaces leave room for interpretation and present the listener with images that either they have never seen or have been missing for a long time. created on old analogue equipment, mixed on a 30-year-old tape recorder and mastered by mastering engineer stefan betke (tresor, cabaret voltaire, lucy, laibach), *quartier3* is a significant milestone in dennis production history.

flying lotus fünftes album ist ein trip, das aehnlich wie das kernthema, der tod, von einer daseinsform zur naechsten springt, sich von einer klangdimension zur naechsten entwickelt. auf youre dead! verschmelzen klangwelten, visuelle welten, metaphysische welten, die virtuos miteinander verwoben einen vollkommen neuen stoff, ein transzendentes, bewusstseinserweiterndes plasma ergeben, das so nur in der Übergangszone oder zwischenwelt existieren kann. musikalisch orientierte sich flying lotus an den großen fusion-jazz-kollektiven der 1960er/1970er und an psychedelic-rock-lps. die anziehungskraft seiner klanglichen traumwelt ist in den letzten jahren so stark geworden, dass inzwischen auch schwergewichte aus anderen sphaeren wie kendrick lamar, snoop dogg oder jazzlegende herbie hancock davon angezogen werden. ein faszinierender, tief berührender trip.

snow bone follows up his debut remote viewer ep with a rollicking techno black label, properly rolling up his sleeves for some head-down big-room techno and acid on mystic vision.. features a raw, driving remix from manse!

special remarks: limited edition ep, 300 copies, vinyl only.

das erste erfolgreiche jahr unseres ambitionierten club-labels neigt sich nun dem ende zu und wir blicken voller stolz auf 5 großartige releases von unseren residents mario aureo & manuel moreno, patryk molinari, kuriose naturale, madmotormiquel und schlepp geist zurück. und wie es der zufall so will spielt die zahl 5 auch gleich eine große rolle bei unserem nächsten projekt - der -five years lost- compilation im zuge des 5-jährigen club-jubiläums, welches vom 02. bis 05.10. stattfinden wird. diese 3x12- compilation beinhaltet 12 facettenreiche tracks von bekannten und auch neuen produzenten aus dem ritter butzke umfeld. von deep- und tech-house, über minimal und techno bis hin zu disco und progressive ist hier alles vertreten, womit wir euch ein möglichst breites spektrum an elektronischer musik präsentieren wollen, welches so natürlich auch in unserem club, bei den unzähligen events in den vergangenen jahren, vorzufinden war und auch in zukunft weiterhin aus den pas unserer diversen floors schallen wird. leider wird es wohl den rahmen sprengen wenn wir hier auf jeden einzelnen track stilistisch eingehen würden - daher wollen wir jetzt nur kurz und bündig die einzelnen künstler der reihe nach vorstellen: mit dabei sind -crossfrontier- marc poppcke, -der freund des hauses- bela brandes, -dikso-boy- daniel solar, -die gute seele- don brazo, -das dynamische duo- mario aureo & manuel moreno, -die kühnen wölfe- kuriose naturale, -mr.vibe- patryk molinari, -freundentaumler- chris hanke, -plötzlich prinzessinnen- beddermann & dahlmann, -meister proper- putzlicht, -team exit- wasted ruffians und -chefkoch- andre schaaf. kurzum ein wahres potpourri an namen und musik, welches man nicht weiter durch worte aufwerten muss sondern einfach die musikalischen beiträge für sich sprechen lassen kann. wir freuen uns sehr, dass wir mit diesem groß-projekt ein weiteres stück wachsen und so in ein neues jahr mit noch mehr hochkarätigen veröffentlichungen starten.

serge gainsbourg may primarily have been known outside his native land for the heavy breathing masterpiece *je t aime (moi non plus)*, the only french song ever to top the british charts, but to those at home he stood as one of the more potent cultural figures of post-war france. discover why he is held in such high regard with this 180g double-vinyl set.

2nd part for 20 years p o m e l o with tracks from tin man, elektro guzzi, digilog!

in what may be his best work to date, gui strings together various strands of pop-infused techno and house.

re-issue of a dub classic from 1980 by cry tuff label head prince far i.

liverpool-based producer bantam lions has long been part of the scenery records family, helping label boss asok launch the imprint with 2012s one to one ep. here he returns with his third 12 inch for the label. lead cut *recollections* is particularly good, delivering a deep and attractive fusion of fuzzy analogue warm, dreamy melodies and intoxicating chords. he ups the tempo further on *many years later*. which layers dubbed-out chords and swirling textures over an energy-packed techno groove. the accompanying remixes are pretty tasty, too, with the cyclist particularly impressing with his detroit techno-goes-lo-fi interpretation of *recollections*. that said, the dreamy, new age-influenced downtempo take from mood hut regular cloudface is pretty darn good, too.

since the release of his previous album paradise for all, the profile of guts has grown a lot to become one of the main french producer and a recognized name on the european scene. his hit brand new revolution was played by many radios worldwide and even synchronized in grand theft auto v. his compilation series beach diggin is now a reference for summer and quality music.

the 7th release of house mannequin is inclusive three new house tracks. and just vinyl only - no digital business

brilliant serious techno! par grindvik and peder mannerfelt on one split release. there couldnt be a better team for analog, droning and raw tracks.

die doppel-lp erscheint als limitierte 180g pressung mit 19 von 20 ausgespielten tracks, audiophil auf halber geschwindigkeit gemastered, inkl. bonus-download-code mit allen tracks (einmal komplett ausgespielt, einmal als mixset) in wav/mp3-formaten, inkl. 30x30cm kunstdruck, im gatefold mit antistatischen innentaschen.