after her debut ep for hivern discs, shtum is very happy to welcome inga mauer to the family. the russian born but constantly travelling artist delivers the goods in form of four dust-dry and psychedelic techno tracks that celebrate the obscurities. starting with -dno- she sets the tone with an anthem for dark skies and basements. -silences- is captivating with its dysfunctional sounds. after the whirling dance of -my flights without you- you can t help but feel a little dizzy. and -dystopia- feels like hypnotic techno with a punk attitude. the artwork comes courtesy of carl-johannes schulze

zweieinhalb jahre nach rhondas debütalbum -raw love- erscheint am 27.01.2017 der nachfolger -wire- auf pias germany. das quintett hat seine mischung aus groovigen beats, lässigem soul mit sixties-vibe und perlenden melodien verfeinert, die punk-wurzeln aber keinesfalls vergessen. so klingt -wire- dann auch teils cineastisch und deutlich düsterer als der vorgänger, was nicht zuletzt an der beteiligung des deutschen filmorchesters babelsberg bei einigen songs liegt! die zusammenarbeit begann im november letzten jahres, als rhonda ein angebot bekam, mit dem filmorchester ein konzert in potsdam zu spielen, welches prompt ausverkauft war! schon dort probierte man einige der neuen songs aus, und es wurde allen klar, diese stücke sollten genau in dieser besetzung für das neue album eingespielt werden.
die vinyl-lp erscheint inklusive album-cd.

the second album by underwater chess is a statement against western world uniformity. a meltdown of rock relics, electro acoustic dialogues and punk dust. from epic and orchestral grandiose chunks of instrumental themes into spiritual vocal outbursts, micro rhythms and edgy overtones underwater chess reach into the inner spheres of psyche urging for the awakening of human existence. a psychoactive substance that should be taken at ones own responsibility.

the latest offering from us-based imprint secret studio records will arrive courtesy of circling vultures, a project fronted by chicago natives justin long (hugo ball), and ken zawacki (dar embarks). circling vultures’ sound is rooted in the hedonistic midwestern rave scene of the ’90s, formed over a long history traversing the hedonistic spaces of that time—it’s a hardware-driven sound with a diy punk ethos.

credits: / personnel: richard youngs (vocal, casio) paul thomson (electronic drums) luke fowler (serge modular, dx7) buchla-ized vocals by sam wolk. mixing by ernst karel at sensory ethnography lab infotext: luke fowler is a turner prize nominated artist and musician based in glasgow, honorary scotsman richard youngs has been involved with music for most of his life. notching up 140 releases, seamlessly drifting through musical genres inventing the no genre genre in the process. the post-punk autodidacts post-punk autodidact - clive bell, the wire. paul thomson currently drums for franz ferdinand

nice price deal !!! drei remixe in geheimer mission. die a-seite gehört dem post-punk-klassiker stop! dance! von ak-47. die b-seite zollt in schmutziger disco-tech-manier chaka khan tribut, während auf der rückseite der 2. juli 1977 detroit techno trifft.

the ballroom basement of a hotel. the place for jack nicholsons mean encounter with a ghost or possibly the place for a cocaine laden sexual encounter with part of the media agency elite. the label worked there. and so did pablo. buying talent, slinging drinks, just a couple sneering punk kids looking towards a completely different berlin future. there was a time when rough and tumble crossed paths with diamonds. maybe it created diamonds in the rough? pablo always sent the label demos before the label was a label and could do something with them. pablo has had a string of successes since then (too numerous to point out) and the label became a label. became uncaged. time to let this relationship out of the cage. it is a long way from that ballroom basement, now time to do some thrusting, propelled, grinding, noisy, sonic shit together. house music? is it really? just in case you forgot that no one is all grim guts and clenched teeth, that wild abandon sometimes comes in the form of an ecstatic beach dance, nick höppner comes around and forces you to go out to hasenheide park for a picnic and to pick up a bag of dirt weed. >so fucking buy it<

philipp läufer (the prolific leader of the acclaimed bleib modern project) & theo zeitner signs this precious and absolutely surprising debut mini album of their new side project ivy s void. between joy division and bauhaus sound the 6 tracks included are a wild orgasm of pure shoegaze and wavy post punk with glorious raw synth touches. this deluxe special edition includes a 30×15 poster the oraculo says this is surely a future super classic.

having come to light on optimo music, the junto club now kick off the snap crackle & pop label with a new single that builds on their promising reputation. shiviana is a perfect encapsulation of what the band are about, channelling all kinds of wave styles into their instruments but still coming off sounding contemporary and seductive at once. khidja comes on board to remix the track, turning it into an acidic burner with a heavy dose of bombast thrown in. ikiryo presents a more post punk side to the junto club sound, which smagghe & cross then buff up into a crafty electro number for the dancers.

in this age of pre-set play lists and total sharing of music, you more or less get served what you expect to hear. your musical preferences are predictable and you - with little or no effort - get access to music that suits your self-image perfectly and places you in a safe zone.
but what if these babysitting services went on vacation and you’re suddenly left alone in the post-industrial outback? where do you start looking? at first listen you might feel that the songs on loving hell by vox low, released on hoga nord rekords, might not suit your needs in such a cold, harsh existence. but that’s where you’re wrong. vox low’s sound might first appear frightening and cold to you but the tracks on this ep most of all carries with them depth, energy and persistence: the perfect soundtrack to reboot your system to and to get you going straight forward without looking back. this is music for the aftermath of a cathartic experience, music that generates a propulsion that makes you wanna walk on that road forever, music to help you rediscover what punk, rock and electronica really should be about - gut feeling.

that which is not said...
twins is matt weiner who is also known for his featureless ghost project and of course as the head of the dka records label… his project twins is not limited to one specific style but the dominant characteristic is the synth driven sound… other influences in the mix are various styles of dance music and a healthy dose of arty post-punk… this new mini album “rather not” is the perfect blending of all of this… due to this it is on the one hand a classic minimal elektro record but at the same time a rather modern piece of electronic music… catchy tunes and surprising twists go hand in hand and make up for an authentic and original record… which is more stunning every time you play it!

these songs were made over the past 2 and a half years by uchi: luna (january 2016), was named after a talking cat. it s kind of a sad story. you will find some synth sounds, three different kick drums, and a couple hi-hats. it s kind of moody. you can take it as it is, or not. pride is poison (july 2014) ironically, it s titled after experiencing dosages of unhealthy relationships, though it might be the one people like the most. it s sad-ish, noisy, bouncie, and bassie? that about sums it up. inc (february 2016) is titled after the international noise conference, where it was recorded. actually it s a 3 part spliced zoom room recording of a 25min long improvisation, made in a punk bar. the argument here holds, is it really worth it to make perfect music? where is the concept of -live- in techno anyways? it doesn t matter. it s just a semi-distorted recording of a moment that meant nothing to almost no one, and yet it lives.

the cd included in this vinyl edition features the 15 tracks in the same order. mr oizo (aka quentin dupieux), the french producer and pioneer of modern electro alongside daft punk, air and cassius simply can’t and won’t stop working. having released 5 studio albums, 4 osts, a multitude of eps and directed 6 movies over the past 20 years, the ‘godfather’ is back with a new album. and this time, he is not alone as the tracklist features an impressive selection of quality guests: peaches, boys noize, skrillex and charli xcx among others. this new release will be a new occasion to further explore the mind of one of the most fantastically uncommon artist today.

nice price deal !!! the boogie pimps are back with their fresh ep!! quality house tracks - with cool sampling moments!!

after the release of the album -the rustling of the leaves- in november of 2015, and appearing on tommy four seven s 47 label, snts announces his new label sacred court, which will move towards a more experimental and distorted sound, covering styles such as noise, industrial, techno post-punk, ebm, etc.

normal bias are two good friends - yac and 77 - who both went through punk rebellion, death metal fumes, the fall of the berlin wall, and even managed to settle down in life. along the way they listened to 80s/90s transformation period rebel vibes through a filter of dub - a sound and a tradition that they have always remained faithful to. each of them is highly regarded on the polish dub/dub techno scene in their own right, and now they combine forces, skills and equipment to create a modern take on a sound that unites studio one and berlin s chain reaction legacies. this vinyl lpweighs 180g.

cupol was an english post-punk band that formed during wire s 1980-1984 hiatus. the duo consisted of bruce gilbert (guitar, vocals, synthesizer) and graham lewis (bass, vocals, synthesizer). building on wire

these systems are failing ist der titel des neuen albums, das unter dem namen moby & the pacific void choir veröffentlicht wird. moby hat alles hineingepackt, was er liebt: punk, post-punk, new wave, euphoric rave und eine menge geschrei.

javier orduna grew up with the sound of legendary punk associates like the bad brains, joy division or dead kennedys. but already in the 80s he was dedicated to acid house and the techno of detroit which brought an inspiring vibe to his frst productions. an infuence you can still hear in his recent works. emerging into barcelona s vibrant electronic music scene in the early 2000ers with residencies e.g. at the legendary moog club orduna was soon touring clubs around the world and releasing his output on visionquest, viva music or moda black. what brought him to jeudi were his undeniable production skills and his big warm and crazy heart. for our 26th release we are proud to have him on board with this stunning 4 tracker defnitely will fnd some lovers out there.
supported & liked by jamie jones, hot since 82, chaim, tim green, sacha robotti, lehar, ewan pearson, robbie akbal, affkt, john monkman, lane 8 and so much more.

impulsive and intuitive hardware house & techno from vancouver duo minimal violence aka ashlee luk & lida p. the five tracks on night gym soundtrack urban landscapes, textured synths, heavy kicks, and dense polyrhythms come together to form the duo s own brand of outsider house. citing influence from both minimal synth and chicago house, night gym arrives hot off the heels of the duo s self titled ep on dublin based first second label which closely examined the intersections that lay between punk and techno. recorded in february/march 2016 in the duo s home studio, the instinctual nature of live work flow plays an important role in the duo s creative process. utilizing hardware (sh-101, tr-606/505/707, waldorf blofeld, juno-60, dx-21, mpc1000) in addition to sourced samples with final compositions compiled and manipulated in ableton, night gym is an example of the duo s diverse interests and collaborative nature. the duo recruited visual support from chicago based graphic designer kevin mccaughey of nonporous for the distinct imagery of night gym. as well he designed the poster that comes in the 12- and screen printed a limited run of long sleeve t-shirts available through boot boys biz.

limited edition of 300 numbered copies on white vinyl with download code included.
veil of light is the synth/postpunk solo project of a mystery man from zurich known to the wider world only as m. the project was born in 2012 when all the tracks for the veil of light eponymous 2013 ep released on belaten were recorded by m in a bunker near zurich. that last fact incidentally is a good way to describe the music released under this project’s name much like the mental image of a bunker it is cold dark and forces one into a contemplative resigned state. the influences that immediately come to mind listening to veil of light are 1980’s wave music post punk industrial and dark ambient all weaved together by an overarching depressive yet dreamy atmosphere. it has been called gothgaze and the description seems apt. the followup to the opener the 7” cold skin single released on edition gris and the debut lp simply titled as well as this years head/blood/chest ep continue in the same vein.

opilec music is proud to bring you the first ever remix album of san francisco s cult synthesizer-punk legends, the units! one of america s first synthesizer bands and pioneers of a genre now known as synthpunk, the units were notable for their use of synthesizers in place of guitars, and multimedia performances featuring multiple projections of satirical, instructional films critical of conformity and consumerism... predating mtv and 25 years before the birth of youtube! this is a definitive collection of over 24 of the band s original songs written between 1977 and 1984 and remixed for the dance floor in 2010 by a renowned and international cast of over 40 djs, producers and bands active in the contemporary club scene. this project celebrates the futuristic units along with the innovative djs that first played them.

persian ahu karimi is a berlin resident. he began his musical exploits in a punk band in tehran but time and space and inertia have distilled his music into a rare spiritual essence, with a delicacy and evanescence like memory. the five tracks here have a gauze like quality.

growing more deeply into raars punk ethos, maelstrom and louisahhh s tracks on the labels fourth release are as much about process as end product. several days of one-room, one-take live sessions involving guitar feedback, machine cacophony and endless growling and shouting resulted in hurry and listen. these song were molded into work that is at once unconventional and club-ready with much effort in preserving the feral qualities of the original material.

the debut album from norman cook aka fatboy slim, originally released in 1996, back on double 12 inch.

after debuting their label with the return of headhunter, the trusik team returns with their second vinyl release from the ever-illusive ruffcut faculty member tremble. tremble has quietly made his presence known with reggae influenced tunes that are simultaneously roughly hewn, yet meticulous detailed in sound design. for trsk002, tremble gives us “too much terror”, which with all the daily attacks on civilians across the nations of the world, seems prescient. what starts out as sound system inspired roller slowly morphs into a technoid fusion of dread sub weight and dub techno chord flourishes. on the flipside, tremble simmers the tempo down to the 130ish range with “bwoy”. dancehall indebted sub detonations output cut vicious shapes while filtered rasta portents gradually build into a technoid climax. two killer sides for the concerning djs! for trsk002, trusik has incorporated artist ben ladieu’s immaculate pen and ink drawing into the overall aesthetic of the release. ladieu’s work is often dense, multi-layered and full of little hidden details that draw comparisons to 80’s diy punk flyers and zeke clough’s contributions to seminal dubstep label skull disco and woe to the septic heart.

towards a fearless future…
roberto auser is known for his wide range of sounds and releases on viewlexx and his own ausland label. next to that he is part of kaval (vrystaete). even though his releases until now go from italo disco inspired electro to exotica and dark jazz influenced electronics his production is always rather smooth. for enfant terrible he shows his raw and dirty side. “faceless future” is an old school minimal elektro record done with analogue synths with a real industrial and post-punk attitude. this record pays tribute to (early) cabaret voltaire, (early) front 242 and (later-day) le syndicat electronique. simply minimal electronics as it should sound… rough and unpolished…
limited to 250 copies.

cvn is the work of japanese electronic artist and core member of the now defunct synth punk duo ‘jesse ruins’ -nobuyuki sakuma. a work that is distinctly sci-fi in it’s intention, ‘exposure’ is comprised of six tracks that veer from battered & scorched weightless warfare workouts to bright & melodic mutant electro to desolate and longing fragments of cracked ambience.

celldöd, aka anders karlsson, has been releasing dirty electronic music since the late 80s, both small-run cassette tapes inspired by the diy ethos of his post-punk background, and pristine vinyl editions. karlsson s music is uncompromising and edgy, with roots in both early electronic and 70s industrial music from britain, as well as us techno and kraut-inspired german electronics. prior to releasing records under the name celldöd, he released music as the pain machinery (ebm), human experiment (industrial), preset (industrial/breakcore), and hbt (proto-techno/industrial) among others — all unified by an omnipresent diy-punk attitude.

ninja tunes romare veröffentlicht eine neue 12inch single mit einem exklusivem track! mitte november erscheint romares zweites album love songs: part two auf ninja tune. um diese amourösen exkursionen zu feiern, präsentiert romare als kleine kostprobe die single who loves you?. diese kombination aus punk-funk-bass, disco-rhythmus, dubby vocals und einhundertundeins subtilen elementen, die man kaum bemerkt, macht who loves you? zu einer seltenen sache zu einem four-to-the-floor tanzflächen füller mit intelligenz und echtem sexappeal.

back to black- 180gr pressing , the third and final studio album marries the punk energy of their first, and neverminds classic songwriting. albini behind the desk and songs with the quality of all apologies, pennyroyal tea, heart shaped box...

ltd coloured pressing of this classic dbl album

founder and a&r for life and death re-cord label. he grew up tour managing punk bands and organizing leftfield music events. now he brought his talents to the omnidisc family with this electro influ-enced polyester release.

die aus los angeles, ca stammende band orgy machte mit ihrem multimillionsellern candyass und vapor transmission erstmals zu beginn des milleniums von sich reden. das debütalbum verkaufte weltweit über 2 millionen und lieferte mit der coverversion des new order klassikers blue monday einen weltweiten hit. das dritte album der band punk static paranoia lieferte die band erstmals über ihr eigenes label d1 music aus und erreichte platz 11 der us billboard charts mit über 280.000 verkauften einheiten. nach einer fast 7-jährigen pause meldet sich die band jetzt mit ihrem neuen album talk sick zurück, welches die band auch erstmals auf tour nach europa bringen wird.

mysterious brooklyn label and production crew getting in the game with some techno and ebm bangers. all are re-workings of recognizable or obscure classics. “looping blood” the clubbiest of the ep builds around a controlled bleeding loop and blossoms into a spiraling unstoppable groove accented by crashing reverbs and jackin drums. “alaaarmed” is a pounding re-edit of tommi stumpff, early german minimal punk not unlike nitzer ebb. “take two” is a great remix of front 242’s epic industrial classic “take one” dubbing out the lyrics for an instrumental approach. “open bar” puts the scissors to skinny puppy’s early 80s classic “last call” looks like the aptly named effective weapns label certainly providing some hot jams for this fall. fans of dark entires, minimal wave take notice

len leise - ing ing - the first release for general purpose (gp), a record label created by len leise and longtime dj partner and collaborator salvador. leise and salvador neither plan to release exclusively on gp, nor promise regular releases. it’s a label for when they can find the time, energy, money and, most important, the sound they believe in. ing is about embracing change, experimentation and progression. terrified to follow a format, leise looked to other genres for inspiration. he turned to his love for dub, afro, post punk and experimental music to find guidance. artists like scientist, jah shaka, savant, adrian sherwood and andromeda all in their own way influence ing. ing is not what you’d expect from leise. ing is a dub record, a post punk record, an experimental record, a balearic record, a homage record, a record with a purpose.

jamie t vereint vollkommen scheuklappenfrei so unterschiedliche elemente wie rock, punk, reggae, rap und astreinen pop zu einem sound, der inzwischen als trademark des briten gelten darf.

blondies second album! a mix of catchy new wave pop with the occasional semi punk snippet thrown in for good measure.originally released in 1977! special picture vinyl release!!! 2016 re-issue

exklusiver track aus den gemeinsamen sessions des japanischen kult-trios nisennenmondai mit dub-legende adrian sherwood, aus denen das hochgelobte album -#n/a- entstand, das anfang des jahres erschien. subtiler dub-techno im post-punk-style. mit zusätzlichem remix von chris carter (throbbing gristle), der eine gehörige portion machine-funk beisteuert.

roe deers is a lithuanian-based audio-visual project led by liudas and oskaras, two besties, often mistaken for brot-hers. we welcome roe deers to the omnidisc family. with their rush ep. its an impressive debut, built around metallic percussion hits, chugging post-punk attitude, tipsy textures and the sound of broken cuckoo clocks. ‘rush’ is a throbbing dance-floor excursion blessed with an otherworldly atmosphere. it s the musical equivalent of fin-ding a wormhole round the back of a sprawling industrial estate, and then stepping inside to have a look around. easing out the ep’s post-punk and industrial elements whilst adding a heady air of horror-influenced late night mysticism. breathe in the rarefied air, and then run for your life.

double lp of new material from new jersey musician, unearth noise. the album compiles selected compositions made over the last three years. as a kid roger berkowitz was inspired by the celestial sounds of ravi shankar’s strings, an album that was introduced to him by his father who was an engineer for rca. in his youth he played in various punk bands and dabbled in experimental music after being exposed to the likes of john cage, harry partch, brian eno and mahavishnu....

past releases - crosstown rebels, one records, leftroom limited and ffrr party affiliations - circoloco, flying circus, luciano & friends into you aka achille soardi, the italian producer and artist, born in the beloved lake garda region, connects with the dancefloor through his undeniable and fresh talents. as a young artist achille grew up on punk rock and hip hop from the us but soon found his love for techno, a genre which he would later dj at parties across france and italy, alongside ltz sound system amongst various other crews

nice price deal !!! amazing daft punk style slammer from the ashton shuffle boys mixes from stupid fresh & klaus hill

while suspended in gaffa is a debuting name, the members are by no means newcomers. they sport an extensive past together as hinsidan, known for releasing albums on phisteria and remixing asche on ant-zen. further back, suspended in gaffas casper holm was member of the legendary post-punk band before. while dsm s early teenage years recordings as the product were re-released on vinyl a couple of years ago on the prominent us label dark entries.

nice price deal !!! supported by yuksek, boombass, designer drugs, stereoheroes, sinden, jess & crabe, sayem, guido, minitel rose, candy clash, malente, la violette... born in 2006, man&man started organizing parties in paris paris and triptyque, inviting various artists such as yuksek, naïve new beaters, klub des loosers or plasticines. little by little, alexandre, nelson and luc became djs, and played in many clubs in france, while becoming resident djs in the defunct but still beloved flèche d or. they re going to release their first ep les grandes vacances. they self describe their influences as coming from heavy metal to hip hop, from italo disco to early 80s punk rock, which boils down to an innovative organic kind of pop, with a slight touch of feminity siobahn wilson (mymajorcompany) added backing vocals on les grandes vacances. theyre now playing as djs, but have developped a brand new live show, with real instruments, microphones, and animals, caught in the jungle with bare hands. nelson, alexandre and luc are also still assisting guido in panic rooms programmation, with their comme a la maison parties, and gave their name to a cocktail there!

neue elektronische instrumente – minimoog, arp odyssey, roland system 100 und mc-4, die legendäre korg ms-20 oder die roland tr-808 – ließen die musiker zwischen punk und klassischer ausbildung, zwischen kunstakademie, ratinger hof und dem kölner studio für elektronische musik, einen völlig neuen hybriden entwickeln. die zusammenstellung trägt neben der historisierenden leistung aber auch einen deutlichen genusswert: neu!’s “isi”, rothers “karussell” oder wolfgang riechmanns traumhaftes “abendlicht” nehmen einen mit auf eine reise durch die wolken, daf, liaisons dangereuses und die krupps tanzen gleichzeitig am boden mit schweren stiefeln auf den verdreckten böden des düsseldorfer untergrunds. “electri_city 2” versammelt die exzentrischen protagonisten einer bewegten zeit, gleitet im rundblick durch den elektronischen kanon der landeshauptstadt nrws und birgt gleichzeitig lang verloren geglaubte schätze wie teja schmitz weitestgehend unbekanntes stöhnen in “studieren”.

deluxe doppel-vinyl edition im klappcover, limitiert auf 1000 stück.
neue elektronische instrumente – minimoog, arp odyssey, roland system 100 und mc-4, die legendäre korg ms-20 oder die roland tr-808 – ließen die musiker zwischen punk und klassischer ausbildung, zwischen kunstakademie, ratinger hof und dem kölner studio für elektronische musik, einen völlig neuen hybriden entwickeln. die zusammenstellung trägt neben der historisierenden leistung aber auch einen deutlichen genusswert: neu!’s “isi”, rothers “karussell” oder wolfgang riechmanns traumhaftes “abendlicht” nehmen einen mit auf eine reise durch die wolken, daf, liaisons dangereuses und die krupps tanzen gleichzeitig am boden mit schweren stiefeln auf den verdreckten böden des düsseldorfer untergrunds. “electri_city 2” versammelt die exzentrischen protagonisten einer bewegten zeit, gleitet im rundblick durch den elektronischen kanon der landeshauptstadt nrws und birgt gleichzeitig lang verloren geglaubte schätze wie teja schmitz weitestgehend unbekanntes stöhnen in “studieren”.

nice price deal !!! at last! beatboxer, lyricist and singer mark boombastik finally releases his album adios berlin, produced with eduard delgado lopez (bass guitar and more). no more pseudonyms, no frills, but intimacy between sense and nonsense: a grand record. adios berlin is: champagne and unpaid rent. it is: love and hate - it is: a conviction and an absolution of the possibility to be different, to live differently. it is: the mainstream suitability of the peculiar, like cooking without a recipe. it is: tomato stains in a kitchen, scratches on a record, scars on a shin. it is: a swan song and a new beginning. an album like a speech, between accapella and beatbox, punk and rough cut - techno and experiments for a special audience.
comes as limited edition double 12 inch, including 7 inch and cd.

limited edition of 300 copies, hand numbered.
“danse ep” is the first extended play of the german band bleib modern whom have surprised last year with one the best cold wave albums of the european scene, “all is fair in love and war”. 4 tracks have been remixed / re recorded specially with a “danse” approach for this magical release. the evocative guitar lines among crude but very seductive vocals plus an excellent production transports the listener immediately to an altered state of mind. the sound of the band can be perfectly compared to any of the all time big names of the cold wave and post punk.